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沙巴体育365投注采用百度引擎4(Baidu 6)Summer is behind us and the fall season is picking up where it left off. It: Chapter Two may not have broken the fall nor even the September record for opening weekend, but it is the best opener since The Lion King back in July, even if it missed becoming the second film ever in September or October to begin with over 0 million. The question now is: How far will the tepid response to the nearly three-hour-long horror film take it now? But It certainly helped contribute to what was the second-biggest Top 10 weekend in September ever.King of the Crop: It: Chapter Two Has Fourth-Highest R-Rated Opening(Photo by Brooke Palmer/Warner Bros. Entertainment)The two Deadpools and the two It films now represent the four best R-rated openings of all-time. It: Chapter Two, now fourth on that list, began its run with million, million less than the first chapter. Just for a little perspective, the now third-best opening in September ever was last year’s The Nun and that was .8 million. No other film to open this month has ever achieved 0 million total, let alone the 7.48 million than the first It did back in 2017. Chapter Two is going to be No. 1 for at least another week. Then we will see if word-of-mouth drops it enough for Ad Astra or even Downton Abbey to beat it on September 20. Critics have not been as on board with the second film with the Tomatometer dropping from 85% on its first reviews to 64% now. This is Warner Bros.’ 16th -plus million opening and the numbers are against it reaching 0 million, but they still have every reason to be celebrating what was accomplished with these two films, as they will combined soon reach the billion-dollar mark.The Top 10 and Beyond: Angel Has Fallen Dips to No. 2, Spider-Man Drops Out(Photo by Simon Varsano / © Lionsgate / courtesy Everett Collection)Much of the Top 10 remained the same, with only one new release this week pushing Spider-Man: Far From Home off the list (again) and seeing another title — the surprise of the late summer — return.Angel Has Fallen could be seen as a surprise itself as folks continue to go see it, and it aims to surpass the domestic gross of London Has Fallen. Good Boys may finally pass it next week, as it was just a few hundred thousand behind. The well-received R-rated comedy remains on a path to surpass million.Other big hits on the list naturally include The Lion King, the seventh-highest-grossing film of all time is making a run for .6 billion in global receipts. Hobbs Shaw has collected over 0 million worldwide for Universal, still far less than the previous two films, but more than enough to turn a profit.But the big surprise is Roadside’s The Peanut Butter Falcon, which is becoming the indie success story of the summer. The film added another 61 theaters and .4 million to drive its total to .4 million. A24’s The Farewell officially passed Late Night to become the highest-grossing Sundance film of the summer with over .7 million. Falcon, which premiered at SXSW, has a real shot to become the overall fest champion of the season.This Time Last Year: The Nun Trounced Peppermint(Photo by Warner Bros.)September opened with the Conjuring universe in a big way as The Nun started with .8 million, handily taking the weekend from Jennifer Garner’s vigilante actioner, Peppermint, which grossed .42 million for second place. It just barely beat Crazy Rich Asians in its fourth week, which drove its total to over 5 million. The 6.33 million made by the top 10 films actually amounted to the fifth best September weekend of all-time. The low Tomatometer scores of both The Nun (26%) and Peppermint (12%) still were not enough to drag down a number of 90%-plus film in the top 10 including Crazy Rich Asians, Searching, Mission: Impossible – Fallout, and BlacKkKlansman, resulting in an average Tomatometer score of 67.3%. This year’s top 10 grossed an estimated 5 million and averaged 69.8%.On the Vine: Adaptations Not Expected to Top It’s Second WeekendA Pulitzer Prize–winning book goes up against a New York Magazine article in a battle of the adaptations next week. In the film based on the article, Jennifer Lopez and Constance Wu play strippers who try to one-up their wealthy clientele in Hustlers, which some are expecting to have a very strong opening weekend — unlikely to top It: Chapter Two in its second weekend, but more than enough to best the fictional, book-based The Goldfinch about a boy who survives a terrorist incident at an art museum and steals a valuable painting in his escape. The film, from the director of Brooklyn, should perform well enough for third place.The Full Top 10: September 6–8It: Chapter Two (2019) 62% – million ( million total)Angel Has Fallen (2019) 39% – million (.46 million total)Good Boys (2019) 80% – .39 million (.85 million total)The Lion King (2019) 52% – .19 million (9.11 million total)Overcomer (2019) 56% – .75 million (.71 million total)Fast & Furious Presents: Hobbs & Shaw (2019) 67% – .72 million (4.25 million totalThe Peanut Butter Falcon (2019) 95% – .28 million (.28 million total)Scary Stories to Tell in the Dark (2019) 77% – .28 million (.1 million total)Ready or Not (2019) 88% – .23 million (.63 million total)Dora and the Lost City of Gold (2019) 85% – .17 million (.16 million total)

1. 沙巴体育365投注
(Photo by ©Paramount/courtesy Everett Collection)When Indiana Jones and the Kingdom of the Crystal Skull, the fourth film in Steven Spielberg s Indiana Jones series, premiered at the Cannes Film Festival in 2008, it was met with rapturous applause – and pretty stellar reviews. While some took issue with the overuse of CGI, and a not-quite-as-sharp-as-its-predecessors script, most critics gave it the Fresh thumbs up. Here, after all, was the first Indiana Jones movie the world had been gifted in almost 30 years, and it tickled the nostalgia bone right into Certified Fresh status.Fans of the franchise, though . well, they weren t exactly whipped up to that level of enthusiasm by Indy 4, which 12 years later is largely considered the worst film in the series and – for some – a major blight on it. (See the Audience Score of 54%). There was that CGI, for starters, and that Russian accent (sorry Cate), and those aliens. While many acknowledge it has its moments – most of those thanks to tipped fedoras and John Williams – the sense has been that this decent action movie was a terrible Indiana Jones movie.Listen Now:  Spotify |  Apple Podcasts  |  Stitcher  |  TuneIn  |  Google Podcasts | Radio Public | Deezer | iHeart | Art19Is that Certified Fresh Tomatometer score of 78%  wrong ? Or is the audience being far too harsh on Indy, Mutt, and Spalko? And what the hell were they thinking with those swinging monkeys? In the third episode of new podcast Rotten Tomatoes Is Wrong (A Podcast From Rotten Tomatoes), our hosts Jacqueline Coley and Mark Ellis are joined by critic, pop-culture expert – and most recently, YouTube host – Scott Mantz, to break down Indy 4, diving deep into its pros, cons, and journey from blockbuster smash to That Indiana Jones Movie We Don t Mention In Polite Company.Be sure to check in every Thursday for a new episode of Rotten Tomatoes Is Wrong (A Podcast From Rotten Tomatoes). Each week, hosts Jacqueline and Mark and guests go deep and settle the score on some of the most beloved – and despised – movies and TV shows ever made, directly taking on the statement we hear from so many fans: “Rotten Tomatoes is wrong.”Check out episode one:  Rotten Tomatoes Is Wrong About  Spider-Man 3Check out episode two: Rotten Tomatoes Is Wrong About  Mortal KombatIf you have a suggestion for a movie or show you think we should do an episode on, let us know in the comments, or email us at rtiswrong@rottentomatoes.com.Meet the hostsJacqueline Coley is an editor at Rotten Tomatoes, with a focus on awards and indie coverage but with a passion for everything, from the MCU to musicals and period pieces. Coley is a regular moderator at conventions and other events, can be seen on Access Hollywood and other shows, and will not stand Constantine slander of any kind. Follow Jacqueline on Twitter: @THATjacqueline.Mark Ellis is a comedian and contributing editor for Rotten Tomatoes. He currently hosts the Rotten Tomatoes series Versus, among others, and can be seen co-hosting the sports entertainment phenomenon Movie Trivia Schmoedown. His favorite Star Wars movie is Jedi (guess which one!), his favorite person is actually a dog (his beloved stepdaughter Mollie), and – thanks to this podcast – he s about to watch Burlesque for the first time in his life. Follow Mark on Twitter: @markellislive.On an Apple device? Follow Rotten Tomatoes on Apple News. One of the most anticipated movies of 2020, and one of the few tentpole releases still opening this year, Christoper Nolan’s Tenet is… Christopher Nolan’s Tenet. That is to say, based on the mostly-positive first reviews of the sci-fi spy thriller, you know what you’re getting into, but also you have no idea. The movie, which stars John David Washington and Robert Pattinson, appears to be another difficult one to describe, plot-wise, in part because of spoilers, but it s also celebrated for its action and mind-blowing effects, even if you don’t care about any of the characters. And while some critics suggest the film needs to be seen on the big screen, we encourage you to check here for the latest information on how movie theaters are implementing new safety regulations in light of COVID-19.With that said, here’s what critics are saying about Tenet:How does it compare to the rest of Nolan s filmography?It’s one of his most daring sci-fi narratives yet, and the results are truly phenomenal.  