鬼吹灯昆仑神宫手游是一款充满魔幻风格的放置类手游。唯美的游戏画风、各种放置玩法、无论是挑战副本、还是探索更加惊险的地下世界、都能带给你别具一格的游戏体验、轻松战斗、畅想收益、喜欢就来本站下载体验吧！搬山术，游戏职业有三个可以选择，鬼吹灯，快来鬼吹灯昆仑神宫手游破解版体验吧。 This Week s Ketchup brings you seven headlines from the world of film development news, covering such titles as the next Spider-Man movie and Wolfman. This WEEK S TOP STORYUNIVERSAL WANTS RYAN GOSLING TO BE THEIR WOLFMAN(Photo by Elizabeth Goodenough/Everett Collection)Universal Pictures scrapped ambitious plans for a cinematic Dark Universe in 2017 following the luke warm reaction to Tom Cruise s The Mummy (Rotten at 16%). Instead, this year s The Invisible Man (Certified Fresh at 91%) became the first movie of another round of monster movie reboots. Some of the other projects are Paul Feig s Dark Army and a remake of The Invisible Woman, but this week, we found out that the next one will probably be Wolfman. Although he s not officially signed yet, Universal Pictures is pushing ahead with Wolfman with an eye toward Ryan Gosling to star. In much the same way The Invisible Man was reimagined as a stalker thriller, the Wolfman reboot is being compared to Jake Gyllenhaal s Nightcrawler, which seems like an odd film to single out as a comparison to a movie about a guy who turns into a half-man/half-wolf. Wolfman is currently being written by the Orange is the New Black team o
This week s Ketchup brings you more headlines from the world of film development news, covering such titles as Gilgamesh, Peaky Blinders, Thor: Love and Thunder, and Wonka.This WEEK S TOP STORYA WILLY WONKA PREQUEL FROM PADDINGTON DIRECTOR PAUL KING IS COMING IN 2023(Photo by Everett Collection)Few movie characters may cause quite the generational dispute as Willy Wonka, with older movie fans possibly preferring Gene Wilder s take in Willy Wonka and the Chocolate Factory (Certified Fresh at 90%), and younger fans being more familiar with Johnny Depp s portrayal in Charlie and the Chocolate Factory (Certified Fresh at 83%). The latter is also now over 15 years old, so that may explain why Warner Bros. is preparing for a third movie for yet another generation to embrace. This time around, the film will be a prequel called Wonka, which will ostensibly delve deeper into the backstory of how the young Willy Wonka became a candy company impresario and met the Oompa-Loompas (though Depp s movie did address some of that). Wonka is now scheduled for release on March 17, 2023, and the prequel will be directed by Paul King, who directed both Paddington (Certified Fresh at 97%) and its critically beloved sequel Paddington 2 (Certified Fresh at 100%). No official casting announcement has been made yet, but Warner Bros. is reportedly considering either Tom Holland (the MCU s Spider-Man) or Timothée Chalamet (the star of Warner Bros. Dune reboot, due later this year). Several years ago, when the Wonka prequel first entered into development at Warner Bros., other actors who were reportedly being considered included Donald Glover, Ryan Gosling, and Ezra Miller (who will soon be busy starring in WB s The Flash). Other Top Headlines1. MATT DAMON RETURNING FOR THOR: LOVE AND THUNDER (Photo by ©Walt Disney Studios Motion Pictures)Director Taika Waititi came to Thor: Ragnarok (Certified Fresh at 93%) from a career rooted in comedy (Eagle vs Shark, What We Do in the Shadows), and one of the funnier early bits in Thor: Ragnarok was the revelation that the Asgardian actor playing Loki in a stage production was none other than famous actor Matt Damon. It was something of an impressive get for Marvel Studios, because Damon remains one of the bigger movie stars who hasn t yet appeared as a superhero (unlike his pal Ben Affleck, who s played both Daredevil and Batman). This week, we learned that Damon and his family had arrived in Sydney, Australia so that he can participate in the filming of Thor: Love and Thunder (5/6/2022). It s currently unclear whether Damon will be playing the same actor he played in Thor: Ragnarok or someone else, but he was reportedly quoted as saying he would be in Australia for the next few months, which suggests a role bigger than a mere cameo. Damon joins a cast that also includes Chris Hemsworth (of course), Natalie Portman, Tessa Thompson, Jaimie Alexander, and Chris Pratt, with Christian Bale as the film s villain Gorr the God Butcher.2. PEAKY BLINDERS MOVIE PLANNED AFTER THE SHOW S FINAL SEASON (Photo by Netflix)Peaky Blinders is an award-winning crime drama BBC TV (and Netflix) series currently in its fifth season that is based upon a real street gang that operated in England from the 1890s to 1910. Earlier this week, the announcement was made that Peaky Blinders would end after its upcoming sixth season, but that news was followed the very next day by the story that applies here. Showrunner Steven Knight elaborated that Peaky Blinders will indeed continue past the TV series with with a movie That is what is going to happen. Nothing else is known yet about what form a Peaky Blinders movie might take, and it s also worth noting that both a ballet and a stage musical have been considered. Like many other long-running TV shows, Peaky Blinders has had a large ensemble cast that has included Cillian Murphy (as the gang s leader), Paddy Considine, Aiden Gillen, Tom Hardy, Sam Neill, and Anya Taylor-Joy.3. R B SINGER LEDISI JOINS THREE WAY RACE TOWARDS MAHALIA JACKSON BIOPIC(Photo by Everett Collection)This August will mark the 