亚博足球APP下载

亚博足球APP下载

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亚博足球APP下载采用百度引擎2(Baidu 9)在1月5号的时候,英雄联盟手游官方又再一次发布了公告,LOL手游将要推出一个全新的官方积分赛季。大家都知道,LOL端游在登上黄金段位之后,在赛季结束之后就会得到一个段位奖励皮肤,每年都是如此。而这一次更新之后,手游也会有赛季段位奖励皮肤,但是并不是在结算之后才能拿到。官方是这么说的:登上黄金段位就可以获得赛季奖励皮肤—荣耀蛮王泰达米尔。

1. 亚博足球APP下载
X博士推测,伴随着企鹅影视、阅文集团等腾讯旗下文娱产业的推进,在未来的手游市场之上,将会出现越来越多的“跨界”合作向手游,用来满足各位追星、追剧党的游戏体验,至于XX哥哥是否会成为游戏的代言人,还是个耐人寻味的问题。 CHAPELWAITEWhat We Know: Based on King s short story Jerusalem s Lot from his 1978 Night Shift collection, this upcoming Epix drama series stars Schitt s Creek s Emily Hampshire and Oscar winner Adrien Brody. Set in the 1850s, it follows his character, a recently widowed father of three who relocates his family to his small, sleepy town in Maine. However, doing so means that he will have to confront the terrors and secrets that have haunted his family for generations. She plays an author on assignment who has writer s block, a theme familiar to those who know King s work.Brothers Jason and Peter Filardi (The Craft) are the showrunners.CHRISTINEWhat We Know: King s Christine is revving up for a reboot. The book centers on a teen whose life goes on a collision course after he buys a used 1958 Plymouth Fury that drives like it has a mind of its own. It came out in 1983, along with a film adaptation that was directed by John Carpenter. In 2021, Deadline reported that Hannibal creator Bryan Fuller would be directing a new version of the story and that Sony Pictures and Blumhouse would be producing.THE DARK HALFWhat We Know: King has long been able to mine details of his own life for source material and his The Dark Half is no exception. Published in 1989 after it was revealed that he had written under the pen name Richard Bachman, this horror story imagines what happens if a writer s pseudonym came to life and also happened to be blood-thirsty. A 1993 film version from director George A. Romero and starring Timothy Hutton fell flat and has a 56% Tomatometer score. A new film adaptation from director Alex Ross Perry was announced in 2019. No casting or premiere date has been announced.News broke a few months before this announcement that Perry was also attached to write and direct a film adaptation of King s 2003 short story Rest Stop. That story is a cat-and-mouse thriller involving two women.DRUNKEN FIREWORKSWhat We Know: Not all of the Stephen King adaptations being produced are from the horror genre. This story centers on a heated rivalry between a mechanic and a mob boss who engage in a battle of wills over who can produce the more impressive Fourth of July fireworks display. Drunken Fireworks is based on a short story of the same name from a collection of fiction titled The Bazaar of Bad Dreams. It includes the narrative poem The Bone Church, which has been optioned for a TV series.Deadline reported in June of 2016 that James Franco s Rabbit Bandini Productions and Rubicon Entertainment were planning on adapting the story into a film with Franco on board to star and potentially direct (He also starred in Hulu s adaptation of the King-based Kennedy-centric miniseries 11.22.63). The script was to be written by Matt Rager, who has written several Franco-directed films already. Outside of that, there hasn t been any recorded movement since.(Photo by Blumhouse)FIRESTARTERWhat We Know: In 1984, a post-E.T. Drew Barrymore starred in an adaptation of King s 1980 novel Firestarter, which told the story of a young girl named Charlie born to psychic parents who possesses the ability to control fire with her mind. Like E.T., Charlie becomes the target of shady government types who seek to weaponize her unique talent, and of course, things eventually spiral out of control.Perhaps partially inspired by the recent popularity of Stranger Things, Universal and horror super-producer Blumhouse announced that they would be bringing a new adaptation of the novel to the big screen with Scott Teems, who worked on the upcoming Halloween sequel Halloween Kills for them, penning the script. In December 2019, it was announced that The Vigil s Keith Thomas would direct. In 2020, Zac Efron joined the cast and it was announced in 20201 that American Horror Story s Ryan Kiera Armstrong would star.FROM A BUICK 8What We Know: In 2019, The Expanse s Thomas Jane and his producing partner Courtney Lauren Penn acquired the long-idling rights to King s best-selling 2002 novel. Jane later announced that Jim Mickle was directing. The novel centers on a 1953 Buick Roadmaster, which has been locked away in a Pennsylvania State Police storage shed for decades until it draws the attention of the surviving son of a state trooper who was killed en route to a call involving the same Buick. This, of course, isn t the first evil vintage car story written by King that has been made into a movie; one of the earliest adaptations of his work was John Carpenter s Christine in 1983, which centered on a possessed 1958 Plymouth Fury (a new version of this story is in the works with Sony Pictures and Blumhouse).(Photo by Warner Bros. courtesy Everett Collection)HEARTSWhat We Know: Remember that Anthony Hopkins movie from 2001 called Hearts in Atlantis? You know, the one that features a young Anton Yelchin and centers on Hopkins mysterious character who has telepathic and telekinetic powers? Well, that film was actually based on two of the stories collected in the book of the same title (although, neither of which were the one that provided the book s title). Thanks to a couple of filmmakers who are Stephen King fans, however, we may actually one day get a proper Hearts in Atlantis movie.In September of 2016, Variety announced that director Johannes Roberts and his frequent writing partner Ernest Riera planned to adapt the short story Hearts in Atlantis as a new coming-of-age film called simply Hearts. It would be set in 1966 and focus on the experiences of a group of University of Maine students who become addicted to the card game Hearts and discover that the rest of their lives are falling apart. Roberts and Riera previously brought us The Other Side of the Door and 47 Meters Down, but this is expected to be more in line with King adaptations like Stand By Me or The Shawshank Redemption.THE INSTITUTEWhat We Know: King s 2019 novel was barely off the printing presses before a TV adaptation was announced. Writer David E. Kelley and director Jack Bender, who already had success partnering on adapting King s Bill Hodges Trilogy of books into the Audience Network series Mr. Mercedes, are developing this book as a limited series.The story follows a young boy with special powers who is kidnapped and sent to live in the titular institute, where a staff perform various experiments on him and other students. He escapes and a small-town sheriff is on the case. And if you think this sounds like Stranger Things, a show that has long referenced King s early work, you are not alone.“I like [Stranger Things] a lot, but it does owe something to It,” King told Rolling Stone when The Institute was released. “That’s another book about kids who are weak and helpless by themselves — but together can make something that is very strong.”A network for the miniseries has not been named.THE JAUNTWhat We Know: This one s been sitting in development longer than any of the others, so it s anyone s guess how long it ll be before it makes its way to the big screen, even with the people reportedly involved with it namely director Andy Muschietti, who of course has already had two Stephen King hits with a little story about a shapeshifting clown.Nevertheless, as of 2019, Muschietti was still attached to The Jaunt, which is based on a sci-fi short story set in the 24th century that is about an interplanetary teleportation journey gone wrong. Brad Pitt s Plan B Entertainment optioned the 1981 story back in March of 2015 with Muschietti on board. In 2019, Muschietti told Consequence of Sound that he was still very much involved in this project, saying that we finally have a writer that can do it and that it’s tough to crack because it’s such a great short story, and then you have to expand it into a great film narrative. It took awhile, but now I think we got it. I don’t want to tell too much.”Muschietti also confirmed in that interview that he is involved in an adaptation of the novel Roadwork, which King published in 1981 under his Richard Bachman pseudonym. ZeroZeroZero s Pablo Trapero would direct.