Linda Marric, The Jewish ChronicleTenet exceeds our already sky-high expectations… It is undeniably the most audacious film of his career – which is saying something.  James Mottram, South China Morning PostTenet is as intricately and exquisitely designed as Nolan’s earlier work. It boasts some of the most spectacular, memorable set-pieces of his career.  Clarisse Loughrey, IndependentTenet is not Christopher Nolan’s masterpiece, but it is another thrilling entry into his canon.  Matt Purslow, IGNTenet is the first time I felt he gets too carried away with his own concept.  Casey Chong, Casey s Movie Mania(Photo by Melinda Sue Gordon/©2020 Warner Bros. Entertainment Inc.)So what is it about, anyway?What’s narratively most interesting about it is strictly off-limits in any pre-screening discussion. Guy Lodge, VarietyWe’re not even sure we could spoil this one if we tried. Simon Miraudo, Student EdgeThe palindromic title has some narrative correlation — albeit in an exhausting, rather joyless way. Mike McCahill, IndieWireCan we expect another mind-bending delight?If Nolan s Inception baked your noodle, prepare for a whole new level of bewilderment. Andy Lea, Daily StarTenet will have you saying Wow, but also Huh?, Wha …? and WTF??!!! Radheyan Simonpillai, NOW TorontoTenet is not in itself that difficult to understand: It’s more convoluted than it is complex, wider than it is deep, and there’s more linearity to its form than you might guess. Guy Lodge, VarietyThe fun with Tenet lies not in trying to decipher the whats or the whys but in simply admiring the how. Adam Woodward, Little White LiesI watched the movie twice for this review, and still feel very confused about what is supposed to be going on and why. Leslie Felperin, Hollywood Reporter(Photo by Melinda Sue Gordon/©2020 Warner Bros. Entertainment Inc.)Is it more about the visuals?Tenet frequently delivers mind-blowing moments that are unlike anything you ve seen (or even thought about) before. Ian Sandwell, Digital SpyTenet is best approached as an experience to be felt rather than comprehensively understood. Sit back, relax and prepare to have your mind blown. James Mottram, South China Morning PostAn absolute treat as a Movie Event… Tenet’s deployment of stupefying practical special effects is pure wizardry. Shannon Conellan, MashableNolan’s commitment to shooting practically achieves an effect akin to first seeing the T-Rex stomp onscreen in Jurassic Park – it’s a film that shows you the impossible in a way that’s indistinguishable from reality. Jordan Farley, Total FilmTake away the time-bending gimmick, and Tenet is a series of timidly generic set pieces: heists, car chases, bomb disposals, more heists… but gosh, does he blow stuff up good. Jessica Kiang, New York TimesHow is the action?The action exceeds anything Nolan has ever done before. Radheyan Simonpillai, NOW TorontoThe sheer meticulousness of Nolan’s grand-canvas action aesthetic is enthralling, as if to compensate for the stray loose threads and teasing paradoxes of his screenplay — or perhaps simply to underline that they don’t matter all that much. Guy Lodge, VarietyIf Nolan has out-Nolaned himself, it’s in the action set-pieces which, despite being of head-scrambling technical intricacy, are sharper than Occam’s razor and carried off with astonishing economy. Adam Woodward, Little White LiesBig, bombastic and does everything with the most epic scale possible. It’s a lot like being punched in the face by Cinema™, in the best and worst ways. Tom Beasley, Flickering Myth(Photo by Melinda Sue Gordon/©2020 Warner Bros. Entertainment Inc.)Are the stakes compelling?It’s the rare action film where the characters don’t just say the world will end if they fail in their mission – you feel it, too. Clarisse Loughrey, IndependentTenet’s stakes are too high, perhaps, to really have any emotional impact. Rosie Fletcher, Den of GeekWhat is the movie reminiscent of?Tenet revisits the terrain of 2000’s Memento with more money… yet plot-wise, Tenet has more in common with Minority Report. Mike McCahill, IndieWireTenet can feel like a 0 million remake of Primer, with a fiendishly brilliant but confounding narrative that practically demands one or two rewatches to fully appreciate the big picture. Jordan Farley, Total FilmIt may echo the cleverness of Rian Johnson’s Looper and Shane Carruth’s Primer in its dizzying disregard for linear chronology, but the plotting is muddled rather than complex. Nicholas Barber, The WrapIt’s reminiscent of Steven Knight’s Serenity influences range from La Jetée to From Russia With Love. Radheyan Simonpillai, NOW TorontoBut what does it really feel like?Nolan has made his own Bond film here, borrowing everything he likes about it, binning everything he doesn’t, then Nolaning it all up. Alex Godfrey, Empire MagazineThe fanciest James Bond romp you ever did see, complete with dizzy global location-hopping, car chases that slip and loop like spaghetti, and bespoke tailoring you actually want to reach into the screen and stroke. Guy Lodge, VarietyThis is absolutely Nolan delivering his James Bond movie, only Bond never had to deal with inverted bullets. Ian Sandwell, Digital Spy(Photo by Melinda Sue Gordon/©2020 Warner Bros. Entertainment Inc.)How is the cast?David Washington is rock solid in the lead role… Robert Pattinson brings his A-game. Adam Woodward, Little White LiesRobert Pattinson puts in a truly electrifying turn. Linda Marric, The Jewish ChronicleOnly Elizabeth Debicki and Kenneth Branagh made quite an impression in their respective roles. Casey Chong, Casey s Movie ManiaBranagh is unexpectedly fearsome. Clarisse Loughrey, IndependentBut do we care about their characters enough?Though leads John David Washington, Robert Pattinson, and Elizabeth Debicki bring a level of solid integrity to their characters while wrapped up in flawless costumes, we’re left without any idea of who they actually are. Shannon Conellan, MashableTenet suggests Nolan no longer has any interest in human beings beyond assets on a poster or dots on a diagram. Simon Miraudo, Student EdgeTenet is by no means a movie about race. But Washington does appear to lean into what his race brings to the role. Radheyan Simonpillai, NOW TorontoWhat are the movie s biggest issues?Tenet’s coldness is what keeps it just short of greatness… the viewer’s investment is purely intellectual. Laura Potier, Starburst[It] feels strangely hollow and coldly detached. So detached to the point that Nolan’s otherwise great acting ensemble fails to connect emotionally. Casey Chong, Casey s Movie ManiaIt’s hard to work out what’s happening. It’s harder still to care. Donald Clarke, Irish TimesFor a film which prides itself on its innovative outlook, its portrayal of gender roles can feel surprisingly old-fashioned. Linda Marric, The Jewish ChronicleRyan FujitaniDo we need to see it in a theater (if we can)?This is certainly the biggest bang for your buck of the year so far. See it on the biggest screen you can with the very best sound system. Rosie Fletcher, Den of GeekViewed solely from its technical point-of-view… This is a must-see on the biggest screen possible. Casey Chong, Casey s Movie ManiaIt’s best experienced in a huge, dark room. Matt Purslow, IGNDemands to be seen in a cinema, and on the biggest possible screen… But Tenet will later thrive in home viewing formats, giving viewers the chance to pause and go back over tricky passages. Jonathan Romney, Los Angeles Times[Note: Information on movie theater safety precautions can be found here.]Tenet will debut in several global markets on August 26-28 and open in limited theaters in the U.S. on September 3 before expanding wider around the world.
