亚游九游会登录

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亚游九游会登录采用百度引擎1(Baidu 9)Today s Ketchup brings you another 10 headlines from the world of film development news, covering titles like The Nun 2, The Six Billion Dollar Man, and The Suicide Squad.This WEEK S TOP STORYJOHN CENA JOINS THE SUICIDE SQUAD(Photo by Universal Pictures)The DC Comics movie The Suicide Squad might be over two years away (8/6/2021), but it s already casting up. Although the initial news suggested it would have a new cast, we now know that a few actors are returning (Margot Robbie, Jai Courtney, Viola Davis). The biggest new name so far has been Idris Elba (in an unknown role, not Deadshot as previously reported), but a new name emerged this week. John Cena is now in talks to co-star in The Suicide Squad, in what will be his first movie directly based upon a comic book (not counting arguments that Bumblebee was comic-book-adjacent). It s not officially confirmed yet, but Collider claims that John Cena is up for the role of Peacemaker, which is the character that Dave Bautista would have played. Other new villains that director James Gunn is reportedly introducing in The Suicide Squad are King Shark, Polka-Dot Man, and Ratcatcher.Fresh Developments1. BLACK PANTHER S LETITIA WRIGHT FINDING DEATH ON THE NILE  (Photo by Marvel Studios)Letitia Wright s Shuri was arguably the breakout star of last year s Black Panther (as well as Avengers: Infinity War), but we haven t seen her parlay the success of that role into a lot of other projects just yet. That said, Wright is in Donald Glover s Guava Island (which you can watch here), and this week, she landed one of her first big post-Black Panther feature film roles. Letitia Wright will star in next year s Death on the Nile (10/22/2020), which is both a sequel to 2017 s Murder on the Orient Express and a remake, as Rosalie Otterbourne, one of the lead suspects in Agatha Christie s oriinal 1937 novel. Director Kenneth Branagh will also reprise his role as Hercule Poirot, and he and Wright will be joined by Gal Gadot and Armie Hammer in what is essentially the second film of a new Agatha Christie Cinematic Universe. Meanwhile, Letitia Wright will also star in the English-language remake of Le Brio and co-star with John Boyega in the sci-fi romance Hold Back the Stars.2. THEY HAVE THE TECHNOLOGY: MARK WAHLBERG S SIX BILLION DOLLAR MAN BEING REBUILT (Photo by Patti Perret/Paramount Pictures)Though it s looking like it will be the lowest-grossing live-action Transformers movie, producer/director Travis Knight s Bumblebee has still earned close to half a billion dollars worldwide, and its Certified Fresh 92% on the Tomatometer extended a five-film streak for him. All of that put together probably helped him this week, as he is now attached to direct the long-in-development The Six Billion Dollar Man, adapted from the 1970s hit TV series The Six Million Dollar Man (title changed to adjust for inflation). Mark Wahlberg has long been attached to star as Col. Steve Austin, and he remains so. Part of the reason for the delay on The Six Billion Dollar Man was that it was previously a Weinstein Co. production, so it had to find a new home at Warner Bros. following the crisis.3. JANELLE MONÁE JOINED BY ALL STAR CAST IN THRILLER (Photo by James Atoa/Everett Collection)Singer-turned-actress Janelle Monáe will be starring in an untitled racial thriller for Lionsgate, and this week, we learned that the film will also feature several familiar faces from film and TV. Monáe s new co-stars will include Kiersey Clemons (Dope), Jack Huston (Boardwalk Empire), Jena Malone (Donnie Darko, The Hunger Games: Catching Fire), and Gabourey Sidibe (Precious: Based on the Novel Push by Sapphire). Janelle Monáe will be starring as a woman desperately trying to flee her captors, although the setting and premise is otherwise unknown. This project will mark the feature film debut of the Bush + Renz directing team ( https://www.imdb.com/title/tt10065694/ ), who have previously worked on musical videos including Jay-Z s Kill Jay-Z. 4. CLINT EASTWOOD MAY DIRECT TRUE STORY THE BALLAD OF RICHARD JEWELL (Photo by Keith Bernstein/Warner Bros.)Some of the many repercussions of Disney s acquisition of the Fox film and TV properties have been rather surprising. This week, for example, there was news of a director based almost entirely at Warner Bros. since the 1970s who s now considering switching sides to work for Disney/Fox. That director is Clint Eastwood, who may sign on to direct The Ballad of Richard Jewell. If that name sounds familiar, it may be that you remember the 1996 Summer Olympics in Atlanta, when a security guard named Richard Jewell who discovered a bomb was then accused in the media of actually being the bomber himself (he wasn t). The Ballad of Richard Jewell has been in development for several years, including a period when it was a starring vehicle for Jonah Hill (who is no longer attached to star).5. TWO NEW PROJECTS FOR SATURDAY NIGHT LIVE ALUM KRISTEN WIIG (Photo by Wilson Webb/20th Century Fox)Former Saturday Night Live star Kristen Wiig has a handful of films on the horizon, including Where d You Go, Bernadette (8/16/2019) and Wonder Woman 1984 (6/5/2020) (as the villain Cheetah), but this week, she secured a couple more.. Wiig s first new project is Netflix s A Boy Called Christmas, which will feature British actresses Sally Hawkins (The Shape of Water) and Dame Maggie Smith (Downton Abbey), as well as Jim Broadbent and Toby Jones. Kristen Wiig is also reuniting with her Bridesmaids cowriter Annie Mumolo on a comedy called Barb and Star Go to Vista Del Mar. Wiig and Mumolo will costar as two friends from a small Midwestern town who go on vacation in Vista Del Mar, Florida, where they soon find themselves tangled up in a villain’s evil plot to kill everyone in town. 6. JENNIFER LAWRENCE S MYSTERY INDIE MOVIE (Photo by 20th Century Fox)With The Hunger Games done  and the X-Men franchise wrapping up with Dark Phoenix (6/7/2019), Jennifer Lawrence will soon no longer be a part of any major active franchises. While she remains attached to Adam McKay s Bad Blood as Theranos founder Elizabeth Holmes, it appears that film s not yet ready to start production, and in the meantime, Lawrence had taken a year off from working. This week, though, she signed on for her first post-break project, and it s an indie production instead of a big franchise entry. Lawrence will work with A24 on an untitled drama that will also be the feature film debut of theater director Lila Neugebauer. Nothing else is really known about this project except that it s scheduled to start filming in New Orleans in June (so it might be set somewhere sunny? Yeah, we ve got no clue).7. TRAIN TO BUSAN STAR JOINS MARVEL S THE ETERNALS (Photo by Well Go USA Entertainment)We ve known for a while that Marvel Studios is reportedly looking to cast an openly gay actor for one of the lead roles in next year s The Eternals. This week, that scope narrowed considerably with this story claiming that they re specifically looking for an openly gay actor who s also of Asian heritage. In addition to Angelina Jolie, Marvel has also cast two Asian actors so far, starting last week with Kumail Nanjiani (The Big Sick, HBO s Silicon Valley), who is rumored to be playing the super speedster Makkari. The second was South Korean actor Ma Dong-seok, who is probably best known for his role in the zombie movie Train to Busan. Although Marvel Studios has not yet officially announced a release date for The Eternals, it may be their film scheduled for November 6, 2020.Rotten Ideas2. DISNEY SHUTS DOWN FOX S MOUSE GUARD TWO WEEKS BEFORE FILMINGIt probably shouldn t be that surprising (maybe just disappointing), but as Disney absorbs their newly acquired Fox properties, some pre-existing Fox projects may end up not happening. We now know this because Disney has pulled the plug on the high profile adaptation of the Mouse Guard comic book just two weeks before filming had been scheduled to start. (Whether the mouse house objected to Mouse Guard somehow is completely open to speculation.) Mouse Guard was to have been a motion-capture adventure with a cast that included Andy Serkis and Idris Elba, with other cast members likely to be added soon. Despite the sudden shelving, Mouse Guard could still happen someday, as Disney is allowing the project s producers to shop it around to other studios.1. GET THEE TO A SEQUELERY: THE NUN 2 (Photo by Warner Bros.)This week s The Curse of La Llorona (Rotten at 36%) is the sixth film in The Conjuring Universe, and the franchise is showing few signs of slowing down. Annabelle Comes Home is scheduled for June 28, 2019, and The Conjuring 3 is due next year on September 11, 2020. (We should also note the passing of Lorraine Warren, whose life inspired The Conjuring, at the age of 92.) Last year s The Nun was a spinoff from The Conjuring 2, and the film went on to earn over 5 million worldwide. So, New Line Cinema is also now moving forward on development on a sequel to The Nun, starting with the hiring of screenwriter Akela Cooper, who s previously worked on Netflix s Luke Cage series. The Nun received a Rotten Tomatometer score of just 26%. Even if the sequel doubles that score, it would still be Rotten.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

1. 亚游九游会登录
