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亚博体彩网站采用百度引擎8(Baidu 5)对于解说夜色这一期“lol手游第一赛季奖励出炉,蛮王皮肤获好评,职业选手分享玩法,是怎么回事?”的话题,各位观众老爷们又有什么自己的看法呢,欢迎在评论区与其他小伙伴们交流,交流自己的建议和看法!感谢您的关注和点赞。

1. 亚博体彩网站
目前游戏已经开启ID预注册系统,玩家可以登录LOL手游官网进行预注册哦,并且盛典上还公布了9月11日启动手游职业资格赛等一系列重磅消息。可谓是惊喜连连。玩家朋友们可以多多关注下。 The second star-studded and intrigue-filled season of Apple TV+’s flagship drama, The Morning Show, is upon us, and as we return to the sound stages, corridors, and boardrooms of UBA, Rotten Tomatoes sat down for an extended chat with the series’ cast and executive producer. Our correspondent Nikki Novak spoke with Jennifer Aniston, Billy Crudup, Karen Pittman, Nestor Carbonell, Mark Duplass, Desean K. Terry, plus newcomers to the series Julianna Margulies and Hasan Minhaj, about their characters’ arcs this season, who their mentors have been in their careers (George Clooney, Shirley MacLaine, and Riz Ahmed come up!), and who among them would make the greatest real-life TV anchor. Plus, series executive producer and director Mimi Leder reveals how she and her team mapped out the highly anticipated new season and we settle a question about Crudup’s Cory Ellison: amazingly well-adjusted… or pure unadulterated evil?Season 2 of The Morning Show is now streaming on Apple TV+ with new episodes available every Friday. On an Apple device? Follow Rotten Tomatoes on Apple News.
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

2. 公平游戏环境
You re probably thinking to yourself, Isn t this the third animated family movie about not-so-abominable snowpersons that s been foisted upon me, the unsuspecting average moviegoer, in the last year alone? And you would be correct, dear unsuspecting average moviegoer: Smallfoot hit theaters almost exactly a year ago, we got Missing Link back in mid-April, and this week sees the release of Abominable, from the same studio (as the poster proudly declares) that gave us How to Train Your Dragon. The previous two films were both Certified Fresh, and so far, it looks like Abominable is enjoying a similarly positive reception. Chloe Bennett (Marvel s Agents of S.H.I.E.L.D.) voices a young woman in Shanghai named Yi, who s never fully recovered from losing her father. When she encounters an escaped Yeti hiding out on her rooftop, she and her friends set out on the journey of a lifetime to escort their new friend back to its home on Mt. Everest. In other words, this isn t exactly groundbreaking stuff, as far as storytelling goes, but it hits all of the requisite beats so charmingly that critics find it difficult to resist. Toss in a supporting cast that includes Eddie Izzard and Sarah Paulson, as well as some striking visuals of China s vast and varied landscape, rendered in gorgeously framed cinematography, and Abominable is shaping up to be a pretty solid piece of family entertainment.亚博体彩网站Above: Hanton with Hemsworth in a photo from Hanton s Instagram (@bobbydazzler84).What’s the craziest stunt you’ve ever done for a Marvel movie?In Infinity War, I got smacked off my feet by Peter Dinklage s character. I got punted off my feet, somersaulted through the air with a twist, and then landed on a rock face and then headplant into the ground, which was a pretty gnarly hit.What was the toughest MCU movie to shoot?Thor: Ragnarok was intense. The movie is all about Thor, so there were a lot of stunts for Thor and myself and Chris to do in that movie. A month into rehearsal, I snapped my groin I think on that movie I cranked my neck a few times, popped my shoulder out. That’s probably the most I’ve picked up injuries on a Marvel movie, due to the fact that there are a lot more stunts to rehearse, a lot more stunts to do, and a little bit of being unlucky with a couple of landings and tweaks I picked up. That’s the nature of the beast. We spend as much time in rehearsal as possible, breaking it down and making sure it’s as safe as possible before we take the mats out. The stunt team are all working together to make sure it looks great, but it’s repeatable and safe. That’s why we’re on the movie 10-12 weeks prior. I’ve picked up injuries along the way but it’s part of the job.What was the most memorable part of working on Endgame?I think just being surrounded by so many A-list movie stars and so many superheroes all under one roof. The end battle is incredible, all these actors running next to each other and having little fight sequences with each other; Cap getting the hammer, and stuff like that. It was a great ending to a great team and a bunch of professional actors and actresses.What has it been doubling for Thor and working alongside Chris Hemsworth for so long?Chris and I have become very close as friends. We’re the same age, have the same sense of humor. We have a great laugh on set, and Chris is such a great guy. It’s been nearly seven years, so we’ve developed a very close relationship. Without being biased, I think Thor is one of the best characters, so hopefully they do continue [making Thor movies].Glenn Foster: Double for Iron Man (Robert Downey Jr.) They put the helmet on me, and I suddenly had a flashback to that moment as a kid of seeing Darth Vader helmeted, and I suddenly thought, oh my goodness, this is that moment that I imagined as a kid.' (Photo by Industrial Light & Magic/©Paramount/Courtesy Everett Collection)What was the first Marvel movie you worked on?Iron Man 2.How did you get the job?I was with Robert at that point. We had done Sherlock Holmes prior to that, and he expressed an interest in keeping me with him for whatever journey was in store for us. That was 10 years ago, so it’s kind of been a decade of craziness and an incredible life experience for me. We’ve done maybe seven Marvel films together? And a bunch of other different projects as well.Is there a difference between doubling for Tony Stark and doubling for Iron Man?Iron Man is a lot less quirky and fluid. Robert has a very unique way of moving and acting. Maybe it’s why he was so good as Chaplin. And then, an Iron Man-type movement is much more about being upright, more strident, more powerful. In a way, slightly more mechanized. In some instances, that was dictated by the amount of movement that the suits would allow. Earlier versions were actually very tricky to move in and see anything in.What’s the craziest stunt you ever did for a Marvel movie?For Iron Man 3, we were jumping off cranes. Those cranes were 300-, maybe 400-feet high. Launching yourself off the side of those was interesting. Definite leaps of faith, especially since it was all shot at night. You’re leaping into darkness and trusting that the various cables you’re attached to are going to do what they’re supposed to.Got any MCU war stories?I’ve certainly taken some knocks. Nothing that has particularly stopped me from continuing with a project. On all the Marvel projects, we’ve been very lucky in having had a good group of stunt engineering guys or girls. I’ve been fortunate enough to be able to be on those rigs or whatever it was and come out the other side.