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九游会登录官网采用百度引擎2(Baidu 7)(Photo by DreamWorks)Star Wars and the Marvel Cinematic Universe are currently two of the absolute biggest properties out there, so it might be easy to forget how much of a niche market sci-fi and comic-book fans in general would have represented just 20 years ago. Before San Diego Comic-Con became a huge phenomenon garnering coverage from pretty much every news outlet around, genre fans were often ostracized and mocked by mainstream media. Everything changed on Christmas Day of 1999, though, when we got an adventure-comedy that was not only a love letter to sci-fi shows like Star Trek, but also one of the first movies to embrace fan culture as something positive.Galaxy Quest has a simple premise: what if aliens watched a sci-fi TV show from Earth and, believing it was real, asked the stars of the show for help in defeating an alien general? The film overcame production issues, including a change in directors from Harold Ramis to one who had barely done any feature films – and certainly no sci-fi movies – to become a cult hit that remains beloved decades later. It was even voted as one of the best Star Trek films by fans (higher than Star Trek Into Darkness). For it’s 20th anniversary, let’s walk in the suns of Warvan and explore why the film that got us to never give up and never surrender still endures to this day.It Nails the Fan Convention Atmosphere(Photo by DreamWorks)Back in the ‘90s, pop culture conventions were niche events, not at all like the juggernauts akin to San Diego Comic-Con. When Galaxy Quest begins, we meet a group of washed-up actors from the eponymous fictional sci-fi TV series at one such convention. The vast majority of the fans are dressed up in cheap costumes based on their favorite characters, and they’re being amped up by a moderator who appeared in one episode (played by Sam Rockwell).When the actors finally show up, it’s a sight that will be familiar to anyone who’s ever attended a similar event. The main actor in Galaxy Quest, Jason Nesmith (Tim Allen, arguably at the peak of his career), thinks too highly of himself, arriving late and soaking in all the attention from the fans while overshadowing his former co-workers. He occupies an entire table himself to sign autographs, while the rest of the cast are forced to share a smaller one. Alexander Dane (the late, great Alan Rickman), another actor on the show, has become absolutely fed up with making convention appearances and dealing with fan after fan coming up to him and repeating his famous catchphrase – to be fair, he did play Richard III.Galaxy Quest depicts not only the absurdity and the pettiness of it all, but also the love that goes into attending these fan conventions. It also predicted the rise of these conventions in ways no one could have foreseen back in 1999. The film, clearly inspired by Star Trek and its loyal fanbase, came at a time when these types of events drew just a few thousand fans. Now, similar events have become so big that they now encapsulate the entirety of pop-culture, and the biggest one, the aforementioned San Diego Comic-Con, draws in over 100,000 fans annually, with major studios dropping big announcements and news outlets reporting on them.It s a Legitimately Good Sci-Fi MovieOne of the reasons Galaxy Quest remains as beloved as it is today is that, unlike many parodies and spoofs, it still makes the effort to be a good sci-fi movie in and of itself. After Harold Ramis left the project, a relatively unknown director named Dean Parisot signed on, and he made sure that the film looked better than just a cheap knock-off of old Star Trek episodes, which is what the original plan called for. In the newly released documentary Never Surrender, producer Mark Johnson says that Parisot directed the film as a drama, focusing on the characters and elevating the movie from operating merely as an extended joke.That feeling of legitimacy comes from the fact that the technical aspects of the film make it look as good as most sci-fi movies from the time. Where Spaceballs and other parodies used their lower budget to make fun of the movies they’re parodying via cheaper recreations, Galaxy Quest aims to look as good as  if not better than some of the Star Trek movies themselves. The special effects were created by Industrial Light and Magic, who had plenty of experience with the Star Trek franchise, and production designer Linda DeScenna, who did set decoration for the first Star Trek movie, also did the set decorations for Galaxy Quest.Never Surrender offers the impression that there were some differences of opinion on how “cheesy” the movie should ultimately be, but the end result erred on the side of realism in order to properly sell the drama of the characters. The creature effects were even created by Stan Winston, known for his work on The Thing, Jurassic Park, Aliens and more. Winston and his team meticulously recreated both the cheap effects that would be appropriate for the show-within-the-movie, like the headpiece worn by Alan Rickman’s character, and the look of the “real” aliens, who might feel right at home in the bigger-budget Star Wars or Star Trek movies.What makes Galaxy Quest special is that the movie is more than a parody, it s an homage. It s not funny at the expense of Star Trek and other sci-fi shows, and it doesn’t turn the staples of the genre into dick jokes like Spaceballs does. Instead, the film plays out as commentary, and it s funny because everyone who worked on the movie loved and understood the genre and knew what elements were worth poking a bit of fun at, and what elements needed to be played completely straight.It Pays Respect to Obsessive FansArguably the main reason why Galaxy Quest became such a hit with fans is the way the movie approaches fandom. This is a movie that came out well before the mainstreaming of geek culture and Comic-Con, before Game of Thrones and superheroes became part of the day-to-day conversation. In other words, the nerds and sci-fi fans of 1999 were more accustomed to being portrayed as basement-dwelling, D D-playing social misfits.Galaxy Quest‘s treatment of this niche culture is best represented by Brandon (Justin Long), a trivia-obsessed fan who uses his knowledge of the show to guide Nesmith and his crew through a replica of the spaceship and save their lives. The movie doesn’t ostracize fans or treat their obsessive cataloguing of pointless details as a waste of time. On the contrary, it treats fan obsession as an asset, which was innovative and way ahead of its time.The movie also depicts how fans can at times mistake fiction for reality. We learn that the Thermians, the aliens who have come to ask Nesmith and his fellow actors for help, have based their entire culture around the TV show, which they consider to be historical documents. Their enthusiasm at watching Nesmith step into the bridge is infectious, and they try to emulate the virtues of the characters in the show, while being completely blind to the many, many flaws of the extremely human people behind the costumes. By the end, their enthusiasm even manages to make the actors themselves embrace the heroic values their characters represent. Nesmith has been so immersed in the success his role had afforded him that he had never considered the positive effect it had on others, how he actually inspired them to do good, until the moment he becomes an actual hero – all thanks to some alien fans.It Predicted the Power of Fan Culture(Photo by DreamWorks)After the actors save the Thermians and return to Earth, they are greeted by a wave of enthusiastic fans at the convention, who cheer at the sight of a literal spaceship crashing into the convention center. The ending of the film reveals that Galaxy Quest the TV show subsequently enjoyed a new wave of popularity that resulted in a revival series, thanks to the fans.In this way, Galaxy Quest was again ahead of its time, as it came out before studios and networks realized the power of fans, but predicted that fans would be able to bring a beloved show back from the dead. It came out a mere three years before the Fox series Firefly, which was cancelled in 2003 after just one season and eventually saw a feature film continuation in 2005 after fans campaigned to bring it back.Though only 20 years old, Galaxy Quest feels like the beginning of a new era for nerd culture. It coincided with the release of Star Wars: Episode I and the rise of blogs and sites that generated online debate. It foresaw the release of major geek-friendly film franchises that weren t merely cult favorites but bona fide blockbusters, like X-Men, Spider-Man, Lord of the Rings, and Harry Potter. Fan conventions became gathering places for hundreds of thousands of like-minded individuals to camp out for days on end in order to catch a glimpse of their favorite pop-culture stars or a trailer for the new movie in their favorite franchise. Fans now not only drive the box office, but they manage to revive their favorite franchises much faster than they used to – just look at the near-instant renewal of Brooklyn Nine-Nine.Galaxy Quest may not be widely regarded as a key player in the rise of geek culture and fandom, but it should be; its influence can be seen in everything from the 2009 Star Trek reboot to Marvel s Guardians of the Galaxy movies. If there’s one thing this cult classic has taught us, it is to never give up, and never surrender.Galaxy Quest was released on December 25, 1999.