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2. 公平游戏环境
(Photo by courtesy of HBO)As this year s Marvel s Spider-Man proved, games based on popular film and television properties are best served when they don t attempt to retell the same stories we ve already seen on the big and small screens. Following in Spidey s spandex footsteps, a number of new and upcoming games have adopted similar approaches, cleverly expanding on existing universes rather than retreading them for the interactive entertainment medium.From blockbuster film franchises (Fast Furious) to streaming serial hits (Game of Thrones), more and more of our favorite fictional universes are offering fresh, original opportunities for fans to interact with their characters, live in their worlds, and even shape their stories.Whether you re a gamepad-clutching Potter fan, a Ghostbusting smartphone geek, or a virtual reality enthusiast with a superhero complex, these 12 titles include some that should keep you busy between TV binge sessions and movie marathons this holiday season, a few great video games to give as gifts for Christmas, and others that you can look forward to in 2019.How to give mobile games as gifts: iOS | AndroidOut NowREIGNS: GAME OF THRONESDeveloper: NerialPublisher: Devolver DigitalSystems: iOS, Android, SteamRelease Date: Available nowGame of Thrones doesn t return to HBO until next year, but winter has already come in the latest game based on the Seven Kingdoms-conquering series. Offering a fun twist on the high-fantasy franchise, Reigns: Game of Thrones puts players under the capes and crowns of would-be rulers — from Sansa and Tyrion to Cersei and Daenerys — and lets them live out potential alternate futures and fates based on Melisandre s mysterious visions.GHOSTBUSTERS WORLDDeveloper: Next AgePublisher: FourThirtyThree Inc.Systems: iOS, AndroidRelease Date: Available nowA new take on the location-based, augmented-reality genre that saw millions of players capturing Pokemon in their local park, Ghostbusters World puts players behind a Proton Pack. Well, fans will actually wield their smartphones, but they ll barely notice the difference once they re using the smart-devices to suck up Slimer, battle the Stay-Puft Marshmallow Man in their backyard, and bust hundreds of other ghosts in real-world locations.THE EXORCIST: LEGION VRDeveloper: Wolf WoodPublisher: Fun TrainSystems: PlayStation VR, HTC Vive, Oculus RiftRelease Date: Available nowThanks to the immersion-cranking effects of virtual reality, The Exorcist: Legion VR subjects fans to scares more terrifying than those that defined the classic horror franchise. Beneath the reality-ratcheting headset, players assume the role of a demon-hunting detective who — over the course of five nerve-fraying episodes – explores creepy tombs, investigates ritualistic killings and, of course, raises a few crucifixes in the face of demonic possession.CREED: RISE TO GLORYDeveloper: SurviosPublisher: SurviosSystems: PlayStation VR, HTC Vive, Oculus RiftRelease Date: Available nowBased on the rejuvenated Rocky franchise, Creed: Rise to Glory isn t just another mindless, button-mashing boxing game. Brought to face-pummeling life in virtual reality, the experience not only puts you in the gloves of Adonis Creed — while training with the Italian Stallion himself — but its physical gameplay offers a workout that d make Ivan Drago break a sweat.MARVEL POWERS UNITED VRDeveloper: Sanzaru GamesPublisher: Oculus StudiosSystems: Oculus RiftRelease Date: Available nowMarvel fans who ve dreamed of smashing foes from behind Hulk s fists or webbing-up baddies with a flick of Spider-Man s wrists will want to suit-up for Marvel Powers United VR. A fan-pleasing mix of virtual reality and Marvel s massive roster of heroes and villains, the game lets players unleash all the powers and weapons — from Thor s hammer and Cap s shield to Deadpool s katanas and Wolverine s claws — from a first-person perspective that feels incredibly real inside the Oculus Rift headset.LEGO HARRY POTTER COLLECTIONDeveloper: TT GamesPublisher: Warner Bros. Interactive EntertainmentSystems: Xbox One, Nintendo Switch, PS4Release Date: Available nowWhether you ve adventured through the LEGO Harry Potter games a hundred times or you re a newcomer looking to bust some bricks in the Wizarding World, this definitive, remastered edition provides the absolute best way to kick Voldemort s block-y butt. This Hagrid-sized compilation, which features both games and spans all eight films, includes enhanced graphics, environments, and visual effects, as well as a pair of magic-expanding DLC packs.Coming SoonSTAR TREK FLEET COMMANDDeveloper: DIGIT Game StudiosPublisher: Scopely/CBS InteractiveSystems: iOS, AndroidRelease Date: Nov. 29, 2018With Star Trek: Discovery prepping to beam up for its second season and Jean-Luc Picard s return confirmed, there s never been a better time to be a Trekkie. The fan service continues with Star Trek Fleet Command, a multiplayer mobile offering that combines role-playing elements and real-time battles to deliver story-driven, deep-space skirmishes that should please fans of any faction.FAST FURIOUS: TAKEDOWNDeveloper: SMG StudiosPublisher: Universal Games, Digital PlatformsSystems: iOS, AndroidRelease Date: Late 2018The next Fast Furious film has been delayed a year, but fans needn t wait till 2020 to satisfy their need for speed. Fast Furious: Takedown puts players behind the wheel of 60-plus licensed rides, including favorites from the films — like Dom s Dodge Charger and Hobbs’ tank-like truck — before letting them tear up the blacktop in missions guided by the movies popular cast of speed limit-breaking characters.CRIMINAL MINDS: THE MOBILE GAMEDeveloper: Blue GiraffePublisher: FTX GamesPlatforms: iOS, AndroidRelease Date: Late 2018This mobile-game take on the long-running CBS crime drama puts fans behind the case-cracking skills of a Behavioral Analysis Unit agent. Alongside favorite characters Rossi, Prentiss, Reid, J.J., Garcia, Lewis, Alvez, and Simmons, players race against the clock to profile suspects, analyze crime scenes, and follow the clues that ll ultimately help the BAU team put the country s most twisted criminal minds behind bars.Coming in 2019DRAGONS: TITAN UPRISINGDeveloper: LudiaPublisher: Universal Games, Digital PlatformsSystems: iOS, AndroidRelease Date: Early 2019Ahead of next year s How to Train Your Dragon: The Hidden World from DreamWorks Animation, fans are invited to reunite with their favorite fire-breathers in a match-3 mobile offering based on the animated fantasy franchise. Titan Uprising puts a fresh spin on the popular genre, challenging players to build the ultimate team of winged creatures by hatching, nurturing, and creating powerful dragon hybrids to conquer nearly 800 puzzle battles.HARRY POTTER: WIZARDS UNITEDeveloper: WB Games, NianticPublisher: Warner Bros. Interactive EntertainmentSystems: iOS, AndroidRelease Date: 2019The clever folks behind the Pokemon GO phenomenon are applying their augmented-reality magic to a new, Wizarding World–themed take on the genre. Of course, it s the fans who will be casting spells, as they wield their smart-devices like wands in the real/muggle world to interact with the Potterverse and its populace of menacing creatures and mysterious characters.LOONEY TUNES: WORLD OF MAYHEMDeveloper: Aquiris Game StudioPublisher: Scopely/Warner Bros. Interactive EntertainmentPlatforms: iOS, AndroidRelease Date: 2019With Space Jam 2 headed to the big screen, it s the perfect time for Looney Tunes fans to reacquaint themselves with their favorite friends and foes from Warner Bros. stable of animated stars. Looney Tunes: World of Mayhem invites players to do just that, as they build a dream team of toon brawlers, from Yosemite Sam and Sylvester to Tweety and Taz, to take on opponents in epic, explosive, over-the-top displays of cartoon violence.沙巴体育365投注(Photo by HBO)Expectations for the final season of Game of Thrones were higher than the Red Keep’s tallest spire, and, unfortunately, fans and critics alike were not universally impressed with the way creators David Benioff and D.B. Weiss ended the story. Unlike the previous seven seasons — all of which are Certified Fresh with Tomatometer scores well into the 90s — season 8 is not only the lowest-scoring season on the Tomatometer, it is also the first-ever Rotten season of HBO’s fantasy series.How does that work? Let s do a bit of math: While the average score of each of season 8’s episodes is a Fresh 68%, a number of season-level reviews (those that consider the season in its entirety) published following the finale have brought the overall season score down into the Rotten range.