“Roadwork is definitely a more human drama,” Muschietti told the publication. “I always loved it. It’s not one of his biggest hits, but it always resonated and I can’t explain why.JOYLANDWhat We Know: King s bounty of material means that there is something for almost every TV network, as evident by an adaptation of his 2013 novel Joyland for Freeform. The network famous for shows like Pretty Little Liars and Grown-ish is developing this story that focuses on another young adult. Deadline reported in 2018 that the plot would focus on a college student who takes a summer job at an amusement park in a North Carolina tourist town, confronts the legacy of a vicious murder, the fate of a dying child and the way both will change his life forever. Chris Peña (Jane the Virgin) and Cyrus Nowrasteh (The Stoning of Soraya M.) were writing the pilot.THE LONG WALKWhat We Know: One of the other four novels that King published under the pen name, Richard Bachman, this story takes place in a dystopian future America, where a ruthless dictator holds an annual contest in which 100 teenage boys are randomly selected to participate in the titular endurance contest until only one remains alive.In 2007, Frank Darabont, who had already made The Shawshank Redemption and The Green Mile and had just completed The Mist, acquired the film rights to The Long Walk, as it was a bit of a passion project for him. Unfortunately, those rights lapsed before he ever got the chance to make the film, and in April of 2018, New Line Cinema (who, of course, brought us It) nabbed them and signed James Vanderbilt (Zodiac, The Amazing Spider-Man, Independence Day: Resurgence) to write the script and produce. In 2019, Scary Stories to Tell in the Dark s André Øvredal was brought on as director.In a 2020 interview with Coming Soon, Øvredal assured fans that even though the coronavirus pandemic that shut down Hollywood is just wrecking everything, this project is still alive and well and moving along.”MILE 81What We Know: In 2019, Deadline broke the story that a big-screen adaptation of Mile 81 was in the works with Alistair Legrand set to direct and co-write with Luke Harvis (the duo also collaborated on 2015 s The Diabolical s). Since then, not much more is known.This 2011 King novella relies on some of the author s favorite topics, such as teens running amok, a small town in Maine and enemies on four wheels.It is not to be confused with his 2008 novella, N. That one, which is also set in Maine and also deals with teens avoiding certain death but has eight creepy stones harboring ancient evil instead of anything really to do with a car is reportedly being developed as a TV series by Gaumont TV. Deadline reported in 2017 that the project would be called 8.(Photo by ©Warner Brothers)OVERLOOKWhat We Know: You know what they say: All work and no play makes a streaming service Anyway, new streaming platform HBO Max has given a series order to Overlook. Produced by J.J. Abrams Bad Robot, the show is inspired by and will feature characters from King s 1977 thriller The Shining and plans to explore the untold, terrifying stories of the most famous haunted hotel in American fiction. Bad Robot also produced Hulu s Castle Rock, which was also based on King s characters and locations.REVELATIONSWhat We Know: In July of 2020, it was announced that The CW was developing Revelations, a series based on the King short story The Revelations of ’Becka Paulson. According to Variety, the one-hour drama would follow a Pollyanna-ish young woman who, after accidentally shooting herself in the brain with a nail gun, is recruited by an over-it Jesus to be his chosen one in stopping the apocalypse. Last Man Standing s Maise Culver is the writer and co-executive producer.(Photo by Michael Kovac/Getty Images)REVIVALWhat We Know: Although Josh Boone, a King obsessive and co-creator of 2020 s The Stand miniseries, took a crack at adapting Revival, it s Doctor Sleep s Mike Flanagan who is bringing the movie to fruition. He said in a 2020 interview that the story is relentlessly dark and cynical and I’m enjoying the hell out of that. The story centers on a minister whose wife and son are killed in a car accident and then begins to experiment with secret electricity and the young man who reconnects with the preacher as a heroine-addicted adult and who becomes his new assistant, of sorts.SLEEPING BEAUTIESWhat We Know: AMC is developing a television adaptation of Sleeping Beauties, the 2017 best-seller that King wrote with his son Owen. According to the logline, which was released during the winter 2020 Television Critics Association press tour, the project is set in a small Appalachian town where there’s a strange mystical occurrence that causes all the women to fall asleep, leaving the men to try and rescue them. But do the women want to be rescued? No premiere date or casting has been announced. The project was first announced in April of 2019 a few months before AMC premiered NOS4A2, a horror series based on a book written by King s other son, Joe Hill.SUFFER THE LITTLE CHILDRENWhat We Know: After the success of the It remake in 2017, Variety reported that Sean Carter (Keep Watching) would be directing an adaptation of this King short story. Published in Cavalier magazine in 1972 and later part of King s Nightmares Dreamscapes anthology, this piece follows an elementary school teacher who begins to notice that her students have some unique traits (think texture showing up below their skin and a conspiratorial way that they play at recess). Then mysterious deaths start happening in her small town.THE TAILSMANWhat We Know: In 1984, Stephen King co-wrote a book called The Talisman with horror novelist Peter Straub. It s about a 12-year-old boy who possesses the ability to move seamlessly between our world and a parallel world known as the Territories. Steven Spielberg actually bought the rights to the book in 1982 even before it was published because he liked the story so much. He held onto those rights for decades, revealing in an Entertainment Weekly interview in 2018 that he was hoping to get this movie made in the next couple of years. As it happens, Spielberg s own Amblin Entertainment signed Josh Boone to write the screenplay in October of 2017. In 2019, it was reported that The Handmaid s Tale s Mike Barker would direct and that Chris Sparling was writing the script. The film production may see competition from TV. The Hollywood Reporter noted in 2021 that Stranger Things Curtis Gwinn was showrunning and executive producing a Netflix series based on the story and that Spielberg was producing along with Stranger Things creators Matt and Ross Duffer and others.THROTTLEWhat We Know: Deadline reported in May 2020 that streaming service HBO Max was in early development on a feature adaptation of the novella from King and son, Jon Hill. The plot, fittingly, follows a father-and-son led biker gang who are terrorized by a big-rig truck on a deserted section of the American desert. Raising Dion s Leigh Dana Jackson is writing the screenplay and producers include David S. Goyer and Keith Levine.(Photo by ABC)THE TOMMYKNOCKERSWhat We Know: In March of 2018, The Hollywood Reporter revealed that a new adaptation of the 1987 novel The Tommyknockers was in the works, with the Conjuring universe s James Wan and It producer Roy Lee, on board to produce it. Some might recall that there was a 1993 ABC miniseries adaptation of the book, which focuses on the discovery of an alien spacecraft in a small town and its dangerous, otherworldly influence over the people who live there. As it happens, Wan and Lee are also teaming up with producer Larry Sanitsky, who produced that 1993 miniseries.Just about a month after that initial announcement, Universal actually won a fierce bidding war to distribute the film, and that August, Jeremy Slater (writer The Lazarus Effect, 2015 s Fantastic Four, and Death Note) signed on to adapt the novel. Outside of these developments, no new details have emerged.Wan is also attached to produce a new film adaptation of King s Salem s Lot. Gary Dauberman, who wrote the It movies, would write and direct. The vampire novel has already seen a couple a other adaptations.Lee, along with Chris Romero and others, is also reportedly producing an adaptation of King s The Girl Who Loved Tom Gordon. In November 2020, it was announced that Lynne Ramsay would direct from a script she co-wrote with Christy Hall. Published in 1999, the plot follows a nine-year-old who gets lost on the Appalachian Trail.On an Apple device? Follow Rotten Tomatoes on Apple News.