1. 九游会登录官网
Today s Ketchup brings you another 10 headlines from the world of film development news, covering new roles for Zac Efron, Idris Elba, Tom Hanks, Angelina Jolie, and Denzel Washington.This WEEK S TOP STORYANGELINA JOLIE IN TALKS TO LEAD MARVEL S THE ETERNALS(Photo by Walt Disney Studios)It s been a few weeks shy of a year now since we first heard that Marvel Studios was developing a movie based on The Eternals. Since then, it s been confirmed that The Eternals will be the next film to start production after Black Widow, likely for a late 2020 release (November 6, 2020, specifically). Despite that, one could argue that the project hadn t really been receiving much press or buzz, and the reason for that is sort of obvious: most non-comics fans don t know what The Eternals is (Thanos is an Eternal from Titan, but there are different groups of Eternals). What The Eternals needed and was lacking until this week, then, was some genuine star power to raise the film s profile. Marvel is getting it in the form of Angelina Jolie, who s now in talks to star in The Eternals. Technically, Jolie s role was not confirmed this week, but the leads are reportedly Ikaris (who s male) and Sersi, so she s probably Sersi. This might also mean Jolie could join a future version of The Avengers, as Sersi was a member of the team for over 60 issues from 1989 to 1994. The Eternals will be directed by Chloé Zhao (The Rider, Songs My Brothers Taught Me) when it starts filming this summer. In the meantime, you can check out this fan art that speculates what Angelina Jolie could look like as Sersi.Fresh Developments1. JOEL COEN GOING SOLO FOR SHAKESPEARE S MACBETH STARRING DENZEL WASHINGTON (Photo by Wilson Webb/Focus Features)Director Joel Coen and his brother Ethan have collaborated on so many movies (dozens) that it s become shorthand to just refer to them as the Coen Brothers, even if their precise duties on each film vary. This week, we learned of the first film that Joel Coen will be directing from his own screenplay, without Ethan writing or producing, and it will be an adaptation of William Shakespeare s MacBeth (A.K.A. The Scottish Play for the superstitious). Denzel Washington will play the title character, and two-time Academy Award winner Frances McDormand (A.K.A. Mrs. Joel Coen) will co-star as Lady MacBeth. It is not yet known if the film will retain the play s medieval Scotland setting or perhaps shift to a more contemporary setting. This MacBeth also comes just a few years after the 2015 adaptation (Certified Fresh at 79%) that starred Michael Fassbender and Marion Cotillard.2. NEW AVENGERS: ENDGAME POSTERS CONFIRM FATES OF SHURI, VALKYRIE, AND OTHERS(Photo by Marvel Studios)There was a lot going on in those final moments of Avengers: Infinity War, but Marvel wasn t able to fit in every character. It s also telling of the scope of these movies now that Marvel Studios was able to release 32 character posters for Avengers: Endgame, and still leave out several fan favorites. The posters were divided into two groups (16 of each): black-and-white posters for (some of) the characters who were dusted (or ashed ) in Avengers: Infinity War, and color posters for characters who survived Thanos snap. The inclusion of a poster for Tessa Thompson s Valkyrie character from Thor: Ragnarok confirms one of the lingering questions some had, since she wasn t seen on the Asgardian spaceship in Avengers: Infinity War (or at all). Likewise, there s also a black-and-white poster for Letitia Wright s Shuri character from Black Panther, confirming that she shared the fate of her brother T Challa (not that he s likely to be gone permanently). Marvel Studios also confirmed this week that Avengers: Endgame will be around three hours long when it s released on April 26.3. CUMBERBATCH, FIRTH, AND STRONG JOIN SAM MENDES  WORLD WAR I DRAMA(Photo by JA, Priscilla Grant, Elizabeth Goodenough/Everett Collection)We ve known for a while that Sam Mendes (American Beauty, Skyfall) was planning on directing a drama called 1917 following his decision not to direct another James Bond film after 2015 s Spectre. Details about 1917 have remained sparse, but the title itself makes it pretty clear that it s set during World War I (1917 was the year the United States joined the war, but the focus will be on the British). We now know that the story will center on a single day in the war for two young British soldiers played by George MacKay (Captain Fantastic) and Dean-Charles Chapman (Tommen from Game of Thrones). With filming of 1917 starting on location in England and Scotland on Monday, several more actors were confirmed this week. The cast will include Benedict Cumberbatch (Doctor Strange, TV s Sherlock), Colin Firth (The King s Speech), Richard Madden (Robb Stark from Game of Thrones), and Mark Strong (Shazam!). There are a few reunions going on here, including for Kingsman: The Secret Service (Colin Firth and Mark Strong), and The Imitation Game (Benedict Cumberbatch and Mark Strong), and Game of Thrones.4. MICHAEL B. JORDAN WON T LOOK A DAY OVER 400 AS METHUSELAH(Photo by Marvel Studios)It was less than three years ago that we first heard about a biblical epic called Methuselah, in which Tom Cruise would play the long-lived figure from the Book of Genesis. The film is still in development at Warner Bros, but it s now set up as a starring vehicle for Michael B. Jordan (Creed, Black Panther), who will also produce. One significant change to Methuselah is that it s no longer described as a biblical epic, but is instead about a 400-year-old man who, over hundreds of years, has accumulated vast intellectual knowledge, from multiple languages to the sciences, as well as survival skills. Methuselah joins Jordan and his production company s sizable slate of film projects along with Just Mercy (1/17/2020), Tom Clancy s Without Remorse (9/18/2020), Journal for Jordan, The Liberators, Red Wolf, Silver Bear, and Wrong Answer.5. TOM HANKS JOINS ELVIS PRESLEY BIOPIC AS COLONEL TOM PARKER (Photo by Sony Pictures)Tom Hanks is on some sort of crazy streak of late playing iconic real-life figures of both the 20th and 21st centuries. In the last six years alone, he’s starred in Captain Phillips, Saving Mr. Banks (as Walt Disney), Bridge of Spies, Sully (as pilot “Sully” Sullenberger), The Post (as Ben Bradlee), and his Mister Rogers movie, A Beautiful Day in the Neighborhood is due out later this year (11/22/2019). Hanks is now in talks for another film in which he will play a 20th century pop culture personality; if the deal goes through, he ll take on a Southern accent again as Colonel Tom Parker, co-starring in the untitled Elvis Presley biopic that director Baz Luhrmann (Moulin Rouge!, Australia) has been developing for several years. Luhrmann reportedly moved on to Tom Hanks after previous talks with Leonardo DiCaprio (his Romeo + Juliet star) didn t work out. Baz Luhrmann has not yet cast his actor to star as Elvis Presley. If you have a suggestion for a movie or show you think we should do an episode on, let us know in the comments, or email us at rtiswrong@rottentomatoes.com.Meet the hostsJacqueline Coley is an editor at Rotten Tomatoes, with a focus on awards and indie coverage but with a passion for everything, from the MCU to musicals and period pieces. Coley is a regular moderator at conventions and other events, can be seen on Access Hollywood and other shows, and will not stand Constantine slander of any kind. Follow Jacqueline on Twitter: @THATjacqueline.Mark Ellis is a comedian and contributing editor for Rotten Tomatoes. He currently hosts the Rotten Tomatoes series Versus, among others, and can be seen co-hosting the sports entertainment phenomenon Movie Trivia Schmoedown. His favorite Star Wars movie is Jedi (guess which one!), his favorite person is actually a dog (his beloved stepdaughter Mollie), and – thanks to this podcast – he s about to watch Burlesque for the first time in his life. Follow Mark on Twitter: @markellislive.On an Apple device? Follow Rotten Tomatoes on Apple News.