58th anniversary of the the March on Washington and Martin Luther King Jr s famous I Have a Dream speech. One of the performers that day was gospel singer Mahalia Jackson, and she was the one who called on King to tell them about the dream that he had told her about. The world is still waiting for a full Martin Luther King, Jr biopic (that Steven Spielberg may still have the rights to produce), but in the meantime, it appears that Mahalia Jackson may get one first, as she is now the subject of three separate biopics. The first project we heard about last August was a Lifetime TV movie produced by Robin Roberts; that one has already been produced, and it even has a trailer. Within 10 days, the news also broke that Queen Latifah is producing a feature film called Mahalia! with Jill Scott attached to star. That brings us, then, to this week s news, which is that R B and jazz singer Ledisi has signed on to star as Mahalia Jackson in a third biopic project to be titled Remember Me: The Mahalia Jackson Story and directed by actress Denise Dowse in her feature film debut. Remember Me: The Mahalia Jackson Story will focus on the key Civil Rights Movement years of 1956 to 1963, with Columbus Short co-starring as Martin Luther King, Jr. It s also unclear when that film or the Jill Scott movie that it s now in direct competition with will be produced, and specifically, which project might be produced first.4. HUGH GRANT AND JOSH HARTNETT TO BOTH REUNITE WITH DIRECTOR GUY RITCHIE (Photo by Priscilla Grant, John Paul Melendez/Everett Collection)British director Guy Ritchie is managing to continue working right through the COVID-19 pandemic at basically his normal rate, but there s an argument to be made that his latest crime thriller, Wrath of Man, is one of those films currently left in a sort of pandemic-induced limbo. That film features long-time Guy Ritchie collaborator Jason Statham, who will also be the lead in his upcoming spy thriller (currently untitled after previously being called Five Eyes) opposite American actress Aubrey Plaza, and this week, we learned that the film will feature two others actors reuniting with Ritchie. Josh Hartnett, who is also one of the stars of Wrath of Man, will also co-star in the spy thriller in an unknown role, while Hugh Grant will also co-star in what will be his next film working with Guy Ritchie after last year s The Gentlemen (Certified Fresh at 75%).5. MAKERS OF FORTNITE EXPAND INTO MOVIES WITH ANIMATED GILGAMESH (Photo by Epic Games)Hollywood has obviously been adapting the tales of Greek mythology (Hercules, Jason and the Argonauts, Clash of the Titans) for decades, but many other cultural mythologies are adapted at varying levels. One such culture that is almost never adapted is ancient Babylonian mythology, but that s about to change, and it s coming from a surprising source. Hot off the continuing success of their online game Fortnite, the video game developer and publisher Epic Games is preparing to move into the realm of animated feature films using the same Unreal technology that is used both in their games and in current productions like The Mandalorian on Disney+. The first animated film to be produced as part of this new initiative will be Gilgamesh, based on the ancient Mesopotomanian Epic of Gilgamesh. Gilgamesh is being produced by animation companies in Argentina and elsewhere in Latin America, but the film will also be adapted with an English language cast yet to be announced.6. JOSH DUHAMEL REPLACES ARMIE HAMMER IN J.LO ROM-COM (Photo by Priscilla Grant/Everett Collection)One of the most intriguing recent stories was revealed last week when we learned that Armie Hammer had dropped out of the romantic comedy Shotgun Wedding just a few weeks before filming was scheduled to start on location in the Dominican Republic. (We won t get into the alleged details why.) Film productions frequently have back-up plans (mostly because of scheduling conflicts, such as the situation that WandaVision star Elizabeth Olsen explained in this piece), and we now have a good guess at who has also been in the running when producers were considering an Armie Hammer type. Las Vegas and Transforrmers franchise star Josh Duhamel is now in talks to replace Armie Hammer opposite Jennifer Lopez in the romantic comedy Shotgun Wedding. If the deal goes through, Duhamel and Lopez will play a couple who gather their friends and family for a destination wedding in the Caribbean that goes awry when the wedding party is held hostage. Lionsgate will distribute Shotgun Wedding, which will be directed by Jason Moore (Pitch Perfect, Sisters).On an Apple device? Follow Rotten Tomatoes on Apple News.