从游戏整体上来说,在这片重新打造的“会呼吸的江湖”里,玩家将感受到开放世界的自由。画面的精美度已经见识过了,岂能浪费?市井江湖,诗情画意,精美建模,回眸一笑的NPC,不值得加入沉浸式体验一下这个世界吗?或许在庭院里,在花海中,能收获到新奇的细节,新鲜的惊喜,美好的画面和完美适配的音乐效果,就是《逆水寒》手游想要带来的充满想象力的新世界。 Watch: Director Sam Raimi and stunt coordinator Jeff Habberstad on the making of Spider-Man above.In 2019, Rotten Tomatoes turns 21, and to mark the occasion we’re celebrating the 21 Most Memorable Moments from the movies over the last 21 years. In this special video series, we speak to the actors and filmmakers who made those moments happen, revealing behind-the-scenes details of how they came to be and diving deep into why they’ve stuck with us for so long. Once we’ve announced all 21, it will be up to you, the fans, to vote for which is the most memorable moment of all. In this episode of our ‘21 Most Memorable Moments’ series, director Sam Raimi and stunt coordinator reveal how a cold night in the fake rain on the backlot helped shift the course for the superhero movies forever.VOTE FOR THIS MOMENT IN OUR 21 MOST MEMORABLE MOVIE MOMENTS POLLThe Movie: Spider-Man (2002) 90%It’s unthinkable today, but making a Spider-Man movie in 2002 was a risk. Hollywood had gone cold on the superhero movie following the diminishing returns of the Batman movies, turning its attention to fantasy epics and series instead. Making a superhero movie with a somewhat scrawny, emotionally vulnerable kid at its center? With large portions playing out like a high-school comedy? Directed by the guy who made The Evil Dead? That was almost unthinkable. But Sony’s risk would pay off, with director Sam Raimi’s take on the Peter Parker character and the comic-book movie changing the next two decades of cinema that would follow. Here Raimi recalls how he had to fight passionately to get the job and execute his vision, while stunt coordinator Jeff Habberstad reveals how he helped bring that vision to life.Sam Raimi on set with Tobey Maguire and Kirsten Dunst. (Photo by ©Columbia Pictures/courtesy Everett Collection)“My agent said, ‘OK, you re on the list. You re number 17.’” Sam Raimi: “I had always been a giant fan of Stan Lee s great comic books, Spider-Man chief among them, and I heard that Sony Pictures was going to make a movie of Spider-Man. So, I told my agent at the time I d really like to get a meeting to be considered for the film, and he told me at the time that Sony Pictures wasn t that interested in me as the director. I said, ‘Well, can they at least put me on the list somewhere down the line?’ And he called me back and said, OK, you re on the list. You re number 17.’ I said, ‘What does that mean?’ He said, ‘It means there s 16 directors they d rather meet with before you.’ And I said, ‘Great.’ So, the months went on and I didn t hear any response, and I called the agent. I said, ‘How s it going?’ And he called me back and said, ‘Well, you re number seven.’ I finally worked my way into an actual meeting with them, and they said, ‘Tell us about the movie you wanna make.’ All I did was I told them about my great love for Stan Lee s comic book, Spider-Man, and what it was to me. And for me, it was a great love story with a real human being at center, Peter Parker. Somebody I could really identify with. Somebody who had to do homework. Someone who the girls weren t crazy about. Somebody who was bullied. And, somebody who came from a broken home. And yet, he had to rise up in his off-hours and become this hero to protect the city, and I thought that was so moving. It seemed like they had never heard that version before, which is everything that Stan Lee did in his comics. And they called me up sometime later and said I had the job.”“It just came to everybody s mind in Hollywood that a superhero should be a strong, tall, leading man… like how the great Christopher Reeves played Superman.”Raimi: “Tobey was my first, and really, my only choice for the role. He s very sensitive as a human being, and he s a great actor, and so he understands the inner pain that Peter Parker feels, but knows to keep it hidden, and not to wear his heart on his sleeve. But at the time, Sony Pictures, headed up by Amy Pascal, didn t see why he was the right choice for the role. I think the humanistic superhero hadn t yet really hit the screens yet… It just came to everybody s mind in Hollywood that a superhero should be strong, tall, leading man, have a lot of power or gravitas he should be like how George Clooney played Batman or how the great Christopher Reeves played Superman. I was successful when I finally was able to communicate to Amy over the course of months of writing, working on the scripts with the writers, and doing pre-production, that we re really making the story of a boy who learns responsibility. And I think when she finally understood the character that Stan Lee had created, she realized that Tobey was the right choice, and finally relented and allowed me to cast him. It s very rare for me to have worked with a studio that actually listened [which Sony did], that actually understands that the director has a vision for a project and listens and knows to support that vision. It was a very new experience for me. Especially when it s contrary to their vision.”Raimi fought to cast Maguire as Spider-Man. (Photo by ©Columbia Pictures/courtesy Everett Collection)“We need to put more weight in the landing. We need to really show that the web is taking on the stretch.”Raimi: “I had great graphic images all through my childhood years of how Spider-Man lands, what his pose looks like, how he swings from a web. I d seen all these great artists artistic renderings. The job was not really difficult to come up with a vision, because it existed. It was to bring that vision to the big screen. How would we do that? How would we get actors to move in a way through space that only a comic book artist could depict? It really wasn t realistic. It was fantasy. How could we bring that to life and make it real for the audience? It happens on a painstakingly slow frame-by-frame basis. So, that went on from the first day of drawing storyboard number one with my artists, to the last day of approving a CGI final. And it was all about, ‘He doesn t look real here. We need to put more weight in the landing. We need to really show that the web is taking on the stretch. It doesn t feel like it s affected by his swinging.’ It was all about the details of trying to make it seem like it could really happen, and if we could do that, we didn t even have to count on the spectacle being as high of a bar. Simply making it believable for the audience at the time would ve wowed them. That was my thinking, and so that s what we went for.”“He lands in a real comfortable-looking position for him, but for you and me, there s no way we could get into that position.”Jeff Habberstad: We had several different stunt doubles for Spider-Man. We had two primary ones, Mark Wagner and Chris Daniels. Wagner came from Cirque du Soleil and Chris came from a dancing background, and they were both extremely good acrobats and also extremely flexible. And the flexibility, when you see how Spider-Man looks just when he lands in the bottom of the boxing ring or on the side of a building, he stretches and lands in a real comfortable-looking position for him, but for you and me, there s no way we could get into that position. That s kind of what I saw in the comic books – you see him all curled up like a spider in this beautiful pose that you can t achieve. We definitely tried to achieve that as much as we possibly could.”Habberstad worked with two stuntmen to make the movement seem real and graceful. (Photo by ©Columbia Pictures/courtesy Everett Collection)
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2. 公平游戏环境
作为手游,养成要素也自然少不了,不同稀有度的契约兽、装备;以及人物的技能,不同部位的装备、词条等等,对于想要追求更高战斗力的玩家而言绝对不愁没有事干。当获得了装备后,还能通过不同的搭配方式达成各种各样的效果。亚游九游会登录第三款为《英雄之城2》,作为一款经典的战争策略手游,《英雄之城2》和大多数手游差不多,都具有核心的筹谋布局,阵容搭配的玩法。除此之外,游戏的建筑系统是一大特色,玩家得时刻关注自己城池的建设,为对外出征提供后勤保障,游戏内还融入了沙盒建造系统,玩家可以建造出园林、庙宇、军屯等个人建筑,不但能美观领地,还有奇效。

3. 激战团竞模式
tft云顶之弈下载最新版本手游是一款经典的团队战斗游戏下棋玩法改编的魔幻战棋游戏,玩家在酒馆招募自己的英雄,然后对战,利用你选择的英雄然后跟敌人对打,不同的英雄,攻击和其他属性都会有加成,尝试着用不同的组合对敌人进行攻击,可以选择魔法系的组合,也可以选择物理系的组合,不同的组合相生相克,将所有的游戏组合都尝试一下,才可以在排位赛上获得胜利。

4. 呼朋唤友 随心所欲
代理手游的时候有一点大家要注意,就是一定要了解游戏系统的稳定性,因为这点如果无法保证,可能会导致玩家大量流失。要知道现在一个副本需要的时间非常长,有些极品装备的爆率也非常低。如果在爆出极品装备的时候出现游戏闪退,玩家的心情可想而知。出现这种问题,不仅游戏代理者会遇到很多麻烦,玩家也会大量流失。

5. HD 画质与高品质音讯
使用強大的百度引擎2建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

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9.25.3 8月喜迎作为种菜游戏的基础内容:种田,挖矿,采集,伐木,养殖,料理等等都是游戏的主要玩法。放在手游平台上的《小森生活》还要加入主线,直线故事内容。这里也就涉及到各种跑图,收集,等等的其他的任务内容。下面我们来逐个内容来聊聊。
三国志万夫莫敌手游2018-11-20/447.8Mv0.1.0安卓版下载推荐理由:三国志万夫莫敌手游是一款以三国为题材改编的策略手机网游,宏大的城池,为你展现三国时期的壮丽场景,建设自己的城池,招募自己的士兵,为你守城攻城,开展一系列的战斗场景,喜欢的小伙伴快来安抚手游网下载体验吧!三国志万夫莫敌官方版介绍三国志万夫莫敌是以三
