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亚博登录网址采用百度引擎2(Baidu 7)第二,手游代理是属于轻资产的行业,投资小,回报周期也比较短。相对于实体店加盟代理动辄几万十几万的加盟费,游戏行业投资是很小的,而且玩家充值就可以变现。回报周期短

1. 亚博登录网址
Ratched, the much talked-about Netflix show from Ryan Murphy and Ian Brennan is Fresh on the Tomatometer largely due to its Emmy-winning star, Sarah Paulson. And if you love her performance in this origin story of asylum nurse Mildred Ratched yeah, that Nurse Ratched this list should fill your binge prescription, whether you choose to go back to the source material (One Flew over the Cuckoo s Nest), check out something else from the creative team behind it (American Horror Story), or try another dark period drama set in a hospital (The Knick). Watch the video for the full list!The first season of Ratched premiered on Netflix on September 18, 2020. LOL手游台服终于在无数国内玩家的目光中于12月8日正式开通了哦,玩家可以与自己的朋友们一起去峡谷里展现自己高超的技术,并且这款游戏的画质以及人物的技能设计都是一流的保证让玩家可以尽情的玩耍哦,感兴趣的玩家们,欢迎前来下载体验一下吧。
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

2. 公平游戏环境
群英之战内购破解版是一款三国动作手游,通过最为简便易学的点划操作,华丽绝伦的游戏画面,酣畅淋漓的无双割草式战斗打击感以及对三国数十位经典人物的深入刻画,向玩家展现出一幅激爽三国炫技手游的全新画卷。亚博登录网址(Photo by © Warner Bros. )Space Jam: A New Legacy is no Jurassic World, but never underestimate the appeal of a film that has become a generational security blanket. Twenty-five years after the release of the original Space Jam movie, the sequel has topped the box office and given some hope to a family box office market struggling to bring kids ineligible for vaccinations back to the theaters. (Not to mention that other added barrier: the convenience of family films like Space Jam: A New Legacy being available to stream at home.) This week was a more than solid opening for A New Legacy, but is it just another front-loaded event picture that will leave its studio wishing for more?King of the Crop: A New Legacy Hopes to Go Strong For All Four Quarters After Blistering Opening First, let’s go to the charts. Space Jam: A New Legacy opened in first this weekend with .7 million. That is the fifth best opening of the year – just ahead of WB’s Godzilla vs. Kong’s .6 million, if the estimates hold (and GvK had a two-day head start). That is also the best family-oriented opening of 2021, surpassing even Cruella’s four-day Memorial Day opening of .5 million. LeBron James fans may even point out that it is better than the .5 million start that Michael Jordan’s Space Jam kicked off with back in 1996. Though with inflation that was about a .6 million opening and the movie went on to make more than 6 million. (At the time of its release, that was the fifth best opening of 1996, but the movie dropped to seventh in subsequent weeks when Star Trek: First Contact and the live-action 101 Dalmatians opened bigger.)GOAT debate aside, there was not a lot of chatter that Space Jam was going to dethrone Black Widow in its second weekend after a record-breaking pandemic opening. And yet here we are. But long term is the question now, with watchers wondering whether A New Legacy will join the exclusive company of 0 million films. So far it has taken at least a million opening to achieve the ranks of 0 million. By next week we will have three films in that bracket: A Quiet Place Part II, F9, and Black Widow. Godzilla vs. Kong is still a bit of an anomaly in that it had very little competition; it was in the top 5 for six weeks and the top 10 for 10 weeks, and it still stands at just 0.5 million.(Photo by ©2021 Disney Enterprises)The good news for Jam is that family films, while not breaking the bank, have been pretty consistent in bringing in audiences post-opening weekend. Raya and the Last Dragon had a disappointing .5 million start back in March, but is now up to over million (or 6.42 times its opening). Cruella and Peter Rabbit 2 were at 3.82x and 3.83x their openings entering this weekend and The Boss Baby: Family Business is approaching getting over the 3x hump. Cruella’s number, though a far cry from being a success against is budget, is interesting given its availability on Disney+ via Premier Access. The Boss Baby sequel may be a better gauge for A New Legacy, given it is also available as part of a streaming subscription (Peacock) with no extra cost. As of this weekend the film is at a 2.76 multiplier, but also opened to just a bit more than half of A New Legacy’s start. Can this be the second Warner Bros./HBO Max title to reach 0 million – after Godzilla vs. Kong? A new generation will tell.The Top 10 and Beyond: Black Widow Has Big Second-Weekend Drop, But Still Aims for 0 MillionMarvel’s Black Widow reached one high peak already during the pandemic box office, which means it had the furthest to fall too. Its 67.2% drop from its opening of million down to .3 million this weekend was the third-highest drop of the year for a wide release after Mortal Kombat fell 73.2% and Demon Slayer fell 69% in the same weekend. The positives still outweigh the setback, though, as the film managed to gross over 5 million in its first full week and will eventually be passing both F9 and A Quiet Place Part II to become the highest-grossing film (domestically) of the pandemic so far.But is a 0 million total now in jeopardy? The film has fallen behind the pace of Ant-Man and the Wasp already, which had 3 million after 10 days with a million second weekend – it finished with 6 million. Black Widow is at 2 million and could actually become the first July release to have over 0 million in its first 10 days and not reach the 0 million milestone. Disney also chose not to report its Premier Access numbers this week.