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)What was the most memorable part of working on Endgame?The scene were Tony travels back in time and he’s dressed as a SWAT guy in the past, but [the 2012 version of him] is talking to Robert Redford. They did that whole sequence in the morning, and I was the [present-day Tony] in the background, in the SWAT gear, observing him while he went through this whole scene. It was sprung on me that for the afternoon’s work Robert [Downey Jr.] would be the guy in the SWAT gear, so they would do the close-up stuff on him, watching me, now perform that whole dialogue sequence. I essentially got to act on screen, with dialogue, not only with Chris Hemsworth, but with an absolute living icon, Robert Redford. That was incredibly memorable to me.What has it mean to you to be part of the MCU for a decade?I remember seeing a documentary about Star Wars as a kid, and they showed Darth Vader without a mask. I remember thinking, “that would be the coolest job ever. To be a character like that, and to actually be the guy in the mask, to be that iconic, awe-inspiring character.” I came to do Iron Man 2, and they told me I was going to wear the suit, and the first time I ever put it on, it was for a sequence where there’s a party in Tony’s house. They put the helmet on me, and I suddenly had a flashback to that moment as a kid of seeing Darth Vader helmeted, and I suddenly thought, “oh my goodness, this is that moment that I imagined as a kid.”Loyd Bateman: Double for The Hulk (Mark Ruffalo) These large chunks of foam that you’d have to wear in order to make parts of your body the correct size — that makes it tricky. (Photo by © Walt Disney Studios Motion Pictures / © Marvel Studios)What was the first Marvel movie you worked on?I actually have only done Infinity War and Endgame.How did you get the job?I’ve been working in film for almost 20 years now, doing stunts and etcetera. I sent a short reel of some of the things that I’ve done, including a short film that I made for my son called Zarg Attack!. He wanted to fight a giant robot. I did a stop-motion animation robot and made it attack him. I think it’s that clip that landed me the job, between that and my performance stuff.What was it like meeting Mark Ruffalo for the first time?Mark was really sweet. It was early 2017 when we started to do some of the motion-capture stuff for Infinity War. Right out of the gate he was very friendly, very sweet, very open. Talked a little bit about how he was playing about it, the character. I brought some of my ideas to the table, and he was really open and receptive.What’s the difference between doubling for Bruce Banner and for the Hulk?If I’m completely honest, I’m physically larger and, I daresay, a hair more muscular than Mark, so I actually didn’t do any of the Bruce Banner stuff. I did all the motion capture stuff for the Hulk, and for smart-Hulk.While wearing the motion-capture suit, did you also have a fake head on a stick, like the ones Josh Brolin wore as Thanos?We did from time to time, just as a height reference, but often if we were being really physical, it would just break. We would take it off to do what we needed to do. Also, often the character would be fighting other characters of equivalent size, so it was less tricky. Thanos would often be fighting human-sized characters, so there were eyeline issues all the time and size issues.(Photo by © Walt Disney Studios Motion Pictures / © Marvel Studios)Did the motion-capture nature of the character make doing the stunts more complicated?It was a bit of a double-edged sword. On the one hand, you can wear as much padding as you wanted. You could be as safe as you needed. Sometimes, though, with all the extra gear on — like height offsets or these large chunks of foam that you’d have to wear in order to make parts of your body the correct size — that makes it tricky. Other than that, not too difficult.What was the craziest stunt you’ve done for a Marvel movie?The stunts weren’t physically that huge for my character. The more complex stuff was fight choreography, really. For this particular character, any of the explosions or huge falls he would have to do, they would just do it completely with computers. It’s a magic show. It’s a lot of trickery. We got to have fun, be safe, and do things that were spectacular at the same time.Did you ever get injured?We always get bumps and bruises. I don’t mean to put my experience too lightly. Obviously the human characters who are acting with real practical walls and windows and things are going to have a much harder time, but I still did a certain amount of getting kicked and punched backwards, landing on things, all that sort of stuff.What was the most memorable part of working on Endgame?Watching the finished film in the theater, I think was the most memorable to me, because seeing it all come together after all that time and all that effort, how hard everyone worked, everyone putting their heart and soul into it. Seeing it all come together and getting to watch it with a group of people was actually made it was the most memorable thing. It was fantastic.Daniel Hargrave: Double for Captain America (Chris Evans) That America’s ass shot, when he’s on the ground, was shot during additional photography – that was all Chris Evans. (Photo by © Walt Disney Studios Motion Pictures / © Marvel Studios)What was the first Marvel movie you worked on?Captain America: The Winter Soldier. How did you get the job?My brother Sam had doubled Chris Evans for the whole movie, and they were going to do some additional photography. Sam and I were actually working on The Hunger Games, and he had a long beard and he didn’t feel like shaving for a couple days of reshoots so he volunteered me. I went out there and doubled Chris for one scene.What was it like meeting Chris Evans for the first time?He was super nice. My brother had a good relationship with Chris, and he was very cordial and nice to me. Of course, he expected me to be like my brother and perform at a higher level, so it was a little pressure, first time meeting him, but he was a very nice guy.What’s the craziest stunt you’ve ever done for a Marvel movie?In Endgame, when my brother and me were both doubling Cap for the “Cap versus Cap” scene. There was the double stair fall, where we both ran and jumped off of a platform down the stairs at the same time, and went crashing down the stairs and off the edge into a box catcher, and then they hoisted us up. It was a throwback to when we were little kids on the farm, we used to make little videos. Kinda funny, now 25 years later, we’re doing it on the big screen for one of the biggest movies in the world. It was awesome, a dream come true.