“This final season was all about big-huge set pieces, and a lot of the complexity burned away,” wrote Entertainment Weekly’s Darren Franich of the season as a whole. And Slate’s Willa Paskin noted in her review of the series finale, “Benioff and Weiss organized their entire series around an ending that they didn’t write to.”But Thrones is not the only beloved series that critics felt whiffed its final at-bat. Series with high expectations for their final episodes include everything from HBO’s bro-tastic showbiz satire Entourage to PBS’ prestige TV detective drama Sherlock. And though those expectations might not have been quite as high as the dizzying, dragon-y heights that GoT needed to live up to, both of those series similarly seemed to let down longtime viewers.Below, Rotten Tomatoes has gathered a list of beloved series whose early seasons were high-scoring and usually Certified Fresh — meaning they all received a large number of reviews, with many from top critics, and a score of more than 75% on the Tomatometer — and whose last season or two descended into Rotten territory. Some shows, like The Office, The West Wing, or How I Met Your Mother, managed to turn Rotten penultimate seasons around into Fresh final ones (which is why those three are not included below). But others, including Game of Thrones, Dexter, and Arrested Development, take their place among history’s best-reviewed shows with poorly reviewed endings.A note: We’ve only included series with robust scores, and we would also like to reiterate that this is not an indictment of the included series, but rather a numbers-focused presentation of score drops.Game of Thrones 89% (Photo by Helen Sloan/HBO)Highest-rated season: Game of Thrones: Season 4 (2014) 97%Final season:  Game of Thrones: Season 8 (2019) 55%Drop: 44%While showrunners Benioff and Weiss were never going to please everyone, critics pointed to the series penultimate episode, The Bells, as a prime example of how a transportive, well-acted, smartly written drama even non-genre fans can appreciate (per the RT Critics Consensus for season 1) could devolve into such a divisive experience for fans. The Critics Consensus for The Bells  in particular echoes a common complaint from the show s closing moments: too much plot in too little time muddles the story and may leave some viewers feeling its conclusions are unearned. Dexter 71% (Photo by Showtime)Highest-rated season: Dexter: Season 2 (2007) 96%Final season: Dexter: Season 8 (2013) 33%Drop: 61%Seasons 1, 2, 4, 5, and 7 of Showtime’s serial killer drama are all Certified Fresh, but seasons 6 and 8 plunged into Rotten territory. The Critics Consensus for season 6 counts “heavy-handed symbolism, an unimpressive villain, and a redundant arc for America s favorite serial killer” among the reasons for its low score, while the season 8 summary calls it a “a bitterly disappointing final season that is so hesitant to punish its anti-hero for his misdeeds, it opts to punish its audience instead.”Weeds 70% (Photo by Showtime)Highest-rated season: Weeds: Season 2 (2006) 100%Final season: Weeds: Season 8 (2012) 40%Drop: 60%The dark comedy followed suburban widow Nancy Botwin (Mary-Louise Parker) as she began to deal pot to make ends meet following the unexpected death of her husband — and eventually transformed into an international drug kingpin. But while the first season was Certified Fresh and the subsequent ones were generally well-liked, RT’s Critics Consensus for the eighth and final season notes that the “final installment burns the series remaining goodwill down to a sorry roach with perfunctory plotting and a sense that this story no longer resembles the one fans fell in love with.”The Killing 68% (Photo by AMC)Highest-rated season: The Killing: Season 1 (2011) 94%Final season: The Killing: Season 4 (2014) 47%Drop: 53%The Seattle-set slow-burn mystery pursued by homicide detectives Sarah Linden (Mireille Enos) and Stephen Holder (Joel Kinnaman) started off with “thoughtful writing, believable characters, and realistic horror, even if its season finale was unsatisfying,” per the first season’s Critics Consensus. By the fourth season, resurrected by Netflix following AMC’s cancellation, it succumbed to “silliness” and strayed into “distractingly overwrought territory.”True Blood 70% (Photo by HBO)Highest-rated season: True Blood: Season 3 (2010) 91%Final season: True Blood: Season 7 (2014) 44%Drop: 51%HBO’s vampire drama, based on the Southern Gothic Sookie Stackhouse book series by bestselling author Charlaine Harris, took a few seasons for critics to warm up to it (it started at a barely Fresh 61% in season 1 and reached a series high of 95% in season 3). But the third season’s “graphic thrills, steamy romance, and biting satire for its fans” made way for a Rotten final two seasons, as the series ran out of steam and its seventh season was “content to limp along on familiar plot points.”Arrested Development 74% (Photo by Netflix)Highest-rated season: Arrested Development: Season 1 (2003) 100%Final season: Arrested Development: Season 5 (2018) 55%Drop: 45%, though the drop from season 1 to season 4 was even more drastic at 73%The first season of the formerly short-lived Fox gem is among the rare seasons Certified Fresh at 100%, and the subsequent two seasons that aired on the broadcast network are also strong with 94% and 100% Tomatometer scores, respectively. Netflix’s revival, on the other hand, can’t quite “live up to its own past.” At least the series’ fifth season (55%) was a bit of a second chance for the cast and creators, as season 4’s Critics Consensus put it simply: “They ve made a huge mistake.” (Though the series has not officially been canceled, there s no word on whether Netflix plans to make another season.)UnREAL 81% (Photo by Lifetime)Highest-rated season: UnREAL: Season 1 (2015) 98%Final season: UnREAL: Season 4 () 50%Drop: 43%All three seasons of the dark, Bachelor-skewering drama that aired on Lifetime were Certified Fresh and brought renewed respect to the female-focused network. The fourth season, however, “fizzled out” and went directly to Hulu (“but the clever antics, confidence, and high energy” remained intact, per the season 4 CC).Sherlock 78% (Photo by Laurence Cendrowicz/Hartswood Films & MASTERPIECE)Highest-rated season: Sherlock: Season 2 (2012) 94%Final season: Sherlock: Season 4 (2017) 54%Drop: 39%The first three full seasons of Mark Gatiss and Steven Moffat’s modern Sherlock Holmes adaptations were all Certified Fresh with scores in the 90s. But the 2015 Christmas special wasn’t quite as well-received, and the fourth season, which came four years after season 3, was marred by “the lofty expectations created by the series lengthy hiatus.” Hm, sounds familiar…Entourage 66% (Photo by HBO)Highest-rated season: Entourage: Season 5 (2008) 76%Final season: Entourage: Season 8 (2011) 46%Drop: 30%While the Hollywood antics of heartthrob Vinny Chase (Adrian Grenier) and his hangers-on were mostly well-received — most seasons of the HBO comedy are sitting comfortably in the 70s — the seventh season saw a turn as poorly received as Chase’s fictional epic, Medellin. As season 8’s Critics Consensus put it, “With Entourage s best stories behind it, the series finale feels like a merciful end.”Prison Break 60% (Photo by Fox)Highest-rated season: Prison Break: Season 1 (2005) 77%Final season: Prison Break: Season 4 (2008) 50%Drop: 27%The Fox drama’s self-explanatory title meant that the series was always going to have to fight against its own premise — there are only so many prisons to break out of, after all — but after a Certified Fresh debut season and a second installment that maintained the series’ “propulsive momentum,” per season 2’s CC, things went downhill. The third and fourth seasons were both Rotten at 50% — and while the original series finale delivered closure for fans, “the season s ludicrous, plot-breaking twists betray the feeling that this saga should have ended a jailbreak or two before.” Fox’s 2017 revival nearly a decade after the series’ original end, didn’t fare much better: “familiar faces and frenetic action aren t enough to make up for a plot that manages to bore while beggaring belief,” per the Critics Consensus.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

3. 激战团竞模式
沙城高爆手机版是一款手机上也能超爽暴装的热血传奇手游。游戏还原端游特色玩法,超爽热血攻沙,经典野外PK等你来体验。超高的游戏爆率让玩家在手游里不氪金也能当上大佬。赶紧来9ht下载游戏和兄弟们一起玩传奇吧。

4. 呼朋唤友 随心所欲
Summer Movie Scorecard 2019Welcome to the Summer Movie Scorecard for 2019, where we weekly rank the biggest and buzz-worthy by Tomatometer! Just a wide release (600+ theaters) and/or 80 critics reviews gets you on the list – beginning with movies released from April 26 and onward. Why then? Because that s when Avengers: Endgame came out, kicking off the summer slate. Yes, Disney even controls the seasons now.By the time August closes, we ll have seen the likes of superheroes (Dark Phoenix, Spider-Man: Far From Home), horror hopefuls (Child s Play, Annabelle Comes Home, Midsommar), action blockbusters (Hobbs Shaw, Men in Black International, Godzilla: King of the Monsters), new stuff from Quentin Tarantino (Once Upon a Time in Hollywood), and Richard Linklater (Where d You Go, Bernadette), and plenty in family-friendly fare (Toy Story 4, Dora and the Lost City of Gold).Check back as we update with the best 2019 movies of the summer (and the worst) every week and see where your favorites rank!Updated 8/26: Angel Has Fallen, Overcomer, Ready or Not

5. HD 画质与高品质音讯
使用強大的百度引擎8建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
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0.79.3 2月喜迎Wrapping up 2020 will be Paul W.S. Anderson s adaptation of popular video game franchise Monster Hunter, which will see the director re-teaming with his wife Milla Jovovich. Jovovich will co-star with martial arts icon Tony Jaa, as well as Meagan Good, Ron Perlman, and T.I., among others, and center on a group of soldiers who are transported to a world ruled by giant, deadly monsters.