(Photo by ©Universal Pictures)Checking in on the films that Widow is chasing for the top spot, we have F9 making .6 million this weekend, driving its total to 4.8 million after 24 days of release. Last week, we put the film in line with Pirates of the Caribbean: Dead Men Tell No Tales, which had 0.5 million in the bank after an .9 million fourth weekend. Somewhere around that film’s total haul of 2 million still looks right and F9 continues to lead the way internationally with over 1 million to date. A Quiet Place Part II just finished a seven-week stay in the top 5 and is still holding onto a narrow lead over F9 with 5 million. In many ways this is the truest success story of the pandemic so far. An exclusive theatrical run from Memorial Day weekend through last weekend and a consistent audience that is going to drive it to over 0 million: This is the film most deserving of the “theaters are back” title.The other sequel unleashed in theaters this week, Escape Room: Tournament of Champions, grossed just .8 million this weekend. That is down nearly million from the .2 million the first film did when it became a modest hit in January 2019, finishing with million. The critical consensus on the Escape Room sequel is not so far off from the original, with a Tomatometer of 42% compared to the first film s 51%. It s worth noting that franchise horror has been going lower and lower in terms of box office pull this summer since A Quiet Place Part II opened to .5 million. The Conjuring: The Devil Made Me Do It did .1 million the week after Quiet Place opened, then The Forever Purge started with .5 million a month later. Lest we not forget Spiral starting with just .7 million in mid-May. The third Conjuring film was the only one of the bunch not exclusive to theaters upon opening. An original horror film, M. Night Shyamalan s Old, will test the audience’s thirst this upcoming week and the genre could reclaim the number 1 slot.(Photo by © NEON)Opening in 927 theaters was the acclaimed but controversial documentary Roadrunner about Anthony Bourdain, which took in .9 million or about as much as Apollo 11 opened to in just 120 theaters in 2019. In only 552 theaters is Pig, with Nicolas Cage as a truffle hunter searching for his stolen companion. It scrounged up 5,000 for a ,712 per-screen-average compared to Roadrunner’s ,000. A24’s Zola is out of the top 10, but is up to .2 million with another 0,000 this weekend.On the Vine: M. Night Shyamalan Returns To Battle Henry Golding in Action ModeNext week, M. Night Shyamalan turns the Fountain of Youth – or its complete opposite – into the Beach in his latest thriller, Old. Its challenger for the week is the latest in the G.I. Joe series, an origin story for Snake Eyes with Henry Golding stepping into the role. It could make for an interesting box office battle, one that is rife with potential for both major surprise and crushing disappointment.Full List of Box Office Results: July 16-18, 2021

3. 激战团竞模式
(Photo by HBO)The Best TV Movies of 2019 (So Far)Identifying a TV movie is more difficult than ever. The Television Academy put new rules into place this year that would prevent titles like Black Mirror from entering episodes under 75 minutes into the Television Movie Emmy category. The title s 61-minute San Junipero won the 2017 award in the category. (On the flip side, shorts now must be at least 2 minutes long.)So, when we re compiling a list of Certified Fresh TV Movies, we re faced with making choices like whether or not individual episodes of an anthology film series like Black Mirror should be listed in such a way that they are eligible for Certified Fresh designation as the title s one-off Bandersnatch is.Fortunately/unfortunately, the individual episodes for season 5 don t meet the scores required for consideration anyway.Read also: The Best Black Mirror Episodes to the Worst, Ranked We pulled together a list of TV and streaming film titles that do meet the eligibility criteria to be Certified Fresh, which is a minimum of 40 reviews (higher than the 20 needed for TV seasons) with at least five reviews from Top Critics. We also took into consideration whether a title s primary release was in theaters or on broadcast, cable, or streaming. So limited releases that saw only festival screenings or had very small theatrical time and number of theaters, but then was available broadly on a streaming service, were included as well.Read on to find out which titles in this very exclusive category came out on top for 2019.