3. 激战团竞模式
1.手机平台是如今最大众的平台,没有之一。所以手机游戏所面对的是海量的轻度玩家。轻度玩家对于游戏本

4. 呼朋唤友 随心所欲
Above: Hanton with Hemsworth in a photo from Hanton s Instagram (@bobbydazzler84).What’s the craziest stunt you’ve ever done for a Marvel movie?In Infinity War, I got smacked off my feet by Peter Dinklage s character. I got punted off my feet, somersaulted through the air with a twist, and then landed on a rock face and then headplant into the ground, which was a pretty gnarly hit.What was the toughest MCU movie to shoot?Thor: Ragnarok was intense. The movie is all about Thor, so there were a lot of stunts for Thor and myself and Chris to do in that movie. A month into rehearsal, I snapped my groin I think on that movie I cranked my neck a few times, popped my shoulder out. That’s probably the most I’ve picked up injuries on a Marvel movie, due to the fact that there are a lot more stunts to rehearse, a lot more stunts to do, and a little bit of being unlucky with a couple of landings and tweaks I picked up. That’s the nature of the beast. We spend as much time in rehearsal as possible, breaking it down and making sure it’s as safe as possible before we take the mats out. The stunt team are all working together to make sure it looks great, but it’s repeatable and safe. That’s why we’re on the movie 10-12 weeks prior. I’ve picked up injuries along the way but it’s part of the job.What was the most memorable part of working on Endgame?I think just being surrounded by so many A-list movie stars and so many superheroes all under one roof. The end battle is incredible, all these actors running next to each other and having little fight sequences with each other; Cap getting the hammer, and stuff like that. It was a great ending to a great team and a bunch of professional actors and actresses.What has it been doubling for Thor and working alongside Chris Hemsworth for so long?Chris and I have become very close as friends. We’re the same age, have the same sense of humor. We have a great laugh on set, and Chris is such a great guy. It’s been nearly seven years, so we’ve developed a very close relationship. Without being biased, I think Thor is one of the best characters, so hopefully they do continue [making Thor movies].Glenn Foster: Double for Iron Man (Robert Downey Jr.) They put the helmet on me, and I suddenly had a flashback to that moment as a kid of seeing Darth Vader helmeted, and I suddenly thought, oh my goodness, this is that moment that I imagined as a kid.' (Photo by Industrial Light & Magic/©Paramount/Courtesy Everett Collection)What was the first Marvel movie you worked on?Iron Man 2.How did you get the job?I was with Robert at that point. We had done Sherlock Holmes prior to that, and he expressed an interest in keeping me with him for whatever journey was in store for us. That was 10 years ago, so it’s kind of been a decade of craziness and an incredible life experience for me. We’ve done maybe seven Marvel films together? And a bunch of other different projects as well.Is there a difference between doubling for Tony Stark and doubling for Iron Man?Iron Man is a lot less quirky and fluid. Robert has a very unique way of moving and acting. Maybe it’s why he was so good as Chaplin. And then, an Iron Man-type movement is much more about being upright, more strident, more powerful. In a way, slightly more mechanized. In some instances, that was dictated by the amount of movement that the suits would allow. Earlier versions were actually very tricky to move in and see anything in.What’s the craziest stunt you ever did for a Marvel movie?For Iron Man 3, we were jumping off cranes. Those cranes were 300-, maybe 400-feet high. Launching yourself off the side of those was interesting. Definite leaps of faith, especially since it was all shot at night. You’re leaping into darkness and trusting that the various cables you’re attached to are going to do what they’re supposed to.Got any MCU war stories?I’ve certainly taken some knocks. Nothing that has particularly stopped me from continuing with a project. On all the Marvel projects, we’ve been very lucky in having had a good group of stunt engineering guys or girls. I’ve been fortunate enough to be able to be on those rigs or whatever it was and come out the other side.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)What was the most memorable part of working on Endgame?The scene were Tony travels back in time and he’s dressed as a SWAT guy in the past, but [the 2012 version of him] is talking to Robert Redford. They did that whole sequence in the morning, and I was the [present-day Tony] in the background, in the SWAT gear, observing him while he went through this whole scene. It was sprung on me that for the afternoon’s work Robert [Downey Jr.] would be the guy in the SWAT gear, so they would do the close-up stuff on him, watching me, now perform that whole dialogue sequence. I essentially got to act on screen, with dialogue, not only with Chris Hemsworth, but with an absolute living icon, Robert Redford. That was incredibly memorable to me.What has it mean to you to be part of the MCU for a decade?I remember seeing a documentary about Star Wars as a kid, and they showed Darth Vader without a mask. I remember thinking, “that would be the coolest job ever. To be a character like that, and to actually be the guy in the mask, to be that iconic, awe-inspiring character.” I came to do Iron Man 2, and they told me I was going to wear the suit, and the first time I ever put it on, it was for