亚博最新网站是多少(Photo by 20th Century Fox Film Corp. / Courtesy: Everett Collection.)How and when did you decide to jump from acting to directing? Did you always know that was something you wanted to do?When I did Roswell, there weren t female directors. We had 61 episodes and we had one female director on the last episode. I didn t grow up seeing an image of a female director, so I never thought it was something that I could have. I definitely spent my time in editing during Roswell and asked a lot of questions and paid attention, but during my 20s, you just didn t see it.Then when I was on Life Unexpected they brought on a female director, Liz Allen, and it really kind of rocked my world. Through my relationship with her, she was like, You can do this. I started shadowing a lot after I got off Life Unexpected. That s where I was like, OK, this is something that I can do. By the time I did UnREAL, I came to them right away, and I was like, I have done my homework. I am prepared. I would really love an opportunity. I m really grateful to them that in the second season they gave me an episode to direct. I ended up doing four during the course of the series.What has your experience been like directing a show that you re also acting in, versus something like Roswell, New Mexico and Pretty Little Liars where you re not appearing on screen? The difference is that you re not really splitting your focus, but at the same time when you re directing and acting, it s pretty powerful. You know, you re really in it and you can really command the energy of a scene because your acting is putting that out. So, you can really craft how you want it to be.When you re not acting in it, when you re sitting back, you can take a breather and really see the scope of the piece. I think it s incredibly rewarding to work in this space. All this information that I ve learned and all of these tricks of the trade, of crafting an episode of performance and an episode of TV — to be able to push that information forward and share with these young actors and watch their performance blossom, it is so gratifying. It s a way of giving back in some ways, and I am just really relishing it.(Photo by Lewis Jacobs/The CW)It s mentorship from a totally different angle.Absolutely. You know, there are directors that come through your career that really give you these little nuggets that change the way you work. I try to give it as much as I can, because I want to have an impact in the few days that I m with them.Do you think that there will be an opportunity for you to appear on screen in Roswell, New Mexico?Carina MacKenzie — she s so talented — if she wants to figure out a way, I ll do it.Can you share anything else about your upcoming projects? Do you have any on-screen appearances planned?I did an episode of Law Order: SVU and Lucy Liu was directing it. That was really fun. I just did an episode of Drunk History that aired. But, quite honestly, following up Rachel Goldberg on UnREAL, there are big shoes to fill. I m just kind of taking a minute to find the right thing… because I really want to give it my all and find the next right character and the next right story.Roswell, New Mexico episode Songs About Texas airs Tuesday at 9 p.m. on The CWLike this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
4. 呼朋唤友 随心所欲
Ryan Fujitani for Rotten Tomatoes: You ve written, what, literally hundreds of novels across various series R.L. Stine: I know. Now, let s not say the number or I ll have to go take a nap or something. It s 26 years of Goosebumps. Do you believe it? I think they are about 140 titles now. I don t know. How did it happen? The Fear Street series; there are about 80 in the Fear Street series for teenagers.RT: So you ve not only done that, but you ve done short stories, anthologies, even comics. Did you have any inkling that the Goosebumps series in particular would attract the kind of fan following that it did?Stine: No, we had no idea. And we thought we were doing something kind of dangerous. No one had ever done a scary book series for seven-to-12 year olds. It had never been done, and I was really reluctant. For one thing, Fear Street was doing really well, the teen series, and I didn t want to mess that up. I was very reluctant to do Goosebumps. And then finally I said, All right, okay, we ll try two or three. The kind of businessman I am, right? We ll try two or three. And they just sat on the shelves. It took about six months for kids to discover them. I think if it were today with computers and everything, the stores would ve pulled them off the shelf, and that would ve been it.About six months. Somehow, kids discovered them, and then started telling other kids the secret kids network and it just went crazy. There was no advertising, no hype. Nobody knew me. It was just one of those insane things that no one had planned on. Nobody.RT: Considering you were so skeptical about it working, what was it that finally made you take the plunge?Stine: Well, they kept after me, my editors, and then finally I said, All right. If I can think of a good name for the series, let s try a few. And then I tried to figure out how I could do it and not really terrify seven-to-12 year olds, and I decided I d have a blend of horror and humor.RT: It took quite a while for the Goosebumps movie to come to fruition.Stine: 23 years, it took.RT: Was it satisfying to finally see your creations on the big screen in blockbuster scale that way?Stine: Yeah, it was, and it was a wonderful surprise because I had very little input in the movie. No one wants the author around. No one wants the author around, and I just felt so lucky that the film was so good. It really was a good movie, and I was just very happy about that. And also so weird to be a character. It was all about me. How weird is that, right?So I really enjoyed it. Yeah, I had a really good time with it, and it s totally revitalized the Goosebumps book series. We re back. It s been incredible. I just signed on to do six more. Some of us don t know when to quit, right? We just keep going.Goosebumps 2: Haunted Halloween is available to stream and on DVD/Blu-ray now.