4. 呼朋唤友 随心所欲
Maude GarrettAustralian TV and radio personality and gamer extraordinaire Maude Garrett is one of the most respected voices in entertainment and nerdom. She is a longtime reporter and host, interviewing some of Hollywood s biggest names, and is founder of Geek Bomb, a pop-culture brand that delivers news, video content, podcasts, and more to help fans “unleash your inner geek.” Join the hundreds of thousands who follow Maude on YouTube, Instagram, Twitter, and Facebook.(Photo by Courtesy Rotten Tomatoes)We quizzed Maude to give you a little taste of her movie and TV tastes.What was the first movie you saw in theaters? The Little Mermaid. I loved the movie so much, I still love it as much today. The movie had a profound impact on me, from taking up singing and joining the Australian Youth Choir as a kid, to having a very specific type when it comes to men: Helllooooo, Prince Eric. Hey! He’s a dog person, OK!? What movie do you think should have won Best Picture but never did? Lost in Translation from the 2003 Academy Awards. I m a massive nerd, so the fact that it lost to Lord of the Rings: Return of the King was spectacular, but my goodness, Lost in Translation is practically a perfect movie. The unusual but endearing concept, the effortless feeling of the writing, the wonderful chemistry between Scarlett Johansson and Bill Murray – this was the superior film of that year to me. Tell us a TV series you’d normally never admit you love. The Circle and even Love is Blind. I don t usually like reality TV at all! But there s something about these that focus on it being a social experiment that has me hooked. The first episode of The Circle I felt utterly annoyed by every single person. By the end of the series – which came for me a mere 24 hours later! – I would have jumped in front of a bullet for them. That, my friend, is great TV. What’s a Rotten movie you love? Meet Joe Black. That was peak Brad Pitt for me. The concept is ridiculous, but for me, it s a powerful love story which also tackles strong family themes. I can watch Brad Pitt eat peanut butter off a spoon all day. We were also gifted with the gif where he walks across the street and gets tossed between cars like a rag doll. Marvel or DC? True to my nerdom, this is a very loaded question and such a broad stroke that cannot merely be answered with one or the other. TV Shows? DC. Movies? Marvel. Comics? DC. Characters? Marvel. Do not make me choose. Friends or The Office? Friends! The Office pioneered the shaky cam and my nausea never recovered. Friends had forever quotable moments and such distinct characters that became your family.

5. HD 画质与高品质音讯
使用強大的百度引擎4建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

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6.99.0 8月喜迎While 2019 will be stuffed with a diverse array of content from Stargirl to The Boys, the future of comic books on television looks to be an even wider field of genres and characters. Let’s take a look at some of these live-action projects and their current status.UPDATE 2/4/19: FX has officially ordered a series based on the comic Y: The Last Man that is set to debut in 2020. Titled simply Y, the series stars Diane Lane, Barry Keoghan, Imogen Poots, Lashana Lynch, Juliana Canfield, Marin Ireland, and Amber Tamblyn, and was co-created and written by Michael Green and Aïda Mashaka Croal. According to FX, Y takes place in a post-apocalyptic world in which a cataclysmic event has decimated every male save for one lone human. The new world order of women will explore gender, race, class and survival. Keep reading to find out more about this title and others.Jupiter’s LegacyPremise: While a generation of superheroes who came to prominence in the 1930s embrace their twilight years, their children find taking up their legacies far more difficult than they ever imagined. Based on the comic book by Millar and Frank Quitely.Status: One of the two Millarworld television shows Netflix announced in July 2018. Steven S. DeKnight, who produced the first season of Daredevil, will adapt the comic book into an eight-episode series. In February of 2019, the streaming service announced the primary cast, which includes Josh Duhamel as The Utopian — aka Sheldon Sampson — the leader of a superhero team known as The Union who finds himself disconnected from his family and, increasingly, the modern world. Leslie Bibb will play his wife Grace. She is one of the most powerful people on the planet, but regulates that power while trying her best to balance Sheldon’s ideals with the difficult modern world. Ben Daniels will play Sheldon s brother Walter— aka Brain-Wave — a smart man, as his superhero name suggests, who is willing to use the sort of violence Sheldon avoids. Other cast members include Elena Kampouris as Sheldon and Grace’s rebellious daughter