a sequence where there’s a party in Tony’s house. They put the helmet on me, and I suddenly had a flashback to that moment as a kid of seeing Darth Vader helmeted, and I suddenly thought, “oh my goodness, this is that moment that I imagined as a kid.”Loyd Bateman: Double for The Hulk (Mark Ruffalo) These large chunks of foam that you’d have to wear in order to make parts of your body the correct size — that makes it tricky. (Photo by © Walt Disney Studios Motion Pictures / © Marvel Studios)What was the first Marvel movie you worked on?I actually have only done Infinity War and Endgame.How did you get the job?I’ve been working in film for almost 20 years now, doing stunts and etcetera. I sent a short reel of some of the things that I’ve done, including a short film that I made for my son called Zarg Attack!. He wanted to fight a giant robot. I did a stop-motion animation robot and made it attack him. I think it’s that clip that landed me the job, between that and my performance stuff.What was it like meeting Mark Ruffalo for the first time?Mark was really sweet. It was early 2017 when we started to do some of the motion-capture stuff for Infinity War. Right out of the gate he was very friendly, very sweet, very open. Talked a little bit about how he was playing about it, the character. I brought some of my ideas to the table, and he was really open and receptive.What’s the difference between doubling for Bruce Banner and for the Hulk?If I’m completely honest, I’m physically larger and, I daresay, a hair more muscular than Mark, so I actually didn’t do any of the Bruce Banner stuff. I did all the motion capture stuff for the Hulk, and for smart-Hulk.While wearing the motion-capture suit, did you also have a fake head on a stick, like the ones Josh Brolin wore as Thanos?We did from time to time, just as a height reference, but often if we were being really physical, it would just break. We would take it off to do what we needed to do. Also, often the character would be fighting other characters of equivalent size, so it was less tricky. Thanos would often be fighting human-sized characters, so there were eyeline issues all the time and size issues.(Photo by © Walt Disney Studios Motion Pictures / © Marvel Studios)Did the motion-capture nature of the character make doing the stunts more complicated?It was a bit of a double-edged sword. On the one hand, you can wear as much padding as you wanted. You could be as safe as you needed. Sometimes, though, with all the extra gear on — like height offsets or these large chunks of foam that you’d have to wear in order to make parts of your body the correct size — that makes it tricky. Other than that, not too difficult.What was the craziest stunt you’ve done for a Marvel movie?The stunts weren’t physically that huge for my character. The more complex stuff was fight choreography, really. For this particular character, any of the explosions or huge falls he would have to do, they would just do it completely with computers. It’s a magic show. It’s a lot of trickery. We got to have fun, be safe, and do things that were spectacular at the same time.Did you ever get injured?We always get bumps and bruises. I don’t mean to put my experience too lightly. Obviously the human characters who are acting with real practical walls and windows and things are going to have a much harder time, but I still did a certain amount of getting kicked and punched backwards, landing on things, all that sort of stuff.What was the most memorable part of working on Endgame?Watching the finished film in the theater, I think was the most memorable to me, because seeing it all come together after all that time and all that effort, how hard everyone worked, everyone putting their heart and soul into it. Seeing it all come together and getting to watch it with a group of people was actually made it was the most memorable thing. It was fantastic.Daniel Hargrave: Double for Captain America (Chris Evans) That America’s ass shot, when he’s on the ground, was shot during additional photography – that was all Chris Evans. (Photo by © Walt Disney Studios Motion Pictures / © Marvel Studios)What was the first Marvel movie you worked on?Captain America: The Winter Soldier. How did you get the job?My brother Sam had doubled Chris Evans for the whole movie, and they were going to do some additional photography. Sam and I were actually working on The Hunger Games, and he had a long beard and he didn’t feel like shaving for a couple days of reshoots so he volunteered me. I went out there and doubled Chris for one scene.What was it like meeting Chris Evans for the first time?He was super nice. My brother had a good relationship with Chris, and he was very cordial and nice to me. Of course, he expected me to be like my brother and perform at a higher level, so it was a little pressure, first time meeting him, but he was a very nice guy.What’s the craziest stunt you’ve ever done for a Marvel movie?In Endgame, when my brother and me were both doubling Cap for the “Cap versus Cap” scene. There was the double stair fall, where we both ran and jumped off of a platform down the stairs at the same time, and went crashing down the stairs and off the edge into a box catcher, and then they hoisted us up. It was a throwback to when we were little kids on the farm, we used to make little videos. Kinda funny, now 25 years later, we’re doing it on the big screen for one of the biggest movies in the world. It was awesome, a dream come true.