5. HD 画质与高品质音讯
5.93.9 2月喜迎January has come and gone, bringing us one legitimate Best Picture contender (1917), one surprise hit (who knew Bad Boys for Life would actually be good?), and a handful of duds, which is pretty much par for the course at this time of year. As we enter the month that celebrates romance, Black history, and American presidents, the movie slate doesn t look like it s going to set the world on fire, but there s still a few notable titles to consider. We ve got the latest DC Comics movie, for starters, and a Cannes Film Festival winner, a video game-based adventure, a children s movie based on a classic novel, and a horror remake. But what did RT users and our fans on social media vote to the top of the list? See below for the most anticipated movies opening in February.1. Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020) 79%3,681 Want-to-See Votes#1 pick by our Facebook, Instagram, and Twitter fansOpens February 7Margot Robbie sheds the Suicide Squad for her own marquee film sort of as she takes center stage as Harley Quinn in this DC Comics adaptation. Here, she and her cohort of fierce lady friends (played by Mary Elizabeth Winstead, Jurnee Smollett-Bell, and Rosie Perez) take on a Gotham City crime lord (Ewan McGregor) who s out to get a young girl named Cassandra Cain (Ella Jay Basco). This movie racked up the most Want-to-See votes by far and rocketed to the top of all of our social polls as the most anticipated film of the month, and early word on social media has been overwhelmingly positive. We ll see if the film retains that heat when it opens the first week of February.2. Sonic the Hedgehog (2020) 63%1,650 Want-to-See Votes#2 pick by our Facebook, Instagram, and Twitter fansOpens February 14Remember when the first trailer for Sonic the Hedgehog premiered and the internet did a collective spit-take at the inexplicably malformed character design? Remember when the studio then backtracked and redesigned Sonic to match the original character more closely? Whether or not it was all a clever marketing ploy (all press is good press, right?) to convince nostalgic moviegoers that the people behind the film were on their side, it s resulted in a fairly healthy anticipation for the film, which finds the blue speedster an alien from another planet teaming up with his newfound human bestie (James Marsden) to take on a gleefully unhinged Jim Carrey in the form of the original game s classic nemesis, Dr. Robotnik. This one also unanimously took second place in all of our social polls and earned the second-most Want-to-See votes on RT.3. Portrait of a Lady on Fire (2019) 98%1,252 Want-to-See Votes#3 pick by our Twitter fans, #4 pick by our Facebook fans, #5 pick by our Instagram fansOpens February 14Sure, the top two vote-getters in February are broadly marketed Hollywood fare, but if there was any doubt that RT users are a diverse group who flock to all sorts of films, this should help alleviate some of it. Earning a spot in the top five in all of our social polls, as well as the third-most Want-to-See votes, is this French romantic drama from celebrated director Céline Sciamma that took home both the Queer Palm and the award for Best Screenplay at the Cannes Film Festival last year. The story follows an artist who is hired to secretly paint the portrait of a reluctant bride-to-be; as the two spend more time together, a growing attraction becomes apparent and threatens to upend both their lives.4. The Invisible Man (2020) 91%1,009 Want-to-See Votes#3 pick by our Facebook and Instagram fans, #4 pick by our Twitter fansOpens February 28H.G. Wells seminal science-fiction novel has been adapted or borrowed from on several occasions since its publication in 1897, most notably in 1933 as part of Universal Pictures stable of monster movies. Now, with the studio s desire to update their classic horror pictures (formerly as part of a Dark Universe ), we re getting a new version starring Elisabeth Moss as a woman who may or may not be imagining the unseen presence of her abusive ex, a brilliant scientist who apparently committed suicide but might have actually discovered a way to turn himself invisible instead. Encouraged by a fairly effective trailer, initially skeptical moviegoers have turned the corner to cautious optimism, making the film February s fourth-most anticipated title.5. The Call of the Wild (2020) 62%1,116 Want-to-See Votes#4 pick by our Instagram fans, #5 pick by our Facebook fansOpens February 21Speaking of celebrated literature brought to the big screen, our last entry on the list adapts a Jack London masterpiece with the help of modern technology. While previous iterations of The Call of the Wild were content to work with live St. Bernards, this film stars a computer-animated Buck alongside Harrison Ford as John Thornton, who encounters the canine hero after he s been dognapped from his domestic life in California and sold as a beast of labor in the Alaskan Yukon. This one made into the top five of our Facebook and Instagram polls, and it earned the fourth most Want-to-See votes of all movies this month.Thumnail image by Warner Bros. PicturesLike this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