There are certain faces who are iconic to the second-wave feminist movement from the 20th century. Ms. magazine co-founder Gloria Steinem, with her aviator glasses and her outspoken views on relationships and birth control, is a hero to many. Betty Friedan’s book, The Feminine Mystique, was, arguably, the pin in the movement’s explosive grenade.And then there’s Phyllis Schlafly. Schlafly used all the techniques that these women did to get her voice heard, such as publishing her own newsletter and speaking eloquently to the masses and to legislators about her agenda. She, too, was routinely undermined and pushed aside by those with more power who thought they knew better. But the difference is that she was working for the other side, arguing against the Equal Rights Amendment and for sticking points like “family values”; she is, therefore, not remembered as favorably by feminists as her counterparts.So it’s an interesting choice that the new Hulu miniseries Mrs. America — which premieres the first three episodes on April 15 — will tell the story of the people of this era with Schlafly as an entry point, documenting her own struggles for acceptance in a man’s world, while also looking at the dichotomy of how (and at who’s cost) she achieved recognition.(Photo by Sabrina Lantos/FX)“As a writer, I like the challenge of getting inside the mind of a character who is completely different from me and who, ideologically, I completely oppose,” creator and showrunner Dahvi Waller (Mad Men) told Rotten Tomatoes about her series, which features an all-star cast that includes Cate Blanchett as Schlafly, Rose Byrne as Steinem, Tracey Ullman as Friedan, and Uzo Aduba as politician Shirley Chisholm, the first Black woman elected to the United States Congress and the first black candidate to receive a major party s nomination for U.S. president.“I do want the audience to be rooting for Phyllis, certainly at the beginning,” because, she said, “if we re going to understand women like Phyllis, who had quite a bit of influence on the polarization of the country, then we have to understand her appeal.”Women who had worked with Schlafly, who died in 2016, told Waller that she had been their Joan or Arc. But, both on the show and in real life, Schlafly used contradictory rhetoric, telling her followers to stay home and be with their husbands and children while she left hers to tour the country.“She’s such a polarizing figure and quite contradictory, but it’s undeniable that she’s a contemporary woman who’s really changed the course … of the American political landscape,” Blanchett told Rotten Tomatoes and others during a phone conference. “And I think she did that by shifting the language. She really did move the notion of anti-abortion, which then became pro-life, as a central plank into the Republican party and labeled everything ‘pro-American’ and ‘pro-family’ and characterized the feminist movement as being anti-family.”(Photo by Pari Dukovic/FX)Mrs. America concentrates on a timeline starting in 1971, when Schlafly got involved in striking down the ERA, to when Waller says Schlafly completed “her greatest goal, which was to be appointed to [the] Reagan cabinet.” It is also not a straight historical biopic and comes with a disclaimer. Still, all language and events are taken from documented speeches or biographies, including Schlafly’s penchant for fudging the truth; in one instance in the series, she tells her husband, Fred — played by John Slattery — that she was accepted to Harvard Law School, even though the institution didn’t accept women until some years later.The series is also careful with potentially libelous material, such as not outwardly stating that Schlafly was a racist, because the writers and researchers couldn’t find any documented evidence of such views beyond innuendos and rumors that she was a member of the John Birch Society. They also didn’t speak with movement leaders who are still alive, like Steinem, or speak with family members.(Photo by Sabrina Lantos/FX)It’s also hard to ignore the parallels between the era in which Mrs. America is set and today’s political climate. In the show’s third episode, Chisholm is urged repeatedly to drop out of the Democratic race for president lest they risk splitting a vote and giving the White House to the Republicans — not unlike the threats lobbed at senators and 2020 presidential candidates Elizabeth Warren or Bernie Sanders.“One of the reasons you want to focus particularly on the four days in the [1972] convention was because it had so many parallels to today and that tension within the Democratic party between pragmatism and idealism,” Waller told Rotten Tomatoes. “Should you go for what you believe to be right and true? Or do you go for what you think you can get? You know, that is still so relevant today.”Similarly, she says it was important to include Republican faces in the feminist movement, such as Jill Ruckelshaus (played by Elizabeth Banks), as a reminder that the women s movement used to be bipartisan and that there were a lot of Republican feminists leaders. Other people, like Brenda Feigen-Fasteau (played by Ari Graynor) may not have been major players in a miniseries just about the feminist movement, but Waller and her team found her important to include because she and her husband debated the Schlaflys.(Photo by FX on Hulu)All of this may make it seem puzzling why, given her ambition, Schlafly didn’t seem to publicly acknowledge how much the ERA – which set out to given equal protection to all U.S. citizens regardless of gender — would have helped her.Blanchett says Schlafly grew up in a household where her mother was the breadwinner, but her frequently-unemployed father was still considered the patriarch and that she used to say of Fred that he “saved her from the life of a working girl.”“I think that she had a foundational understanding that she needed to be able to take care of herself; that she needed to be incredibly capable and able to earn a living should she be abandoned should be left alone,” Blanchett said of the mother of six. “So she was always the most overqualified person in the room.”This isn’t to say that one cannot learn anything from Schlafly — or her tactics.“The thing that Phyllis did identify, perhaps more roundly and more realistically than the feminists [at that time], is that in order to reach equality, certain white men power are going to have to share their privileges,” Blanchett said, adding that “she knew which side she was going to stand on.”Mrs. America launches on Wednesday, April 15 on Hulu.

Pixar’s latest, Soul, is heading to the streaming service Disney+ on Christmas Day, but the animated feature just premiered for its first audience at the London Film Festival, and the first reactions out of that social-distancing screening are unsurprisingly positive. Initial reviews aren’t in total agreement, however, on whether Soul is great or just pretty good.Directed by Up and Inside Out helmer Pete Docter, the movie is being praised for its visuals, soundtrack, and representation more than its storytelling, which follows a Black jazz musician (voiced by Jamie Foxx) prematurely experiencing an abstractly rendered afterlife and teaming up with another character (Tina Fey) who isn’t ready to move on to their next realm. Even if it’s not peak Pixar, we can apparently still expect better than much of the studio’s output, as well as most any other films out this year.Here’s what critics are saying about Soul:How does it rank as a Pixar movie?It’s one of the very best Pixar efforts in years.  Kaleem Aftab, IndieWireTheir latest original story is their best work since 2015’s Inside Out.  Hannah Woodhead, Little White LiesPerhaps the most ambitious film ever attempted by Pixar.  Jason Solomons, The WrapIt’s a little Pixar-lite… For such big ideas, it’s surprisingly slight.  Alex Godfrey, Empire MagazineWhat would have been one of Pixar’s best films had it been released a decade earlier now feels like one of their more formulaic efforts… Soul is a mid tier Pixar effort.  Alistair Ryder, AwardsWatchDoes it feel related to any specific predecessor?Certainly, it will feel recognizable to those who have seen Docter’s prior film, Inside Out, and [it] may, indeed, be some kind of spiritual continuation. Joe Utichi, DeadlineIn many ways, Soul is an extension of his prior film [Inside Out], a similar examination of self doubt and existential insecurity. Alistair Ryder, AwardsWatchWhile Coco may have tread some of this turf first, Pixar’s latest life-after-death saga has its own distinctive twist. Kaleem Aftab, IndieWireIf Coco dealt with The Great Beyond and letting go, Soul is about grabbing what you’ve got with both hands and celebrating the joy of being alive. Hannah Woodhead, Little White LiesRyan FujitaniWill kids appreciate it?Although there’s plenty for kids to enjoy this feels like the most adult-themed Pixar movie yet. James Mottram, South China Morning PostSoul feels more consciously geared towards an older audience, which makes sense considering most of the children who grew up with Pixar’s earliest films are now in their thirties and forties. Hannah Woodhead, Little White LiesWhile this picture might skew towards a slightly older audience than Pixar’s usual demographic, a whole new generation of junior jazz fans could be created. Wendy Ide, Screen InternationalThis is a cartoon for children of all ages. Jason Solomons, The WrapShould we bring tissues?Adults will sob until their muscles ache. Clarisse Loughrey, IndependentThere won t be a dry eye in your living room and when you ve recovered from that, Soul hits you with a perfect final line that ll set you off again. Ian Sandwell, Digital SpyIt’s the emotion that overwhelms. Soul will leave you feeling warm – both inside and out. James Mottram, South China Morning PostIt remains a film with a deeply emotional core… In short, it has soul. Joe Utichi, DeadlineThe stakes seem strangely low, all things considered, without the big weepy gut punches you might hope for, certainly of the potency that Docter unleashed in Up and Inside Out. Alex Godfrey, Empire