5. HD 画质与高品质音讯
使用強大的百度引擎6建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

7. 官方资讯
更多资讯请关注我们的官方社群:
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Facebook粉丝页:http://www.gdchenrui.com/app/955834/63231.html
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0.46.4 9月喜迎It s been said that it s all about the journey, not the destination — and that phrase is oftentimes used in conjunction with a lengthy discussion about the TV show Lost.Lost was truly like nothing else on TV, but most of the conversation around the show centers solely on its final episode. Nowadays it s generally accepted that the two-part final episode, unsubtly-titled The End, was divisive at best, but back when the finale aired on May 23, 2010, it earned mostly positive reviews, and was even nominated for an Emmy for both best directing and best writing.On its 10th anniversary, we have to go back to the island and revisit all the reasons The End worked as an encapsulation of everything that made Lost a great series.THE SHOW WAS ALWAYS BUILDING TO THAT ENDING(Photo by Reisig & Taylor/© ABC/Courtesy: Everett Collection)Though the grand mysteries involving magic corks and polar bears became the dominant narrative around Lost, what they say about the show being all about the characters remains true. Sure, we did get plenty of plot twists and surprises, but these revelations were always character-driven: from the show s first flash-forward being revealed through a trauma-ridden and beard-having Jack, or Desmond s time-traveling told as a love story between him and his constant, Penny. This continued all the way to the finale, which of course had the magical cork, and the flash-sideways being an allegory for the after-life, but both served to inform Jack s journey of learning to let go. Letting go of his need to fix everything, letting go of his obsession to do everything himself and not accepting help, and letting go of his father.This character-driven conclusion to the story was telegraphed to the audience for years. Showrunner Carton Cuse said in 2006, You have to watch because you’re enjoying the journey, not because you are waiting for the endgame. Lost always used its mystery as a way to dive into the characters psyche and advance their individual stories, not the other way around. There was never going to be a lengthy explanation about what everything meant, as showrunner and co-creator Damon Lindelof told The Verge in 2012, they were shooting for an ending that gave an explanation as to why the plane crash mattered to the characters and what they got out of it. The answer, as corny as it sounds, was the one that appealed to me the most: each other, Lindelof said. If they hadn t spent all that time on the island, then they would never have been able to forgive themselves for their past sins and break through to some sort of level of self-awakening and forgiveness. THE ENDING ENCAPSULATES THE SHOW S BIGGER IDEAS ABOUT PHILOSOPHY(Photo by Mario Perez / © ABC / Courtesy: Everett Collection)For all the times that Jack and Locke fought about science versus faith, neither able to fully convince the other, the Lost finale ultimately sided with faith being the answer, whatever form that takes. The questions regarding the origin of the polar bears or the electromagnetic properties of the island gave way to mythological tales of immortal 2,000-year-old entities and more abstract questions regarding whether there s a purpose behind suffering and what suffering we must go through to achieve grace.Indeed, the philosophical nature of the show has been there since the beginning. There are several characters named after known philosophers, and from early in the first season the characters discuss whether the island is purgatory and they re being punished by some higher power. This idea of punishment and sin carried on all the way to The End, with the characters learning from their past sins and move on having become better people. Though it dabbled in big battles between good and evil with the fate of the world on the line, Cuse said in 2014 at PaleyFest that Lost was metaphorically about lost people looking for meaning in their lives, so the ending had to be a spiritual one that explained these characters’ journey and destiny. This is why the flash-sideways are so meaningful for the show at large and especially the finale. As Jack gives his life to save both the island and his friends and the battle between good and evil comes to an end, the sideways characters remember their lives and achieve some kind of grace or bliss. They all needed each other to find themselves and some catharsis before moving on, living up to the title of the show itself: Lost.SIDE CHARACTERS GOT SATISFYING CURTAIN CALLS(Photo by Mario Perez/© ABC/Courtesy Everett Collection)While Jack fought to stop the Man in Black (who had taken Locke s body) on the island, Desmond was busy gathering everyone in the sideways afterlife. Though not incredibly important to the plot this was a fantastic way of letting the audience say goodbye to characters they hadn t seen in years.Whether it s Shannon reuniting with Sayid, Boone and Libby showing up one last time, Rose and Bernard revealing they ve been living a nice and quiet life on the island, or Vincent the dog returning and lying next to a dying Jack, the flash-sideways allowed Lost to shine a light on side characters we ve lost over the years for one last goodbye.THE CALL-BACKS ARE SPOT ON, AS IS THE FINAL SHOT(Photo by Mario Perez / © ABC / Courtesy: Everett Collection)The finale of Lost also makes it a point to revisit some of the show s greatest hits to have the story come full circle and underscore the changes the characters have gone through. Sawyer calls Jack doc in the sideways universe, while leading Desmond down a cave to pull out the cork from the heart of the island, the evil version of Locke points out that it feels nostalgic to stare down a hole in the ground with Jack (a callback to the hatch from season 1). The Man in Black s death is even shot to echo Jacob s death from season 5.Then there s Jack s death scene, which begins with him being stabbed in the opposite side of his abdomen as when he woke up after the crash in the pilot, before walking through the bamboo fields where Vincent the dog comes to greet him. The closing shot of the show, Jack watching the plane carrying his friends fly off as he closes his eye, the reverse of the opening shot of the show, is absolutely perfect.WE ALL FELT THE GIACCHINO Composer Michael Giacchino s work on the show was one of Lost’s secret weapons. Each episode, Giacchino would write the show s emotional, haunting, soaring music that accompanied the story for six seasons. In a move that was and remains rare on TV, Giacchino worked with a live orchestra instead of just with a synthesizer, which added to the gravitas and power of the show s score. Cuse and Lindelof coined the term The Giacchino to signal the feelings they wanted to convey through music. As Cuse once told the LA Times, We literally write Michael s name into the script in various places where we want to convey a sense of emotion. Sawyer and Juliet s reunion in the finale wouldn t work half as well without Giacchino underscoring the emotion of the scene, nor would the scene where Jack s father explains to him the nature of the sideways timeline, which becomes an instant tearjerker because of the score. If Lost is about the characters going on a journey, Giacchino s music takes the audience on a similar emotional journey.Lost is available to stream by subscription on Hulu and Amazon Prime Video (with ads), or rent or buy it at FandangoNOW, Vudu, and iTunes.