Chloe, Andrew Horton as their son Brandon, who is trying his best to become the next Utopian, Mike Wade as Fitz Small, a former hero who keeps The Union running, and Matt Lanter as George Hutchence, The Utopian’s former friend and principle antagonist who goes by the name Skyfox.American Jesus(Photo by Image Comics)Premise: When a 12-year-old boy discovers he is the Second Coming of Christ, he is forced to grow up very quickly and deal with the fate of the world. Y’know, the typical pre-teen problems. Based on Millar’s ongoing comic book with artist Peter Gross.Status: The second of the Millarworld shows for Netflix. Luke Cage veteran Everardo Gout and brother Leopoldo Gout will executive produce the six-episode series.Katy Keene(Photo by Archie Comics)Premise: Based on Archie Comics characters, the potential series will follow Katy Keene (who has yet to appear on Riverdale) and three others as they pursue big, exciting lives in New York City. While Riverdale only gets to be a musical once a year, this spin-off will be a musical dramedy.Status: The CW ordered a pilot written by Riverdale mastermind Roberto Aguirre-Sacassa and Michael Grassi.Secret Six(Photo by DC Comics)Premise: Based on the popular early-2000s DC title by Gail Simone and Dale Eaglesham (for the most part) and an earlier DC Comics concept, Secret Six centers on six criminals forced to work together under the direction of the mysterious Mockingbird. Though their personalities initially chafe, they become a lovable ersatz family.Status: Announced in October, CBS plans to develop the series with Rick Muirragui set to write and executive produce.(Photo by Macall Polay/FX)Premise: Following a devastating event, Yorick and his pet monkey Ampersand are the last mammals on Earth with the Y chromosome. Alongside a former government agent and a geneticist, they set out on a journey across the partially collapsed United States to secure the future of the species. Based on the DC/Vertigo series Y: The Last Man by Brian K. Vaughn and Pia Guerra.Status: FX announced on Feb. 4 that it ordered the project, called simply Y, to series. It stars Diane Lane and Barry Keoghan as Yorick. Other stars include Imogen Poots, Lashana Lynch, Juliana Canfield, Marin Ireland, and Amber Tamblyn. Described as a “a cracked mirror to look at our own very cracked world,” it will debut in 2020.American Flagg!(Photo by First Comics)Premise: Taking its cues from the Howard Chaykin comic book, the series will follow Reuben Flagg, a former TV star turned policeman who witnesses widespread corruption in mall the size of Chicago run by an exiled US government and various corporate sponsors. Believe it or not, it is meant to be a satire.Status: The television distribution arm of EuropaCorp s (producers of Valerian and the City of a Thousand Planets) obtained the rights to Flagg! in 2017, but little has changed since then except the production company s own financial woes. In December, it announced 1 million loss and 42 percent drop in revenue and a renewed focus on core business in feature films. The company also sold its French TV division, so Flagg! s fate may not be good.Locke Key(Photo by IDW Publishing)Premise: Joe Hill and Gabriel Rodriquez’s great comic book centers on the family of a slain San Francisco man who move to his ancestral home in Massachusetts. There, his youngest son discovers the house confers special abilities to the residents by unlocking certain rooms with specially designed keys. But a demon hiding in the nearby well wants those powers for itself.Status: After two pilots — one for Fox in 2011 and one for Hulu last year — the series is finally coming to fruition in a 10-episode Netflix series. While Jackson Robert Scott returns as younger son Bode, many of the actors from the earlier pilots have been replaced. Carlton Cuse, who executive produced the Hulu pilot, will remain as showrunner with Haunting of Hill House s Meredith Averill joining him for the Netflix version.Astro City(Photo by Image Comics)Premise: Based on Kurt Busiek, Brent Anderson, and Alex Ross’ expansive series of comic book stories, the series will center on the lives of ordinary people and the super-powered individuals flying above them. All of them will face Earth-shattering calamities and human-sized versions of great comic book upheavals. They also have to figure out to make a living in this crazy men-in-tights world.Status: FremantleMedia North America, the company that produces American Gods, acquired the rights in March of last year. Busiek is set to write the pilot with Rick Alexander, while Gregory Noveck is executive producer.Dylan Dog(Photo by Sergio Bonelli Editore)Premise: Don’t let his resemblance to Rupert Everett fool you, Dylan Dog is not a film star, but a fantastic paranormal detective. Granted, he gets personally involved with his clients