Female superheroes have been around almost as long as the genre itself, with Wonder Woman paving the way for a diverse group of characters as far back as the 1940s. On television, she also established a foothold alongside characters like The Mighty Isis and Electra Woman in the 1970s. Unfortunately, as superheroes disappeared from television in the 1980s, so too did these initial, beloved characters. With the big expansion of superhero television in the 21st Century, female superheroes returned, and it is nearly impossible to think of a series without a key superpowered woman in the cast. Granted, very few headline a series currently, there is only one female-led superhero show but their contributions often keep their shows running.But who are the best on television right now? And is it their abilities, life experience, or strength of will that makes them great? Here are seven of the greatest female superheroes on television right now who prove it is a combination of all three factors that sets them apart from the rest.Supergirl  Supergirl 90%(Photo by Jordon Nuttall/The CW)Debut in Comics: Action Comics #252Abilities: flight, super strength, super speed, invulnerability, heat vision, x-ray vision, super hearingCertainly the most powerful of the female superheroes on television, Kara Danvers (Melissa Benoist) also boasts the most diverse set of abilities. On a physical level, she can dish it out easily, but Kara’s most important power is often her sense of hope and empathy. She never wants to get into a brawl – in fact, she prefers to avoid it – and would rather make a foe her ally. This sometimes works out, as when Livewire (Brit Morgan) helped out on Kara’s mission to Fort Roz last year. And other times, as with season 3 nemesis Reign (Odette Annable), Kara s appeals may fail to warm an evil heart, which forces a fight. Nonetheless, Kara s opponents often mistake her hope as a weakness instead of the bedrock of her strengths.Syd Barrett  Legion 91%(Photo by Prashant Gupta/FX)Debut in Comics: n/aAbilities: body switchingLet’s face it, Syd (Rachel Keller) has not had an easy go of it on FX’s Legion. When we meet her, she lives in extreme isolation, thanks to her cruel mutant ability – any skin-to-skin contact will see her consciousness transferred to the body of the person touching her. Nonetheless, she manages to find some semblance of a life with the people at Summerland and David Haller (Dan Stevens). Then he disappears for a year. During that time, she learns to control her ability as the Summerland group ally with Division 3, the government agency previously engaged in hunting them. And once David resurfaces and she learns his role in the coming apocalypse, she resolves to either heal him or kill him. David escalates things by trying to restore their previous love affair and assaulting her, but despite the complete betrayal, Syd bounces back and rededicates herself to the one action guaranteed to save the world. That resiliency, especially in the world of Legion, is a superpower in its own right.Black Canary  Arrow 86%(Photo by Dean Buscher/The CW Network)Debut in Comics: Flash Comics #86 (as Dinah Drake)Abilities: sonic cry, advanced combat trainingDinah Drake’s (Juliana Harkavy) sonic cry certainly came in handy when Team Arrow needed a new member to replace the deceased Black Canary, Laurel Lance (Katie Cassidy). She also proved a worthy opponent to Laurel s villainous Earth-2 counterpart, Black Siren (also Cassidy). But even if she was not a meta, Dinah would certainly be worthy to stand alongside the team as an accomplished fighter. With her staff, she’s almost unstoppable. She also has superb strength of character, as exemplified by her willingness to work with Black Siren – now pretending to be the Earth-1 Laurel and operating as the Star City District Attorney – and even moving past her culpability in the death of Dinah’s ex-boyfriend Vincent (Johann Urb). That strength takes on many forms, even as recently as this week’s episode, in which she finally admitted to the team that she can no longer use her cry. Though reluctant, her willingness to share illustrates her continued growth and is yet another reason why she will continue to be the Canary long after Team Arrow disintegrates as noted in the 2040 flash-forwards.Polaris  The Gifted 79%(Photo by Ryan Green/Fox)Debut in Comics:The X-Men #49Abilities: magnetic manipulationSure, Lorna Dane (Emma Dumont) may have spent most of the second season of The Gifted allied with the very questionable Inner Circle, but her willingness to admit her mistake in this regard puts her back on the right side, even if she stayed away from the remaining Mutant Underground characters. From the series first moments, Lorna was portrayed as one of the most powerful mutants around, thanks to an ability that can stop bullets, open fences, and even bring down an entire airplane, killing all of its passengers. That last point certainly set up a heel-turn, but as the show’s second year progressed, Lorna saw the downside of her actions and the horrifying real intent of Inner Circle’s plan to create a mutant homeland. Nonetheless, she acknowledged her errors and resolved to make amends. That resiliency is part of what makes Lorna one of the most interesting characters on the show, and doubly so as she remains strong while combating a chronic mental illness. Should the show continue in the Disney era of X-Men properties, it will be interesting to see how she juggles the roles of hero and mother. She would probably say they are the same thing.Killer Frost  The Flash 89%(Photo by Dean Buscher/The CW)Debut in Comics: Fury of Firestorm: The Nuclear Man #19 (as Caitlin Snow)Abilities: ice generation and manipulationThis is a strange one, as Killer Frost is traditionally a villain. But The Flash took her on a curious journey as viewers discovered she is a distinct personality from her host, Dr. Caitlin Snow (Danielle Panabaker) – one dedicated to protecting Caitlin above all other concerns. Nonetheless, the pull toward selfish acts and quick answers was strong (see her alliance with Savitar in season 3), but as she and Caitlin learned to share one body, Frost also learned empathy. And then, she was seemingly gone for a time, and the absence affected Caitlin and the fans more acutely than anyone could predict. She eventually resurfaced with a resolve to be more of a team player she s a far cry from the woman who walked away from Team Flash at the end of season 3. Meanwhile, in the current season, her powers prove uniquely effective against Cicada (Chris Klein) as she is immune to his power-dampening dagger. It s a good thing she decided to work with the group, otherwise their few successes against the meta serial killer would not have been possible.Elasti-Woman   Doom Patrol 97%(Photo by DC Universe)Debut in Comics: My Greatest Adventure #80 (as Elasti-Girl)Abilities: limited shape changing and mass exchangeRita Farr (April Bowlby) is a ways from admitting this to herself, but she has the strength to lead a superhero team even one as dysfunctional as a the Doom Patrol. On a purely physical level, she must have