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亚博游戏官网采用百度引擎7(Baidu 7)Sonic the Hedgehog (2020) 63% Over the course of the past couple decades and change, movies based on video games have earned a reputation as subpar entertainment, to be generous. Critically speaking, things trended a bit upward in 2018 with Rampage (51%) and the Tomb Raider reboot (52%), and 2019 saw the genre s first two Fresh entries in Pokémon: Detective Pikachu (69%) and The Angry Birds Movie 2 (73%), which currently sit at #2 and #1, respectively, on our list of all video game movies ranked. With that context in mind, we come to 2020 and Sonic the Hedgehog, an animated/live-action hybrid adventure in which the titular Sega hero (voiced by Ben Schwartz) travels to Earth from his home planet, befriends a local sheriff (James Marsden), and attempts evade capture by the nefarious Dr. Robotnik (Jim Carrey), who hopes to harness Sonic s power for evil. The film endured a minor controversy when its first trailer premiered and longtime fans cried foul at Sonic s subtly creepy character design, but after the folks behind the film pushed its release date back and reworked the visuals, most moviegoers seemed optimistic. As it turns out, those moviegoers weren t entirely misguided, as critics say Sonic the Hedgehog is mostly wholesome family fun, with a lively performance from Carrey that harkens back to his 1990s heyday. The jokes may not all land, but there are a lot of them that come at you, and while the rest of the film largely caters to a younger audience, there s enough in there for adults to ensure a trip to the theater won t be entirely mind-numbing.

1. 亚博游戏官网
Canadian comedy Schitt s Creek went out with a bang this year, finishing its run with a final-season Certified Fresh Tomatometer score of 100% – and leaving teary fans wondering how to fill the Rose Family Void that just entered their lives. The story of an obscenely wealthy family that loses it all and is forced to move to a small rural town was something of a sleeper hit for a long time, discovered by many on Netflix (it s second home after PopTV) and only gaining awards traction in the last few years. And just as the world was discovering it poof, it went away! We re here to help you get over the loss. If you re looking for more kooky small-town laughs (with some big feels) and hilarious family-focused antics – or just want more Catherine O Hara and Eugene Levy – we ve got you covered with our guide to five shows to watch if you love Schitt s Creek (OK, one is a movie, but you ll love it). Join Rotten Tomatoes correspondent Naz Perez and get ready to binge. Jacqueline Coley for Rotten Tomatoes: How did you get involved with TCM? Tell us about the process.Jacqueline Stewart: Sure. I mentioned this Kino box set. Two summers ago, I think the summer of 2017, I was invited to present some of the films from the Pioneers of African-American Cinema Kino Box set on TCM. When I arrived, I learned that I would be talking about the film with Ben Mankiewicz, and they were devoting two Sunday nights to show a range of these films that were made for African-American audiences during the first half of the 20th century. It was really thrilling that TCM was going to be showing this work that most of his audiences would not have been familiar with, and yet this is a really rich and robust film production, film culture, that was coexisting with the classic films that TCM focuses on. These are the films that were showing in segregated black theaters.I was really thrilled to find when I sat down with Ben that he was really interested to dig into these films and the cultural histories and the political histories that they represent. The conversation went really well on camera. Off-camera, we were talking exactly the same way, and we were just really getting into the different directors and stars. I think, on both sides, TCM and I were really happy with how that went, and we stayed in touch. They invited me to event films at their last couple of classic film festivals in Hollywood, and then the invitation to join the team as a host came from there.You had your first Sunday night not that long ago. What was that moment like, watching yourself on screen?I was really nervous. I think anybody would be nervous who hasn t done that kind of TV work before. I think that I was even more nervous because I just feel a real sense of responsibility. This is an opportunity for me that is not just about expanding my own audience or the next phase of my own career, but it s a really important moment to demonstrate that expertise about film exists in all of our communities. I know that there is an African American audience that is really rooting for me and want to see that I m bringing the expertise and the unique perspective that I have to discuss the work that we re presenting there. I feel a real privilege and an honor and a responsibility to be true to those values. So that also makes it feel like the stakes can be higher for some of us in some of these situations, you know?When did you first fall in love with classic film, or film in general?Well, that s really easy; [it was] when I was a kid. When I was a girl, I spent a lot of time with my auntie Connie, and she loved these classic Hollywood films, and every night we d watch Johnny Carson. I m dating myself. [laughs] Then we d watch, like, The Tomorrow Show, and then there was always a movie that came on TV, and we would stay up well past midnight watching these old movies, and since this was not a TCM presentation of the films, there were commercial breaks. During the commercials is when she would really break these things down for me and talk about various actors and themes. Just her enthusiasm about all of that. I don t know if watching them by myself if they would have been compelling to me, but it was something about the interest that she had in it and her desire to teach me something, not just looking at the films themselves, but how this film is connected to a whole bunch more. It was almost like when you are learning about the constellations of stars in the sky and somebody points out to you, Oh, there s the Big Dipper. There s the Little Dipper. She made it possible for me to see all these kinds of systems at play, and so when I had the opportunity to study film history as an undergrad at Stanford, and then I think about graduate school. I do think, like, on a lower frequency, even though film studies was not like a huge part of my undergraduate education I was an English major but I became really curious about film and thought, Oh, maybe you can write about films and how they re made, how they tell stories in much the same way that you would talk about novels. That s what I ve continued to do over all these years.Jacqueline Stewart is currently hosting Slient Sunday Nights every Sunday night on TCM.