Fans Choice: Favorite TV Shows 2018Critics loved the third season of Marvel’s Daredevil — it won the Golden Tomato award for Best Superhero TV Show, and is Certified Fresh with a 96% on the Tomatometer — and so did fans: The now-canceled Netflix series is going out with a bang as the first-ever Golden Tomato Awards Fans’ Choice winner for Favorite TV Show of 2018, tallying the biggest total from more than 19,000 votes cast. It’s a fitting end for the streaming service’s lawyer-turned-crimefighter Matt Murdock, a.k.a. Daredevil. Join us in raising a glass and re-watching the sixth episode’s badass ten-minute, no-cut fight scene to celebrate.The order below reflects the number of total votes cast for each TV show by users in a poll that ran on RT from January 11 to January 24.« Previous Category Next Category »
The blanks, as it happens, also offer Heller a format steeped in DC Comics lore without masks and superpowers.“I love superheroes, [but] I don t really know how to write them,” he said. “Alfred is a real person. Him and Commissioner Gordon, they re kind of human beings in the canon.”Their humanity in the face of theatrical villains and masked vigilantes made them great anchors for television series set in wilder worlds. Although, the wildness of Pennyworth is based less in the superhero tradition and more in a British mode, which is fitting for the character.For fellow executive producer Danny Cannon – who also worked on Gotham – the blanks in Alfred’s story allowed him to try something different: a DC show set in 1960s London.“[It is] a place that both myself and Bruno knew rather well,” he explained. “[We] also had a vision on what that world should feel and sound like. Alfred was uniquely suited to open that world up.Their vision of a DC Comics London will be one of the things viewers will immediately note about the show, both in its style and the way it offers clues to the story under Alfred’s feet. Small anachronistic details creep into the margins and the sort of “nevertime” Gotham used starts to appear.“It s as if it s sort of a dream London where anything, any point in the history of the country, can be there, but anchored in the ’60s,” Heller said. And as Alfred finds himself pulled deeper into Thomas world, a very specific event in British history seems drawn into the setting.(Photo by Epix)But first, we need to talk about Bet Sykes. Played by Paloma Faith, the dedicated contract killer immediately takes possession of any scene she appears in. For Faith, the character as written by Heller reminded her of people she knew.“Growing up in London, there had been a couple of times in my early life where I ve actually met real gangsters, and their wives have this very distinctive, very nuanced way  usually, they re very glamorous and empowered, but majorly insecure at the same time,” she explained. “So, it was like kind of trying to channel that. They were always a bit threatening.”When viewers first meet Bet, that threatening edge will be immediately apparent, but they will soon discover a gentle side to the character as well.“She s got a very sort of distinct differentiation between when she s at work and when she s not at work,” Faith said. “Having had a career that s very public myself as a musician, I can really empathize with that idea of putting on your work face and putting on your home face. That played into the way that I played her.”And just as Gotham humanized the Riddler, Barbara Keen, and other seemingly manic foes, Bet quickly becomes a layered and interesting character.“She s still a human being,” Faith said. “[She] craves human touch, and connection, and to be understood.”(Photo by Epix)The show’s willingness to give Bet that depth makes her something of a mirror to Alfred – right down to their willingness to commit violence.“I think it s something that will always be with him,” Bannon said. “I think he s grown up, essentially, in the Army, his formative years anyway. And it s a little bit like a strange addiction. He knows it s bad for him, but he keeps being drawn back.”“I also think they re all quite desensitized in the world of this as well, because it is a violent world,” added Faith. “So, [it’s] their perception, and then we have to sort of shift ours when we view it.”And as Faith’s comments suggest, Pennyworth is more violent and graphic than most of its DC-inspired cousins (Swamp Thing comes close). To Heller, reaching for a new level of on-screen violence was an important evolution.“There’s an honesty when you portray violence, as shocking as it is, to make it shocking,” he explained. “That s what violence is really like.”As opposed to the comical sound effects of Batman ’66 or the relative bloodlessness of network shows, Heller said the violence and its implications were important to convey and establish early.“What happens is you bleed, you die,” he said. “It s not meant to be sensational. It s just meant to be true to both the sensibility of the myth and the reality of violence.”Despite the violence on display in the series, Pennyworth is filled with humor – from the absurd to the driest of quips worthy of Batman’s butler. It was an element of the show which surprised the cast once they began to see finished episodes.“I know the jokes were there,” Aldridge said, “but there were other moments I hadn t read as funny at all.”In the first episode, some of these moments involve a gun-toting granny, the owner of the club where Alfred and Thomas meet, and a very unusual torturer.“Alfred says at one point, ‘Life is either a tragedy or a comedy, and I prefer to have a laugh.’ And that s kind of true,” Heller said when asked about juggling the show’s grimmer moments and funnier elements. “There has to be light, because on one level it s a very bleak and dark view of the world. So without shafts of light, you ve just got darkness as opposed to shadows and light.”“For me, when I think about being British, the most proudest thing about it is the humor, for me,” Faith added. “So it s so important that it s in there.”(Photo by Epix)Which brings us back to the question – why make a series about Batman’s butler? Because he offers a uniquely British story to the DC Universe, one that also features an examination of British class struggles.“I feel like in America, you re kind of raised to believe that whichever class you come from, you can achieve anything,” Faith said. “I remember being sort of the 17-year-old literature student, being like, Oh, the American Dream — like, never heard of the possibility until then of being able to actually sort of contradict the class you were born into.”In the British tradition, social mobility is much harder. And into the 1960s, it was something parents actively discouraged their children from attempting.