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2. 公平游戏环境
《永远的7日之都》是网易推出的一款融合文字冒险游戏要素的RPG手游,这款都市幻想题材的RPG手游,以多英雄操纵即时战斗为核心玩法,游戏本身拥有十数条剧情线可供玩家们探索挖掘,整体游戏体验极其丰富。九游会登录官网(Photo by © 2020 Lucasfilm Ltd. ™. All Rights Reserved.)The season 2 finale of The Mandalorian left fans with plenty of questions, but none were more pressing than a surprise announcement about something called “The Book of Boba Fett” would arrive in December 2021. Was it the next season of The Mandalorian, switching its focus from Din Djarin (Pedro Pascal) to the infamous Star Wars bounty hunter? Or was it its own standalone series? Without a clarifying word from executive producer Jon Favreau or Lucasfilm, speculation ran high across the weekend of December 19, 2020 on the nature of Fett’s new story.Thankfully, Favreau appeared on Good Morning America during its Monday, December 21 airing to dispel some of the confusion regarding The Book. So let’s take a look at everything we know so far.[Updated on 9/29/21]It Is a Standalone Series(Photo by © 2020 Lucasfilm Ltd. ™. All Rights Reserved.)In our look at the Season 2 finale, we assumed The Book of Boba Fett was the next phase of The Mandalorian. No Boba Fett series was mentioned at Lucasfilm’s exhaustive Investor Day presentation of December 10 and the no logo appeared during the finale’s stinger scene indicating a new series. But as Favreau explained on GMA, the series was kept out of the presentation to maintain the surprise.Temuera Morrison stars as Boba Fett, the cloned son of Jango Fett (also Morrison), who may have a strong claim to being Mandalorian even if the heir apparent to that planet’s throne refuses to accept him. As seen in the Mandalorian stinger scene, it will focus on Fett taking over the criminal empire of Jabba the Hutt. And as Disney+ press release later clarified, he will use those assets to navigate the Galaxy’s underworld. (Photo by © 2020 Lucasfilm Ltd. ™. All Rights Reserved.)Joining him on this new journey will be Fennec Shand (Ming-Na Wen), the mercenary he rescued in The Mandalorian’s first season. Seemingly indebted to him, if even by just her own code of ethics, the pair will continue on as Fett plans his next move.And if we might indulge in some speculation, we imagine the other bounty hunters from The Empire Strikes Back — Dengar, IG-88, Bossk, Zuckuss, and 4-LOM — may appear at some point. Also, there may be room to do an episode on Jodo Kast, the imposter Boba Fett who appeared in the Expanded Universe while Fett himself recuperated from his encounter with the Sarlaac.Come to think of it, revealing how he actually survived his seeming death scene in Return of the Jedi would make for a strong chapter as well. Also, you have to wonder how long before Fett’s actions in Jabba’s palace attracts the attention of Cobb Vanth (Timothy Olyphant), other elements on Tatooine, or even the other Hutts.On the production side, Robert Rodriguez — who directed the episode re-introducing Boba Fett to The Mandalorian’s sector of space — will serve as executive producer with Favreau and stalwart Star Wars creative Dave Filoni. Lucasfilm president Kathleen Kennedy will also serve as an executive producer with long-time Star Wars veterans Karen Gilchrist and Carrie Beck taking co-executive producer roles. John Bartnicki will produce and John Hampian serves as co-producer.It Is Not a Replacement for The MandalorianAs Favreau clarified during his GMA appearance, The Book of Fett will come before the third season of The Mandalorian, but not replace it; in fact, Favreau said the third season will “pretty soon follow” The Book of Fett in terms of production. Whether or not this means the new season will immediately follow Fett in airing is anyone’s guess. It is rather clear, however, that there will be no Mandalorian in 2021.The year 2022 appears to be the big one for Star Wars on Disney+ with Obi-Wan Kenobi and Andor debuting alongside the third season of The Mandalorian. There is also the potential for at least one other live-action Star Wars project to join that group as well.It Is Part of the Post–Return of the Jedi Timeline(Photo by © 2020 Lucasfilm Ltd. ™. All Rights Reserved.)Alongside the Ahsoka series, The Book of Boba Fett will take place in the era five or so years after Return of the Jedi. For lack of an official name, we’ll call it the New Republic era. In an echo to the early Expanded Universe novels, games, and comics, it is a time when the newly established Republic faces a lot of backlash from Imperial enclaves and plenty of internal tensions the Rebel Alliance set aside to combat the Empire.That issue will likely be covered more closely in Ahsoka or the third season of The Mandalorian, but it will also factor into Fett as organized crime is constant in the Star Wars galaxy, as is the central government s inability (or apathy) to police it. We’ll hazard a guess that a show more focused on scum and villainy made a standalone Fett series attractive to Favreau and Filoni as they devised the Mandalorian spinoffs — well, assuming the series is just about Fett becoming the godfather of space. As we’ve already seen, he is a man of his word, and it is possible the resources of the Hutt criminal enterprise could be utilized in some other goal.