2. 公平游戏环境
(Photo by HBO)Chernobyl leads nominations for the 2020 British Academy of Film and Television Arts awards for television with 14 nods. BAFTA announced the full list of the Virgin Media British Academy Television Awards and British Academy Television Craft Awards nominations on Wednesday.Other top nominees included The Crown with seven, Fleabag, and Giri/Haji with six, His Dark Materials and The Virtues with five, and four nominations each for Killing Eve, Sex Education, and Top Boy.U.K. residents can vote on the Virgin Media Must-See Moment at virginmedia.com/bafta. The category nominees include:Coronation Street: The Death of Sinead OsbourneFleabag: Confessional sceneGame of Thrones: Arya kills the Night KingGavin and Stacey: Nessa proposes to SmithyLine of Duty: John Corbett’s DeathLove Island: Michael recouples after Casa AmorWinners of the Television Craft Awards will be revealed Friday, July 17 and the Television Awards on Friday, July 31.COMEDY ENTERTAINMENT PROGRAMMETHE GRAHAM NORTON SHOW Graham Norton, Graham Stuart, Jon Magnusson, Steve Smith – So Television/BBC OneTHE LAST LEG Production Team – Open Mike Productions/Channel 4THE RANGANATION Production Team – Zeppotron/BBC TwoTASKMASTER Alex Horne, Andy Devonshire, Andy Cartwright, James Taylor – Avalon Television/DaveCURRENT AFFAIRSGROWING UP POOR: BRITAIN’S BREADLINE KIDS (DISPATCHES) Production Team – True Vision East/Channel 4THE HUNT FOR JIHADI JOHN Anthony Wonke, Richard Kerbaj, Peter Lovering, Jane Root – Nutopia, Livedrop Media, HBO/Channel 4IS LABOUR ANTI-SEMITIC? (PANORAMA) Leo Telling, John Ware, Neil Grant, Rachel Jupp – BBC/BBC OneUNDERCOVER: INSIDE CHINA’S DIGITAL GULAG (EXPOSURE) Robin Barnwell, David Henshaw, Guy Creasey, Gesbeen Mohammad – Hardcash Productions/ITVDRAMA SERIESTHE CROWN Peter Morgan, Suzanne Mackie, Benjamin Caron, Michael Casey – Left Bank Pictures, Sony Pictures Television/NetflixTHE END OF THE F***ING WORLD Production Team – Clerkenwell Films, Dominic Buchanan Productions/Channel 4/NetflixGENTLEMAN JACK Sally Wainwright, Faith Penhale, Laura Lankester, Phil Collinson – Lookout Point, HBO/BBC OneGIRI/HAJI Production Team – Sister Pictures/BBC TwoENTERTAINMENT PERFORMANCEFRANKIE BOYLE Frankie Boyle’s New World Order – Zeppotron/BBC TwoGRAHAM NORTON The Graham Norton Show – So Television/BBC OneLEE MACK Would I Lie to You – Zeppotron/BBC OneMO GILLIGAN The Lateish Show with Mo Gilligan – Expectation, Momo G/Channel 4ENTERTAINMENT PROGRAMMETHE GREATEST DANCER Amelia Brown, Phil Harris, Nigel Hall, Louise Hutchinson – Thames, Syco Entertainment/BBC OneTHE RAP GAME UK Tom O Brien, Simon Andreae, Tom Whitrow – Naked TV/BBC ThreeSTRICTLY COME DANCING Production Team – BBC Studios/BBC OneTHE VOICE UK Production Team – ITV Studios, Talpa/ITVFACTUAL SERIESCRIME AND PUNISHMENT Emily Lawson, Bruce Fletcher, Jemma Chisnall, Mark Raphael – 72 Films/Channel 4DON’T F**K WITH CATS: HUNTING AN INTERNET KILLER Mark Lewis, Felicity Morris, Michael Harte, Dimitris Doganis –Raw TV/NetflixLEAVING NEVERLAND Dan Reed – Amos Pictures/Channel 4OUR DEMENTIA CHOIR WITH VICKY MCCLURE Production Team – Curve Media/BBC OneFEATURESJOE LYCETT’S GOT YOUR BACK Production Team Rumpus Media, My Options Were Limited/Channel 4THE MISADVENTURES OF ROMESH RANGANATHAN Emily Hudd, Morgan Roberts, Christopher Cottam Rumpus Media/BBC TwoMORTIMER WHITEHOUSE: GONE FISHING Bob Mortimer, Paul Whitehouse, Lisa Clark, Will Yapp Owl Power/BBC TwoSNACKMASTERS Production Team Optomen/Channel 4FEMALE PERFORMANCE IN A COMEDY PROGRAMMEGBEMISOLA IKUMELO Famalam BBC Studios/BBC ThreePHOEBE WALLER-BRIDGE Fleabag Two Brothers Pictures/BBC ThreeSARAH KENDALL Frayed Merman Television Ltd, Guesswork Television/Sky OneSIAN CLIFFORD Fleabag – Two Brothers Pictures/BBC ThreeINTERNATIONALEUPHORIA Sam Levinson, Ravi Nandan, Kevin Turen, Drake The Reasonable Bunch, A24, Little Lamb, DreamCrew, Tedy Productions, HBO/Sky AtlanticSUCCESSION Production Team HBO Entertainment in association with Project Zeus, Hyperobject Industries and Gary Sanchez Productions/Sky AtlanticUNBELIEVABLE Production Team CBS Television Studios, Timberman-Beverly Productions, Katie Couric Media, Escapist Fare, Sage Lane Productions/NetflixWHEN THEY SEE US Production Team Participant Media, Tribeca Productions, Harpo Films, Array Filmworks/NetflixLEADING ACTORCALLUM TURNER The Capture Heyday Television, NBC Universal/BBC OneJARED HARRIS Chernobyl – Sister Pictures, The Mighty Mint, Word Games, HBO/Sky AtlanticSTEPHEN GRAHAM The Virtues Warp Films, Big Arty Productions/Channel 4TAKEHIRO HIRA Giri/Haji – Sister Pictures/BBC TwoLEADING ACTRESSGLENDA JACKSON Elizabeth Is Missing – STV Productions/BBC OneJODIE COMER Killing Eve – Sid Gentle Films/BBC OneSAMANTHA MORTON I Am Kirsty – Me and You Productions/Channel 4SURANNE JONES Gentleman Jack – Lookout Point, HBO/BBC OneLIVE EVENTBLUE PLANET LIVE Production Team – BBC Studios Natural History Unit, Open University, BBC Learning/BBC OneELECTION 2019 LIVE: THE RESULTS Production Team – ITV News, ITN/ITVGLASTONBURY 2019 Production Team – BBC Studios/BBC TwoOPERATION LIVE Production Team – The Garden Productions/Channel 5MALE PERFORMANCE IN A COMEDY PROGRAMMEGUZ KHAN Man Like Mobeen – Tiger Aspect Productions, Cave Bear Productions/BBC ThreeJAMIE DEMETRIOU Stath Lets Flats – Roughcut TV/Channel 4NCUTI GATWA Sex Education – Eleven Film/NetflixYOUSSEF KERKOUR Home – Jantaculum, Channel X/Channel 4MINI-SERIESA CONFESSION