MagazineSoul lacks its promise of true heart-wrench and touch, the shredding of one’s heart isn’t there. Ben Rolph, Discussing Film(Photo by Pixar)How does the film look?The hand animation — fluttering, graceful, lightning-fast — will be studied by students of the medium with awe in years to come. Leslie Felperin, Hollywood ReporterThe animation – whether it’s the bustle of New York or the pastel-shaded celestial afterlife – is stunning. James Mottram, South China Morning PostSoul might be Pixar’s most exquisitely lit film – cinematographers Matt Aspbury and Ian Megibben fill both worlds with textures to die for. Alex Godfrey, Empire MagazineThe juxtaposition of the two art styles helps to distinguish the places in which the narrative shifts from one mode to the next… It provides a beautiful roadmap with which to navigate the mess. Liam Macleod, HeyUGuysDoes it do justice to the Big Apple?This New York is just a notch away from reality, and so authentically, lovingly executed, you can feel it. It’s all gloriously lived-in, which is fitting for a film that’s an ode to life. Alex Godfrey, Empire MagazineNew York has never looked as pretty as it does in the Pixar universe. Hannah Woodhead, Little White Lies(Photo by Pixar)And how about representation?Joe’s blackness isn’t relegated to a side issue; it’s baked into the essence of the character, and treated as a crucial aspect of his humanity. Kaleem Aftab, IndieWireSoul manages to avoid feeling tokenistic or patronizing… Racial identity isn t really the point; in the end, it s a movie more about jazz and spiritual essence — soul, if you will, in every sense of the word. Leslie Felperin, Hollywood ReporterHow s the music?With music at its core, it’s no surprise that the soundtrack is one of the company’s best… A dizzying combination of musical identities that underscore the movie’s layered trajectory. Kaleem Aftab, IndieWirePossibly the best soundtrack in a Pixar film since the first Toy Story. Leslie Felperin, Hollywood ReporterAnd the story?Soul manages to juggle the surreal humor of Inside Out in tandem with its most grounded, socially-conscious narrative ever, and it’s a real wonder to watch those ingredients congeal. Kaleem Aftab, IndieWireOnly in the final stages do the knots of plot complexity get the better of the characters, but audiences will have been well won over by then. Jason Solomons, The WrapThere is nothing in Soul that feels particularly original… with the story feeling cobbled together by an algorithm that’s been fed all of Pixar’s greatest hits. Alistair Ryder, AwardsWatchAfter its incredible first act, things start to stall in the second act after a critical story point. Ian Sandwell, Digital SpySmacking all of [the plot elements] together robs the film of any sense of thematic or tonal cohesion and constantly breaks the flow. Liam Macleod, HeyUGuys(Photo by Pixar)Are there any other problems?Some of the comedy leans towards the clumsy and juvenile and the lines between life and death seem to fall apart at the end, even outside of interventions from cosmic beings. Liam Macleod, HeyUGuysI felt some residual disappointment, a lingering tinge of regret that it doesn’t have the courage of all its convictions… What’s missing at the end, is a bit of soul. Jason Solomons, The WrapWill it satisfy viewers as a Disney+ release?The Disney+ move automatically makes it the best Disney+ movie yet – although you will wish you d seen it on the big screen. Ian Sandwell, Digital SpyWhat a pity for those living in regions where Soul will launch on streaming service Disney+ rather than in cinemas, where it truly belongs. James Mottram, South China Morning PostA pity, as it s a work that especially benefits from a theatrical-sized screen and a top-of-the-range sound system; immersion into its world is vital to the film s impact. Leslie Felperin, Hollywood ReporterSome of the gorgeous splendor of the computer-generated animation is bound to be lost on smaller screens. Jason Solomons, The WrapThis is a picture which cries out to be seen on the big screen. Wendy Ide, Screen InternationalSoul will debut on Disney+ on December 25, 2020.On an Apple device? Follow Rotten Tomatoes on Apple News.
om the H in the Hollywood sign in the early 1930s.The limited series, co-created by Ian Brennan, plays out like a dream – what would happen if profit-driven studios had taken the brave step of giving minorities major lead roles during Hollywood s Golden Age? – and comes loaded with many of über-producer Murphy s TV signatures. There s a cast of attractive young newcomers (Broadway star Jeremy Pope, Ready or Not’s Samara Weaving, Spider-Man: Homecoming’s Harrier, and more); a handful of Murphy veterans (The Assassination of Gianni Versace’s Darren Criss, The Politician’s David Corenswet); plenty of visual panache, this time with a 1940s Hollywood flair; and lots to put a smile on any LGBTQ viewer s face — a fictionalized Rock Hudson is among the lead characters, for starters.And as with American Horror Story, Feud, and other Murphy-produced series, Hollywood is marked by a number of veteran actresses in the kind of complex, flashy roles you don t see a lot of outside of Murphyland. Holland Taylor is a wise studio executive; Mira Sorvino plays an aging actress struggling to land a role; and Broadway legend Patti LuPone stars as Avis Amberg, the studio head s wife who has to take over when he suffers a heart attack. It s Avis who makes the call to cast Washington, and who deals with the fallout, and it s LuPone who runs away with the series: Whether she s dressing down a group of bean counters trying to shutter her studio, getting plastered backstage at the Oscars, or getting freaky with 26-year-old Corenswet s Jack – expect memes of the staircase moment to do the rounds – she s a joy to watch.Rotten Tomatoes recently called LuPone at the Connecticut home that s enjoyed some fame during quarantine; the actress has been offering virtual tours of her eclectically decorated basement on Twitter ever since fans began obsessing over it when she appeared on a Rosie O Donnell live stream. It was the day after her birthday when we called, and she was hungover from a night with people on Zoom getting trashed on martinis — not something she usually drinks. Her mouth may have been dry, but LuPone had plenty to say about working with Murphy, what she d change about the entertainment industry today, her Tiger King–themed birthday present, and why those in the arts deserve more respect.Joel Meares for Rotten Tomatoes: Hollywood is just the latest Ryan Murphy production you ve been a part of – fans will remember you from AHS and Pose. What is it about what Ryan’s doing in the television landscape that’s drawing you to his projects?Patti LuPone: He offers me jobs. It s simple is that. And he offers me really great parts. I did a little thing on Glee, that was the first time I worked for him. I got a call from my agent, and they were very excited about it, they said, Ryan Murphy wants to do a whole episode about you, Patti. And I m like, No, I m still a working actor. I cannot be Patti LuPone d out of the business. And they were shocked I said no. Because they didn t know how Ryan would react. I said, Tell them, I would be happy to do one scene, but I can t have an entire episode. And I did this one scene with Lea Michele and Cory Monteith. But then I was offered American Horror Story then Pose and now this.You know what Ryan’s doing? He s forming a repertory company on film. And that s an extraordinary thing — that Ryan will offer you a great part in a great television show, you know what I mean? It s just really wonderful that somebody trusts you enough to go, “Here, play this. Here, play that.” It s always different.(Photo by Saeed Adyana/Netflix)This particular role in Hollywood, Avis, is so meaty. Part of it is just the clothes — which I m still getting over because you get to wear some amazing stuff — but then you also get to have this boy toy and some pretty wild sex scenes with David [Corenswet]. And then she becomes this boss business woman. What was it like to play all these aspects of Avis?LuPone: Well, I had an indication [of the arc] when Ryan talked to me about the part; he told me what would happen, that she would end up running a studio and making movies just for gays, minorities, and women. So I knew that that was going to be the arc of the character. And he did preface it by saying, “…and she has sex scenes.” And I said: Finally. We only got a script at a time, so I didn t really know how exactly it was going to unfold. I was thrilled that he trusted me, and I was thrilled that he gave me meat to act.Ryan has spoken about Hollywood as a sort of rewriting of movie history that gives people a happy ending who didn t necessarily get a happy ending in many ways. It’s a corrective fantasy. Is there something about the entertainment industry or Hollywood today that you would rewrite, as Ryan does in the series? What would you change about the industry if you could?LuPone: First of all, there are no showmen left. Do you know what I mean? There s no Louis B. Mayers, Jack Warners left; there are no Irving Thalbergs left. These people had theater in their blood. And I mean theater encompassing everything, do you know what I mean? They would have theatrical blood where they could choose writers and they could choose materials; materials to give