3. 激战团竞模式
All Penny Marshall Movies RankedPenny Marshall has passed away at age 75. She was one half of beloved sitcom duo Laverne Shirley, a show spunoff from Happy Days, created by Penny s older brother Garry Marshall. She transitioned into a notable directing career, including giving Tom Hanks his major movie breakthrough (Big), knocking a crowd-pleasing female sports comedy out of the park (A League of Their Own), and Best Picture-nominated Awakenings, which creating a platform to showcase the dramatic flair of Robin Williams, who had starred in his own Happy Days spinoff, Mork Mindy. Her final film was the 60s-set Riding in Cars with Boys, starring Drew Barrymore. See her full list of directed movies by Tomatometer below.

4. 呼朋唤友 随心所欲
(Photo by 20th Century Fox. Thumbnail: Netflix/courtesy Everett Collection.)The Worst Superhero Movies of All TimeGreat leaping tomatoes! It s the worst superhero movies ever, an infamous league of Rotten films that scored less than 30% on the Tomatometer!First off, to keep this list spandex-tight, not only did we include superhero movies below 30%, but each had to have at least 20 reviews, guaranteeing enough critics witnessed of these erratic efforts, franchise non-starters, and would-be blockbusters.After looking through the list, if you re wondering why you didn t see the 1990 Captain America movie, a bunch of those sequels to The Crow, or Dolph Lundgren s The Punisher, they were cut out by not accumulating at least 20 critics reviews. But, don t worry, still plenty of room for Frank in this castle of decrepitude, as the other two Punisher movies, the Thomas Jane one and War Zone, are represented. In fact, they both even currently have the same score at 29%, just squeezing into the list. And while most Audience Scores are in the same realm as its movie s Tomatometer, there s a divergence on Batman v Superman: Dawn of Justice and Dark Phoenix: Both Rotten movies according to the critics, but which settled above 60% on the Audience Score.Nic Cage appears twice on this list because they made two Ghost Rider movies. Ryan Reynolds also shows up twice but in two separate franchises, mucking it up in both houses of Marvel and DC via Blade: Trinity and Green Lantern. And because who doesn t like a comic book showdown, in the battle of Marvel vs DC over who s made the most worst superhero movies, Marvel is triumphant with 10 listings, and DC at 9. We didn t count The League of Extraordinary Gentlemen, the movie so bad it made Sean Connery quit acting, because though it was at the time produced at an imprint of an imprint of DC Comics (it s imprint-ception, people), the comic was always wholly owned by its creator Alan Moore.Of course, let s not count out other labels making special appearances, like 2000 A.D. (Judge Dredd) or Image (Spawn). Then there s the magic that happens when when Hollywood executives come together to create something that didn t come from a comic book, with sparkling results like Tim Allen s Zoom, an adaptation of TV cartoon Underdog, and the toy-based Max Steel.One last thing: For movies with the same Tomatometer scores, whichever had more reviews was placed higher. Now, come take a flying leap as we rank the worst superhero movies of all time!(And see a movie here you love and think Rotten Tomatoes Is Wrong ? Send us a note and we might cover your movie in our new podcast. Hit us up at rtiswrong@rottentomatoes.com.)

5. HD 画质与高品质音讯
使用強大的百度引擎6建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

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邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

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6.36.0 5月喜迎(Photo by History)History s Vikings has never shied away from depicting the brutality in the lives of Norsemen and women in the 9th century. Through five seasons, the show has followed the exploits of legendary Viking chieftain Ragnar Lothbrok (Travis Fimmel), his crew, and his family. What began as a small-scale story of exploration, and also some old-fashioned raiding and pillaging, has turned into an epic saga spanning several decades and a tr
1. A  Sudden PeaceBlood of Elves, the first long-form Witcher novel, begins with all of Ciri’s experiences in season 1 inhabiting the narrative’s past. In the two years between the fall of Cintra and the start of the novel, the northern kingdoms won a war against Nilfgaard and an uneasy peace rules the day.It is possible season 2 will start from this standpoint, with two years passed in the gap between the season 1 finale and the season 2 premiere. But then again, The Witcher plays fast and loose with what it considers important, so the conflict between Nilfgaard and the northern kingdoms may matter to the series as a source of constant conflict.Although, as it happens, the Northern Kings in the books want another war with Nilfgaard in the books, so perhaps a two-year time jump will be The Witcher’s opening salvo as season 2 begins.2. The Hunt For Yennefer(Photo by James Minchin/Netflix)Clearly, Yennefer’s well-being will be of the utmost importance when the show returns. As it stands, she seemingly used all of her chaos to halt the Nilfgaard army. But considering her easy way with portals throughout the season, we expect to find some self-preservation extinct kicked in and transported her far from Sodden Hill.But her disappearance from the battlefield means several interested parties will be searching for her. Fans will no doubt want to see her united with Geralt and Ciri – it is part of the show’s premise after all. And, as it happens, a series can only go so long separating its main characters before viewers get impatient (even if The Witcher saga excels at keeping its principle characters apart). At the same time, The Witcher’s short season orders (just eight episodes!) means it is possible Geralt and Ciri will search throughout the North for her and only succeed in season 2’s final moments.Hopefully, Yennefer will have an interesting story in the interim.Also, both the Nilfgaard mage Fringilla (Mimi Ndiweni) and any surviving members of the Chapter’s task force would likely want to find her as well. She has a legacy, after all, and people will be interested in seeing it serve their ends.3. Training Ciri(Photo by Netflix)Much as how the early short stories outlined the world before Ciri arrived on the scene, season 1 roamed the timeline and offered key pieces of backstory before the main Witcher saga begins. This suggest the real story begins in season 2 with Geralt not chasing after Yennefer – which Ciri’s question about her implies – but instead taking Ciri to Kaer Morhen. It is the home he referenced while dealing with the rotfiend bite and where his novel counterpart takes Ciri in Blood of Elves.At Kaer Morhen, she is trained by several older witchers, including Vesemir, who was mentioned briefly in the later episodes of season 1. Triss Merigold (Anna Shaffer) also becomes her teacher for a time before Ciri relocates to Ellander and, eventually, is taught by Yennefer herself.It’s all exciting material for a novel, but it is easy to think the series will eat a lot of this plot within two or three episodes. Although considering the way it plays with time, it is entirely possible the season will begin with Ciri and Yennefer leaving Ellander and Geralt nowhere to be found, setting up the format of the second season and allowing the flashback structure to highlight Ciri’s education.4. Geralt and Triss?(Photo by Katalin Vermes/Netflix)Back in the books, Triss finds herself drawn to Geralt as their paths cross more and more. In the video game series, players are given the option of perusing more serious and long-term ties with Triss. And considering how much time the games spend on that relationship, we think it is possible the television series will devote some plot to it as well.Granted, Triss was not in the best of shape when we last saw her; she was being cradled by another survivor of the Sodden Hill defense. But we’re inclined to assume anyone who did not die on screen will find a way to mend themselves in the interim between seasons. And should season 2 follow events of Blood of Elves, Triss will be needed at Kaer Morhen. That certainly leaves some time for Geralt to spark an interest in another mage. Or, at least, for her to develop an unrequited attraction.