Jeff Pope, Paul Andrew Williams, Tom Dunbar, Johnny Capps ITV Studios, Urban Myth Films/ITVCHERNOBYL Production Team – Sister Pictures, The Mighty Mint, Word Games, HBO/Sky AtlanticTHE VICTIM Rob Williams, Niall MacCormick, Sarah Brown, Jenny Frayn – STV Productions/BBC OneTHE VIRTUES Shane Meadows, Jack Thorne, Mark Herbert, Nickie Sault Warp Films, Big Arty Productions/Channel 4NEWS COVERAGEHONG KONG PROTESTS Production Team – Sky News/Sky NewsITV NEWS AT TEN: ELECTION RESULTS Production Team – ITV News, ITN/ITVPRINCE ANDREW THE EPSTEIN SCANDAL (NEWSNIGHT) Production Team – BBC News/BBC TwoVICTORIA DERBYSHIRE: MEN WHO LOST LOVED ONES TO KNIFE CRIME – BBC News/BBC TwoREALITY CONSTRUCTED FACTUALCELEBRITY GOGGLEBOX Tania Alexander, Leon Campbell, Stephen Lambert, Chris Hooker – Studio Lambert/Channel 4HARRY’S HEROES: THE FULL ENGLISH Production Team – Talkback/ITVRACE ACROSS THE WORLD Production Team – Studio Lambert/BBC TwoRUPAUL’S DRAG RACE UK Production Team – World of Wonder Productions/BBC ThreeSCRIPTED COMEDYCATASTROPHE Sharon Horgan, Rob Delaney, Jim O’Hanlon, Toby Welch Avalon Television, Birdbath, Merman/Channel 4DERRY GIRLS Lisa McGee, Michael Lennox, Sam Pinnell – Hat Trick Productions/Channel 4FLEABAG Production Team – Two Brothers Pictures/BBC ThreeSTATH LETS FLATS Jamie Demetriou, Tom Kingsley, Seb Barwell, Ash Atalla Roughcut TV/Channel 4SHORT FORM PROGRAMMEANYWHERE BUT WESTMINSTER John Domokos, John Harris – The Guardian/The GuardianBRAIN IN GEAR Gbemisola Ikumelo, Fergal Costello, Inez Gordon – BBC Studios/BBC iPlayerSOON GONE: A WINDRUSH CHRONICLE Roy Williams, Tinge Krishnan, Carol Harding – Douglas Road Productions, The Young Vic/BBC FourTONI_WITH_AN_I (BORN DIGITAL: FIRST CUTS) Marco Alessi, Ksenia Harwood, Mary Antony Plimsoll Productions, BFI/BBC FourSINGLE DOCUMENTARYTHE ABUSED Barbie MacLaurin, Napoleon Stratogiannakis, Malcolm Brinkworth, Benedict Adams Brinkworth Productions/Channel 5DAVID HAREWOOD: PSYCHOSIS AND ME Emma Hindley, Wendie Ottewill, Olivia Isaacs, David Harewood – Films of Record, Open University/BBC TwoTHE FAMILY SECRET Anna Hall, Sally Ogden, Luke Rothery, Brian Woods – True Vision Yorkshire/Channel 4THE LAST SURVIVORS Arthur Cary, Morgan Matthews, Katherine Anstey, Joby Gee – Minnow Films/BBC TwoSINGLE DRAMABREXIT: THE UNCIVIL WAR Production Team – House Productions, Baffin Media/Channel 4ELIZABETH IS MISSING Andrea Gibb, Aisling Walsh, Sarah Brown, Chrissy Skinns – STV Productions/BBC OneTHE LEFT BEHIND Alan Harris, Joseph Bullman, Aysha Rafaele, Tracie Simpson – BBC Studios/BBC ThreeRESPONSIBLE CHILD Karen Wilson, Elinor Day, Sean Buckley, Nick Holt – Kudos, 72 Films/BBC TwoSOAP CONTINUING DRAMACASUALTY Production Team BBC Studios/BBC OneCORONATION STREET Production Team – ITV Studios/ITVEMMERDALE Production Team – ITV Studios/ITVHOLBY CITY Production Team – BBC Studios/BBC OneSPECIALIST FACTUAL***8 DAYS: TO THE MOON AND BACK Production Team – BBC Studios, PBS/BBC TwoSEVEN WORLDS, ONE PLANET Production Team – BBC Studios Natural History Unit, BBC America, Tencent Penguin Pictures, ZDF, France Télévisions, CCTV9/BBC OneTHATCHER: A VERY BRITISH REVOLUTION Production Team – BBC Studios: The Documentary Unit/BBC TwoYORKSHIRE RIPPER FILES: A VERY BRITISH CRIME STORY Liza Williams, Jasmine McNabb, Nancy Bornat, Leanne Klein – Wall to Wall Media/BBC FourSPORT2019 RUGBY WORLD CUP FINAL: ENGLAND V SOUTH AFRICA Phil Heslop, David Francis, Mark Demuth, Paul McNamara – ITV Sport/ITVICC CRICKET WORLD CUP FINAL Production Team – Sky Sports, Sunset+Vine, ICC TV/Sky Sports CricketFIFA WOMEN’S WORLD CUP 2019 SEMI FINAL: ENGLAND V USA Frank Callaghan, Stu Hutchinson, Pete Burton – Input Media/BBC OneWIMBLEDON 2019 MEN’S FINAL Production Team – BBC Sport/BBC OneSUPPORTING ACTORJOE ABSOLOM A Confession ITV Studios, Urban Myth Films/ITVJOSH O’CONNOR The Crown Left Bank Pictures, Sony Pictures Television/NetflixSTELLAN SKARSGARD Chernobyl – Sister Pictures, The Mighty Mint, Word Games, HBO/Sky AtlanticWILL SHARPE Giri/Haji – Sister Pictures/BBC TwoSUPPORTING ACTRESSHELEN BEHAN The Virtues Warp Films, Big Arty Productions/Channel 4HELENA BONHAM CARTER The Crown Left Bank Pictures Sony Pictures/NetflixJASMINE JOBSON Top Boy Cowboy Films, Easter Partisan Films, DreamCrew, SpringHill Entertainment/NetflixNAOMI ACKIE The End of the F***ing World Clerkenwell Films, Dominic Buchanan Productions/Channel 4VIRGIN MEDIA’S MUST-SEE MOMENT (voted for by the public)CORONATION STREET The Death of Sinead Osbourne – ITV Studios/ITVFLEABAG Confessional Scene Two Brothers Pictures/BBC ThreeGAME OF THRONES Arya Kills the Night King – Bighead, Littlehead, Television 360, Startling Television, HBO/Sky AtlanticGAVIN AND STACEY Nessa Proposes to Smithy – Fulwell 73, Tidy Productions and Baby Cow Production for BBC OneLINE OF DUTY John Corbett’s Death – World Productions/BBC OneLOVE ISLAND Michael recouples after Casa Amor – ITV Studios, Motion Content Group ITV2* Entertainment Programme is given in honour of Lew Grade** Single Documentary is given in honour of Robert Flaherty*** Specialist Factual is given in honour of Huw WheldonBritish Academy Television Craft Awards Nominations (winners to be revealed Friday 17 July)BREAKTHROUGH TALENT sponsored by Sara Putt AssociatesAISLING BEA (Writer) This Way Up Merman TV/Channel 4ANEIL KARIA (Director) Pure (ep 3) Drama Republic/Channel 4 Top Boy (ep 10) Cowboy Films, Easter Partisan Films, Dream Crew, SpringHill