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2. 公平游戏环境
In the 1970s and 1980s, a horror renaissance rocked the film industry, riding on the wave of George Romero’s 1969 low-budget zombie breakout Night of the Living Dead. There was a general feeling that something special was happening, where even directors as esteemed as Stanley Kubrick, Nicolas Roeg, and Peter Medak were flocking to the genre, while others more dedicated to horror, like Tobe Hooper, John Carpenter, and Wes Craven were pushing the goal posts for scares. Even though the enthusiasm for innovative horror waned somewhat in the past couple of decades, with notable exceptions from the likes of Craven and newcomers like James Wan, the special feeling of a “movement” in horror seems to have finally returned, and with it a new class of the Masters of Horror who will lead us through the dark.Whittling this list to 21 was a near-impossible task when you’ve got so many visionary filmmakers working in the genre, including queen Karyn Kusama (The Invitation), the Soska sisters (Rabid), Julia Ducournau (Raw), Coralie Fargeat (Revenge), Hélène Cattet and Bruno Forzani (Amer), Chelsea Stardust (Satanic Panic), Ana Asensio (Most Beautiful Island), Nia DaCosta (the upcoming Candyman), Na Hong-jin (The Wailing), Ti West (The Innkeepers), Jorge Michel Grau (We Are What We Are), Jennifer Wexler (The Ranger), Joko Anwar (Satan’s Slaves), Mattie Do (Dearest Sister), Gigi Guerrero (Culture Shock), Xander Robin (Are We Not Cats), and Demian Rugna (Terrified). (That s not to mention producers like Jason Blum, dedicating their professional lives to scaring us stupid; but we re limiting this roll call to directors, though some of those produce, as you ll see. )The list goes on and on, but here’s 21 that have made our blood pump and eyes pop recently, and are pushing the genre forward with every new work they make.Ari Aster(Photo by James Minchin /© A24 /Courtesy Everett Collection)Ari Aster, much like George Romero, did not see himself as a horror director before his breakout debut. Hereditary, starring Toni Collette in an awards-worthy performance, is a family drama that plays out like one long exhilarating gasp for breath. Aster’s follow-up, Midsommar digs around in the same psychological playground, though this time covering the dissolution of a romantic relationship. Both films recategorize the meaning of “scare,” as Aster mines the terror of simply being uncomfortable with other people to a nearly wacky psycho-comedy effect.Jordan Peele(Photo by Claudette Barius / © Universal)What else is there to say about Jordan Peele? He single-handedly proved that black people want to see themselves in horror films and that other people all over the world would like to see it too. His films stray so far from what many would deem commercially acceptable — a lengthy monologue about inequality delivered amongst a bunch of rabbits in a kind of magical basement world? And yet his stories are compelling because they’re unlike anything else in theaters, their cinematic influences evident but not overbearing. Peele’s making horror weird again, and he’s making it matter.Jennifer Kent(Photo by ©IFC Midnight/Courtesy Everett Collection)When Jennifer Kent’s debut horror The Babadook shocked audiences, the potential for horror to mine desperate grief came into 20/20 view. Not only that, but distinctly down-and-dirty, terrible, feminine grief. It’s not unusual for horror films to star women — this has been a defining characteristic of the genre — but it was unusual to see a heroine slowly morph into a highly relatable villain in such a visceral manner. In her newest film The Nightingale, Kent continues to push her heroines past a point of likeability with an eye on doing away with the “strong woman” trope that has rendered so many female characters into caricatures of femininity.Mike Flanagan(Photo by Justin M. Lubin/© Universal Pictures /Courtesy Everett Collection)Mike Flanagan has toiled in the genre fields for almost two decades, writing, directing, and editing his own films, which included Ghosts of Hamilton Street, Absentia, Oculus, and Hush, before he got his name-making box office hit, Ouija: Origin of Evil. Flanagan has a rare ability to please mainstream audiences while still pushing boundaries of horror, as he did with the wildly popular Haunting of Hill House Netflix series, which, among other cool tricks, hid a number of ghosts in the frame. That kind of subtle innovation comes from a filmmaker who’s familiar with all tools at their disposal, and his adaptation of a sequel to The Shining, Doctor Sleep, is much anticipated for that reason.Issa LopezMexican director Issa Lopez made a name for herself in her native country by directing a series of comic films, but her debut horror film Tigers Are Not Afraid (trailer above) couldn’t have been a bigger departure from her earlier career. Filled with wonder and grit and meaningful insights into childhood, trauma, and the human soul in the harshest environment imaginable, the film has been racking up fans and awards long before its U.S. release on Shudder. Guillermo del Toro luckily saw the film and immediately signed up to produce her next movies, so this Master in the making is already well on her way.Guillermo del Toro(Photo by Kerry Hayes/©Universal Pictures/Courtesy Everett Collection)Speaking of Guillermo del Toro, it’s difficult to overstate how much of a boon for horror this visionary director has been, but del Toro was pioneering new directions for horror years before it came back in fashion. From Cronos and The Devil’s Backbone all the way up to Pan’s Labyrinth and the slept-on Crimson Peak, del Toro’s body of work feels so ingrained in the culture that it’s almost easy to take him for granted. Not to mention that he’s spent a great deal of time championing the newer generation of horror directors like Issa Lopez, Scott Cooper, and André Øvredal, producing double the number of films he directs himself. He is, for all intents and purposes, the godfather of the new Masters of Horror.Isa Mazzei Daniel Goldhaber(Photo by © Netflix)This pair of collaborators burst on the scene with last year’s Netflix horror hit, Cam (pictured above), about a cam girl sex worker whose identity is stolen and used against her. In a novel twist, the film was also respectful of women, Johns, and sex workers, never resorting to staid clichés, signaling that the pair could inclusively expand the frontiers of horror. Announcements for their next project with Blumhouse have been thin, but the film is certainly driven by women, and they’ll also be wading into TV horror with a segment for Quibi’s new 50 States of Fear.Pascal Laugier(Photo by ©Weinstein Company/Courtesy Everett Collection)Martyrs (pictured above) is not what many would call an easy film to watch. But Pascal Laugier’s most notorious feature is quite masterful. A story that opens like a revenge flick but closes with a hammer-to-the-nose of philosophical insights into perceived womanhood and spirituality, Martyrs follows in the New French Extremity footsteps of Claire Denis’ Trouble Every Day. After Martyrs, Laugier tried his hand at American horror with Jessica Biel starrer The Tall Man, but returned to his roots in 2018’s Incident in a Ghostland. Laugier shows that gore with a brain is on the menu for horror fans.Andy Muschietti(Photo by Brooke Palmer/© Warner Bros. /Courtesy Everett Collection)In 2013, Argentine director Andy Muschietti had an international hit on his hands with Mamá, about a young couple who take in their two young nieces but find that a malicious supernatural entity has decided they’re her next