This week s TV news features Game of Thrones, the Obamas, Quentin Tarantino, new Marvel TV series, and more.TOP STORYGame of Thrones Keeps Setting Records(Photo by HBO)Game of Thrones’ late

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(Photo by Netflix)FALL 2021 TV SURVEY: 30 FAVORITE NETFLIX SHOWSFor Rotten Tomatoes’ annual Fall TV Survey, we asked our users what they’re most looking forward to in the coming TV season and to reflect on the best shows from seasons past. Over 1,000 of them got back to us with their picks for fall.We first asked the question What is your favorite Netflix show? in our 2018 Fall TV Survey, and Stranger Things has dominated the category ever since. The hit horror series is followed by newcomer The Queen s Gambit then Marvel s Daredevil, Marvel s Jessica Jones, and Umbrella Academy. Though the series are now Netflix favorites, you won t find Arrested Development, Cobra Kai, or Lucifer on this list since they started their runs elsewhere. (And while Black Mirror began on Channel 4 in the U.K., it gets a pass because U.S. audiences were introduced to it on Netflix.)Read on to find out all of Rotten Tomatoes users’ favorite Netflix series.Disagree with the survey results? Tell us in the comments who you think should have made the list or have been ranked higher.
With Sunday’s Critic’s Choice Award ceremony done, all of the prominent critics groups have had their say on the best films of 2018. Each year, countless critics associations host year-end awards to recognize exceptional filmmaking, but the National Society of Film Critics, Los Angeles Film Critics Association, New York Film Critics Circle, and Broadcast Film Critics Association are carefully considered when making Oscars predictions. Each group will say they are independent to the academy in voting, tastes, and identity, but they help shape the race for the big one. And so we have our eyes on them.Our Awards Leaderboard tracks major critics groups and guilds honors, and looking at the current leaders, we think Roma, If Beale Street Could Talk, and The Favourite should feel fairly confident of some Oscar love when the nominations are announced on Tuesday. (Regina King, Olivia Colman, and Richard E. Grant in particular would not be risking much to set an early alarm.) This year, though, there have been coordinated efforts to bring lesser-known films and performances into the conversation, so we re also expecting a number of surprises among the noms. Where might those surprises come from? Below, we re looking at Oscar long shots who might just have enough buzz – and which have a couple of awards already in the bag – to break through with some Oscar voters.Toni Collette, Hereditary (2018) 89%  Best ActressAlready recognized by: Gotham Awards, Film IndependentDo we need to say more about what Toni Collette did in Hereditary? It seems some may have forgotten the greatest full body performance of 2018. In the movie – which caught fire at Sundance and made an impact at the box office – Collette gifted all of us with a face-screwed-screech-filled-terrified performance that takes at least three viewings to fully deconstruct. The Aussie actress started strong this awards season with a Gotham win followed by a Film Independent nomination, but then things went quiet. Collette would be vying for the open fifth Best Actress nomination – assuming favorites Colman, Lady Gaga, Glenn Close, and Melissa McCarthy all come through as expected. She will need those horror lovers in the Academy to champion her incredible work.Yalitza Aparicio, Roma (2018) 96%  Best ActressAlready Recognized by: BFCA, Gotham Awards(Photo by © Netflix)It s worth noting the star of the most awarded film of the season has gone largely unrecognized. An unknown actress, in a black-and-white foreign language film, distributed on a platform many Academy voters herald as the end of cinema, is a hard sell. Director Alfonso Cuarón has repeatedly said Roma does not exist without the women who inspired and made it, but the accolades have not exactly come streaming in. In Cuarón’s semi-autobiographical love letter to Mexico and the woman who raised him, Aparicio gave depth and aching authenticity to a character rarely featured on screen. Cuarón painted a masterpiece, but Aparicio is the canvas, paint, and brush.Steven Yeun, Burning (2018) 95%  Best ActorAlready Recognized by: LAFCA, NSFC(Photo by @ Go Well USA)Yeun’s performance as a South Korean playboy in Burning is ethereal, charismatic, and unnerving. Another foreign language entry, Lee Chang-dong’s noir-thriller slowly unravels and builds to a climactic twist you don’t see coming – and so much of it rests on the former Walking Dead star s performance; our thoughts on Yuen’s character, Ben, mirror how we interpret the events of the film. Is he just a spoiled playboy formulating sinister plots for entertainment? Or is he a calculating psychopath? Or maybe just a guy who likes to burn greenhouses? It all rests on what we see in Yuen, in his gaze or sly smile. It’s a tightrope to pull off a likable Oscar-worthy villain, and Yeun makes it look effortless. The formula worked for Javier Bardem in No Country for Old Men, so fingers crossed.Debra Granik, Leave No Trace (2018) 100%  Best DirectorAlready Recognized by: Film Independent, National Board of Review, LAFCA(Photo by JA/Everett Collection)In a year littered with exceptional work by female directors, it’s hard to justify their lack of inclusion come award time. The Rider, You Were Never Really Here, A Private Life, Can You Ever Forgive Me?, and Destroyer all are worthy of recognition. But Debra Granik’s Leave No Trace distinguishes itself from even those stellar entries – and not just because it still sits at 100% on our Tomatometer after 200 reviews. Director Jane Campion may have said it best in her impassioned plea for Leave No Trace: “A film filled with compassion… it has had a powerful impact on audiences. Not because it is loud, but because the truth that Granik speaks quietly can be heard even in a noisy world.”Elsie Fisher, Eighth Grade (2018) 99%  Best ActressAlready Recognized by: Film Independent, Gotham Awards, DGA, BFCA, NYFCC(Photo by © A24)Cringeworthy Cinema: that’s how Bo Burnham’s Eighth Grade and its star Elsie Fisher charmed their way into our hearts. Reliving the painfully awkward moments of adolescence with such unflinching honesty, Fisher gave the best performance of the year that we had to watch through fingers and stooping down in our seats. (OK, maybe tied with Collette – but for very different reasons.) Burnham’s script is the quintessential coming-of-age story for the YouTube generation and, as with Roma, his film lives or dies by its central performance. As Kayla, Fisher is relatable and endearing for tweens and their parents, finding a perfect blend of earnestness and mortification.Ethan Hawke, First Reformed (2017) 93%  Best ActorAlready Recognized by: Film Independent, Gotham Awards, NYFCC, BFCA, LAFCA, NSFC(Photo by © A24)Ethan Hawke often remarks that he doesn t want to be known just for the Dead Poets Society. But after the over 30 years, 80 credits, four Oscar nominations, and countless more beloved performances, Hawke still hears Oh Captain, My Captain on the regular. His turn as the conflicted and apathetic Reverend Toller is miles away from any previous role he has done. Many are taking notice: With a near clean sweep of the critics associations, Hawke s performance in First Reformed is second only to Regina King s in Beale Street in regards to acclaim this season. Why isn t he a lock for an Oscar nom? Hawke s lack of movement outside of the critics groups awards does not bode well. We ll be watching this one keenly.Oscar nominations are announced on Tuesday, January 22, 2019