to an audience. What are we doing as far as filmmaking is concerned today? We re regenerating cartoons.So I would hope that artists would lead. And I don t just mean actors, I mean anybody with an artistic bent would lead. My problem is that — and this is on Broadway as well, any entertainment aspect — we are second-guessing the audience. We are underestimating the audience. They can take a whole lot more and they need it. We need to educate, [and] they need to educate us. So, we should put everything out, much broader ideas, and let the audience decide. They are smarter than we think they are, or that we give them credit for. (Not me, because I m on that side of the stage where I deal with them.) But we need to empower the people that green-light films so they aren t underestimating them.Is the problem that those particular decision-makers lack an artistic bent?LuPone: I think that s part of it. The other is financial. I saw it changing when I was doing [ABC drama] Life Goes On years ago. I saw it changing when the Harvard bean counters, the Yale bean counters came out and took over Hollywood and the music industry. I d heard about it and I sort of felt it when I was in California, that was 1989 to 1993. You could feel it changing.Also, there should be more women in every position of power, not just in the entertainment industry, but in our politics. There s just something that the men lack right now and that s empathy.Ryan seems to have that quality.LuPone: Oh, Ryan is a champion.OK, I have to ask you about your time social distancing in Connecticut. Your home, and particularly your basement, has taken the Internet by storm ever since you appeared on Rosie O’Donnell’s live stream, and you’ve showed us your cassettes and jukebox and all sorts of things on Twitter. Are you surprised that people are so fascinated by your home and your basement and your life right now?LuPone: Yes. Yes. Yes. But you know what, if it s bringing anybody joy, I m very happy to do it. It has to be when the inspiration strikes, so that there is a mood to [the Twitter videos]. And today the mood struck because we were planning this one and I had to wait until I was sort of in the right frame of mind. What happened was I got really trashed last night because it s my birthday. I got trashed on martinis, which I don t drink. So I m hungover today and I said to my kid, Let s do it. I m not bathing, I m not combing my hair. I m not brushing my teeth. Let s do it right now. And we did it. People wanted to know what was in the locker, so I showed him things that were in the locker.I heard somebody wanted to see more of my basement. 😘 pic.twitter.com/fBea7emR6h Patti LuPone (@PattiLuPone) March 23, 2020You now know you what I m doing straight after this! What is a Patti LuPone hangover cure, by the way?LuPone: Oh my God, I don t know. I m still hungover. I woke up so sick. Apparently, I was crazy last night. I don t remember anything, but my husband told me. Because it was Bingo, it was Zoom Bingo. And I started yelling at the computer — well not the computer — and then I won and then I peed my pants and then I came upstairs. What the hell was happening? Maybe there s too much information for you, but it was one of those sort of I just passed out. Then I woke up this morning, my throat was so dry, my head was pounding. Who the hell knows?These days it s just kind of like every night could turn into that if you let it. I haven t seen a movie collection necessarily or DVDs or VHSes in your basement. Do you have one and what might we find in it?LuPone: Yes. And you know it s in the corner? It was by Nipper [her statue of the RCA dog]. But we ve just gotten rid of a lot of VHSes as well — actually we haven t gotten rid of the VHSes yet, because we re going to transfer them to digital — but [we have gotten rid of] a lot of the DVDs because they re basically on the computer. We’re leaving our home to our kids, right? That s what parents do. So my husband and I, in this time, are trying to lessen our imprint — not that we re going to die anytime soon, but you know how you collect stuff? We’re in the process of purging a lot of stuff that is not necessary anymore. So a lot of the DVDs went south. I m not going to watch the movies again, or if I want to, they re on Netflix or YouTube. So the physical movies are gone. I mean, I just got rid of a bookcase: 12 boxes of books that I got rid of!Oh no! But that s good. You re doing your part. Is there a film that you ve returned to or a TV show that you ve returned to during this time? Or something new you’ve discovered?LuPone: I m watching Babylon Berlin and My Brilliant Friend and Grace and Frankie, and now I want to watch Unorthodox; oh, somebody told me about Sex Education. But what I m doing is reading, I m reading a lot. I m reading the latest translation of Madame Bovary, which I d never read. Then starting on Hilary Mantel s The Light and the Mirror.I’m reading that at the moment, actually. Did you see the Wolf Hall miniseries?LuPone: I did. And at first, I didn t understand what Mark Rylance was doing [in the role of Thomas Cromwell]. But I think Mark Rylance is one of the great actors. I didn t understand what he was doing, and then Oh, Oh. It deeply revealed itself. I mean, he s extraordinary. (Photo by Saeed Adyana/Netflix)And I know you’ve watched Tiger King…LuPone: Yes, I did. You know what I got for my birthday from my kid? I got an authentic bumper sticker that says “Joe Exotic for President.” But it s one of those authentic ones from 2016.That s amazing. Ryan is reportedly working on series about Joe Exotic with Rob Lowe. Is there a role that you would covet to play?LuPone: Maybe Saff. Saff Saffery. [Laughs] I should play Saff; I m too old to play Saff. Um Yeah. We ll have to find a role for me. I don t know. I can t be Carole Baskin… No, it d be a challenge. On a more serious note, there’s been a lot of talk these last few weeks about how important the arts are — we’ve all turned to TV and film and music and reading to keep ourselves sane. Do you think there might be some sort of landscape change in terms of how government and people just view writers and musicians and filmmakers when this is all over? More respect? More funding?LuPone: Not as long as we have the present government. Not at all  I do not think so if the Republicans hold power; I think we will sink further, further into obscurity if they hold on to power in 2020. And I think we are taken for granted, and we are also treated as third-class citizens in this country. That s been my experience my entire career, in various ways. So I don t think so. But other countries? Probably so, because they re just smarter than we are. And more cultured than we are.(Photo by Saeed Adyana/Netflix)I’m wondering if you can expand a little for someone who s reading this and doesn t understand perhaps what you mean by “third-class citizens.” The perception might be, Patti LuPone or Ryan Murphy, et cetera, all live wonderful lives. Can you unpack that a bit?LuPone: Theatricals have always been treated with phenomenal distrust. The actress on stage, she was considered a prostitute; they were the first people that wore makeup and she was they were sub-society. I remember when I was performing, The Acting Company was performing at the Ford Theater, the reopening of the Ford Theater during Jimmy Carter s administration. And the Carters were coming to the performance that night, and we were invited to the White House to meet the President. Basically, it was the clearing out of the social calendar and there were some celebrities there: Alexis Smith, Henry Fonda, John Houseman. And just as they got to Henry Fonda and John Houseman, the military guards stopped the receiving line. I actually said, No, no, you can t do that. They re coming to see us tonight. And we were escorted off the property, basically. We ve always been considered do I want to say “non-essential”? Even though it is.I have said forever, it s an inherent right: The arts are an inherent right in human nature. And they keep de-funding the National Endowment for the Arts. I mean people were bitching that they gave the Kennedy Center million in the first stimulus package. The arts are crucial for mental and spiritual health. Yet we are, like I said, taken for granted. Or put in situations where we are totally dismissed. I have felt it my entire career. And, yes, I make a living. [But] I don t always make a living. There s that expression, You re only as good as your last shift, and I m going to be in financial peril if this goes on too much longer. I m no different than anybody else.Finally, we know that one of your theatrical pet peeves is when people put their phones on in the theater — you famously grabbed a phone from an audience member during a performance of Gypsy on Broadway. Do you have any pet peeves when you re going to the cinema? Things that really bother you?LuPone: The same thing. People talking during the movie or people texting during the movie. It s the exact same thing, you are together in a proscenium environment. And it s public manners. We, in this country, have forgotten our public manners — that other people exist besides ourselves. So, it s how we conduct ourselves in theaters, all kinds of theaters. Movie theaters, legitimate theaters. It s the same piece.Hollywood is available to stream on Netflix from Friday, May 1, 2020.