Supergirl levels of strength to maintain her human form. When out of control, she is a giant rolling mass capable of occupying an entire city block. Keeping that form in check requires tons of strength, to say nothing of mental fortitude. Sure, she still slips from time to time with so much of her power devoted to retaining her idealized shape, the slightest emotional upset can weaken her resolve but that’s the real challenge she faces in the first season of the show: accepting those mistakes as part of her path to becoming a strong and capable woman. Along the way, she might even figure out how to use her gelatinous form to stretch like her comic book counterpart. At that point, she will be more formidable than even Jane (Diane Guerrero) or Robotman (Brendan Fraser).Zari Tomaz   DC's Legends of Tomorrow 89%(Photo by Dean Buscher/The CW)Debut in Comics: Shazam! #25 (as The Mighty Isis)Abilities: air manipulationWhen Zari (Tala Ashe) first joined the Waverider crew, she was sarcastic, reluctant to engage, and more of a hindrance to the mission than an asset. In short, she was a Legend in the making. She abused the ship’s food replication system to snack endlessly and played video games constantly in lieu of getting to know anybody. Nonetheless, she would also call out the other Legends for being slackers, and after getting caught in a time loop, she learned to care about them. She also began to involve herself in the mission, particularly once the group discovered the Air Totem that generates her abilities was tied to their opponent, the time demon Mallus. By the point the Legends found the other totems and unified them into a giant Cuddle Me Beebo doll to fight Mallus, she was definitely a member of the team. In the most recent season, Zari has continued to grow, taking on more responsibilities and even mentoring new recruit Charlie (Maisie Richardson-Sellers). Well, mentoring after a fashion. And while she continues to grow as a hero or as much of a hero as a Legend can be she still finds time to snack.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
(Photo by Jason Bell/NBC)This fall, Jimmy Smits revisits his L.A. Law days with NBC s latest legal drama, Bluff City Law. Whether in series regular roles like NYPD Blue and The West Wing or season arcs on 24: Legacy, How to Get Away with Murder, and Dexter, networks know Smits is the kind of reliable star they want to anchor a new fall show.Bluff City Law is about a father/daughter legal duo who team up to fight injustice. Smits plays Elijah Strait, who reconnects with daughter Sydney (Caitlin McGee) after his wife/her mother’s funeral and convinces her to leave corporate law and join his firm to fight for the very people those companies hurt.Smits told Rotten tomatoes that being back in a courtroom, even a television courtroom with a script, made him realize his TV law was a little rusty.“I remembered a couple of things. Objection!, ” Smits joked. “We’re really fortunate because the technical advisers, consultants have been really great in terms of helping us out with all the procedural stuff. It’s important to me. I’m a stickler on that kind of thing, on any type of thing, whether it’s a cop show [or a lawyer show].”(Photo by NBC)Bluff City Law is the first courtroom drama for McGee, who was glad to have a TV lawyer veteran there to mentor her.“It was called Smits Academy of Law and Order,” McGee said. “Really, the thing that was most useful to me in my research was when we actually got to watch a case and we got to see how performative lawyers have to be and how important it is to keep people engaged and interested in your side of the argument. The case McGee watched was a medical malpractice case where she saw the doctor in question testify on the stand. That just might come in handy for Bluff City Law. So will the jargon.“The whole thing about the jargon, no matter what area it is, it’s part of what we do,” Smits said. “It’s like learning another language almost, right? If you’re playing a doctor, it’s part of the fascinating thing what we do, the research part, whether it’s jargon, the technical aspects of it.”In their first case together, Elijah and Sydney team up against a chemical company whose product they believe caused their client’s cancer.“In terms of the particular case that we were handling, I tried to do the backstory on that and with regards to the real case that it was based on,” Smits said. “Speaking to the people who are the technical advisers on the show, going to cases, it’s all part of what we do as actors. That’s the fun part.”(Photo by Paul Gilmore/NBC)Bluff City Law is set and filmed in Memphis, Tennessee, which automatically gives it a different vibe than Los Angeles. Smits says filming any show in 2019 is automatically more advanced too.“Our show looks a lot different and it’s much more cinematic,” Smits said. “That’s not a slight on L.A. Law at all, but it’s really cinematic, and Memphis is a vibrant part of the show. The look is a lot different. You can actually have drone shots, [but] we haven’t had one yet.”Smits also looks back fondly on NYPD Blue, the landmark 90s cop show he joined in season two after David Caruso left.“I was working on the same lot, so I knew when they had written the pilot that it was going to be ground-breaking,” Smits said. “I didn’t know it was going to be the phenomenon that it turned out to be, so it was kind of fortuitous to me it came back around.”(Photo by Jake Giles Netter/NBC)NYPD Blue pushed broadcast standards for language and nudity in order to show what life is really like for policemen and women. Today, a show like that might be on streaming with no restrictions at all.“A show like that, you could not pitch that show to a network [today],” Smits said. “It wouldn’t happen. It just wouldn’t happen. The landscape of television is much more niche-oriented now. Certainly, edgier topic matter is something that we’ve gone for [on Bluff City Law], but I don’t know if you’re going to see naked butts on our show. That’s not going to happen.”McGee was ready to show Sydney’s love life explicitly, though.“You might see a back though, a naked back, maybe some abs,” McGee joked. “Hopefully it’ll be Barry Sloane’s.”Sloane plays Jake Reilly, another lawyer at the Strait firm. Josh Kelly plays Sydney’s ex-husband Robbie, a detective who is still broken-hearted over Sydney. And while the legal drama is one focus of the series, the Straits personal lives will come into play as well.“We established in the first episode what we’re all about, what the firm is about,” McGee said. “We are a legal drama, but once you really get to know these characters you’re just going to want to know more about their personal lives. You’re going to want to meet their spouses, their exes, see their homes. You’ll definitely get to see more of that.”(Photo by NBC)That, said Smits, will make the legal cases even more compelling.“I think that the audiences will engage more in the legal aspects of the show once they know all of the little character traits that each one of the characters has,” he said.Bluff City Law premieres Monday, Sept. 23 at 10 p.m. on NBC.