“The ’60s was the first time where people were starting to live their own lives and have their own ideas, and Alfred is the perfect guy to break away from the military and from their old-school way of thinking,” Cannon said. “He s filled with optimism and a new energy, and he s looking towards the future.”Nonetheless, Alfred will face obstacles in finding that future simply because of the station he was born into.“One of the things that you notice when looking at past portrayals of Alfred is that, to a degree, Michael Caine was the first guy who played the character as he would be in real life – which is working class,” Heller said. “And that servant class was always in a weird, anomalous position of serving the upper classes, but never being able to cross that line. Alfred is someone who has lived his own life and does not want to be servile, does not want to be dependent on the largess of the aristocracy. So that conflict is built into the character.”“It s a strong theme in our show, and a strong theme in British culture in general,” Faith added.The conflict will also be writ large in the series as tensions in the country lead to sectarian violence and the potential for a British Civil War, the event seemingly imported from history into the 1960s of Pennyworth.(Photo by Epix)At the same time, Bannon admitted that Alfred is “blown away by his new wealthy American associate, Thomas: He talks differently, he looks different — [Alfred has] never really seen anyone like that.”Thomas movie-star quality may offer some clue as to why Alfred will ultimately become a butler and work for the Waynes. Granted, it will take more than good looks and a seemingly endless supply of cash to bond Thomas and Alfred for all time — but then, that is the story the series is setting out to tell while also sowing the seeds of a class war.And as all moderns series consider their conclusion from day one, the cast and producers of Pennyworth jokingly suggested its natural endpoint will either be the birth of Bruce Wayne or his conception. Although, Faith suggested Bruce’s birth could come with a further revelation.“I d love to see Jack dressed as a baby coming out of Martha,” she joked. “Alfred s actually his dad, and you re [playing] the baby!”“That s very meta and crazy: Me in a little bonnet,” Bannon said.Pennyworth premieres July 28 at 9 p.m. on Epix. Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

(Photo by © Warner Bros. )Do you like your Harry Potter films light and frothy – like the early years? Or do you prefer your Wizarding World all broody and dark – like the later years? Perhaps your Potterverse sweet spot is in the middle films, like Goblet of Fire, which expertly blend both, capturing Harry, Hermione, and Ron at a time when they’re still innocent enough to be awed by the magic around them, and when He Who Must Not Be Named is moving from lingering threat to fully formed strange-nosed wand-swinger.Whichever way you lean Potter-wise, you’re likely to have some strong thoughts about our ranking of the Harry Potter films.Our list orders the movies by their Tomatometer score, which reflects the percentage of critics that gave the films a thumbs up. Not surprisingly, all eight Harry Potter movies score very well according to the Tomatometer, with each earning a Certified Fresh score of 77% or above. (It is the Ravenclaw of movie franchises.) Final film Harry Potter and the Deathly Hallows – Part 2 comes in at number one with a whopping 96%, with fan fave Prisoner of Azkaban close behind on 90%; in last place is Deathly Hallows – Part 1, which suffered – according to critics – from an inevitable feeling of being unfinished.In the latest episode of our new podcast, Rotten Tomatoes Is Wrong (A Podcast from Rotten Tomatoes), we’re going big. Like, troll-rampaging-in-a-boarding-school-bathroom big…. Or giant-spider-getting-freaky-in-the-woods big. For the first time, we’re tackling not just one or two films, but an entire series, asking whether our ranking of each movie in the Harry Potter franchise passes the sniff test with lovers of the series. Joining hosts Jacqueline Coley and Mark Ellis for this Triwizard Tournament-level task is Syfy and Syfy Wire’s Jackie Jennings, host of the “Who Won the Week” podcast and Potter-head who definitely thinks we’re wrong on this one. Will you agree?Listen Now:  Spotify |  Apple Podcasts  |  Stitcher  |  TuneIn  |  Google Podcasts | Radio Public | Deezer | iHeart | Art19Check in every Thursday for a new episode of Rotten Tomatoes Is Wrong (A Podcast From Rotten Tomatoes). Each week, hosts Jacqueline and Mark and guests go deep and settle the score on some of the most beloved – and despised – movies and TV shows ever made, directly taking on the statement we hear from so many fans: “Rotten Tomatoes is wrong.”Episode one:  Rotten Tomatoes Is Wrong About  Spider-Man 3Episode two:  Rotten Tomatoes Is Wrong About  Mortal KombatEpisode three:  Rotten Tomatoes Is Wrong About  Indiana Jones and the Kingdom of the Crystal SkullEpisode four: Rotten Tomatoes Is Wrong About  Sister Act 2: Back In the HabitEpisode five: Rotten Tomatoes Is Wrong About  The BeachEpisode six: Rotten Tomatoes Is Wrong About  Hocus PocusEpisode seven:  Rotten Tomatoes Is Wrong About  Vampire In BrooklynEpisode eight: Rotten Tomatoes Is Wrong About  VenomEpisode nine: Rotten Tomatoes Is Wrong About Ace Ventura: Pet Detective / When Nature CallsIf you have a suggestion for a movie or show you think we should do an episode on, let us know in the comments, or email us at rtiswrong@rottentomatoes.com.Meet the hostsJacqueline Coley is an editor at Rotten Tomatoes, with a focus on awards and indie coverage but with a passion for everything, from the MCU to musicals and period pieces. Coley is a regular moderator at conventions and other events, can be seen on Access Hollywood and other shows, and will not stand Constantine slander of any kind. Follow Jacqueline on Twitter: @THATjacqueline.Mark Ellis is a comedian and contributing editor for Rotten Tomatoes. He currently hosts the Rotten Tomatoes series Versus, among others, and can be seen co-hosting the sports entertainment phenomenon Movie Trivia Schmoedown. His favorite Star Wars movie is Jedi (guess which one!), his favorite person is actually a dog (his beloved stepdaughter Mollie), and – thanks to this podcast – he s about to watch Burlesque for the first time in his life. Follow Mark on Twitter: @markellislive.On an Apple device? Follow Rotten Tomatoes on Apple News.