and the paranormal often gets the best of him, but the important thing is that he means well. Also, his best friend may or may not be Groucho Marx. Based on comics by Tiziano Sclavi and a number of other writers and artists.Status: In August of last year, Dylan Dog publisher Sergio Bonelli Editore announced plans to form its own entertainment arm and develop an English-language Dylan Dog television show. The 10-episode series is expected to also launch a number of other Bonelli characters into television — provided the company ever finds production partners and an outlet willing to air or stream the show.Survivors Club(Photo by Vertigo/DC Comics)Premise: Many years after a demon possessed twins Jason and Jennifer and killed their mother, the siblings join a support group for the ex-possessed. But then a new evil arises, forcing the group to become a demon-hunting team. Based on the DC/Vertigo series by Lauren Beukes, Dale Halverson, and Ryan Kelly.Status: Because apparently six series based on DC Comics properties isn t enough, The CW announced plans to develop Survivors Club back in November with Sweet/Vicious’s Jared Frieder writing the pilot.MIND MGMT(Photo by Dark Horse Comics)Premise: Based on Matt Kindt’s comic book, true crime writer Meru’s attempts to understand a mysterious plane flight leads to a world of powers and secret organizations. She’s joined on her journey by Henry Lyme, a rogue agent looking to destroy his former employers.Status: Universal Cable Productions optioned the television rights in 2017, acquiring other Dark Horse Comics titles like Jennie Wood’s Flutter at the same time. The production company and Dark Horse s partnership also includes titles like Harrow County and Concrete. With their first collaboration, The Umbrella Academy, about to debut on Netflix, it is possible any of those titles could prove to be a worthy follow-up.LazarusPremise: The Greg Rucka and Michael Lark comic book takes place in a near future controlled by 16 rival families attempting to gain more power, territory, and resources. To combat various threats to their status quo, each family has a chosen defender known as a Lazarus. One such Lazarus is Forever Carlyle, protector of the family in control of much of the world’s food supply, who is starting to doubt her place in the world.Status: Amazon picked up the rights during a spending spree in 2017 that included options on the science fiction novels Ringworld and Snow Crash. Rucka was said to be writing the script, but considering Amazon’s commitment to a massive The Lord of the Rings TV universe, it is unclear if there is still money for these sci-fi ideas.Quantum and Woody(Photo by Valiant Entertainment)Premise: Brothers Eric and Woody Henderson have fantastic superpowers, but they must “klang” their power bands together once a day or the energies they contain will kill them. Eric is a traditional buttoned-down hero while, Woody is something of a slacker. Also, there’s a goat. Based on the Valiant comic book created by Christopher Priest and M.D. Bright.Status: Back in 2017, Joel McHale was said to be in talks to play Woody, but this never came to fruition and McHale found himself a hero role on the upcoming DC Universe series Stargirl. Quantum and Woody appeared to slink back into development hell without securing lead actors.Sex Criminals(Photo by Image Comics)Premise: When Suzie and Jon discover they can both stop time when they orgasm, they decide to rob a bank. It only gets weirder from there. Based on the comic book by Matt Fraction and Chip Zdarsky.Status: Fraction and wife Kelly Sue DeConnick signed an overall deal with Universal Cable Productions in 2015 through their production company, Milkfed Criminal Masterminds. The option to develop Sex Criminals into a TV show was part of the deal, but there has been no movement since.DreadstarPremise: Jim Starlin’s sci-fi/fantasy epic follows Dreadstar, last survivor of the Milky Way galaxy, as he attempts to end an eons-old conflict between the Church of Instrumentality and an ancient monarchy. But whichever group wins, the kind-hearted people of the cosmos will lose.Status: Universal Cable Productions optioned Dreadstar in 2015.The Wicked + The Divine(Photo by Image Comics)Premise: Every 90 years, the gods return. For two years, they live and are worshipped. Then they die. This time around, they look and act like pop stars. But their cycle of death and rebirth may be coming to an end. Based on the comic book by Kieron Gillen and Jamie McKelvie.Status: Like Sex Criminals, rights to “WicDiv” were scooped up in a deal with Universal Cable Productions and Milkfed Criminal Masterminds. But like most of the comic books UCP optioned in the last few years, there has been no news since. Considering it took four years for UCP to get Umbrella Academy to series, there is hope yet.