Entertainment/NetflixLAURIE NUNN (Writer) Sex Education Eleven Film/NetflixSEAN BUCKLEY (Writer) Responsible Child – Kudos, 72 Films/BBC TwoCOSTUME DESIGNCAROLINE MCCALL His Dark Materials Bad Wolf/BBC OneJOANNA EATWELL Beecham House – Bend It TV/ITVMICHELE CLAPTON Game of Thrones Bighead, Littlehead, Television 360, Startling Television/HBO/Sky AtlanticODILE DICKS-MIREAUX Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky AtlanticDIRECTOR: FACTUALARTHUR CARY The Last Survivors Minnow Films/BBC TwoDAN REED Leaving Neverland AMOS Pictures/Channel 4MARK LEWIS Don’t F**k with Cats: Hunting an Internet Killer Raw TV/NetflixROBIN BARNWELL Undercover: Inside China’s Digital Gulag (Exposure) Hardcash Productions/ITVDIRECTOR: FICTION sponsored by 3 Mills StudiosHARRY BRADBEER Fleabag – Two Brothers Pictures/BBC ThreeJOHAN RENCK Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky AtlanticSHANE MEADOWS The Virtues – Warp Films, Big Arty Productions/Channel 4TOBY HAYNES Brexit: The Uncivil War – House Productions/Channel 4DIRECTOR: MULTI-CAMERA sponsored by JackshootBRIDGET CALDWELL The Royal British Legion Festival of Remembrance BBC Studios/BBC OneJANET FRASER CROOK Glastonbury 2019 BBC Studios/BBC TwoMATTHEW GRIFFITHS Six Nations 2019 Wales v England BBC Sport/BBC OnePAUL MCNAMARA ITV Racing: Cheltenham Festival ITV Sport/ITVEDITING: FACTUALANDY R. WORBOYS Untouchable: The Rise and Fall of Harvey Weinstein – Lightbox/BBC TwoJULES CORNELL Leaving Neverland AMOS Pictures/Channel 4KIM HORTON 63 Up MultiStory Media/ITVMICHAEL HARTE Don’t F**k With Cats: Hunting an Internet Killer Raw TV/NetflixEDITING: FICTIONDAN CRINNION Killing Eve (Episode 4) Sid Gentle Films/BBC OneELEN PIERCE LEWIS Giri/Haji – Sister Pictures/BBC TwoGARY DOLLNER Fleabag Two Brothers Pictures/BBC ThreeJINX GODFREY, SIMON SMITH Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky AtlanticENTERTAINMENT CRAFT TEAM sponsored by HotcamAMBER RIMELL, BRONSKI, MISTY BUCKLEY, TIM ROUTLEDGE Glastonbury 2019 (Stormzy) – BBC Studios, Tawbox/BBC TwoDAVID BISHOP, VICKY GILL, ANDY TAPLEY, PATRICK DOHERTY Strictly Come Dancing BBC Studios/BBC OneMARK BUSK-COWLEY, STEVE KRUGER, IAIN STIRLING, JAMES TINSLEY Love Island ITV Studios, Motion Content Group/ITV 2NIGEL CATMUR, PATRICK DOHERTY, KEVIN DUFF, ANDREW STOKES The Royal British Legion Festival of Remembrance BBC Studios/BBC OneMAKE UP HAIR DESIGN sponsored by MAC CosmeticsDANIEL PARKER, BARRIE GOWER Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky AtlanticINMA AZORIN The Trial of Christine Keeler Ecosse Films, Great Meadow Productions/BBC OneKIRSTIN CHALMERS Catherine the Great New Pictures, Origin Pictures/Sky AtlanticLOZ SCHIAVO Peaky Blinders Caryn Mandabach Productions, Tiger Aspect/BBC OneORIGINAL MUSICADRIAN JOHNSTON Giri/Haji – Sister Pictures/BBC TwoANDREW PHILLIPS War in the Blood – Minnow Films/BBC TwoDAVID HOLMES, KEEFUS CIANCIA Killing Eve – Sid Gentle Films/BBC OneHILDUR GUDNADOTTIR Chernobyl- Sister Pictures, The Mighty Mint, Word Games/Sky AtlanticPHOTOGRAPHY: FACTUAL sponsored by The FarmBERTIE GREGORY, HOWARD BOURNE, JOHN SHIER Seven Worlds, One Planet BBC Studios/BBC OneDOUG ANDERSON, ROGER HORROCKS, GAVIN THURSTON Our Planet (Coastal Seas) Silverback Films/NetflixJAMIE MCPHERSON, HECTOR SKEVINGTON-POSTLES, BARRIE BRITTON Our Planet (Frozen Worlds) Silverback Films/NetflixPATRICK SMITH, NEIL HARVEY Untouchable: The Rise and Fall of Harvey Weinstein – Lightbox/BBC TwoPHOTOGRAPHY LIGHTING: FICTION sponsored by ScreenSkillsADRIANO GOLDMAN The Crown Left Bank Pictures, Sony Pictures Television/NetflixJAKOB IHRE Chernobyl Sister Pictures, The Mighty Mint, Word Games/Sky AtlanticJOE ANDERSON Top Boy Cowboy Films, Easter Partisan Films, Dream Crew, SpringHill Entertainment/NetflixSUZIE LAVELLE His Dark Materials (Episode 3) – Bad Wolf, BBC Studios, HBO/BBC OnePRODUCTION DESIGN sponsored by MicrosoftLAURENCE DORMAN, LINDA WILSON Killing Eve Sid Gentle Films/BBC OneLUKE HULL, CLAIRE LEVINSON-GENDLER Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky AtlanticMARTIN CHILDS, ALISON HARVEY The Crown – Left Bank Pictures, Sony Pictures Television/NetflixSAMANTHA HARLEY, MIRI KATZ Sex Education – Eleven Film/NetflixSCRIPTED CASTING sponsored by SpotlightDES HAMILTON Top Boy – Cowboy Films, Easter Partisan Films, Dream Crew, SpringHill Entertainment/NetflixLAUREN EVANS Sex Education – Eleven Film/NetflixNINA GOLD, ROBERT STERNE Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky AtlanticYOKO NARAHASHI, SHAHEEN BAIG, LAYLA MERRICK-WOLF Giri/Haji – Sister/BBC TwoSOUND: FACTUAL sponsored by ShureGRAHAM WILD, KATE HOPKINS Seven Worlds, One Planet – BBC Studios/BBC OneGRAHAM WILD, KATE HOPKINS, TIM OWENS Our Planet (One Planet) – Silverback Films Production/NetflixNICK FRY, STEVE SPEED, JAMES EVANS, NICK ADAMS Formula 1: Drive to Survive – Box to Box Films/NetflixSOUND TEAM Battle of the Brass Bands – Two Four/Sky ArtsSOUND: FICTIONDILLON BENNETT, JON THOMAS, GARETH BULL, JAMES RIDGEWAY His Dark Materials – Bad Wolf, BBC Studios, HBO/BBC OneIAN WILKINSON, LEE WALPOLE, FRASER BARBER, STUART HILLIKER A Christmas Carol – FX Productions in association with the BBC, Minim UK Productions, Scott Free, and Hardy Son Baker/BBC OneSOUND TEAM Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky AtlanticSOUND TEAM The Crown – Left Bank Pictures, Sony Pictures Television/NetflixSPECIAL, VISUAL GRAPHIC EFFECTSBEN TURNER, CHRIS REYNOLDS, ASA SHOUL The Crown – Left Bank Pictures, Sony