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亚博体彩网站 Orlando Jones has joined the Spectrum Originals cop drama L.A.’s Finest, starring Gabrielle Union and Jessica Alba, in the recurring role of an Internal Affairs member who investigates Union’s Syd Burnett after one of her investigations turns deadly. The role is Jones’ first after the controversial end to his American Gods role. (Deadline)Peacock’s Saved by the Bell reboot has set some key members of its new generation cast. Mitchell Hoog (Richard Jewell) will play Mac Morris, son of Mark-Paul Gosselaar’s Zack Morris, who is now the governor of California in the update. And Belmont Cameli (Empire) will play Jamie Spano, the football-playing spawn of Elizabeth Berkley’s Jessie Spano. Both Gosselaar and Berkley, along with Mario Lopez as A.C. Slater, will reprise their roles for the Peacock series, while Tiffani Thiessen, who played Kelly Kapowski in the original series, is reportedly in talks to return. Previously announced new cast members include Dexter Darden, Josie Totah, Alycia Pascual-Pena, Haskin Velazquez, Rose Abdoo, and John Michael Higgins as new Bayside High principal Mr. Toddman.RELATED: Adrien Brody to star in 10-episode series of Stephen King s Jerusalem s LotGlee alum Jessalyn Gilsig has replaced Shiri Appleby in Disney+’s upcoming John Stamos series Big Shot. Gilsig plays the assistant coach to the grumpy high school girls basketball team head coach played by Stamos. David E. Kelley, who previously worked with Gilsig on Boston Legal, is an executive producer on the dramedy. (Deadline)DEVELOPMENT NEWS: QUEEN LATIFAH IS TV’S NEW EQUALIZER(Photo by Photo by Jim Spellman/FilmMagic/Courtesy of Getty Images)CBS has ordered a pilot of its reboot of The Equalizer, with Queen Latifah starring as a woman with a very particular set of skills she uses to help people with problems and no one else to help solve them. The show is a remake of the 1985-89 CBS series that starred Edward Woodward, and the 2014 and 2018 movies that starred Denzel Washington.Brooklyn Nine-Nine and The Good Place creator Mike Schur is teaming with Broad City writers Lucia Aniello, Paul W. Downs, and Jen Statsky to create a dark comedy pilot at HBO Max. The comedy will revolve around two women – a Las Vegas diva who mentors a twentysomething, entitled rich kid. The pilot is the most recent project from Schur, as part of his nine-figure deal with Universal TV. (THR)Netflix and Sony are teaming up for a movie adaptation of Matilda the Musical (itself an adaptation of Roald Dahl’s classic children’s novel), which will be released in theaters and Netflix in the U.K., and eventually on Netflix around the world. (THR)The CW announced the theme for the next musical episode of Riverdale: It will be Hedwig and the Angry Inch. The episode, which will air on April 8, finds Kevin Keller (Casey Cott) determined to spotlight Hedwig, especially after Principal Honey (Kerr Smith) forbids it. Each member of the Riverdale gang will perform a song from the play in the special musical episode that, “as always, reflects out characters’ inner lives and struggles,” the network statement reveals. “And amidst all the drama, one forbidden ‘showmance’ begins to blossom.”(Photo by Marc Hom/The CW )NFL quarterback legend and broadcaster Terry Bradshaw will star with his wife, daughters, and grandchildren in an E! reality series called The Bradshaw Bunch. As per E!: “From real-life hijinks to juggling football, fame and farm life, unpredi

If you have a suggestion for a movie or show you think we should do an episode on, let us know in the comments, or email us at rtiswrong@rottentomatoes.com.Meet the hostsJacqueline Coley is an editor at Rotten Tomatoes, with a focus on awards and indie coverage but with a passion for everything, from the MCU to musicals and period pieces. Coley is a regular moderator at conventions and other events, can be seen on Access Hollywood and other shows, and will not stand Constantine slander of any kind. Follow Jacqueline on Twitter: @THATjacqueline.Mark Ellis is a comedian and contributing editor for Rotten Tomatoes. He currently hosts the Rotten Tomatoes series Versus, among others, and can be seen co-hosting the sports entertainment phenomenon Movie Trivia Schmoedown. His favorite Star Wars movie is Jedi (guess which one!), his favorite person is actually a dog (his beloved stepdaughter Mollie), and – thanks to this podcast – he s about to watch Burlesque for the first time in his life. Follow Mark on Twitter: @markellislive.On an Apple device? Follow Rotten Tomatoes on Apple News. Rotten Tomatoes Users Vote 'The Joker' the Most Memorable Movie Moment of the Last 21 Years The Dark Knight takes home the crown, with Infinity War, Sixth Sense, Up, and Moonlight following. by RT Staff | August 19, 2019 | Comments

2022-01-17
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更新时间 2022-01-17
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