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Ghcxuf Behind the Zero(Photo by 20th Century Fox)The story behind the notorious adaptation of Martin Amis’ 1989 novel London Fields is infinitely juicier and more dramatic than the one on-screen, but that’s setting the bar exceedingly low. It s a lurid, salacious show-business melodrama involving a novel overflowing with sex and murder and the legal intrigue it inspired when an attempt was made to adapt it. The latter pitted a director eager to take his name off a picture he felt no longer represented his vision against producers he accused of adding incendiary elements against his will and a glamorous movie star couple (Johnny Depp and Amber Heard) whose marriage would explode publicly in a flurry of abuse allegations in the long years between the time London Fields was made and when it was finally released.The movie was supposed to screen at the 2015 Toronto International Film Festival until director Matthew Cullen, a music video hotshot, sued the producers for non-payment and failure to allow the promised creative control. Amber Heard, meanwhile, was sued by producers for million for failing to promote the film and publicly siding with Cullen. Heard, in turn, counter-sued, alleging that the producers used a body double to get around a nudity clause in her contract.Cullen, Heard, and several of the male leads all objected to a producer adding postmodern elements into the film, including 9/11 imagery and pornographic sequences that suggested an Asylum knock-off of the orgy scenes in Eyes Wide Shut. For years, the movie existed in a state of creative and legal limbo as different cuts were produced and legal issues were very publicly hashed out, giving the movie the kind of terrible publicity that would sink a film even if it was not as staggeringly awful as London Fields is.London Fields was finally released in 2018 to universally withering reviews (including the notorious zero rating here) and near-record box-office lows, grossing a paltry 9,000 over its opening weekend, the worst tally for a film released in over 600 theaters since 2008’s Proud American. By that time, Heard and Depp, who has an uncredited role as a peacocking dandy of a loan shark/darts champion, had gone through an ugly, public divorce that cast an ominous shadow over the already troubled film.How toxic is London Fields? Director Matthew Cullen told The Hollywood Reporter of the movie’s seething pans, I ve read the reviews. I agree with them. The Zero(Photo by Paladin)Heard stars in London Fields as Nicola Six. She’s less an unusually sexy woman than sex incarnate, a black widow of a seductress who enjoys toying mercilessly with the schmucks caught up in her web before going in for the kill.She’s a ridiculous cartoon of heavy-breathing, vampish old-school sexuality. She’s a dame to kill for, a sex bomb with the ability to reduce grown men to drooling children. She s Jessica Rabbit if she really were bad, not just drawn that way. But Nicola has another gift as well: she’s clairvoyant, albeit only to the degree that the movie needs her to be at any moment she can see far enough into the future to know that she will be murdered by one of three men unhealthily obsessed with her.First up is a rail-thin, dead-eyed Billy Bob Thornton as Sam Young, our hard-boiled narrator, a world-weary failed writer with a dark secret involving his own imminent death. Sam lucks into a decidedly one-sided apartment swap with Mark Asprey (Jason Isaacs), an obscenely successful hack writer  who lives in the same posh London building as Nicola.Sam knows that Nicola is going to die, violently, in ostensibly dramatic fashion. He believes he can get a best-seller out of lightly fictionalizing his own British misadventures, but only if he’s actually there to watch the death happen. So the scribe makes Nicola a rather curious proposal: he wants permission to be there during her demise for creative and artistic reasons, of course, in addition to a desire to make loads of money. Nicola grants it, seemingly without giving the matter any consideration.(Photo by Paladin)Thornton is uncharacteristically terrible as one of the most exhausted cliches in fiction: the desperate writer who functions as the all-powerful God of the world they’ve created but who can’t begin to figure out the complexities of real life. Thornton possesses extraordinary charisma in the right roles, and he s famously an award-winning screenwriter in real life, but he s a thin, grey mist of a man here, a burnt out “intellectual” who whispers wall-to-wall narration full of nuggets of unbearable pretension like, “Love is blind, but it makes you see the blind man. It makes you search him out with eyes of love.”Then there’s Keith Talent (Jim Sturgess), a right proper soccer hooligan/Andy Capp type who seems to have staggered in drunkenly from a lesser Guy Ritchie crime comedy. He’s a broad caricature of a boorish, ignorant working-class bloke what enjoys downing a pint or twelve at the pub, watching footie with his mates, and shagging fit birds. Nicola is, of course, the fittest of fit birds. She cannot enter a man’s life without completely overtaking it, and Keith’s all-consuming desire to shag Nicola takes precedence over everything.Last and certainly least in the three-way contest to either win Nicola’s heart and/or murder her is Guy Clinch (Theo James). Guy has the manners, breeding, and expensive attire of a proper member of the educated bourgeoisie, but Nicola’s teasing manipulation transforms him into a preposterously gullible half-wit.For example, Nicola enlists Guy s help to locate two desperate people known only as Enola Gay and Little Boy the names, of course, of the plane that dropped the first atomic bomb on Hiroshima and the bomb itself. In a more knowing film, that would qualify as a sly joke about the way Guy’s desire for Nicola clouds his judgement and renders him hopeless against even the most transparent of ruses. Instead, London Fields plays this development completely straight, and Guy learns the true nature of Enola Gay and Little Boy via a book and erupts with rage at Nicola’s trickery. In order for the film s idiotic plot to work, everyone other than Nicola has to be as stupid as the filmmakers assume the audience is.At the core of London Fields’ staggering awfulness lies a fundamental confusion about the nature of its material. Is this a parody of the heavy-breathing, sex-saturated, melodramatic, viciously misogynistic cliches of erotic thrillers, neo-Noir, and crime fiction? Or is it a straightforward, moody, pretentious exploration of sex and death and art and destiny?