Pictures Television/NetflixFRAMESTORE, PAINTING PRACTICE, REAL SFX, RUSSELL DODGSON His Dark Materials – Bad Wolf, BBC Studios/HBO/BBC OneLINDSAY MCFARLANE, CLAUDIUS CHRISTIAN RAUCH, JEAN-CLÉMENT SORET, DNEG Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky AtlanticMILK VISUAL EFFECTS, GARETH SPENSLEY, REAL SFX Good Omens – Amazon Studios, BBC Studios, Narrativia, The Blank Corporation/Amazon Prime VideoTITLES GRAPHIC IDENTITYALEX MACLEAN The Durrells – Sid Gentle Films/ITVELASTIC Catherine the Great – New Pictures, Origin Pictures/Sky AtlanticELASTIC, PAINTING PRACTICE His Dark Materials – Bad Wolf, BBC Studios, HBO/BBC OneLIGHT CREATIVE Ghosts – Monumental Television, Them There/BBC OneWRITER: COMEDYDANNY BROCKLEHURST Brassic – Calamity Films/Sky 1JAMIE DEMETRIOU Stath Lets Flats – Roughcut TV/Channel 4PHOEBE WALLER-BRIDGE Fleabag – Two Brothers Pictures/BBC ThreeSAM LEIFER, TOM BASDEN Plebs – Rise Films/ITV2WRITER: DRAMACHARLIE COVELL The End of the F***ing World – Clerkenwell Films, Dominic Buchanan Productions/Channel 4CRAIG MAZIN Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky AtlanticJESSE ARMSTRONG Succession – HBO Entertainment, Project Zeus, Hyperobject Industries, Gary Sanchez Productions/Sky AtlanticSHANE MEADOWS, JACK THORNE The Virtues – Warp Films, Big Arty Productions/Channel 4亚博游戏官网What it is: This hour-long drama from creators Ronald D. Moore, Ben Nedivi, and Matt Wolpert is framed around one question: What if the USSR beat the United States to the moon in 1969? Setting the series on the path of that alternative timeline, For All Mankind establishes an aspirational world where the space race never stopped, where women and racial minorities are soon invited to join NASA’s efforts, and more.Why you should watch it: While it may at first feel familiar to other space dramas of the past, over the course of 10 episodes, this Joel Kinnaman–led adventure-drama carves its own, exciting niche in the genre. Now that it seems to have found its footing by the end of season 1, we’re excited for what’s next. Season 2 premieres Feb. 19 on Apple TV+.Where to watch: Apple TV+Commitment: Approx. 9 hours (for the first season)

3. 激战团竞模式
September starts off with a bang on Disney+ as the studio s long-awaited live-action adaptation of Mulan finally hits screens — but only if users pay an extra .99 for Premier Access to the film.Other projects hitting the streaming service include alien-hosted late-night talk show Earth to Ned and the Disney Channel Original Movie Secret Society of Second-Born Royals.Films headed to the service include Christopher Robin, starring Ewan McGregor and Winnie the Pooh; both Mighty Ducks sequels D2 and D3; The Wolverine; and Ever After. Plus, all seven seasons of the ABC fairy tale series Once Upon a Time will finally be available as well.Find out what else the family-friendly streaming service offers in the month, starting with our top picks.Read also: Best Movies on Disney+ To Watch Right NowDisney+ Shows and Movies, Ranked by Tomatometer

4. 呼朋唤友 随心所欲

5. HD 画质与高品质音讯

6. 团队合作

7. 官方资讯

Version 0.58.92021-10-27

8.22.0 5月喜迎Originally planned for one 24-hour period in August, DC FanDome wisely split into two events. August s Hall of Heroes focused on DC film efforts (with a few video game and TV presentations mixed in), while this past weekend s Explore The Multiverse centered on television, cosplay, fan interaction, and even a comic book or two. Despite switching to an on-demand system to deliver videos to the DC faithful, the September FanDome still offered an overwhelming amount of content.Luckily, we re here to parse through all of the television presentations as DC and Warner Bros. Television offered a surprising number of videos to watch. A few shows, like Black Lightning and Titans, mainly celebrated their existing seasons while other programs, like Batwoman and the upcoming Superman Lois, were better positioned to tease their 2021 seasons. So let s take a look at a few of the key takeaways from the weekend to get a sense of how we ll be spending next year in the DC Multiverse.1. Superman Lois Will Be A Family Drama With SuperheroicsFulfilling the idea Lois Clark: The New Adventures of Superman teased just before it was cancelled, The CW s upcoming Superman Lois will be something no other Superman TV could be: a family drama. Clark and Lois are married. They re not only married, they have two teenage boys, executive producer and showrunner Todd Helbing explained. The mission is, in part, to tell a story that is as grounded as it can be and still have Superman. The show will explore what it means to have children when the parents have demanding jobs like an investigative journalist and the world s most famous superhero.The show will also explore the sort of children people like Lois Lane (Elizabeth Tulloch) and Clark Kent (Tyler Hoechlin) would produce. Thanks to last year s Crisis on Infinite Earths, the couple now have a teenage son Jonathan (who appeared as an infant at the start of Crisis ) and his fraternal twin brother. According to Helbing, the writers used the universe-altering effects of the Crisis to age the kids up (and bring Jon s brother into existence) because teenagers create more conflict on family shows. Additionally, we wanted to present two kids with wildly different skill sets. Their skills, and the Kent family bond, will be tested in a somewhat familiar backdrop: Smallville. For reasons that will