victims of a haunting. The film starred Jessica Chastain, setting up Muschietti’s desire to make genre but with actors of high esteem attached, which led to his re-envisioning Stephen King’s It in a two-movie release, vaunted for its playful but serious take on the story. Next up, Muschietti’s going the monster route with an adaptation of Hajime Isayama’s Attack on Titan, and is rumored to be directing DC’s The Flash.Kiyoshi Kurosawa(Photo by © Kimstim Films / courtesy Everett Collection)Kiyoshi Kurosawa is not a newcomer by any means. He’s been working steadily in genre and outside of it since the 1980s, as a critic, commercial artist, and a creative filmmaker. In 2001, he released his most well-known cult film Pulse, but his recent return to genre suggests he’s not quite finished being a Master. In 2016, he released Creepy, a thrilling hardboiled mystery, which he then followed up with Before We Vanish, which is an alien invasion story equal parts horror and humor that opens with a risky, bloody bang.Nicolas Pesce(Photo by © Magnet Releasing /Courtesy Everett Collection)The Eyes of My Mother (pictured above), Nicolas Pesce’s debut feature, bucks so many contemporary trends of horror, shot in black and white like a high-art film but with the creeping childishness of Tobe Hooper. He followed that up with a Cronenberg Crash-style film called Piercing that turns a sex-torture story into a screwball comedy of errors and power dynamics. Pesce’s films explore loneliness and connection with wry humor, and yet somehow it’s his visual style, evocative of classic films filled with texture and tactile pleasantness like every object has meaning and purpose, that make him a new Master.Anna Biller(Photo by © Oscilloscope / courtesy Everett Collection)Anna Biller’s version of horror feels akin to classic fairy tales. They are rife with artifice yet also completely honest. Focused on sex and sexuality but coy and childlike. There is the sense that the director is telling the story of the world as it is while simultaneously wishing the world to be different. Viva is more an off-kilter soapy drama, while her film The Love Witch (pictured above) more fully embodies horror. Rumor has it she’s been shopping another horror story based on the Bluebeard tale, but be patient for her next one: Biller’s obsessive about costuming, locations, and production design, and makes most everything herself, which is a time-consuming act but is ultimately the key to her success as a modern Master.Agnieszka Smoczynska(Photo by ©Janus Films)Half the fun of Agnieszka Smoczyńska’s debut feature The Lure (pictured above) is describing it for those who don’t know: a gritty, glittery Polish mermaid horror disco musical. The film was a time capsule of Cold War-era dancing clubs, mixed with classic fairy tales and contemporary rage-filled feminism. Music that’s as catchy as it is dark and an almost surreal, theatrical production design set The Lure apart, earning it an almost instant Criterion release. Her follow-up, Fugue, looks inward for a more cerebral melodrama of psychological terror, with the kind of innovative camera work and sensitivity that display Smoczynska’s ability to play with mind as well as body in her horror.Peter Strickland(Photo by © A24)Peter Strickland digested decades of Italian gore and giallo films, then washed it down the exploitation work of Jess Franco and spit out such atmospheric insta-classics as Berberian Sound Studio and The Duke of Burgundy. His newest film In Fabric (poster above) had so much hype and magic behind it that A24 quickly snapped it up out of the festivals. Both eerie and ethereal, In Fabric tells the story of a murderous red dress; like a chilling version of The Sisterhood of the Traveling Pants, this thing will fit everyone but also kill them. And like his predecessors, Strickland squeezes every inch of terror out of sound design and trippy, mirrored effects, perfectly marrying the past with the present.Ana Lily Amirpour(Photo by ©Kino Lorber)Ana Lily Amirpour’s low-budget indie hit A Girl Walks Home Alone at Night (pictured above) thrilled for its simple but fully realized black-and-white graphic novel aesthetics. It’s not every filmmaker whose first film creates some of the most memorable iconography in recent horror film history, but Amirpour’s vision of a young woman gliding on a skateboard with her veil flowing behind her struck a chord for women, a seeming statement about feminine violence and traditional values butting up against Western ideals. Her follow-up The Bad Batch was a sunny apocalyptic trip through the desert, but in the meantime she directed a beloved episode of the new Twilight Zone and has been attached to the remake of Cliffhanger.Babak Anvari(Photo by Kit Fraser / © Vertical Entertainment / courtesy Everett Collection)Babak Anvari’s Under the Shadow (pictured above) broke new ground in folk horror and is a rare Certified Fresh at 99%. In it, he exploited the tale of jinn, those malevolent spirits of Islamic mythology, but grounded the story in the very real cultural conflict of the Iran-Iraq war in the 1980s, as told through a belabored mother who’d much rather finish her medical degree than stay at home with the young daughter who acts almost like an anchor to a more traditional life. Vivid and tense, the film found an international audience, leading to his newest release, an American production called Wounds and a new television series titled North American Lake Monsters, where Anvari can further dig into local lore.David F. Sandberg(Photo by Justin Lubin. ©Warner Bros.)David F. Sandberg’s short “Lights Out” terrified audiences internationally with a simple light trick that harkened back to the early days of horror. That short, made for nothing and starring his charismatic wife Lotta Losten, was then developed into a feature starring Teresa Palmer. James Wan continued to help Sandberg develop his career, giving him a spot in The Conjuring franchise, directing Annabelle: Creation. Sandberg has temporarily waded into superheroes with the lighthearted Shazam!, but he’s stated he’s looking forward to coming back to horror real soon, hopefully utilizing the same creative low-budget ideas that gave him his big break.James Wan(Photo by Michael Tackett/©Warner Bros. Pictures/courtesy Everett Collection)Speaking of James Wan, no Masters of Horror list would be complete without the Aussie who harnessed the powers of surprise and low budgets to flip the entire industry on its head with the Saw and Insidious franchises, and then again with The Conjuring. He’s the pop filmmaker of our time, delivering the kind of popcorn fare that actually brings people to the theater, a rare feat. Like his Mexican counterpart Guillermo del Toro, Wan is also producing others’ work at a breakneck pace, passing the torch to his longtime collaborator Leigh Whannell, and Patrick Brice, Akela Cooper, and Michael Chaves.Kevin Kölsch and Dennis Widmyer(Photo by Kerry Hayes / © Paramount / courtesy Everett Collection)Starry Eyes wasn’t Kevin Kölsch and Dennis Widmyer’s first feature, but it was the one that got them long applause at SXSW and a whole lot of horror cred with its black comic take on the entertainment industry, imagining the casting couch as a place to reap souls for Satan. Alex Essoe’s performance as a desperate starlet was one for the history books. At times gruesome and wacky, the film got them the gig remaking Pet Sematary and working on the Scream TV series.Robert Eggers(Photo by ©A24)Robert Eggers may be known for The VVitch, but he might also be known for his obsessively detailed nature, which had him mastering settler’s English