One of the most anticipated movies of 2020, and one of the few tentpole releases still opening this year, Christoper Nolan’s Tenet is… Christopher Nolan’s Tenet. That is to say, based on the mostly-positive first reviews of the sci-fi spy thriller, you know what you’re getting into, but also you have no idea. The movie, which stars John David Washington and Robert Pattinson, appears to be another difficult one to describe, plot-wise, in part because of spoilers, but it s also celebrated for its action and mind-blowing effects, even if you don’t care about any of the characters. And while some critics suggest the film needs to be seen on the big screen, we encourage you to check here for the latest information on how movie theaters are implementing new safety regulations in light of COVID-19.With that said, here’s what critics are saying about Tenet:How does it compare to the rest of Nolan s filmography?It’s one of his most daring sci-fi narratives yet, and the results are truly phenomenal.  Linda Marric, The Jewish ChronicleTenet exceeds our already sky-high expectations… It is undeniably the most audacious film of his career – which is saying something.  James Mottram, South China Morning PostTenet is as intricately and exquisitely designed as Nolan’s earlier work. It boasts some of the most spectacular, memorable set-pieces of his career.  Clarisse Loughrey, IndependentTenet is not Christopher Nolan’s masterpiece, but it is another thrilling entry into his canon.  Matt Purslow, IGNTenet is the first time I felt he gets too carried away with his own concept.  Casey Chong, Casey s Movie Mania(Photo by Melinda Sue Gordon/©2020 Warner Bros. Entertainment Inc.)So what is it about, anyway?What’s narratively most interesting about it is strictly off-limits in any pre-screening discussion. Guy Lodge, VarietyWe’re not even sure we could spoil this one if we tried. Simon Miraudo, Student EdgeThe palindromic title has some narrative correlation — albeit in an exhausting, rather joyless way. Mike McCahill, IndieWireCan we expect another mind-bending delight?If Nolan s Inception baked your noodle, prepare for a whole new level of bewilderment. Andy Lea, Daily StarTenet will have you saying Wow, but also Huh?, Wha …? and WTF??!!! Radheyan Simonpillai, NOW TorontoTenet is not in itself that difficult to understand: It’s more convoluted than it is complex, wider than it is deep, and there’s more linearity to its form than you might guess. Guy Lodge, VarietyThe fun with Tenet lies not in trying to decipher the whats or the whys but in simply admiring the how. Adam Woodward, Little White LiesI watched the movie twice for this review, and still feel very confused about what is supposed to be going on and why. Leslie Felperin, Hollywood Reporter(Photo by Melinda Sue Gordon/©2020 Warner Bros. Entertainment Inc.)Is it more about the visuals?Tenet frequently delivers mind-blowing moments that are unlike anything you ve seen (or even thought about) before. Ian Sandwell, Digital SpyTenet is best approached as an experience to be felt rather than comprehensively understood. Sit back, relax and prepare to have your mind blown. James Mottram, South China Morning PostAn absolute treat as a Movie Event… Tenet’s deployment of stupefying practical special effects is pure wizardry. Shannon Conellan, MashableNolan’s commitment to shooting practically achieves an effect akin to first seeing the T-Rex stomp onscreen in Jurassic Park – it’s a film that shows you the impossible in a way that’s indistinguishable from reality. Jordan Farley, Total FilmTake away the time-bending gimmick, and Tenet is a series of timidly generic set pieces: heists, car chases, bomb disposals, more heists… but gosh, does he blow stuff up good. Jessica Kiang, New York TimesHow is the action?The action exceeds anything Nolan has ever done before. Radheyan Simonpillai, NOW TorontoThe sheer meticulousness of Nolan’s grand-canvas action aesthetic is enthralling, as if to compensate for the stray loose threads and teasing paradoxes of his screenplay — or perhaps simply to underline that they don’t matter all that much. Guy Lodge, VarietyIf Nolan has out-Nolaned himself, it’s in the action set-pieces which, despite being of head-scrambling technical intricacy, are sharper than Occam’s razor and carried off with astonishing economy. Adam Woodward, Little White LiesBig, bombastic and does everything with the most epic scale possible. It’s a lot like being punched in the face by Cinema™, in the best and worst ways. Tom Beasley, Flickering Myth(Photo by Melinda Sue Gordon/©2020 Warner Bros. Entertainment Inc.)Are the stakes compelling?It’s the rare action film where the characters don’t just say the world will end if they fail in their mission – you feel it, too. Clarisse Loughrey, IndependentTenet’s stakes are too high, perhaps, to really have any emotional impact. Rosie Fletcher, Den of GeekWhat is the movie reminiscent of?Tenet revisits the terrain of 2000’s Memento with more money… yet plot-wise, Tenet has more in common with Minority Report. Mike McCahill, IndieWireTenet can feel like a 0 million remake of Primer, with a fiendishly brilliant but confounding narrative that practically demands one or two rewatches to fully appreciate the big picture. Jordan Farley, Total FilmIt may echo the cleverness of Rian Johnson’s Looper and Shane Carruth’s Primer in its dizzying disregard for linear chronology, but the plotting is muddled rather than complex. Nicholas Barber, The WrapIt’s reminiscent of Steven Knight’s Serenity influences range from La Jetée to From Russia With Love. Radheyan Simonpillai, NOW TorontoBut what does it really feel like?Nolan has made his own Bond film here, borrowing everything he likes about it, binning everything he doesn’t, then Nolaning it all up. Alex Godfrey, Empire MagazineThe fanciest James Bond romp you ever did see, complete with dizzy global location-hopping, car chases that slip and loop like spaghetti, and bespoke tailoring you actually want to reach into the screen and stroke. Guy Lodge, VarietyThis is absolutely Nolan delivering his James Bond movie, only Bond never had to deal with inverted bullets. Ian Sandwell, Digital Spy(Photo by Melinda Sue Gordon/©2020 Warner Bros. Entertainment Inc.)How is the cast?David Washington is rock solid in the lead role… Robert Pattinson brings his A-game. Adam Woodward, Little White LiesRobert Pattinson puts in a truly electrifying turn. Linda Marric, The Jewish ChronicleOnly Elizabeth Debicki and Kenneth Branagh made quite an impression in their respective roles. Casey Chong, Casey s Movie ManiaBranagh is unexpectedly fearsome. Clarisse Loughrey, IndependentBut do we care about their characters enough?Though leads John David Washington, Robert Pattinson, and Elizabeth Debicki bring a level of solid integrity to their characters while wrapped up in flawless costumes, we’re left without any idea of who they actually are. Shannon Conellan, MashableTenet suggests Nolan no longer has any interest in human beings beyond assets on a poster or dots on a diagram. Simon Miraudo, Student EdgeTenet is by no means a movie about race. But Washington does appear to lean into what his race brings to the role. Radheyan Simonpillai, NOW TorontoWhat are the movie s biggest issues?Tenet’s coldness is what keeps it just short of greatness… the viewer’s investment is purely intellectual. Laura Potier, Starburst[It] feels strangely hollow and coldly detached. So detached to the point that Nolan’s otherwise great acting ensemble fails to connect emotionally. Casey Chong, Casey s Movie ManiaIt’s hard to work out what’s happening. It’s harder still to care. Donald Clarke, Irish TimesFor a film which prides itself on its innovative outlook, its portrayal of gender roles can feel surprisingly old-fashioned. Linda Marric, The Jewish ChronicleRyan FujitaniDo we need to see it in a theater (if we can)?This is certainly the biggest bang for your buck of the year so far. See it on the biggest screen you can with the very best sound system. Rosie Fletcher, Den of GeekViewed solely from its technical point-of-view… This is a must-see on the biggest screen possible. Casey Chong, Casey s Movie ManiaIt’s best experienced in a huge, dark room. Matt Purslow, IGNDemands to be seen in a cinema, and on the biggest possible screen… But Tenet will later thrive in home viewing formats, giving viewers the chance to pause and go back over tricky passages. Jonathan Romney, Los Angeles Times[Note: Information on movie theater safety precautions can be found here.]Tenet will debut in several global markets on August 26-28 and open in limited theaters in the U.S. on September 3 before expanding wider around the world.
If you have a suggestion for a movie or show you think we should do an episode on, let us know in the comments, or email us at rtiswrong@rottentomatoes.com.Meet the hostsJacqueline Coley is an editor at Rotten Tomatoes, with a focus on awards and indie coverage but with a passion for everything, from the MCU to musicals and period pieces. Coley is a regular moderator at conventions and other events, can be seen on Access Hollywood and other shows, and will not stand Constantine slander of any kind. Follow Jacqueline on Twitter: @THATjacqueline.Mark Ellis is a comedian and contributing editor for Rotten Tomatoes. He currently hosts the Rotten Tomatoes series Versus, among others, and can be seen co-hosting the sports entertainment phenomenon Movie Trivia Schmoedown. His favorite Star Wars movie is Jedi (guess which one!), his favorite person is actually a dog (his beloved stepdaughter Mollie), and – thanks to this podcast – he s about to watch Burlesque for the first time in his life. Follow Mark on Twitter: @markellislive.On an Apple device? Follow Rotten Tomatoes on Apple News.
因为手游代理行业的发展,现在要做手游代理的话,是需要我们和各个手游联运平台去合作,通过和平台签订合同就能够获得平台上所有游戏的授权,而平台则是通过和各个厂商对接获得各种游戏的联运权限进行整合,对于代理而言,现在可以选择的游戏变多了,推广的玩家人群覆盖面变广了,流程相对变得简单了,这也是为什么说现在的手游代理门槛以及成本都变低了的原因。
例如在端游中屹立在水晶面前的门牙塔就在手游峡谷中退休了。而上中下三路的一塔下,也多出了间歇刷新的回复果实。由于前者的消失,后期一波团推家的难度变得低;后者的出现,则给线上玩家提供了补给机会,变相加强了前期对线的激烈程度。两者在头尾各自生效后,就将一局游戏的时间控制在了二十分钟以内,非常符合手游的碎片化特征。
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沙巴体育365投注 《艾兰岛》手游是由知名开发商波西米亚互动研发、乐趣无限的3D沙盒创造游戏乐园!与好友一起开启自由的海陆空冒险之旅、建造属于自己的家园小岛、畅玩海量的多人协作、对战等各种游戏,更可以自己定义制作专属小游戏。无论手机电脑,随时随地登陆艾兰岛,探索这个宝藏游戏世界。本次发布会曝光了全新生存玩法,全新季节性岛屿,神话生物等期待与你相遇!