Chernobyl talent reap more rewards for their 96% Certified Fresh HBO limited series; a TV industry reckoning gets underway; after 24 seasons, there’s finally a Black Bachelor; Outlander stars road trip; TV and film production gets a green light in Los Angeles; and more in the week s top TV and streaming news.TOP STORYThe Last of Us Video Game TV Adaptation Gets Chernobyl Emmy Winner Johan Renck on PilotDebbie DayTime for another round of Last of Us fantasy casting, Chernobyl love, and video game–adaptation wish lists: HBO is reuniting with its award-winning Chernobyl director Johan Renck, who will direct the network’s pilot for the adaptation of the wildly popular Sony/Naughty Dog video game The Last of Us. HBO announced a series version of the game in March.The 2013 adventure game centers around Joel, a post-apocalyptic smuggler who is tasked with getting 14-year-old Ellie out of a dangerous quarantine zone and across the United States in an increasingly violent, harsh journey.In addition to his work on Chernobyl, Renck also directed episodes of The Walking Dead, Breaking Bad, and Bates Motel, so he is well experienced to handle the action, drama, and zombie-like creatures of The Last of Us series.The award-winning game’s creative director, Neil Druckmann, will also work on the series as a writer and executive, along with Chernobyl creator and Emmy-winning writer Craig Mazin.The series may also include stories from the game’s upcoming sequel, The Last of Us Part II, which is scheduled to be released on June 19 for PlayStation. The original game has sold more than 20 million copies.Oh, about that casting: How about TWD and The Punisher alum Jon Bernthal for Joel and Unbelievable Golden Globe–nominee Kaitlyn Dever as Ellie?
手游中,不管是国王十字车站的9又3/4车站还是对角巷,亦或者是充满各种珍馐美食、创造了无数名场面的餐厅,都严格依照原著来进行构建。以往国产手游,都会为国内玩家准备中文配音,以贴合玩家的习惯。

When you re a kid, every movie is a transporting experience, like peeking in a keyhole to some new reality beyond. You feel the fun, the joy, the wonder. And sometimes the shattering terror. The monsters you had imagined creeping the corners of your mind or darkened bedrooms prowled in full horror on the screen. The awful, awe-inspiring power of witnessing something frightening can reverberate for decades. So in the spirit of Halloween, we asked 12 Tomatometer-approved critics to tell us about the movie scenes they watched as children that scarred them for life. Here are their answers.What movie scenes scared the s t out of you as a kid? Tell us in the comments. Stranger in the House (1974) 71%(Photo by Warner Bros.)The scene: The killer gives our final girl the evil eyeThe scare: The climactic scare in this groundbreaking slasher is really the culmination of a series of scares that assault the senses, beginning with the panicky moment when the police call college student Jess to reveal that the shrieking, barely human obscene phone calls to her sorority house have been COMING FROM INSIDE THE HOUSE! Then, there’s her nerve-wracking decision to employ “horror victim logic” and venture upstairs to check on her sleeping (read: dead) friends rather than heading out the front door. And when she enters the bedroom to find her deceased sorority sisters, the sight of the killer’s rabid, maniacal eyeball peering through the crack in the door as he whispers to her “Don’t you tell what we did!” is the stuff of nightmares. This was one of the first horror movies that drew me into the genre as a kid and made me appreciate the power of fright, and after seeing it, I understood why people would want to dream of a white Christmas. Mark H. Harris, BlackHorrorMovies.comE.T. the Extra-Terrestrial (1982) 98%(Photo by Universal)The scene: E.T. is dyingThe scare: Easily the most horrific visual I ve had seared into my brain involves E.T. when he s sick. He s scary enough as-is, and once his skin turns papery white and blotchy, he looks like a diseased liver stretched over a child-sized nightmare. I ll take Sadako, It, or Chucky over E.T. any day, yikes. Li Lai, Mediaversity ReviewsThe Exorcism of Emily Rose (2005) 44%(Photo by Screen Gems/courtesy Everett Collection)The scene: In the barnThe scare: I was 11 when The Exorcism of Emily Rose was released in September 2005. I remember a friend of mine talking about it, mentioning how she had seen it in theaters that weekend. My exposure to the horror genre was pretty much non-existent at that point, so perhaps Emily Rose