(Photo by Courtesy of A24)When Rotten Tomatoes spoke with Sterling K. Brown recently, the Emmy-winning actor s latest project Frozen II had just opened to record numbers at the box office. When we congratulated him on the success, Brown laughed and told us, Thank you very much, man I think it was all because of me! The brag was in jest – Brown s relatively minor role as Lieutenant Mattias probably isn t the reason Frozen II is going to clear billion worldwide – but we d have forgiven him if it wasn t. The This Is Us star has plenty of reasons to boast right now: The NBC series in which he plays Randall Pearson is still one of the best-rating dramas on television; he will feature in the third season of Amazon Prime Video s The Marvelous Mrs. Maisel this December; and his production company, Indian Meadows, is developing a slew of projects, including action flick Shadow Force, in which Brown co-stars with Kerry Washington.Then there s Waves, writer-director Trey Edward Shults s acclaimed follow-up to It Comes At Night. The role of Ronald is a swing against type for Brown: the tough, uncompromising patriarch of a middle-class African American family that s upended by a tragedy. We see him pushing his high school star-wrestler son Tyler (Kelvin Harrison Jr.) to breaking point, training side-by-side with him in the family gym, equal parts motivator, tormenter, and competitor; and we see him struggling to connect with the women in the family, his daughter Emily (Taylor Russell) and wife Catharine (Renée Elise Goldsberry). As the film expands into more theaters, we asked Brown what draws him to father roles, what he learned from his young co-stars, and how he pays tribute to his own dad on screen.The following interview contains minor spoilers for Waves.Joel Meares for Rotten Tomatoes: Ronald, your character in Waves, is the latest in a line of quite different fathers that you’ve played in recent years, from N Jobu in Black Panther to Randall in This Is Us. Is there something that s drawing you to father characters at the moment?Sterling K. Brown: Well, yes and no. First of all, I m just interested in good characters. But I will say that dads in particular, as I enter into my early-to-mid–forties, I have a particularly strong calling in my life in that my dad was 45 when he passed away, and I m 43-years-old right now. I just feel his presence in and around my life very strongly. And I think things happen for a reason. These roles have sort of come at this particular time in my life because I think – I don t know – the universe sees that I m particularly accessible to them. And it s sort of my way of paying homage to a man who instilled in me, with only 10 years, a lifetime full of love. So wherever he s watching, I hope that he s enjoying the multiple depictions, some of which are akin to him, most of which are only glancing. But he was a lovely man, and I think, yeah, that s part of the reason why these dads are so present right now.(Photo by Courtesy of A24)Is there anything in the Ronald character that particularly connects with your father or the way that you are as a father yourself?Brown: I would say no. My dad was a very sensitive soul the whole time that he was in my life. He wasn t a practitioner of tough love; as a matter of fact, the opposite. My mom would often say that my dad spoiled me, and then when he passed away, it was her job to try to make sure that I was unspoiled. He would just lavish me with hugs and kisses, and, like, we kissed on the lips. And he was a really beautiful man in that way where there were no issues with how masculinity was supposed to be expressed. He just expressed his love as purely as he wanted to, and it was received in kind.I would say that Ronald is more akin to an uncle of mine, who was a military man who could be very severe and austere with his children. And his children had a really complicated relationship with him. Everything that he did was from a place of love, wanting to see his children excel to be excellent, but he could often take the air out of the room and leave things feeling kind of chilly. It was interesting for me to step into the shoes of Ronald because I was able to find a greater deal of understanding for him than I probably had for him when he was alive. And to recognize that for Ronald in particular, when you lose a member of your family – like the way Ronald lost his wife early on and was left to parent these two children by himself for a period of time before Catharine came into his life – you recognize just how precious and how fragile family can be, and it makes you hold on that much tighter.Unfortunately for him, that grasp can also feel somewhat suffocating to the person who is the receiver of that grasp, and you have to make sure that you leave room for your children to be able to have a real dialogue with you. So that every conversation is not just you telling them what to do, telling them how thankful they should be, telling them what their journey through life is supposed to be. If you can t also hear from them what they re actually going through, then when the rubber hits the road, s t hits the fan, when it all starts to go south, how can you trust that they re going to be comfortable sharing the bad stuff with you?(Photo by Courtesy of A24)Those communication lines are explored in a particularly beautiful scene late in the film, where Ronald is talking by the water with his daughter Emily. What struck me is that this isn’t just a scene about a dad finally listening to his kid, which we’ve seen a lot of, but admitting that because he never opened up a dialogue, he’s lonely – he says he has no one to talk about the tragedy that hit the family. It’s heartbreaking to see the position his stoicism has put him in. Brown: Yeah, it is, man. And like in most cases, necessity is the mother of invention. He, his daughter, his wife, find themselves dealing with this crisis, losing their son; maybe not to a physical death but to a life of imprisonment, and it’s sent them all reeling. And the only person who he can truly talk to, who will talk to him, right now, who understands what they re going through, is his daughter. As much as it is about him wanting his daughter to share herself with him, he also feels the need to share himself with someone. Somebody was saying to me earlier today, Yeah, he s able to show weakness. And I try not to put that word on it, because I feel like there s a certain judgment with “weakness,” but sharing his vulnerability is what he s able to do, and there is strength in vulnerability. Being a man doesn