t is shaken when a sudden event makes her rethink her teen years and who she really wants to be.Justin Timberlake will play The Gong Show host Chuck Barris in an Apple TV+ series about Barris’ life. The series will be based on the late Barris’ 1984 memoir Confessions of a Dangerous Mind, in which he claimed his gigs as game show host and creator of game shows The Dating Game and The Newlywed Game were actually covers for his other job: as CIA assassin. The book was already adapted as the 2002 George Clooney–directed movie adaptation of the same name, with Sam Rockwell playing Barris. (Deadline)(Photo by Cindy Ord/Getty Images for FIJI Water)Renée Elise Goldsberry, star of Hamilton and Tina Fey’s upcoming Peacock series Girls5Eva, will also star in the Disney+ Marvel series She-Hulk, playing a character named Amelia. The series, starring Tatiana Malany in the title role, started filming this week in Atlanta. (Deadline)Christine Elise McCarthy and Alex Vincent are the latest Child’s Play franchise stars who will join their titular creepy doll co-star in the upcoming USA/Syfy series Chucky. McCarthy (Beverly Hills 90210) will again play Kyle, which she also played in Child’s Play 2 and Cult of Chucky, while Vincent will play Andy Barclay, a role he played in the original 1988 Child’s Playmovie, as well as Child’s Play 2 and Curse of Chucky. Original movie star Brad Dourif is returning as the voice of Chucky in the series, while Dourif’s daughter Fiona will reprise her role as Nica, which she played in Curse of Chucky and Cult of Chucky. Jennifer Tilly (Bride of Chucky, Seed of Chucky, Curse of Chucky, and Cult of Chucky), Barbara Alyn Woods (One Tree Hill) and her daughter Alyvia Alyn Lind (The Young and the Restless), and Devon Sawa (Final Destination) also star. (EW)District 9 star Sharlto Copley has joined the upcoming second season of Natasha Lyonne’s Netflix hit Russian Doll. No details have been released about the storyline or new characters for season 2 of the dramedy. (Deadline)All-American star Jordan Belfi will join the cast of NBC’s Good Girls for a recurring role this season. He’ll play Z, who Dean (Matthew Lillard) meets when he gets mixed up with a multi-level marketing group. (Deadline)New Amsterdam star Anupam Kher, one of the series’ original cast members as Dr. Vijay Kapoor, has left the series to spend more time with his wife, actress Kirron, as she battles cancer. (EW) Rob Delaney will co-star with Chiwetel Ejiofor in Showtime’s The Man Who Fell to Earth. Catastrophe alum Delaney will play Hatch Flood, the black sheep of a wealthy tech family who becomes involved with Ejiofor’s titular alien character. Andrew Dice Clay and Pepi Sonuga (9-1-1) are joining the cast of Hulu’s Pam Tommy limited series about the infamous sex tape made by former marrieds Pam Anderson and Tommy Lee. Clay will play a shady loan shark character, while Sonuga will play Anderson’s best friend. (Deadline)PRODUCTION DEVELOPMENT: Hulu’s The 39 Steps Limited Series Will Star Benedict Cumberbatch(Photo by Dave J Hogan/Getty Images for Entone)Hulu is developing a limited series adaptation of the classic 1915 John Buchan thriller novel and 1935 Alfred Hitchcock movie The 39 Steps, starring Benedict Cumberbatch. Reteaming with his Patrick Melrose director Edward Berger on the project, Cumberbatch will play Richard Hanney, a man who becomes a pawn in a global conspiracy to change the world, via 39 steps. The actor and Berger are also executive producers on the limited series. (Deadline)Magic Mike star Channing Tatum and director Steven Soderbergh are among the executive producers of The Real Magic Mike, an upcoming HBO Max reality series in which 10 men will compete for cash and a shot to perform in the Magic Mike Live stage show in Las Vegas.Kenan co-star Don Johnson confirmed he’s set to begin production in San Francisco on a Nash Bridges reboot that may be a full reboot or a two-hour movie, airing on NBC or Peacock. He’ll be joined by original co-stars Cheech Marin and Jeff Perry. (TVLine)EPIX has greenlit the 10-episode sci-fi horror series From, created by John Griffin (Crater). The cliffhanger-packed drama “unravels the mystery of a nightmarish town in middle America that traps all those who enter. As the unwilling residents fight to keep a sense of normalcy and search for a way out, they must also survive the threats of the surrounding forest – including the terrifying creatures that come out when the sun goes down.” Game of Thrones and Lost director Jack Bender directs the first four episodes of From, which begins production in May in Nova Scotia for a planned 2022 premiere.(Photo by Russ Martin/CBS)Star Trek: Picard and upcoming Strange New Worlds co-showrunner Akiva Goldsman says the new series, which stars Anson Mount as original Trek captain Christopher Pike, will be more episodic, like the original series that launched the Trek universe, with stories jumping from horror to “hard sci-fi” to more comedic turns, like the classic “The Trouble with Tribbles” installment. (THR)Ron Howard and his character-actor brother Clint are writing a joint memoir about their lives as child actors. The Boys: A Memoir of Hollywood and Family will be released on October 12 from William Morrow, and will unfold a story “by turns confessional, nostalgic, heartwarming, and harrowing” that “lifts the lid on the Howard brothers’ closely held lives. It’s the journey of a tight four-person family unit that held fast in an unforgiving business and of two brothers who survived child-actor syndrome to become fulfilled adults.”VAX LINE: The Concert to Reunite the World will air and stream on May 8 as a concert to try to inspire vaccine confidence around the world. Selena Gomez hosts and performers include Foo Fighters, Jennifer Lopez, Eddie Vedder,  J Balvin and H.E.R. for the special, which will air on ABC, CBS, FOX, YouTube, and iHeartMedia.Demi Lovato may be doing double duty for NBC, as the network ordered pilots for her comedy Hungry and romantic comedy Someone Out There. The autobiographical Hungry stars Lovato (who also executive produces) as the member of an eating disorder group, and the romantic comedy stars the singer and actress as one half of a stubborn duo who are inspired by strangers to change their ways and potentially find love (and possibly with each other).Netflix will be the home for the live-action movie adaptation of the 1979 TV series Gundam, which Brian K. Vaughn (Y: The Last Man) will write and Kong: Skull Island director  Jordan Vogt-Roberts will direct.Colton Underwood, star of season 23 of ABC’s The Bachelor, announced he is gay during an interview on Good Morning America on Wednesday, and on Thursday Variety reported he is filming a reality show for Netflix about living as a gay man.The original cast of NBC’s ER, including George Clooney, Noah Wyle, Laura Innes, Anthony Edwards, Paul Crane, Ming-Na Wen, Gloria Reuben, Julianna Margulies, Goran Visnjic, Yvette Freeman, CCH Pounder, and Alex Kingston, are reuniting on April 22 in a live, virtual gathering on Stars in the House, in a benefit for the Waterkeeper Alliance, the global nonprofit focusing on clean water. Reuben is the president of Waterkeeper Alliance, and the reunion will stream on People magazine’s social media platforms at 8 PM ET on April 22.On an Apple device? Follow Rotten Tomatoes on Apple News.
Whether they call it a reboot, remake or reimagining, television producers love to capitalize on nostalgia with fresh takes on beloved programming. But this doesn’t automatically mean the new versions are any good.Luckily, this isn’t the problem for the new take on Saved By the Bell, Peacock’s update – they prefer to go with option three and call it a “reimagining” – of the teen sitcom that ran from 1989 to 1993 on NBC (and then in syndicated reruns for near-perpetuity). The update, which released all 10 of its first season episodes in November on the streaming service, is Certified Fresh with critics calling it “a throwback that looks forward, embracing the past while living in the now” or arguing that it works because it’s self-aware and because it’s “legitimately funny and good-hearted in a time that s rife with cynicism.”So it wasn t much of a surprise when the series was renewed for a 10-episode second season.(Photo by Chris Haston/Peacock)Elizabeth Berkley Lauren, who appeared in the original series as the popular, progressive and overachieving Jessie Spano and who now returns to the show as an older, wiser and more accomplished version of the character, says credit for all this praise is due to the new series’ showrunner, Tracey Wigfield.She “could not have dreamed of someone better to bring this back with the right tone and the relevant issues, she told Rotten Tomatoes after the series November premiere. The 30 Rock and The Mindy Project alum grew up watching the first series take on topical issues like environmental awareness, women’s rights and – as Berkley Lauren’s Jessie herself immortalized when she became “so excited” and then “so scared” when she got hooked on caffeine pills – addiction within a neon haze of pranks, fake bands, large cell phones and Mark-Paul Gosselaar s lead Zack Morris occasional ability to stop time and break the fourth wall.(Photo by Trae Patton/Peacock)The new version follows what happens when California’s idiot mayor (Gosselaar reprising his role as the continually-failing-upward Zack) botches the school budgets and kids from a high school in a lower-income neighborhood join Zack and Jessie’s alma mater, Bayside High, after their school is closed. Class warfare, overprotective parenting, preconceived racial and social biases and more come into play (character actress Dana Powell guest-stars as a Bayside mom with a savior complex named Joyce Whitelady).But some things about high school never change, no matter the decade. And this show is full of Easter eggs and references to the classic version. The homage is seen most starkly in new show s inclusion of the original stars and its update on Berkley Lauren and Gosselaar’s characters, as well as their then-paramours Tiffani Thiessen’s Kelly Kapowski, and Mario Lopez’s A.C. Slater (now, respectively, First Lady of California Kelly Morris and the high school’s football coach).(Photo by Casey Durkin/Peacock)Or when it comes to recreating inevitable teen-aged infatuations. Josie Totah’s Lexi Haddad-DeFabrizio is a power-obsessed Type A personality who has long harbored feelings for her best friend, Jessie’s oft-clueless jock son, Jamie (Belmont Cameli). This dynamic is so similar to the Jessie-Slater pairing from back in the day that, in the episode where Lexi admits her feelings, her hair is styled in long blond waves – a modern-day take on the spirals of curls and big bows that Jessie used to wear (and, quite honestly, is sometimes seen sported even now).For Berkley Lauren, who is also a producer for this reimagining, it also means a chance to explore what happens when an ambitious teen girl grows into an educated and successful adult. Now the Jill Biden of Bayside High, Jessie is not only the school’s counselor, but she also holds a Ph.D. in educational psychology, is a best-selling author and is known in some circles for her TED Talks.“Jessie, at the time, was such a progressive character on television — especially for young woman — and a character who has such a strong vision for herself,” Berkley Lauren said. “She was all about success and accomplishments and what she was going to pursue … I felt protective and that I wanted to let [the fans] know what she actually did do and what she actually did go for and accomplish.”