become clear, the family moves back to Clark s hometown —not that it s the idyllic place Clark remembers. I came from a small town in the Midwest. Helbing said. We had a business leave and the town started to dry up. Despite Smallville s upcoming economic trouble, Helbing said Clark and Lois will still find it easier to raise children [there] than it is in Metropolis. The storyline with the sons is really compelling, Tulloch said, also noting that though Lois s dedication to her work remains, the reporter wonders how much it alienates her children.Hoechlin suggested Clark will also face a similar internal conflict: When is it OK to turn off the world? he asked in regards to Superman making family time. The actor s father was a doctor and he recalled all the times he was called away to attend to his practice. It s a perspective shift for me to look back on how he accomplished that and wore both hats.
David E. Talbert’s lavish and energetic new musical, Jingle Jangle: A Christmas Journey, might just be a modern Christmas classic. The story of a toymaker (Forest Whitaker) and his granddaughter’s (Madalen Mills) quest to recover his most incredible creation yet, after it’s stolen by a rival (Keegan Michael-Key), is full of elaborate musical numbers, heartwarming holiday moments, and songs from the likes of John Legend; critics are eating it up and saying it could go down as a new holiday staple. Ahead of the movie’s release, Rotten Tomatoes Editor Jacqueline Coley spoke to Talbert and stars Whitaker, Key, Mills, Phylicia Rashad, and Anika Noni Rose to ask why music and Christmas are such a perfect pairing, how the cast and crew produced the film’s ambitious musical set pieces, and to discover their personal favorites when it comes to holiday movies.Jingle Jangle: A Christmas Journey is available on Netflix from Friday, November 13, 2020. On an Apple device? Follow Rotten Tomatoes on Apple News.
ead, this competition is starting to feel like the first matchup between Godzilla and King Kong in King Kong vs. Godzilla, in which King Kong brought rocks to an atomic heat ray fight.Godzilla’s deeper bench once again proved to be the game changer, as low-rated movies like Godzilla (1998), Godzilla: The Planet Eater (2019), and Godzilla’s Revenge (1971), were offset by beloved films like Shin Godzilla (2016), Godzilla: King of the Monsters (2019) and Godzilla vs. Biollante (1989). What’s slightly surprising is that Peter Jackson s King Kong has a 50% Audience Score, and only Kong: Skull Island (2017) and King Kong (1933) have scores above 65%. There’s not much audience love for Kong, but based on the 72.6% Audience Score average for the MonsterVerse films in general and early critical buzz for Godzilla vs. Kong, it’s possible that both of the big fellas could add another solid Audience Score to their tallies.Godzilla: 2 Kong: 0Round 3 Box OfficeKing Kong: 0 million average (4 films)Godzilla: 2 million average (4 films)Highest grossing: King Kong (2005), 0 millionLowest grossing: King Kong Lives, million(Photo by (c)Universal courtesy Everett Collection)We have ourselves a match! This round was difficult to tally because the majority of Godzilla and Kong films did not have reliable box office data. This meant we had to stick with domestic earnings for the eight films that received wide theatrical releases. It’s nice that the two were finally on a level playing field, and that allowed Kong to pull the victory.The win in this round wasn’t a fluke, as the Kong Big Three”  King Kong (1976), King Kong (2005), and Kong: Skull Island  pulled in over 0 million domestically (adjusted for inflation). The 0 million total easily bests the 0 million that Godzilla (1998), Godzilla (2014), and Godzilla: King of the Monsters grossed in the United States. The lone highlight for the Godzilla squad is that its lowest-grossing film, Godzilla 2000, earned a million dollar box office which was more than the million that King Kong Lives grossed.Godzilla: 2 Kong: 1Round 4 Screen TimeKing Kong: 22.1% of runtime on average (8 films)Godzilla: 14% of runtime on average(32 films)Film with most screen time: King Kong Lives, 33.6%Film with least screen time: Invasion of Astro-Monster, 6%(Photo by ©DeLaurentiis Entertainment Group courtesy Everett Collection)We broke this round up into percentages of screen time. If a monster is on-screen for 30 minutes of a 100-minute film, it means they’re on-screen for 30% of the film’s running time. If we simply added up screen time it wouldn’t be fair as Godzilla has been in many more movies. So, we found and utilized some very reliable sources and prior Rotten Tomatoes editorials to come up with our numbers (the latter also explains why more on-screen time is better in monster movies).Godzilla and Kong’s first films gave us a clear clue as to who would be victorious in this round. In 1933, King Kong ran amok for 18 of the film s 125 minutes. In comparison, Godzilla was only on-screen for eight minutes of his 98-minute debut in 1954. Then, in 1962 when they battled, King Kong appeared for 16 minutes while Godzilla only popped up for nine. Historically, Kong has always enjoyed more screen time, and the trend continues in the MonsterVerse, as Kong is on-screen for 14 minutes in Kong: Skull Island, while Godzilla can only be seen for 22 combined minutes in Godzilla (10) and Godzilla: King of the Monsters (12). Kong wins!Godzilla: 2 Kong: 2Round 5 Property DestructionKing Kong: Estimated .5 billion (adjusted for inflation)  The destruction of Atami Castle was very expensive. Also, trains aren’t cheap. Throw in damage (or destruction) to theaters, cars, helicopters, the city of Atami in general, tanks, streets and sidewalks, trolleys, and airplanes, and you have easily over billion in damages.Godzilla: We don t even know where to begin  He has destroyed numerous cities, including Tokyo multiple times. The submarine he destroyed in Godzilla (1998) is worth 0 million alone.  