t negate the ability to be vulnerable. It doesn t mean that you are being weak. It just means that you re being open if you want people to be open with you.Taylor Russell is incredible in that scene – and she’s just been nominated for an Independent Spirit Award for Waves. And Kelvin was nominated, too, for Luce. I’m sure the two took a lot away from working with you, but I’m wondering what you took away from working with these talented young actors.Brown: I think I probably got more from them than they did from me. Kel has a certain fearlessness, even in his taking the project on. I don t know if, 18 years ago, I would ve had the same level of confidence to know that I could step into this role, play it authentically, and not be villainized in the process – not be adding a negative portrayal of young African American males to an already fraught environment in which people are looking to us as being less than, to be demonized, et cetera. I ve heard him speak about this, and he says, Well, I know that I m a good person, and I know that this is being played by me. So even when he does something wrong, I believe that people will be able to see the goodness in me.” Anytime I feel like I should shy away from something because I m worried about a negative depiction, I will come back to my conversations with Kelvin and his stepping into Tyler as an example of, like, maybe not so fast. There s potential for something beautiful in the damage to this human being.And I think from Taylor, I really applaud how she was not afraid to be small. What I mean is that, like, she gave herself a wonderful trajectory of blossoming into somewhat of the savior of this family, right? Someone who was able to save themselves and save her family. She was so quiet and so tiny, but once love came into her life, once she started to explore her own feelings of her relationship with her brother, she took up more and more space. I think it takes a great level of confidence as a performer to start in such a tiny way, but to give yourself a place to go to. I think it s a really wonderful arc that she helped create with Trey for her character in the film.Trey had a very specific vision for this film. You’ve spoken about the script having embedded audio cues, and there are color schemes for different sections of the film. What was it like working with a director who had what seems to be a very specific aesthetic and audio-visual experience in mind?Brown: You would think that someone who is as specific as Trey is, who had the aspect ratios crafted and the shifting ratios throughout the course of the film, you would think that they would be somewhat of a taskmaster. Where it s like, “No, it s got to be like this. It s got to look like this,” blah blah blah blah blah. But he gave little to no direction on set. One, I think he trusted his casting and the people he chose to inhabit these roles. And then two, I don t think filmmaking for him is so much of crafting performance. It s more about standing out of the way of your actors and giving them the space to own the characters for themselves. So he would just let the camera roll.It was a lot of scenes played in one [shot]. The scene between Catharine and Ronald in the bedroom is one shot, with the camera floating between the two of them, and he probably shot it three times and he s like, “I got it.” And Renée and I looked at each other, like, “You sure, man?” He s like, “Yeah, yeah, moving on.” We re like, “OK.” It’s almost like you forget that the camera s even in the room. It becomes a fly on the wall, and it s just capturing this slice of life. I think the beauty of his filmmaking is that he has implicit trust in his performers, and that the camera s going to capture what he needs in order to tell his story.(Photo by Monica Lek, Courtesy of A24)You shot this film by flying red eyes down to Florida, while shooting This Is Us, and you did Frozen and many other projects while doing TV, too. At this point in your career, are you just like, “I m taking all of these opportunities and I m not resting on the series.” What s driving you right now?Brown: I think that s part of it. I think that 10, 12 years ago or what have you, if you became known for a popular television series or whatnot, then most people only wanted to see you play that character. It could become something that you become known as Randall. And the idea of being able to do anything outside of Randall was nothing anybody wanted to see. And so while I m able to take advantage of opportunities to show a diversity of character, it s always much more pleasing to be recognized for a body of work than it is for one character. Because number one, I am not the character. I mean, the character comes from me, but he s not the totality of me. And so while I can, while opportunities are being presented that are diverse and that show different aspects of my personality, I want to be able to step into them so that people see me as an actor and not as one particular character.I want to finish with a Rotten Tomatoes-specific question. You were in a movie that this year became the number one video game adaptation of all time, according to the Tomatometer. Angry Birds 2 actually knocked off previous number one, Ryan Reynolds in Detective Pikachu…Brown: Nice, nice!And number two was Dwayne Johnson in Rampage. So, just wondering if you have any words for the guys you knocked down the list? Brown: Eat it! Eat my shorts, man! [Laughing] Freaking Pikachu and that monkey can both eat it. No, just kidding. Listen. That s an interesting way to be in the same company as The Rock and frigging Deadpool, but if I can beat them in any way, I ll start there and see what else. Maybe one day me and The Rock will have an arm-wrestling competition and I can do something.Well if he s seen Waves, he might be worried.Brown: He might. He might be, yeah. I m coming for you, Dwayne.