(Photo by Paladin)The film is at its best when it embraces the trashy, delirious comedy lurking just under the surface, like Keith dancing for joy in the rain to Dire Straits’ “Money for Nothing” after receiving, you guessed it money for nothing from Nicola. Or the fact that the flamboyant world of professional darts figures so prominently in the plot.Speaking of which, Depp overacts with trademark brazenness here in a hammy star turn as a big shot in the overlapping worlds of darts and organized crime. As is almost invariably the case with late-period Depp, ninety percent of the character comes through baroque sartorial choices. He is essentially nothing more than a walking wardrobe here, and at this point, encouraging Depp to overact is a recipe for disaster.For Nicola and Sam, death lurks in the very near future, so at least they get to leave this hell eventually, and in the meantime, they ve got something to do. They’re lucky in that respect.In the most groan-inducing self-referential touch in a meta-narrative positively teeming with them, Nicola, who could only ever be a fictional character (an obscenely, broadly drawn one at that) indignantly tells Sam, “I’m not one of your one dimensional characters, Sam.” That’s true only in the sense that Nicola would need to be fleshed out further to qualify even as one-dimensional.In an even clumsier reference to the characters in this appalling fiction knowing, on some level, that they are characters in a very bad movie, Sam tells Nicola, “I’m pretty worried that the critics are going to call you a male fantasy figure.”The critics would call her, and the movie, much worse. Even the film s own director did.Final Verdict(Photo by 20th Century Fox)Believe the hype! London Fields is an impressively idiotic insult to the noble, shadow-laden legacy of classic film noir and its contemporary bastardization, the neo-noir. It seldom rises even to the level of passable neo-noir: it’s closer to a heavy-breathing “erotic” thriller, the kind that fills Cinemax’s nighttime programming, albeit with an inexplicably prestigious, star-studded cast and an unlikely literary pedigree.London Fields’ path to the big screen was long, complicated, and fraught, but it might have worked out better for everyone involved, particularly Heard, if this boondoggle had never been released at all.Nathan Rabin is the author of six books and the proprietor of Nathan Rabin’s Happy Place.Follow Nathan on Twitter: @NathanRabin 😈😈

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(Photo by New Line Cinema / courtesy Everett Collection)In 2019, Rotten Tomatoes turns 21, and to mark the occasion we’re celebrating with a series of features that look back at the brightest moments on screen of the past two decades – and one year – and the things that have us excited for the future.Jump scare! Are there two more reviled words in the modern horror genre? (Well, maybe human centipede. ) Built on slapping the volume around and throwing up some intrusive imagery, the jump scare s reputation as the ultimate low-effort, low-grade scare tactic hides an uglier truth. They re effective. Especially a well-placed one. You know the kind: The movie is creeping along, you re into the characters and story, when the lights begin to dimmer and the soundtrack drops out, as the camera hangs innocently for a touch too long, and then BAM you find yourself looking down at your seat, having leapt two feet into the air.Since Rotten Tomatoes inception in 1998, there s been no shortage of horror flicks and their endless bag of dirty, freaky tricks. (In fact, this April has been a big month, with Pet Sematary and The Curse of La Llorona!) We re celebrating turning 21 in a myriad of ways, and today it s all about the screams that have echoed over the last two decades, as we present the 21 best jump scares of the last 21 years!Concerned that we didn t have enough zombies on this list, or nothing from A Quiet Place (a.k.a. Jump Scare: The Motion Picture)? Tell us all about it in the comments!21. Unhinged kitchen from Paranormal Activity 2 (2010) 58%Up to this point, the Paranormal Activity movies reserved all their scares for night, allowing the daytime as a sanctuary to do a little character work and tension-relief as the demons slowly draw in. This scene demonstrates sunlight is no safety as your normal sit-down at the kitchen counter transforms into a loud cacophony of cabinets blowing open and clattering china. Though it s been done already to great effect in the likes of Poltergeist and The Sixth sense, the second Paranormal Activity finds a new way to bring heat to the kitchen.20. Are you not the babysitter?  from The House of the Devil (2009) 85% Atmosphere is the first word that comes to mind with Ti West s horror films, and certainly too much is the phrase that comes next for the Ti West critic. Slow burns his films may be,  but West is also enough of a genre fanboy-disciple to know when to pepper in a big jump scare to jolt the audience. Enter The House of the Devil, his breakthrough film, which did the whole 80s nostalgia before Stranger Things was even, well, a thing. Greta Gerwig, still then but a mumblecore muse, plays the babysitter s best friend, characterized, as always, innocent and ill-fated. When she stops for a cigarette, a stranger shows up, identifying her as the babysitter. After some terse talk, the stranger realizes his mistake and makes a quick exit out of the conversation.19. The fake suicide from What Lies Beneath (2000) 47%The only thing more shocking than seeing Harrison Ford play a bad guy? (And we mean a bad guy, not like space rogue bad guy – also, whoops, SPOILER.) This moment, with Ford thinking he s just gotten away with murder again, when the ghosts of ill deeds past and a schnockered Michelle Pfiffer use the transdimensional force to scare the bejeezus out of Ford, sending him for a bloody bonk on the bathroom sink.18. The screaming reflection from The Woman in Black (2012) 66%Musty old mansion. Soft steps in darkness by candlelight. A British guy. Oh, yeah, we got a bona-fide, literary haunted house story here! Daniel Radcliffe takes a cautious look-see from an upper window into the yard, where a child emerges from a grave in the rain and trudges toward the house. And, OF COURSE, suddenly a screaming woman appears in the window reflection. It s a reminder why these stories still chill in the 21st century, and why we ll always be hooked on classics.17. The running girl from Annabelle (2014) 29%The Association s Cherish is the prelude to this prelude in the 1967-set story within The Conjuring franchise. After Annabelle No Relation To The Murder Doll Wallis stops the record player, a subtle shadow appears on the wall behind it, turning the music back on. As Wallis investigates, the rumble of the soundtrack slowly builds, sewing machines clatter, hallways feel longer than ever before, and a girl in a white dress materializes in the background. Suddenly, she s sprinting towards Wallis and suddenly the little girl doens t look so little anymore.16.  What s in the bag? from Audition (1999) 82%Though infamous for its penetrating torture scenes, Audition actually performs as a mystery-thriller for most of the runtime. It s this third act sequence that keys viewers in that things are about to go off the deep end. This sack is ominously one of the few items in the villain s apartment, and when what s inside leaps out, it s quite the shock: A starving man with feet, ear, and fingers missing. And you thought you ve had bad dates before.15. Sidney on set from Scream 3 (2000) 40%Scream 3 took a pretty epic Tomatometer tumble from the first films in the franchise – Scream is Certified Fresh at 79%, Scream 2 is Certified Fresh at 81%, while this movie is Rotten at 36%. And though the tone of the movie is even jokier than Wes Craven’s first two Ghostface outings, there are still some solid scares to be found here. Chief among them, this moment in which Sidney Prescott (Neve Campbell) is on a movie-set recreation of her teenage home. Just as fans are thinking, “Hmmm, I think I’ve seen this before” – including the door-in-door block – Ghostface pops up in her bedroom window. Ah, just like old times.14. Jaws from The Orphanage (2007) 87%The