for the script and getting the period details correct down to the tiniest nib, likely from his time as a production and costume designer in theater and film. Like Kubrick before him, Eggers is intent on crafting worlds, and his newest film The Lighthouse (pictured above), though more horror-adjacent than his debut, is just as meticulous, digging again into hysteria and how isolation and harsh environments can unravel the mind.Sophia Takal(Photo by . © Oscilloscope / courtesy Everett Collection)Sophia Takal’s trajectory into horror began with low-budget psychological romps through feminine hysteria, in both Green and then her more defined follow-up Always Shine (pictured above), which pitted two young actresses against one another in a remote Big Sur cabin. Her episode of Into the Dark marked an entry into the world of slashers, marrying the cerebral with the bloody physical, and her next film, a remake of the very first slasher, Black Christmas [disclosure: the author of this article is the co-writer of this film], will test that marriage and the viability of slashers in general in this day and age.Don t see our favorite horror filmmaker above? Let us know whose scares you re loving right now in the comments. Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.亚博足球APP下载KS主播鹿早早觉得大家也不用太担心国服什么时候上线的问题,毕竟官方更加着急,为了尽早开启国际性的赛事,也做了很多的准备。KS鹿早早觉得内测的体验感良好,这也会加速内测的结束。不过,鹿早早觉得LOL手游的难度虽然要比端游小,但和其他手游对比难度相对来说很高,那么玩家可以在国服上线前就做好准备,在国际服熟悉游戏的玩法。

3. 激战团竞模式
What it is: From director Kwang Il Han and based on the book series by Polish author Andrzej Sapkowski, The Witcher: Nightmare of the Wolf is a prequel spinoff film of Netflix’s hit Henry Cavill starrer from creator Lauren Schmidt that charts the monster-slaying adventures of Geralt’s mentor, Vesemir, in stunning anime.Why you should watch it: If you haven’t already read the source material, we recommend the best way to catch up for this feature is to binge the first season of The Witcher. Ambitiously violent and larger-than-life, it certainly ranks as one of Netflix’s best fantasy series and will give you all the knowledge you need to appreciate this animated vision of what came before. The Witcher: Nightmare of the Wolf premieres August 23 on Netflix. (Season 2 of the live-action series premieres on December 17.)Where to watch: NetflixCommitment: Approx. 8 hours (for the first season)

4. 呼朋唤友 随心所欲
James Wan’s Aquaman may have started with the lowest opening ever in the DC Universe, but seven days later, it is looking more like Michael Phelps than some lowly dog paddler. The film is entering very exclusive territory this weekend just as two more December releases join the 0 million club by the time the clock strikes midnight on New Year’s Eve. That makes 32 for 2018 with at least two more films still hoping to surpass last year’s (and 2014’s) total of 33 to become second only to 2013’s 35 0 million-plus films. That record may come up short, but Hollywood has shot past its previous ticket sales record (.37 billion in 2016) and is now eyeing a billion year at the box office.King of the Crop: Aquaman Joins Impressive Club of December Releases(Photo by Jasin Boland/ ™ & © DC Comics)After its first weekend, Aquaman  was million behind Justice League. After weekend two it is now million ahead and climbing. How high? Quite actually. Because as of this Sunday, Wan’s film is now the sixth highest grossing December release after 10 days, behind five little films: Star Wars trio The Force Awakens, The Last Jedi, and Rogue One, as well as Avatar and Lord of the Rings: The Return of the King. All seven December films to have made 0 million by this point have reached the 0 million mark, and Aquaman is million ahead of The Two Towers. Peter Jackson’s film opened on a Wednesday, so that pace will tighten over the next couple of days. But Return of the King made .8 million in its second weekend and ended with 9.7 million. Aquaman grossed .5 million and is likely looking at a final gross in that vicinity, which would surpass both Suicide Squad and Batman v Superman for second highest grossing feature film in the DC Universe behind Wonder Woman. With 8 million worldwide, it is the seventh highest grossing film of 2018 and will be passing Mission: Impossible – Fallout and Venom soon with its eye then on a billion dollars.Fresh Surprise: WWI Documentary Out-Performs New Releases(Photo by Warner Bros. Pictures)Speaking of Peter Jackson, his WWI 3D documentary, They Shall Not Grow Old, has become one of the top-grossing documentaries of the year. After just two nights. Fathom Events held special single-night screenings on December 17, when it broke the company’s record with .3 million, and then again this past Thursday, when it broke it again with another .37 million. That was more than this week’s openers, Holmes Watson and Vice, grossed on Thursday with a full day of screenings. With .7 million in two nights it has made nearly as much as partisan documentaries, Death of a Nation (with a 0% Tomatometer score) from pardoned felon Dinesh D’Souza (.88 million) and Michael Moore’s Fahrehheit 11/9 (.35 million). Warner Bros. will open the film in a few cities on January 11, and you can expect it to rise from the seventh highest grossing documentary of 2018 into the top five – and maybe even higher.Rotten Returns: Holmes Watson (aka the Anti-Aquaman)(Photo by Columbia Pictures)Holmes Watson opened in theaters without being screened for critics. Hey, Disney did the same thing for Christmas opener, Tombstone, back in the day, too. How bad could it be? Well, it is currently just the third wide-release of the year to score lower than 10% on the Tomatometer after Slender Man and Death of a Nation’s golden doughnut of 0%. That is where Holmes was with its initial set of reviews, but folks were already in the midst of paying good money to see it on Christmas Day. Around .4 million and 24 hours later, some were already calling it a “commercial flop” on Twitter despite the fact that only four of 23 films to open on Christmas to more than million failed to reach million.That still would not have been enough to cover its million budget in domestic dollars, but it’s not like it was Mortal Engines or Welcome to Marwen this month; however, Holmes Watson’s audience numbers have been scaling down to its current Rotten Tomatoes score of 9%. Though .7 million after its first six days still has it pacing for somewhere between -60 million, its numbers are diminishing at the pace of Aliens Vs. Predator – Requiem, which finished with just .7 million after it opened on Christmas. So it will depend on international audiences to determine whether the film is “a commercial flop” or not.The Top Ten and Beyond: Poppins Bumblebee To Join 0 Million Club Soon(Photo by Walt Disney Studios)Mary Poppins Returns just missed becoming the 26th film opening in December to reach 0 million in its first 12 days; though it will do so on New Year’s Eve. Of the films in its 12-day company that had between million to 7 million at this point, Poppins’ -million weekend is second only to Daddy’s Home’s .2 million. (Poppins is likely to fly past Daddy’s Home’s 0 million.) The next crop of films above them (sans Marley Me) are all 0 million grossers. So as long as Rob Marshall’s film maintains its current pace it should rise high enough to be one of the three highest grossing films of the season.Spider-Man Into the Spider-Verse did join the 0 million club this weekend. At 3.6 million it is in the company of Catch Me If You Can, Les Miserables (2012), Into the Woods, True Grit (2010), and Unbroken, but its third weekend of .3 million surpasses all of theirs, suggesting the film is