(Photo by Warner Bros. Pictures)There are few horror sequels that live up to their predecessors, and even fewer third installments that manage to prove their worth. Of the latter, there is one that stands tall and surpasses expectations, despite the fact that the movie that spawned it is widely considered one of the greatest horror movies of all time, not to mention one of the few that was ever nominated for Best Picture at the Oscars.We re talking, of course, about The Exorcist III, written and directed by William Peter Blatty (author of the original Exorcist novel and screenplay) and set 17 years after the end of the first film, completely ignoring everything that happened in the famously panned Exorcist II: The Heretic. In contrast to that critical and commercial failure, The Exorcist III successfully pays respect to its originator without drowning in nostalgia and features legendary actors at the top of their game, all while delivering a top notch mystery and quite possibly the best jump scare in horror history.To celebrate the film s 30th anniversary, grab your crucifix and comically oversized scissors and hear us out while we explain why The Exorcist III deserves to be held up as a horror classic, just like the original.IT FEATURES POWERHOUSE PERFORMANCES FROM A LEGENDARY CAST(Photo by Warner Bros. Pictures)At the center of The Exorcist III is a series of grisly murders eerily similar to the those of a serial killer who died 15 years prior to the events of the film. It s a surprisingly intimate and grounded plot, considering the franchise s previous reliance on supernatural phenomena. Our main entry point into this story is Lieutenant William Kinderman, a minor character from the first Exorcist, here played by George C. Scott. Right out of the gate, The Exorcist III places a bigger focus on characters and realistic dialogue than typical horror film conventions.Scott s Kinderman spends just as much time thinking about and working on the murders as he does bantering with his good friend, Father Dyer (Ed Flanders). William Peter Blatty s dialogue feels lived-in and, enhanced by Flanders calm and warm delivery and Scott s perfectly sarcastic, curmudgeonly line readings, makes viewers feel as if they re eavesdropping on real conversations between old friends. Even as the film s plot grows increasingly dark and spiritual, the actors make the story feel like part of daily life, as if it all actually happened.THE VILLAIN IS HANNIBAL-ESQUE(Photo by Warner Bros. Pictures)Even when The Exorcist III introduces its villain, who may or may not be the re-animated corpse of a priest possessed by the aforementioned serial killer, the film keeps it grounded by focusing on what s been said and how it s said, rather than what actually happens. Brad Dourif conjures up a masterful performance as the so-called Gemini Killer, menacing his way through vile, gnarly monologues a year before Anthony Hopkins enraptured audiences with the same methods in The Silence of the Lambs.Indeed, the short but crucial time Dourif spends on screen is reminiscent of Hannibal Lecter s presence in Silence, but Dourif separates his performance from Hopkins by playing more into the violence his character represents. He is nearly lyrical in his voice, transforming from casual and even funny to homicidal in mere seconds. The director s cut of the film goes even further, offering not one but two uniquely different yet equally enthralling performances by Dourif. While he alternates with Jason Miller, who reprises the Father Karras role from the first Exorcist here, in his scenes from the theatrical cut, really playing into the violence that lurks within Gemini, the director s cut presents a much more restrained performance that keeps the audience guessing whether they re seeing an actual serial killer or a mere madman who s been psychologically affected by a near-death experience.IT EXPLORES RELIGION AND MORALITY IN AN INCREASINGLY SECULAR WORLD(Photo by Warner Bros. Pictures)If the first Exorcist was a film about reconnecting with religion in the face of adversity, then The Exorcist III is all about turning one s back on spirituality, about the way madness becomes an invitation to evil. Indeed, Kinderman spends as much time talking to his friend Dyer about the movies he loves as he does questioning the existence of a loving, Christian God in the face of suffering, disease, and murder.The film is constantly looking at characters who have experienced severe trauma and who have gone through crises of faith during the events of the first Exorcist, and explores the Catholic guilt they re struggling with. Kinderman often wonders if he s done enough enough to save Father Karras 15 years ago, enough to stop the killings he s investigating, enough to protect his family and friends.For most of its runtime, The Exorcist III remains somewhat