was the first of the genre I had ever seen. Needless to say, it ruined my life. Now scared of sleeping in the darkness of my own bedroom, I slept on the floor of my mom s. This lasted for quite some time, maybe a year, which resulted in me having to see a therapist. The scene that scarred me the most is definitely the barn scene. I remember it vividly. Emily, possessed, is growling, screaming in tongues, flailing her arms, and looking upon Father Moore with blackened eyes. Father Moore is commanding the demon inside Emily to say its name, but there isn t just one demon: there are six. We are the ones who dwell within, they say, as they begin to state their names, with actress Jennifer Carpenter using a different tone and language for each: Cain, Nero, Judas, Legion, Belial, and Lucifer. When she says Lucifer, it s particularly frightening, as a faint light flickers in her eyes. The eyes of an animal peering at you through the dark. Sara Clements, @mildredsfierceGhostbusters (1984) 97%(Photo by Columbia Pictures)The scene: Quiet in the libraryThe scare: Ghostbusters might be a definitive comedy classic, but the ghostly librarian is the stuff of nightmares. At least it was for me as a child. The dark, maze-like rows of bookshelves and eerie quiet was atmospheric enough. Even more so when the books and index cards moved on their own accord. But there was no mentally preparing for the ghastly wrath of the librarian. I screamed along with Peter, Ray, and Egon. Still to this day, I’m petrified to make even a peep when stepping foot inside a library. Meagan Navarro, @HauntedMegThe Great Mouse Detective (1986) 80%(Photo by Walt Disney Pictures)The scene: Fidget kidnaps OliviaThe scare: An animated Sherlock Holmes-esque detective story starring a mouse is not something that instantly screams “horror.” But The Great Mouse Detective knows how to build a mystery and a tense atmosphere, culminating in the terrifying scene where tiny little Olivia (also a mouse) finds herself drawn to a toy baby crib. As ominous yet playful music builds up to a big reveal, Olivia approaches the crib and pulls on the cover to reveal an evil and scary bat that takes her for a hostage just as the music changes to resemble the screeches from the shower scene from Psycho. Rafael Motamayor, @rafaelmotamayorJaws (1975) 98%(Photo by Universal)The scene: The head in the boatThe scare: The day I saw Jaws on VHS in my dad s basement, I had spent the previous week convincing myself I would be terrified. All the stories from its theatrical run talked about audiences fainting, and I was sure I would freak out. Well, the self-hypnotism worked: When Hooper goes underwater and the head pokes out from the bite in the boat, I remember practically vomiting in fear. For a month afterwards I was terrified of any water, even my morning shower. I was convinced the shark would come out of the spout to attack me! Summer vacations in the East Coast of Canada where I learned to swim had the same murky salt water as Amity Island, and I d look out convinced I d see the dorsal coming my way. Jason Gorber, @filmfest_caA Nightmare on Elm Street 4: The Dream Master (1988) 52%(Photo by New Line Cinema/courtesy Everett Collection)The scene: Joey s aquatic demiseThe scare: My first experience with the A Nightmare on Elm Street franchise was flipping through channels on TV and landing upon this scene. I was too young to watch a Nightmare film but also old enough to be fascinated by the mystique and terror surrounding them. Watching Freddy manipulate Joey and then burst through the bed had an indelible effect on me. It was my first experience with a horror movie and the terror it elicited was the foundation upon which my love of the genre was built. 1 2 Freddy s coming for you Jonathan Barkan, @JonathanBarkanThe Others (2001) 83%(Photo by Dimension Films/Courtesy Everett Collection)The scene: The face behind the veilThe scare: The scene where Grace (Nicole Kidman) interrupts her daughter Anne playing with toys while her head is obscured by a veil, only for Grace to then see a withered elderly face staring back at her from beneath the sheet, left me traumatized for nights afterward. I didn t look at curtains or any kind of hanging fabric in the same way for a while after that. The mixture of youthful innocence with the complete opposite end of the human life cycle was such an unsettling union for me and it still is. Lewis