headed for north of 0 million — an estimate that could continue to rise with the word-of-mouth it is receiving.Bumblebee, with another million this weekend, is also headed for 0 million like every other film from December to have million after 10 days. Clint Eastwood’s The Mule, on the other hand, took 17 days to hit the million mark, but it is not out of the running to become the 34th film of 2018 to reach 0 million. For a film that needs around 0 million to break even, million seems to be the worst-case domestic scenario at this moment. As it is pretty closely aligned with the 0.7 million–grossing The Pelican Brief, there is still a possibility this will be Clint’s sixth film as a director to reach that height.While Holmes and Watson was grossing .4 million on Christmas Day, Adam McKay’s award hopeful, Vice, was gathering up .7 million and a 64% score on the Tomatometer. It has made million in its first six days and eyes somewhere around million final domestic gross, but is already Annapurna’s highest grossing film to date surpassing this summer’s Sundance pickup, Sorry To Bother You. Ralph Breaks the Internet has fallen behind the pace of last year’s Coco, but is still million ahead of Tangled, which keeps 0 million very much in the picture. It only takes Ralph and Poppins to break the single-year record of most films to reach the milestone in any year. A 0 million final gross may be out of reach for Illumination’s The Grinch, but its 6 million makes it undoubtedly one of the biggest hits of the season, even while it could end up being the company’s third-lowest grossing film to date; albeit one with still over 0 million in profit.Beyond the Top Ten you will find both The Favourite (.2 million) and Mary Queen of Scots ( million) doing decent business in less than 850 theaters each. Both continue to do better than Robert Zemeckis’ Welcome to Marwen, which has grossed .7 million. There are still seven films this year further in the red than Marwen (including Ralph Breaks the Internet), though it is still little comfort being among the 10 biggest financial losers of 2018.In further limited release news, we have the three best per-theater-averages of the week: The Ruth Bader Ginsburg drama, On the Basis of Sex (74%) averaged ,909 this weekend and has made .5 million in 33 theaters since Christmas. Destroyer (76%) has been in three theaters since Christmas and has made 5,661. It averaged ,491 this weekend. Then there is Stan Ollie (89%), which opened on Friday in five theaters, averaging ,935 for a total of ,674. Aquaman had the fourth best average with ,497, and Barry Jenkins’ If Beale Street Could Talk was fifth, adding 60 theaters (for a total of 65). It averaged ,686 and has grossed nearly million.This Time Last Year: The Last Jedi Held Off Jumanji for the Last Time(Photo by Walt Disney Pictures)Star Wars: The Last Jedi maintained the top spot for a third straight week (and passed the 0 million mark), though Jumanji: Welcome to the Jungle closed the gap with a .5 million-to- million showdown. Christmas day openers, All the Money in the World and Molly’s Game made .7 million and .3 million, respectively, in their first full week of release. Steven Spielberg’s The Post and Paul Thomas Anderson’s Phantom Thread led the per-theater-average list with ,342 (nine theaters) and ,124 (four theaters). The Top Ten films grossed a total of 3.3 million over the weekend, which included New Year’s Eve, and they averaged 65.1% on the Tomatometer. This year’s Top Ten grossed 3.1 million and averaged 65.6%.On the Vine: There Is No Escape From Horror in 2019(Photo by Columbia Pictures)The new year kicks off with horror about domains from which there appears to be no safe room, though do not expect to see a Tomatometer score for either until later in the week. The PG-13 Escape Room with Taylor Russell, Deborah Ann Woll, and Tyler Labine should get a score just before it opens. Then Eli, from the director of Sinister II, will get reviews from critics brave enough to check out the tale of a boy with auto-immune issues stuck in a dangerous home when it opens on Friday.The Full Top 10: December 28-30Aquaman .5 million (8.7 million total)Mary Poppins Returns .0 million (.9 million total)Bumblebee – .5 mi

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使用強大的百度引擎6建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

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邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

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2.96.5 1月喜迎这样的用户定位差异让两款游戏即使处于同一领域,也难产生达成真正的竞争关系,同属于腾讯旗下的产品,《英雄联盟手游》希望吸纳端游玩家群体,而《王者荣耀》则更希望拓宽玩家群体的范围。
(Photo by Sony Pictures / courtesy Everett Collection)All Guy Ritchie Movies, Ranked by TomatometerWho had a more explosive directorial debut in the rollicking, post-Pulp Fiction 90s than Guy Ritchie with his Lock, Stock, and Two Smoking Barrels? The stylish, gritty descent into the criminal underworld rocked both sides of the Atlantic, which then gave Ritchie the opportunity to give his style an even slicker, international sheen with Snatch.So synonymous is Ritchie with this style and subject matter that no matter where his career takes him, whenever he returns to this topic it s always celebrated as a back-to-basics comeback. RocknRolla, for example, helped sweep away the sour tastes of Swept Away and Revolver.And now The Gentlemen and Wrath of Man have arrived as counterpoint to the blockbuster bombast of Aladdin and King Arthur: Legend of the Sword. (Though certainly Sherlock Holmes and The Man From U.N.C.L.E. found a happy, kinetic medium between these two extremes.)Which movies are his Freshest? Find out in our guide to every Guy Ritchie movie, ranked by Tomatometer!
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This year, Jimmy Fallon marks five years as host of The Tonight Show, arguably the most coveted regular hosting gig on the planet. He and his team have been celebrating the milestone with some of the series most ambitious episodes ever, episodes that mean a ton to the comedian personally. In February, on the show s fifth anniversary, Fallon paid tribute to one of his own comedy inspirations, Garry Shandling, by surprising viewers with a faux behind-the-scenes documentary episode, a la The Larry Sanders Show. (A BTS moment in which he s yelling at teenage animal expert Bob Irwin, son of Steve, is gold.) In January, he kicked off the year by taking a crew to Puerto Rico and shooting an episode on the island, which is still working through the aftermath of Hurricane Maria. Fallon says he was inspired by Lin-Manuel Miranda s staging of Hamilton in San Juan, and at a recent Q A at the Writers Guild of America, described his Puerto Rico episode  one of my proudest moments of anything we ve ever done on any show I ve ever been a part of. Those who first saw Fallon when he was part of the Saturday Night Live cast during some of the show s best years – he crossed over with Will Ferrell, Tina Fey, Rachel Dratch, Tracy Morgan – would likely be unsurprised to now see the comedian thriving in late night. He stood out back then because he was quick, armed with a flotilla of impressions, and, as a bonus, could sing. Today, he puts those skills to work nightly on The Tonight Show. Fallon says he developed those skills watching and learning from comedy s greats. As he gears up to close out his fifth year, and come back for a sixth, seventh, and eighth – he is contracted until at least 2021 – Fallon sat down with Rotten Tomatoes to pay tribute to some of those legendswith this list of his five favorite comedy movies ever. (Note, he was quick to caveat that he has so many more than five.)