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9 天前

游戏时长 60分钟

D MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR)AND ANIMATION: Barry, ronny/lily (HBO)Elmo Ponsdomenech, CAS, Re-Recording MixerJason Frenchie Gaya, Re-Recording MixerAaron Hasson, ADR MixerBenjamin Pat rick, CAS, Production MixerHBO Entertainment in association with Alec Berg and HanarplyOUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION: Barry, ronny/lily (HBO)Matthew E. Taylor, Co-Supervising Sound EditorSean Heissinger, Co-Supervising Sound EditorRickley W. Dumm, MPSE, Sound Effects EditorMark Allen, Sound Effects EditorJohn Creed, Dialogue EditorHarrison Meyle, Dialogue EditorMichael Brake, MPSE, Music EditorClayton Weber, Foley EditorAlyson Dee Moore, Foley ArtistChris Moriana, Foley ArtistHBO Entertainment in association with Alec Berg and HanarplyOUTSTANDING SOUND EDITING FOR A LIMITED SERIES, MOVIE OR SPECIAL: Chernobyl, 1:23:45 (HBO)Stefan Henrix, Supervising Sound EditorJoe Beal, Sound DesignerMichael Maroussas, Dialogue EditorHarry Barnes, ADR SupervisorAndy Wade, Music EditorPhilip Clements, Foley EditorAnna Wright, Foley ArtistHBO Miniseries and SKY in association with Word Games, The Mighty Mint and Sister PicturesOUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE: Chernobyl, Please Remain Calm (HBO)Simon Smith, EditorHBO Miniseries and SKY in association with Word Games, The Mighty Mint and Sister Pictures(Photo by HBO)OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES: Game of Thrones,  The Long Night (HBO)Tim Porter, ACE, EditorHBO Entertainment in association with Bighead, Littlehead; 360 Television/Startling TelevisionOUTSTANDING INTERACTIVE PROGRAM: NASA and SpaceX: The Interactive Demo-1 LaunchYouTube/NASA and SpaceXOUTSTANDING ORIGINAL INTERACTIVE PROGRAM: NASA s InSight Mars LandingNASA TV/NASA Jet Propulsion LaboratoryOUTSTANDING CREATIVE ACHIEVEMENT IN INTERACTIVE MEDIA WITHIN A SCRIPTED PROGRAM: Black Mirror: BandersnatchNetflixHouse of TomorrowOUTSTANDING CHOREOGRAPHY, SCRIPTED: Crazy Ex-GirlfriendRoutines: Don t Be a Lawyer, Antidepressants Are So Not a Big Deal Kathryn Burns, ChoreographerThe CWOUTSTANDING CONTEMPORARY COSTUMES: Russian Doll, Superiority Complex (Netflix)Jennifer Rogien, Costume DesignerCharlotte Svenson, Assistant Costume DesignerMelissa Stanton, Costume SupervisorUniversal Television in association with Jax Media, Paper Kite Productions, 3 Arts Entertainment, Shoot to Midnight, Avenue AOUTSTANDING CHILDREN S PROGRAM: When You Wish Upon a Pickle: A Sesame Street Special (HBO)Brown Johnson, Executive ProducerBenjamin Lehmann, Executive ProducerKen Scarborough, Executive ProducerMindy Fila, ProducerKaryn Leibovich, ProducerStephanie Longardo, ProducerSesame Street WorkshopOUTSTANDING MAKEUP FOR A SINGLE-CAMERA SERIES (NON-PROSTHETIC): Game of Thrones, The Long Night (HBO)Jane Walker, Department Head Makeup ArtistKay Bilk, Makeup ArtistMarianna Kyriacou, Makeup ArtistNicola Matthews, Makeup ArtistPamela Smyth, Makeup ArtistHBO Entertainment in association with Bighead, Littlehead; 360 Television/Startling Television(Photo by Amazon Prime Video)OUTSTANDING HAIRSTYLING FOR A SINGLE-CAMERA SERIES: The Marvelous Mrs. Maisel,  We re Going to the Catskills! (Amazon Prime Video)Jerry DeCarlo, Department Head HairstylistJon Jordan, Key HairstylistPeg Schierholz, Personal HairstylistChristine Cant rell, HairstylistSabana Majeed, HairstylistAmazon StudiosOUTSTANDING CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR): Russian Doll,  Ariadne (Netflix)Chris Teague, Director of PhotographyUniversal Television in association with Jax Media, Paper Kite Productions, 3 Arts Entertainment, Shoot to Midnight, Avenue AOUTSTANDING CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (ONE HOUR): The Marvelous Mrs. Maisel,  Simone (Amazon Prime Video)M. David Mullen, ASC, Director of PhotographyAmazon Studios

游戏时长 5.0小时

Ghcxuf 1. THREE OF MARVEL S STARS CIRCLING STEVEN SODERBERGH S NEXT(Photo by Marvel Studios)After taking a sabbatical in 2012 and 2013, director Steven Soderbergh came back with a flurry of activity that continued this year with two films on Netflix (High Flying Bird and The Laundromat) and one that has already wrapped for next year called Let Them All Talk. Soderbergh s next film is expected to be Kill Switch, a 1950s crime drama set in Detroit from screenwriter Ed Solomon (Men in Black, co-writer of next year s Bill Ted Face the Music). He is reportedly now in negotiations with three actors who are all famously known for their roles in the Marvel Cinematic Universe: Josh Brolin (Thanos), Don Cheadle (War Machine), and Sebastian Stan (The Winter Soldier). If they sign on, the three would play criminals who plot a home invasion only to wonder if they have been set up in a double cross. Kill Switch is currently an independent production, but it s expected to be shopped around to major studios, based on its Marvel-level star power.2. DISNEY SCHEDULES THE KING S MAN, THE LAST DUEL, AND FOUR MARVEL MOVIES FOR 2023(Photo by Walt Disney Studios)As happens every year around this time, each major studio will be making major release date announcements soon, and this year, it started with arguably the biggest player on the field right now, Disney. Let s start by discussing the most mysterious dates, which are for untitled Marvel movies in 2023, on February 17, May 5, July 28, and November 3. These dates are on top of the movies we know about for 2020, 2021, and 2022, and also on dates in 2022 that don t yet have titles specified yet. We can, however, make some educated guesses about what films might be scheduled for 2022 and 2023, based on the films that haven t been dated yet, and those titles include the sequels Ant-Man 3, Captain Marvel 2, Deadpool 3, and Guardians of the Galaxy Vol. 3, as well as the reboots of Blade, Fantastic Four, and X-Men. Disney also pushed The King s Man back from 2/14/2020 to September 18, 2020 and scheduled Ridley Scott s The Last Duel for a platform release starting on December 25, 2020 that will expand wide on January 8, 2021.3. GUARDIANS OF THE GALAXY STAR JOINING MISSION: IMPOSSIBLE 7 (AND PROBABLY 8)  (Photo by Marvel Studios)It s something of an understatement that when Disney fired (before eventually rehiring) director James Gunn from Guardians of the Galaxy Vol. 3, they also inadvertently threw the schedules of the film s cast sort of out of whack, and we re still seeing the ramifications. One of those available co-stars is Pom Klementieff, A.K.A. Mantis, who joined the franchise with Guardians of the Galaxy Vol. 2. Screenwriter and director Christopher McQuarrie took to Twitter this week to announce that Klementieff will be joining the Mission: Impossible franchise with Mission: Impossible 7 (7/23/2021), and if we take his use of the #MI78 hashtag literally, also for Mission: Impossible 8 (8/5/2022). The tweet didn t specify what Klementieff s role might be, but her reply, Mischief: accepted, might give us a hint.4. NEXT STAR WARS MOVIE STILL SCHEDULED FOR 2022, STILL SHROUDED IN MYSTERY (Photo by Walt Disney Studios)Game of Thrones showrunners David Benioff and D.B. Weiss recently departed the Star Wars project that had been scheduled for December, 2022, but Disney has confirmed that they are still scheduling a Star Wars movie for that date (12/16/2022). Having said that, Disney is reportedly not yet ready to specify who their new Star Wars director will be, and will make that announcement in early 2020. Jon Favreau, who is currently basking in warm reviews for the Disney+ series The Mandalorian (Fresh at 89%), is reportedly one of the figures whose responsibilities are being stepped up at Lucasfilm. What we do know this week, however, is that the director of the 2022 Star Wars won t be Rian Johnson (Star Wars: The Last Jedi), and it won t be Kevin Feige s project either. Who do you think should direct the next Star Wars? 😈😈

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亚游九游会登录 The first appearance of DC Comics Doom Patrol advertised the ragtag group as the world s strangest heroes. More than half a century later, those misfits have their own series on the DC Universe streaming service, Doom Patrol.Premiering February 15, the series follows a group of very unusual characters — a human brain contained in a robot body, a former actress with the ability to stretch her body into impossible shapes, a horribly burned pilot containing an electromagnetic force, and a paraplegic genius who brings them together — as they begrudgingly embark on a mission to stop the supervillain Mr. Nobody from plunging the world into a fit of absurd madness. They re all weird, confirmed Timothy Dalton, who plays the group s de facto leader, Dr. Niles Caulder. Also known as The Chief, Caulder is an avid collector of odd personalities.“He s obviously got a very particular kind of personality; it s a rich and complex personality,” Dalton told Rotten Tomatoes. “But he might be the sanest one of the lot — or the most normal at times.”