ambiguous as to whether there s anything supernatural going on. The director s cut in particular leaves the question of the Gemini Killer s identity a secret, and it completely redefines the film s ending, depending on how you view it. Is this an act of the devil, or simply human evil? To that end, the film s ending becomes not about embracing religion again, but about a man who — in the face of utter defeat — decides not to wait for a higher power to come down and help him, but to take back control, even if it costs him everything. Evil exists, the movie argues, but it s up to us to keep that evil at bay, because there may just not be an equal force of good to counteract it.IT FEATURES ONE OF THE BEST JUMP SCARES EVER PUT ON FILMIn a surprising move for a 1990s horror film, The Exorcist III features relatively little gore, and it still manages to be utterly terrifying. The film takes more of a David Fincher-styled approach to horror, using noir tropes and filmmaking sensibilities to manipulate the audience s imagination and build and maintain tension. The characters in the film discuss every graphic detail of the murder scenes, but we never really see them. In one monologue, the Gemini Killer explains that the human head can still process what it sees for 20 seconds after it s been decapitated, and he uses that time to show his victims their own lifeless bodies. It s both horrific and effective, without spilling a drop of blood on screen.And yet, none of this compares to the single scene that has arguably become more well known than the film itself — the hospital jump scare. Most of the film s legacy lies with this single scene, which is widely considered one of the best jump scares in history, and for good reason. Throughout the film, Blatty keeps his filmmaking restrained, with few camera movements. He lingers on seemingly inconsequential backgrounds, emphasizing the emptiness surrounding the characters, as he does in this scene, keeping the camera trained on a nondescript hospital hallway. Blatty raises the tension through stillness rather than with sound, making the audience wait just long enough before finally breaking the silence and releasing the tension with a shocking jump scare that works no matter how many times you see it. It s the same approach that The Conjuring films have employed, only done decades earlier, and it remains one of the most effective scares ever produced.There are many reasons why The Exorcist is still considered one of the greatest horror films of all time, and there are valid reasons why The Exorcist III doesn t reach the same heights. But there is no denying the sheer ambition in William Peter Blatty s film, and the choices he made managed to turn an intimate, small-scale story into a horror classic in its own right.Where You Can Watch It NowFandangoNOW (rent/own), Amazon Prime (streaming), iTunes (rent/own), Peacock (free with ads), tubi (free with ads), Vudu (rent/own)The Exorcist III was released on August 17, 1990.
亚博最新网站是多少 One plays one of the movies most formidable villains; one has played some of the movies most lovable heroes, from Sherlock Holmes to Tony Stark. As they get set to battle on the big screen once more in Avengers: Endgame, we re pitting Josh Brolin and Robert Downey Jr. against each other – in a bit of friendly competition – first by Tomatometer and box office, and then by their most iconic roles and a special wildcard round. Who will come out on top? And who will be left in the dust? Watch to find out.Avengers: Endgame is in theaters April 26Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
(Photo by Universal/courtesy Everett Collection)All Fast Furious Movies RankedFrom bursting out the nose of an exploding plane, to skipping skyscraper to skyscraper, to gently guiding a bank safe across public roads and additional civil engineering, the Fast Furious franchise has made its mission delivering more outrageous action than the previous movies could ever muster. And as the stunts got crazier for Dom (Vin Diesel), Brian (Paul Walker), Letty (Michelle Rodriguez) and the whole F F-in family, critics were just as willing to go along for the ride. It was finally the fifth Furious film that earned the franchise s first Fresh. And since then it s been on a skyward trajectory, like a souped-up Karmann Ghia ramping off an Arrakis sandworm and barrel rolling between a fleet of nuclear dirigibles (you know we re heading in this direction). Furious 7 reached a high emotional crescendo in the wake of Walker s death, while follow-up F8 saw a dip, though stayed in the Fresh lane.The latest include spin-off Hobbs Shaw and the long-delayed F9. Now that the whole family s here, see all Fast Furious movies ranked by Tomatometer! 以上推荐的几款都是在当时很火爆且后来也备受小朋友喜欢的手游，在那个年代能把游戏做好，玩法简单且画质清晰，基本都能获得玩家的青睐。而如今更多讲究的是联网互动，因此开黑和吃鸡则成了国内最火的手游，即便是在小朋友的圈子里，也是火的一塌糊涂。