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The American Film Institute (AFI) has just announced its official selections of the top 10 movies and TV shows for 2018. Among the film honorees are some recognizable titles with a lot of awards buzz, like The Favourite, If Beale Street Could Talk, and Green Book with genre favorites Black Panther and A Quite Place joining their ranks. On the TV side, favorites like Atlanta, The Americans and This is Us are joined by acclaimed newcomers, Pose and Barry. In addition to the 20 honorees, AFI also recognized ROMA with an AFI Special Award, designated for a work of excellence outside the Institute’s criteria for American film. Read below for the full list of AFI winners.Top 10 Movies
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This week in TV news: a new Stephen King adaptation, a Marvel crossover, and casting updates for Joss Whedon’s HBO sci-fi project The Nevers, DC Universe s Titans, season 3 of The Sinner, and more.Stephen King s The Stand Gets a New Miniseries — and a New EndingCBS All Access has planned a limited event series based on Stephen King s The Stand, for which the author will write a final chapter not found in the book. The cast includes Westworld s James Marsden as working-class factory man Stu Redman, Aquaman s Amber Heard as the conflicted Nadine Cross, Odessa Young as the young, pregnant Frannie Goldsmith, and Henry Zaga as the deaf and mute newfound leader Nick Andros.The series takes place a post-apocalyptic world decimated by plague where the forces of good and evil, and the fate of mankind rests on the frail shoulders of the 108-year-old other Mother Abagail and a handful of survivors. Their worst nightmares are embodied in a man with a lethal smile and unspeakable powers: Randall Flagg, the Dark Man, per the official description.The Stand’s previous adaptations include a 1994 miniseries that starred Gary Sinise, Molly Ringwald, and Rob Lowe and a 2008 Marvel comic series.The Man Who Fell to Earth Series in the Works From Star Trek: Discovery Producers(Photo by Courtesy Everett Collection)The Man Who Fell to Earth is turning into a TV series. Based on the novel of the same name and the 1976 film starring David Bowie, the series will follow  an alien who arrives on Earth at a turning point in human evolution and must confront his own past to determine our future, per the official announcement.“Walter Tevis’ visionary novel gave us a tech god Willy Wonka from another planet, brought to life by David Bowie’s legendary performance, that foretold Steve Jobs’ and Elon Musk’s impacts on our world. The series will imagine the next step in our evolution, seen through the eyes of an alien who must learn what it means to become human, even as he fights for the survival of his species,” co-showrunners Alex Kurtzman and Jenny Lumet said in a statement. Kurtzman and Lumet are both producers on CBS All Access Star Trek: Discovery.Marvel s Runaways Meet Cloak DaggerMarvel s teen superhero shows are staging a crossover: In the upcoming third season of the Hulu drama Runaways, the main characters from the Freeform drama Cloak Dagger will meet up with the titular teen superhero team. Details about the story line have not yet been revealed.“It’s so fun being able to do something that revels in the Mighty Marvel Manner! Having these young heroes cross over allows fans of both shows to see the adventure everyone has been waiting for and we’ve only hinted at,” said Marvel TV boss Jeph Loeb in a statement announcing the news.Season 3 of Runaways premieres all 10 episodes December 13 on Hulu.Evil Is More Than an Exorcism of the Week The CBS drama Evil, which follows a psychologist, a priest-in-training, and a carpenter who investigate the backlog of unexplained mysteries in the Catholic church, is — as seen in the trailer above — much scarier than any series the network has aired before. But just because it s a procedural doesn t mean the series will feel the same from week to week. We are trying to avoid exorcism of the week, co-creator Robert King told reporters at the Television Critics Association summer press tour on Thursday. The second episode is about miracles. It’s about those question marks in life that you don’t quite know how they happen — a school where all the girls at the school start laughing, and it seems to be almost viral. I would say the other thing is you’re looking at life and you’re seeing evil, not with a capital E but with a small e — the boss who throws things at his employees. Where does that fit in? So that is really what our people are [doing]: Just figuring out what is genetically based villainy, if you want to use that word instead of evil, and what is something that’s even bigger, something more supernatural? But also looking at hope. Visit Friends Coffee Shop Central Perk IRL(Photo by Warner Bros. / Courtesy: Everett Collection)While West Coast–based Friends fans can visit the Central Perk set as a part of the Warner Bros. Studio Tour, East Coasters will get their chance to sit on the iconic orange couch in a pop-up experience honoring the 25th anniversary of the premiere.Tickets to the month-long immersive experience in New York s Soho neighborhood will cost .50, and will give timed access to a space containing re-creations of the characters apartments and hangout spot, props, and costumes. According to the official announcement, fans will be able to tick a turkey on your head, peek through Rachel and Monica’s purple door, relax on Chandler and Joey’s recliner after playing some Foosball, or help Ross with the infamous sofa pivot. Learn Monica’s top tidying tips with Method Home Products and surround yourself with Phoebe’s favorite things before heading to the re-created Central Perk for a pic on the legendary orange couch. The Friends pop-up will run from 10 a.m. to 10 p.m. September 7 through October 6, with a retail store open to all at 503 Broadway.Casting News: Joss Whedon s New Series, Law Order, and MoreThe full cast of Joss Whedon s new HBO series The Nevers has been revealed. Olivia Williams (Counterpart), James Norton (McMafia), Ann Skelly (Vikings), Denis O Hare (American Horror Story: Hotel), Tom Riley (Da Vinci’s Demons), Nick Frost (Fighting with My Family), Ben Chaplin (Cinderella), and more will star alongside leading lady Laura Donnelly (pictured in Outlander above). The series is described as an epic science fiction drama about a gang of Victorian women who find themselves with unusual abilities, relentless enemies, and a mission that might change the world. Chris Messina will star alongside Matt Bomer in the upcoming third season of USA s The Sinner, which will follow series star Bill Pullman s Det. Harry Ambrose as he investigates a tragic car accident in upstate New York and soon uncovers a hidden crime that pulls him into the most dangerous and disturbing case of his career. Denise Richards is the latest star to sign on to play a heightened version of herself in the upcoming Beverly Hills, 90210 reboot/sequel series. She celebrated the news in an Instagram post.The CW s Dynasty remake has hired a third actress to play the character of Cristal. TV vet Daniella Alonso will step into the role following scheduling issues with the character s current portrayer, Ana Brenda Contreras.The cast of Lena Waithe s BET comedy Twenties will include JoJo T. Gibbs, Christina Elmore, Gabrielle Graham, Sophina Brown, and musician Big Sean. The series follows a black queer woman and her two BFFs as they chase their dreams in their twenties.Season 2 of Titans will see Good Girls Revolt star Genevieve Angelson play Cadmus Labs employee Dr. Eve Watson.Angel star Alexis Denisof will guest star on The CW s Legacies as an urbane British sorcerer named Professor Vardemus who comes to teach at the Salvatore School for supernaturally gifted children and believes in the superiority of their supernatural world, according to TVLine.Modern Family star Ariel Winter will guest on Law Order: SVU in an upcoming season 21 episode, SVU showrunner Warren Leight announced in a Tweet.Jeff Daniels will headline Showtime s drama Rust, playing a small-town police chief in a Rust Belt town who must decide whether to protect the son of the woman he loves when the son is accused of murder.On FX, Kate Mara and Nick Robinson will star in the adaptation of the 2013 film A Teacher, playing a female high school teacher who has an affair with her male student.JoAnna Garcia Swisher has joined Netflix s adaptation of Sweet Magnolias, based on the collection of romance novels from Sherryl Woods about three South Carolina women who have been lifelong friends and supported each other through different phases of life. She replaces Monica Potter in the series.Quibi Update: How to Lose a Guy in 10 Days, Vampire DramaShort-form streaming service Quibi is readying two new series for its 2020 debut: A series adaptation of the 2003 Kate Hudson–Matthew McConaughey rom-com How to Lose a Guy in 10 Days, which will follow a glib young online columnist and an oversexed advertising executive who both need to prove, once and for all, they’re capable of being monogamous. They soon discover, however, keeping a relationship is harder than Andie Anderson made it look!”The other is the supernatural drama Last American Vampire, which, per TVLine, is about a female FBI agent who ends up working alongside a centuries-old bloodsucker to save the world from imminent destruction.