(Photo by Jace Downs / 2018 Warner Bros Entertainment Inc.)While the Doom Patrol cast was previously introduced in an episode of DC Universe s first live-action series, Titans, the characters made their first appearance in the DC Comics anthology My Greatest Adventure in 1963. The low-selling series was in danger of cancellation when writer Arnold Drake was tasked with creating a new lead feature that could potentially save the title. Drake, fellow writer Bob Haney, and artist Bruno Premiani assembled the group of very unusual characters he dubbed collectively the Doom Patrol, which were advertised on the cover of My Greatest Adventure #80 as the world s strangest heroes. Now, 56 years later, their creations are leading their own TV series, which is based on Drake, Haney, and Premiani s work and later comic book stories by Grant Morrison, Richard Case, and a number of other artists.Robotman, Negative Man, Elasti-Woman, Crazy Jane, and new recruit Cyborg are led by the Chief, whose keen analytical mind and mechanical prowess was able to save the brain of Cliff Steele (Brendan Fraser), a race car driver from the 1980s who survived a terrible accident only through The Chief’s intervention. While Cliff is still alive, the fact that he is trapped in a mechanical body means he s without his five senses or full range of emotions — and without his full identity.“Hubris got the best of this narcissistic daredevil race car driver who cheated in more than one way,” Fraser told RT.But in cheating death, Cliff also became Robotman, a person only partially aware of Cliff’s life as the series begins. According to Fraser, there is a clear delineation between Cliff and Robotman that will be explored as the series progresses.“He needs to learn to be a better human being than he ever was in a human body,” Fraser explained. “And he can only do that by being trapped in this mechanical creature.”(Photo by Quantrell D. Colbert / 2018 Warner Bros. Entertainment Inc.)The nature of Cliff s confinement, and that of fellow Doom Patrol member Larry Trainor (Matt Bomer), is obvious from their lack of human faces — Cliff’s robot face cannot mimic expression; while Larry, the former test pilot, hides his badly burned visage behind bandages — but another longtime resident of The Chief’s home uses a very different mask to hide her internal prison. The third member of the group, Rita Farr (April Bowlby), was an actress in the Hollywood studios of the 1950s. But an on-set accident turned her into a blob of stretchy gelatinous flesh that she struggles to keep in lockstep with the celluloid memory of her more glamorous appearance. While it may seem narcissistic on its surface, Bowlby said the underlying nature of her character s identity crisis makes her all the stranger.“I think she pushes people away, but all she really wants is people to love her,” Bowlby said. “She s surrounded by old memorabilia of herself, obsessed with herself, and then doesn t understand why other people aren t.”Also strange for Bowlby was creating two different versions of Rita. One appeared in an episode of DC Universe’s Titans last October, but the other is the one audiences meet on Doom Patrol.“Rita [on Titans] was, I felt, very loving and kind, almost like a 50s housewife,” Bowlby said. But when Jeremy Carver came on board to develop Doom Patrol into its own television show, he decided to rethink the characters and set it apart from Titans entirely. Bowlby abandoned the motherly Rita in favor of the one she read in Carver’s first script.“She s crippled emotionally,” she said of the revised character. “And she likes to protect herself from people and being outside in the world.”(Photo by Jace Downs / 2018 Warner Bros Entertainment Inc.)The sense that she must protect herself from the world and protect the world from her abilities left Bowlby with the sense that Rita is not a hero.“I imagine that eventually we ll see Rita own her power, but right now it is not a power. It s a threat to her. She doesn t like it. She doesn t know how to control it,” she explained. “It s almost like she s working against even what [the Doom Patrol is] trying to do.”In fact, Fraser and Dalton both feel their characters are far from the hero archetype. Although Dalton joked that the Chief is somewhat heroic in giving the group a place to live, he added that the viewer should be “left in two minds about him” and his motivations. And as Fraser put it, Cliff is “not out to fight crime and make the world a better place like the Justice League.”But there is one character on Doom Patrol is looking to be a hero: Victor Stone, also known as Cyborg (Joivan Wade). The character may be the best known of Doom Patrol’s cast thanks to his appearances on Teen Titans, Teen Titans GO!, and in the Justice League feature film. The series honors that rich media history by envisioning him as a young man anxious to get on a big superteam like the Justice League. The survivor of a horrific accident that took the life of a close family member, Vic was rebuilt with cybernetic limbs and neural implants that offer him greatly enhanced speed, endurance and a few other abilities. With his promising football career ended by the accident, Vic is dedicated “to being that superhero and protecting people and essentially giving back,” Wade explained.“Being with the Doom Patrol is a great opportunity for him to do that and to learn,” he continued. “He gets to test out being a leader within the group and train to function within a team, which are skills he’ll need.”But even Justice League candidates can have some strangeness to them, and Wade teased a potential oddity for the Vic.“He s a computer as much as he is a human, Wade said, so having this piece of software and the cybernetics which made his body up, there is this question of, ‘Well, it s programming, isn t it?’ So based on that, how does he know what s real and what s not real?”While that leads to a question of identity, Wade is certain Vic’s desire to be a hero is genuine to the man and not his program.When it comes to identities, though, Crazy Jane (Diane Guerrero) has the market cornered. Created by Grant Morrison and Richard Case in the author s seminal 1980s run on the Doom Patrol comic book, Jane is a metahuman dealing with Dissociative Identity Disorder — and each of her 64 personalities has a superpower of its own. Jane s struggle leads to plenty of trouble at the Caulder mansion and plenty of strange happenings in the town nearby. But Guerrero said there is a very mundane and relatable aspect to Jane that viewers will connect with right away.“Her brain s never off,” she said. “That s part of the reason why some people drink or take on hobbies. It’s just to quiet the mind. Something s always constantly battling to surface.”For Jane, the battle is containing those personalities – all with their own scruples in addition to their powers.“Her job is to be steady and to be neutral and not to feel.” Guerrero said. It makes the character a hero in her eyes just be trying to manage it all.(Photo by Jace Downs / 2018 Warner Bros Entertainment Inc.)Nonetheless, less heroic personas do emerge, like Hammerhead, a super strong and extremely angry person who manifests despite Jane’s best efforts to keep the anger contained.“[Jane is] the person who has all these feelings, but doesn t want to feel too much, and Hammerhead is just is totally OK being in that space and unapologetic, Guerrero said. While the personality often makes life in the mansion worse, There are situations that present themselves where you need Hammerhead’s force and anger to sort of help you through it.”Though Hammerhead s strength can be advantageous, it may be no match for the group s principle antagonist in the the first season: Mr. Nobody. Played by Alan Tudyk, the character is an old foe of The Chief and someone against whom the five main characters must unite. While several members of the Doom Patrol cast question their status as heroes, Tudyk said Nobody is “embracing his villainy” as the series begins.“He wants to hurt Niles, so he uses everything at his disposal — and so much of the world is at his disposal — to hurt him.” Unlike the others, Nobody chose his strangeness. That decision led him to a power and an understanding of the absurdity behind the world, which means he might be able to see himself as a therapist to the group but would take “too much joy in the pain it causes.” As Tudyk explained, “He would use the information you gave him as a therapist against you.”Though Nobody s intentions may be malicious or even heroic in some absurd way, they will change the Doom Patrol forever. As Guerrero put it, “I love how these people are forced to look at themselves — to really, really look at themselves — because they ve all pretty much given up.”Said Dalton, “Their potential strengths are their downfall. They don t know how to use them in any other way than in this self-destruction, really.”In the comics, the group eventually found a way to become heroes, as the cover blurb promised. Perhaps all their television counterparts need to do is find a way to care again, embrace their strangeness, and curb their self-destructive tendencies. It would be heroic enough of an act — at least for one season.Doom Patrol launches on Friday, February 15, with new episodes released on subsequent Fridays on DC Universe.

一直非常喜欢战略手游,那种每一步都需要深思熟虑的玩法,总让人感觉触摸到了脑力极限的天花板。虽然免不了失败,但我们总能在各种失败中乐此不疲,收获无限的快乐! 还有你们的愤怒发泄错地方了。手游是沉默的大多数的选择,是市场的选择。手游和单机游戏是和谐共存的,单机游戏发展不起来,Steam史低倾销有一部分功劳,白嫖也有一部分功劳,鄙视链更是功不可没。

2021-10-27
详细资讯
Google Play
游戏官网 官网
語言
英文
目前版本 6.65.6
游戏大小 554 MB
更新时间 2021-10-27
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