Orphanage is a movie that s confident enough to know that it doesn t need jump scares: It s slow-mounting dread, central mystery and performances, and the deep wellspring of aromatic despair it draws from is more than enough. It s also a movie that knows, hey, why not give the people what they want? Thus, Orphanage s only major jump scare comes when Geraldine Chaplin is on the ground after a traumatic collision, jolting from beneath the cloth, lower jaw akimbo. The scene feels out of place in the movie, which only adds to its effectiveness, and it works because of how, er, tastefully done the shot is.13. Bus hit from Final Destination (2000) 35%The Final Destination series is more famous for its Rube Goldberg-like death sequences than its heart-racing shocks, but this one from the first film still has us looking left, right, and double checking before crossing the road. Is it as good as the infamous Meet Joe Black car-a-palooza that felled Brad Pitt? Maybe not. But we give Final Destination extra credit for maxing out on that special brand of heavy-handed late 1990s/early 2000s teen-slasher irony by having Terry tell her boyfriend to “drop f king dead” right before Fate sends a bus right through her.12. Shark attack from Deep Blue Sea (1999) 59%You either die a hero or live long enough to see yourself get eaten by a mutated shark while trying to give a heroic speech. Such was the fate of one Samuel L. Jackson, who finds himself trapped in an undersea laboratory with other scientists, menaced by one their very own fishy, lethal experiments. Jackson had steadily built his reputation in the 90s as the King of Cool and, using his leading-man capital, dunked on audiences by allowing his character be killed in the most surprising, hilarious, and gratuitous way possible.11. Tongue cluck from Hereditary (2018) 89%One way to figure out the how a jump scare works is watching it with the sound off. By killing a key component (LOUD NOISES!), does it feel earned? Can it still spook? Watch Herediatry s big scare with the sound off and it ll seems like nothing is happening, which actually reveals how good the movie is getting at subverting seemingly normal tics, like clucking your tongue, into something demonic, and just how fortunate it is that it has Toni Collette s all-in performance.10. A face in the window from The Strangers (2008) 48%This atmospheric home invasion thriller is known for its quiet reveals more than its jump scares – figures appear slowly in backgrounds rather than bursting out of closets. But it does deliver one jolt for the ages, as Liv Tyler’s Kristen opens the curtain to discover the “Man in Mask” right there! The rest of the film’s relative quietness only adds to the moment’s effect.9. The lawnmower from Sinister (2012) 63%Film projectors: Something almost inherently unsettling about them, with their grainy footage and the repetitive clack-clack-clack of the spinning reels. Certainly they ve made their mark in horror history, involved in memorable scenes ranging from Peeping Tom to IT. Sinister added its own celluloid to the highlight reel, featuring Ethan Hawke as he investigates the doomed previous occupants of his new house. The search leads to a box of film (which something is insistent he watch, leading to its appearance everywhere around the house), whose content includes POV footage of a person looking down at a lawnmower, as its pushed over grass at night. The lawnmower strays in and out of the camera s light, putting the viewer s eye into a trance, before it suddenly become clear this yard was not cleared before this chore was undertaken.8. The nun attacks from The Conjuring 2 (2016) 80%How good was the nun scene in Conju 2: Valak Boogaloo? It only took four minutes to convince moviegoers, and the people who make movies, that this sister of the unholy cloth deserved her own spinoff. The buildup to the jump scare, with the nun charging at the camera, involves the standard figure-in-the-hallway and eyes-peering-from-shadow tropes remixed into a true nerve-rattler.7. Peek-a-boo from Insidious (2010) 66%A fine example of misdirection, the scene begins with Barbara Hershey describing a nightmare to her son and his family. The narration and the slow, drifting camera ratchets up the tension in an obvious way for the viewer – with the pay-off of a gangly, pointing figure embedded within the dream. Snapping back to the real world, Patrick Wilson s Josh, wearing a shirt the same grey-blue tone shirt of the bland marble painting behind him, sits unaware as the red-faced demon appears behind him, revealing that the movie s threat aren t just restricted to the somnambulist s realm.6. She s mad  from Mama (2013) 63%Two sisters are found alive in the woods five years after their father went on a post-2008 crash killing spree. They re taken in by their uncle and his wife, but something must ve kept the young kids alive all those years, and that something is now inside their home. The apparition Mama, who tilts back and forth like she s constantly under water, suddenly leaps forward to attack. The camera tracks the children as they run up the stairs and seek safety, with plenty of dark corners and walls to conceal edits as director Andy Muschietti (IT) aims to present this at first as a horrific, unbroken single take.5. 360 spin from Rec (2007) 89%A residential building is mysteriously under quarantine. A tenacious, lightly unscrupulous news reporter and her cameraman get into the building to find the reason: an outbreak of fast zombies. The claustrophobic setting of [rec] teems with jump-scare potential, and the movie certainly cashes in, with hordes of blank-eyed, frothing bitey runners around every corner. The best one comes when they ascend an attic in search for an escape route or outbreak source, lifting the camera up and pivoting the camera – slowly, of course – in a carousel of darkness before coming lens-to-face with a young zombie, who screeches and swats at the screen.. Never mind, we ll take our chances with the radon in the basement, thankyouverymuch.4. Night vision revelation from The Descent (2005) 86%Director Neil Marshall’s friends-stuck-in-a-cave movie is claustrophobically terrifying long before the monsters sh Which Horror Film Will Rule the Fall of 2019?Ready Or Not Film, IT Movie: Chapter 2 and more horror movie season is approaching and we are so excited.Posted by The Rotten Tomatoes Channel on Thursday, August 15, 2019Fall is almost upon us, and that means our movie theaters are about to get a terrifying dose of horror. But with so many scary movies looming on the horizon, and such a wide variety of them to boot, which one will come out as the big winner? Not only do we have two movies based on Stephen King properties  It: Chapter Two and the decades-later sequel to The Shining, Doctor Sleep but there s also director Robert Eggers follow-up to his critically acclaimed debut, The Witch, and it all kicks off next week with Ready or Not, a fun little thriller that has so far charmed every critic who s seen it.We dig into all the upcoming horror films in the latest episode of our new show The Ketchup, which breaks down all the latest movie and TV news and what it means to you. Watch the video above and let us know in the comments which horror film you re most looking forward to this season!Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

2022-01-27
详细资讯
Google Play
游戏官网 官网
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英文
目前版本 4.94.6
游戏大小 827 MB
更新时间 2022-01-27
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