亚博足球APP下载 st episode, “The Long Night,” has now shattered both the Night King (literally) and ratings records (figuratively). According to the New York Times, 17.8 million viewers tuned in to watch the one hour and 22-minute Battle of Winterfell, beating the network’s previous record (set just two weeks earlier during the season 8 premiere). The season 8 premiere was the biggest telecast in HBO history until “The Long Night,” with 17.4 million viewers tuning in. It still holds a record, though: Guinness World Records has deemed it the most in-demand TV premiere ever (according to its analytics, at least, which takes into account “global demand” — whatever that is).Meanwhile, “The Long Night” cinematographer Fabian Wagner sat down with Wired and defended his choices against viewers who complained that the Battle of Winterfell was lit too darkly and they couldn’t see the action happening on their TV screens.“A lot of the problem is that a lot of people don’t know how to tune their TVs properly,” he said. “A lot of people also unfortunately watch it on small iPads, which in no way can do justice to a show like that anyway.”The episode was dark on purpose, he said, because of the show’s overall shift in tone to much darker subject matter.“We’d seen so many battle scenes over the years – to make it truly impactful and to care for the characters, you have to find a unique way of portraying the story,” he said, later adding that the darkness of the episode is also partially due to how people are watching it. “Game of Thrones is a cinematic show and therefore you have to watch it like you’re at a cinema: in a darkened room. If you watch a night scene in a brightly-lit room then that won’t help you see the image properly.”The Obamas Plan Their Netflix Empire(Photo by White House)President Barack Obama and Michelle Obama announced the first slate of projects they’re working on with Netflix via their new production company, Higher Ground Productions. They include feature documentaries, scripted series, adaptations, and family series: American Factory is an award-winning documentary they acquired out of Sundance; Bloom is a fashion-themed upstairs/downstairs drama set in post-WWII New York City that will focus on the barriers faced by women and people of color; Listen to Your Vegetables Eat Your Parents is a half-hour preschool series about global food; Fifth Risk is a docuseries based on bestselling author Michael Lewis’ book The Fifth Risk: Undoing Democracy; Crip Camp is a feature-length documentary about a 1970s summer camp for disabled teenagers in New York’s Catskill mountains; Overlooked is based on the New York Times’ column of the same name that tells the stories of remarkable people (notably women and people of color) whose deaths were not originally reported by the newspaper; and the last project is a feature film adaptation of David W. Blight’s Pulitzer Prize-winning biography Frederick Douglass: Prophet of Freedom.Quentin Tarantino Explains How The Hateful Eight Became a Miniseries(Photo by The Weinstein Company)The extended version of Quentin Tarantino’s 2015 Western The Hateful Eight turned out to be a little bit more than a longer cut: It’s a four-part miniseries available to stream on Netflix that the director oversaw himself. Tarantino told /Film that Netflix actually approached him to create the new cut, which has about 25 or more minutes of new footage.“About a year after it’s released, maybe a little less, me and my editor, Fred Raskin, we got together and then we worked real hard,” he said. “We edited the film down into 50-minute bits, and we very easily got four episodes out of it. We didn’t re-edit the whole thing from scratch, but we did a whole lot of re-editing, and it plays differently. Some sequences are more similar than others compared to the film, but it has a different feeling. It has a different feeling that I actually really like a lot. And there was [already] a literary aspect to the film anyway, so it definitely has this ‘chapters unfolding’ quality.Hulu Plans Ghost Rider and Helstrom Series(Photo by ABC)Now that Hulu is a part of the Disney family (following the completion of the Disney-Fox acquisition the Mouse House is a majority owner, not just partial), it’s wasting no time in getting some new Marvel properties in development. The streaming service announced that it is planning two new live-action series based on Marvel characters: Ghost Rider and Helstrom. Gabriel Luna is set to reprise his role as Ghost Rider, which he originated on screen during Agents of S.H.I.E.L.D.’s fourth season. But according to Variety, the Hulu version of the character will be completely different and have no ties to S.H.I.E.L.D.’s.Hulu has also ordered a new series starring and produced by Nicole Kidman based on Big Little Lies author Liane Moriarty’s latest novel, Nine Perfect Strangers; new food-focused original series with David Chang and Chrissy Teigen; and a limited series called The Dropout starring Kate McKinnon as disgraced Theranos CEO Elizabeth Holmes.Additionally, the streaming service revealed a few fun statistics about the way users consume its content: viewers streamed more than 100 million hours of vintage TGIF shows in 2018; true crime drama The Act saw more viewership in its first month than any other Hulu Original series to date; and viewers streamed nearly 1 million hours of Bob Ross’ The Joy of Painting in 2018.This Week in TV TrailersNetworks released trailers for some of the summer’s biggest series, including Hulu’s Veronica Mars revival (which you can watch above) and the upcoming third season of The Handmaid’s Tale, which you can watch here. Other trailers you can watch:The first look at season 2 of HBO’s Succession — watch here The first look at new HBO comedy The Righteous Gemstones — watch hereThe first look at the upcoming sixth season of Marvel’s Agents of S.H.I.E.L.D. — watch here

2022-01-17
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目前版本 8.70.4
游戏大小 411 MB
更新时间 2022-01-17
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