Dwayne Johnson and his 13 trillion in damage would be jealous.(Photo by ©Warner Bross. Pictures)Between Tokyo, San Francisco, Hawaii, New York City, Fukuoka, Tokai, Osaka, Yokohama, Nagoya, Paris, Kyoto, Tateyama and about a dozen other cities, Godzilla has done his best to keep construction crews working around the world. His worldwide tussles and rampages have caused trillions of dollars in damage, as multiple cities, bridges, and skyscrapers have had to be rebuilt (multiple times). On top of destroying cities, Godzilla has also laid waste to expensive Antarctic laboratories, nuclear submarines, and iconic bridges that cost billions to build. Every time Godzilla takes a step, he leaves a massive footprint in the concrete, which is impressively costly in itself. The trillions of dollars in repairs are no exaggeration, as analysts suggest that just one attack on Tokyo would cost up to 5 billion in damages.While vastly mismatched here, though, King Kong is no slouch, as he’s wrecked his fair share of buildings and helicopters. His battle with Mechani-Kong in King Kong Escapes wreaked havoc on Tokyo, as skyscrapers, houses, and other buildings were flattened. Also, his destruction of the Atami Castle in King Kong vs. Godzilla cost a lot of money, as Japanese castles can cost up to 6 million to build. Let’s not forget that he’s caused a ton of damage in New York City on multiple occasions, as he’s left skyscrapers in need of repair and cable cars flattened. So, while he hasn’t come anywhere near Godzilla in regards to destruction, he has nothing to feel bad about. He’s smashed a lot of things, too.Godzilla: 3 Kong: 2Round 6 Most Impressive VictoryKing Kong: Godzilla in King Kong vs. Godzilla (1962)Godzilla: Gigan, Zilla, Kumonga, Kamakuras, Rodan, King Caesar, Anguirus, Ebirah, Hedorah, and Keizer Ghidorah in Godzilla: Final Wars (2004)(Photo by Everett Collection)Despite the fact that Godzilla has battled dozens of monsters and won, King Kong gets the point here for actually defeating Godzilla in King Kong vs. Godzilla. What makes Kong’s win impressive is that he got the win away from home against a larger, stronger opponent. Not only that, he was drugged before the fight to make his transportation easier, which means he was probably drowsy and dehydrated after the long journey. Do yourself a favor and watch the original fight. It’s a legit bunkhouse brawl that features the two monsters rolling in the dirt and winging sloppy punches at each other — it’s beautiful.It’s worth noting that Godzilla has the greatest bragging rights here because of what he did in Godzilla: Final Wars. The 2004 film features him defeating Gigan, Zilla, Kumonga, Kamacuras, Rodan, King Caesar, Anguirus, Ebirah, Hedorah, and Keizer Ghidorah. Godzilla ran through a who’s-who of monsters, and the movie ended with him pulverising Keizer Ghidorah with the deluxe version of his red spiral atomic breath.Kong’s victories against Mechani-Kong, the skullcrawlers, dinosaurs, water creatures, and snakes are all super impressive, and he deserves to win this round for the upset he pulled on Godzilla. That said, Godzilla knows that what he accomplished in Final Wars is legendary, and we don t think he ll lose any sleep over this one.Godzilla: 3 Kong: 3Tiebreaker Lightning RoundBest Fight: King Kong vs. the Tyrannosaurus Rex in King Kong (1933)(Photo by Everett Collection)You might be thinking we’re joking, but the Kong vs. T-Rex brawl in King Kong is a legendary piece of work — and it features the first time Kong is seen fighting anything. Also, props to Kong for landing a sweet single-leg takedown during the fight. It’s actually quite realistic, and still looks great today.Godzilla: 3 Kong: 4Better Evolution: Godzilla(Photo by ©New World courtesy Everett Collection)Kong has always been something of a sympathetic, misunderstood character, but since his first appearance in 1954, Godzilla has gradually progressed from angry irradiated sea monster to Earth’s protector. Not bad, and his turnaround wins him the round easily.Godzilla: 4 Kong: 4Best Villain: Godzilla Ghidorah, the Three-Headed Monster (Photo by ©Warner Bros.)We know that the humans in King Kong are horrible, and their greed leads to the death of Kong (many times in the various films). However, no human is as villainous as Ghidorah, the Three-Headed Monster, who made his first appearance in the 1964 film Ghidorah, the Three-Headed Monster. Ghidorah is the ultimate villain because it would destroy the world and laugh about it while Godzilla lies defeated at its feet. It’s an easy win, and it seals the deal for Godzilla.Godzilla: 5 Kong: 4Godzilla Wins!There you have it! After a grueling battle, Godzilla emerges victorious and wins the decision. Will the new film mirror these results? Could it change the outcome? We ll just have to wait and see.Godzilla vs. Kong is in theaters and on HBO Max on March 31, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.