随着手游市场迅速扩展,使手游代理也成为当下较为热门的项目,大量的创业者选择手游代理项目创业,虽然市场扩大在短期内降低了手游代理门槛,但是手游代理在运营的过程中,依旧有很多地方需要去重视。 Rotten Returns: Underwater Struggles For Air, Becomes Second Horror Flop of 2020(Photo by © Twentieth Century Fox Film Corp. )Underwater finished production in 2017 and is just now making its appearance in theaters. Amongst all the new wide launches this weekend, it finished last with a paltry million. The production, with a budget reported to be anywhere between million and million, is the latest in a string of disappointments for Fox, including the 0 million Certified Fresh animated feature Spies in Disguise (which just crossed 5 million worldwide), Ad Astra, and even Ford v Ferrari, which even with over 1 million globally is still chasing its own large budget. The studio has only had one film (the faith-based Breakthrough) enter profit status in its theatrical run since 2018’s mega-hit Bohemian Rhapsody.Underwater, which was reasonably well reviewed – it s at 53% on the Tomatometer – marks a second misfire for a Kristen Stewart vehicle after November’s Charlie’s Angels, and is the second week in a row during which horror audiences mostly ignored one of its own. Sony’s The Grudge dropped straight out of the top 10 in its second week, falling 69% to .5 million for a total of just .9 million. That puts its word-of-mouth multiple in line with other attempted reboots like Conan the Barbarian, Blair Witch, Rings, last year’s Hellboy and, again, Charlie’s Angels, though its budget loss is not nearly as large as the one Underwater is looking at.The Top 10 and Beyond: Rise of Skywalker Near  Billion, Just Mercy Doing Just OK For NowHere we are on Day 24 of The Rise of Skywalker and with 8.16 million it is now the ninth-highest–grossing film ever in that period domestically, just ahead of Rogue One’s 7.36 million. However, that order may change quickly as Rogue had a .06 million fourth weekend on the first January weekend of 2017; ROS comes in with just million, which is also less than the .11 million of The Dark Knight and the .20 million of 2019’s The Lion King in the same frame. That suggests a final gross coming in around the 0 million range, possibly a full 0 million less than The Last Jedi made. While the numbers may pale compared to its recent Star Wars predecessors (sans Solo, of course), this week Rise is going to become just the 15th film ever to gross a half-billion domestically and the 46th film to gross over billion worldwide.The film that has just beaten The Last Jedi on the all-time global box office chart is Disney’s Frozen II. It has now earned .371 billion, passing Episode VIII as well as the final Harry Potter film and Black Panther to become the 11th-highest–grossing film of all time. It needs just .5 million to enter the top 10. Also still chugging along is Jumanji: The Next Level, with another million this weekend bringing its 31-day total to 7 million, the 10th-best for a December release in that timeframe. It has grossed 2 million worldwide. Doing well for Sony too is Greta Gerwig’s Little Women, also on the eve of what should be several Oscar nominations. The film may be neck-and-neck with the 2014 version of the musical Annie after 19 days (.7 million), but that film had a big drop-off after the holidays and stalled with just .9 million. Little Women will get an Oscar bump this week that should propel it to 0-plus million.The two other newbies ran neck-and-neck over the weekend. The expansion of Destin Daniel Cretton’s Just Mercy netted an OK million in 2,375 theaters, which is more than Uncut Gems made in its third-week expansion (.57 million in 2,348 theaters). Uncut Gems may have dropped out of the top 10 already, but it is only about million away from becoming A24’s top domestic grosser ever, replacing Lady Bird’s .95 million. Mercy was also beaten by the Tiffany Haddish/Rose Byrne comedy, Like a Boss, which also opened to an estimated million, a not-so-great start for the million production from Paramount. The film has a current Tomatometer score of 22%. Ending on a positive note, we turn to the ongoing strength of Rian Johnson’s Knives Out, which is over 5 million worldwide and is going to pass Quentin Tarantino’s Once Upon a Time In Hollywood domestically this week to become the second-highest–grossing original film of 2019 behind Jordan Peele s Us.This Time Last Year: The Upside Lands First Big Surprise of 2019One of the big surprises of 2019 opened at number 1 on this weekend. The Upside, which STX Films acquired from the Weinstein Company, started with .35 million on its journey to over 8 million. A Dog’s Way Home finished third with .25 million, and one of the worst-reviewed films of the year, the delayed Keanu Reeves sci-fi cloning thriller, Replicas, opened in 13th with just .37 million. Rounding out the top five were Aquaman in second with .35 million, Spider-Man: Into the Spider-Verse in fourth with .05 million, and Escape Room in fifth with .92 million. Mary Poppins Returns crossed 0 million in sixth place. The top 10 films grossed .77 million and averaged 69.4% on the Tomatometer; this year’s top 10 grossed an estimated 6.8 million and averaged 71.5% with critics.On the Vine: Bad Boys and Dolittle Set For a ShowdownTwo big event films are looking to take the box office back from the leftovers of 2019. The smart money is on Bad Boys for Life, with Will Smith and Martin Lawrence reuniting for the first time since 2003, only without Michael Bay at the helm. Then, Universal is hoping to avoid another disastrous special effects-laden animal movie in less than a month; if Dolittle can open to more than what Cats has grossed to date (.35 million) that will at least be something. But it will have a lot more to recoup given its inflated 5 million budget and we could be looking at the first big disappointment of 2020.The Full Top 10: January 10-121917 (2019) 89% – .5 million (.22 million total)Star Wars: The Rise of Skywalker (2019) 52% – .06 million (8.17 million total)Jumanji: The Next Level (2019) 71% – million (7.12 million total)Like a Boss (2020) 21% – million ( million total)Just Mercy (2019) 85% – million (.44 million total)Little Women (2019) 95% – .66 million (.03 million total)Underwater (2020) 47% – million ( million total)Frozen II (2019) 78% – .76 million (9.49 million total)Knives Out (2019) 97% – .73 million (9.62 million total)Spies in Disguise (2019) 77% – .11 million (.62 million total)

2022-01-27

国服虽然没上线,但这丝毫不影响国内电竞行业对于《英雄联盟手游》的未雨绸缪,据不完全统计,全国已有300余家针对《英雄联盟手游》的俱乐部组建完毕。

沙巴体育365投注 Looks like HBO has big plans for its Game of Thrones universe — no, it s not a theme park (yet). Filmmaker Kevin Smith drops some Bat-gossip. John Wick creator and writer Derek Kolstad is serious about a Dungeons Dragons live-action series. The Boys showrunner Erik Kripke just got visibly excited about his Herogasm, Critics Choice Awards TV nominations are out, and more of the week s top TV and streaming news.TOP STORYAnother Game of Thrones Spin-off, Tales of Dunk and Egg, Is in Development at HBO(Photo by Robyn Beck / AFP via Getty Images; Random House )Disney+ has 734 Star Wars projects in the works (OK, we exaggerate a little), and HBO appears to be following the same plan to establish a signature franchise by developing another Game of Thrones prequel series, Tales of Dunk and Egg. Another prequel, House of the Dragon, is already in the works.The series, early in development and with no writers or cast yet attached, would be an hour-long drama based on a series of George R.R. Martin novellas that tell the adventures of Ser Duncan the Tall and Aegon V. Targaryen, 90 years before the time of the storyline in book series A Song of Ice and Fire, the source material for the Game of Thrones series.The three stories — The Hedge Knight (1998), The Sworn Sword (2003), and The Mystery Knight (2010) — were collected into the 2015 book A Knight of the Seven Kingdoms, which is the source for the series.The Dunk and Egg series, a fan-favorite storyline, is a priority for HBO, but the series is not a lock for a spot in the cable netwo

2022-01-27
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