in Nicole, idobi.com Audiences new to the work are about to be introduced to a darker interpretation of what it means to grow up in a family of superhumans. The Incredibles this is not.  — Alexandra August, CBR As much as I love the original Umbrella Academy comics, I must admit: the series is more coherent, so newbies to the story will feel right at home.  — Samantha Puc, The Mary Sue(Photo by Netflix)What s to love (or hate) about these heroes? It’s one of those shows where the characters are at their best when they’re all together, bickering and bantering, but the plot keeps them separated just for the sake of dragging out the big reveals.  — Sam Barsanti, AV Club The majority of The Umbrella Academy is marred by fumbled attempts at character development and stilted performances. The protagonists rarely transcend the broadest strokes as the Netflix series dwells on the same few character beats and displays of sibling bickering and mind-numbing romance.  — Steven Scaife, Slant Magazine There s plenty of good material to mine here, from Vanya s desperation for being loved, Luther s want for approval, Allison s insecurity, Klaus shielding himself from feeling, Diego thinking he has a point to prove, and Five untrusting of anyone else, in addition to the foster siblings collective parental issues. But the writing is too threadbare and inconsistent to bring that up in an affecting manner.  — Akhil Arora, Gadgets360 [Luther] is fucking boring, and that’s a problem. Through the first five episodes, he does nothing spectacular. He’s plain, he doesn’t go against the grain. He probably eats unseasoned grits. The women of this series seem to be the saving grace. — Kenneth Broome, Black Nerd Problems The actors succeed to varying degrees — Hopper and Raver-Lampman, who share a flirtation that’s both troubling and sweetly revealing of their mutual isolation, are probably the best of the bunch, while Page ultimately feels marooned by the dourness of her material and a character evolution that’s written in a muddled and unclear way. — Daniel D Addario, VarietyAction-fantasy, family drama, or both? The Umbrella Academy is a murder mystery wrapped in an apocalyptic drama with a wild plot which takes in time travel, a talking chimp and the end of the world. — Henry Northmore, The List The Umbrella Academy is ostensibly about superheroes trying to save the world, but they’re so caught up in personal conflicts that very little world-saving takes place. — Gavia Baker-Whitelaw, The Daily Dot The show may be wrapped in superheroics and action, but it’s really about a group of people who have to work through their painful pasts and realize that forgiving one another is far tougher than the bigger task (saving the world, I guess) at hand.  — Alex Abad-Santos, Vox The cleverest part of it, though, is that this isn’t really a Watchmen-style deconstruction of the superhero genre; it’s about a weird family that has drifted apart for various reasons and must now come back together, baggage and all, in order to save the world one more time. — Sam Barsanti, AV Club(Photo by Netflix)How s the tone? It’s pure comic book through and through.  It doesn’t care about being great nearly as much as it does about being fun and exciting. — Merrill Barr, Forbes Umbrella Academy embraces its comic book origins, balancing cartoonish worldbuilding and visual flourishes with a sincere emotional arc. The overall vibe is a lot like an adult version of Netflix’s Series of Unfortunate Events.  — Gavia Baker-Whitelaw, The Daily Dot It sounds melancholy in a Six Feet Under kind of way, and it can be, but the series also boasts a sardonic sense of humor to keep things light. Doom and gloom this is not. — Brandon Katz, Observer Its composition, like a giant dollhouse cut open, is reminiscent of a Wes Anderson flick (think a more emo, gothic Royal Tenenbaums), but there s little of that offbeat charm elsewhere.   — Akhil Arora, Gadgets360Final verdict? Critics can t agree. The Umbrella Academy offers something new and unique in an already crowded genre and is a rare example of an adaptation that might actually surpass the source material.  — Henry Northmore, The List After a while, endless stylization for its own sake comes to feel cluttered and, worst of all, dull.  — Daniel D Addario, Variety Basically: This is the apocalypse we’ve been waiting for! — Sherin Nicole, idobi.com Despite such an audacious premise, The Umbrella Academy quickly slumps into mopey mediocrity, unable to render any of the visual imagination the material practically begs for. — Steven Scaife, Slant Magazine The joy of Umbrella Academyis that you can never predict the path the show will take as a superhero-tinged TV show, it gets everything right. — Allison Keene, Collider
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西游仙灵是东方幻想飞仙回合手游,以独具东方神韵的时尚画风,开启回合RPG的飞行新时代!在游戏中有着超多种丰富的玩法模式以及组团闯关等特殊的玩法,Q萌的宠物坐骑与你并肩作战,完善的社交系统,赶紧找寻你的好搭档吧。 Disney and Marvel Studios dropped the first trailer for Avengers: Endgame – that s right, it has a title! – this morning and the tone is decidedly somber. We get fleeting glimpses of Thanos (a hand, some armor), Hawkeye shows up – finally – though, as many fans theorized, he comes in a new form, and Tony sends a missive to Pepper from the outer reaches of space, where he is floating alone, out of food, water, and, it seems, the will to go on. And, as ever, stay tuned for the trailer s equivalent of a post-credits sequence. This is gonna work, Steve, Natasha tells Steve We ll have to wait until May to see what this is, and whether in fact it does.Check out our coverage of Avengers: Infinity War:Every Record Avengers: Infinity War Has Broken So FarWhich Avengers Character Deserves the Most Blame for the Snap?Five Possible Outcomes for Avengers 4Avengers: Infinity War Easter EggsAvengers: Endgame is in theaters April 26, 2019

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更新时间 2021-10-27
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