Knight, @ThatsOurLewisPet Sematary (1989) 51%(Photo by Paramount Pictures)The scene: A tendon momentThe scare: Pet Sematary confronts death and explores grief in ways I just wasn t used to given my identity in a culture that isn t necessarily afraid of it. But while there are many scenes that make that film an annual rewatch for me, the Achilles tendon scene is in fact THE scene that affected me the most as a child. Hiding under the bed, a reanimated Gage slices Jud s Achilles tendon as he approaches. You can see the deep wound and Jud s ankle split in detail as he falls. That one scene made me long -ump to the bed for months. And after rewatches, it still makes me shiver as I get ready to go to sleep. Kate Sanchez, @ohmymithrandirPoltergeist (1982) 86%(Photo by MGM/courtesy Everett Collection)The scene: Suburban invasionsThe scare: The Freeling family always reminded me a bit of my own – the suburban surroundings, the copious amounts of Star Wars toys that littered their home – and that made Poltergeist, despite all of the supernatural shenanigans, all too real for me. When that tree attacks Bobby, or when the skeletons emerge from their pool, as a young man, I felt like any of that could happen to me. Just the mere mention of the film’s title was enough to send shivers down my spine until I was a teenager. To this day, if I have it on too late at night, I have second thoughts about heading down to the basement. Mike Vanderbilt, Daily GrindhouseReturn to Oz (1985) 54%(Photo by Walt Disney Pictures)The scene: A hallway of headsThe scare: The unofficial sequel to MGM’s Wizard of Oz, Walter Murch’s Return is a far cry from the brightly-colored 1939 musical. Not only does it have a much darker and fantastical narrative, this scene perfectly encapsulates why the film is the stuff of nightmares. In a bid to avoid being decapitated, Dorothy (Fairuza Balk) has to steal the Powder of Life from Princess Mombi (Jean Marsh) to escape. Unfortunately, she has to walk almost silently through a hallway of sleeping heads – and in full view of them – to get the powder. For extra pressure, it is placed inconveniently next to Mombi’s (real) head. Combined with David Shire’s powerful score, the slow-brewing tension from Dorothy’s delicate approach is blown apart by the ensuing screeching of multiple heads, not to mention being chased by a headless body. The whole sequence is terrifying as an adult but it’s horrifyingly out of place in a kid’s film – which is why it scars you for life. Katie Smith-Wong, @guitargalchinaThe Shining (1980) 84%(Photo by Warner Bros.)The scene: The woman in the bathroomThe scare: I refused to take a bath for a week. When I was seven, my father – much to the protestations of my mother – let me watch Stanley Kubrick’s The Shining. When Jack Nicholson walks into that lime-green bathroom only to find the decrepit, rotting ghoul of an elderly woman cackling at him after he danced with and kissed her younger specter, I leapt as high as her laugh, and haven’t come down since. Robert Daniels, @812filmreviewsLike this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
2020 is just over a week old, and that means it s time to get ready for all the new TV offerings the year has coming. In the corner of the media landscape dominated by comic books, this means the conclusion of Crisis on Infinite Earths and the return of programs like Riverdale and Stumptown.But there are also plenty of new and returning shows hitting the streaming services throughout the year that we cannot wait to see. And mixed in with a handful of shows returning to the airwaves in the mid-season, 2020 looks to be as diverse a year in Comics on TV as 2019 (even if it lacks for Watchmen).So let s take a look at the shows we re excited to see in 2020.Chilling Adventures of Sabrina: Part 3 (2020) 90% Returns:  January 24 on NetflixBased On: The Archie Comics’ Sabrina the Teenage WitchWhy We Can’t Wait: The show has proven to be better at mixing the lurid with wholesome Archie Comics values than Riverdale – no doubt thanks to the extra latitude Netflix affords the show – and its high production values always make us want to check in with Sabrina Spellman (Kiernan Shipka) and her Greendale gang. This time around, Sabrina must find a way to extract the soul of her boyfriend Nick Scratch (Gavin Leatherwood) from Hell. His body, meanwhile, is inhabited by her father, Lucifer Morningstar the Prince of Darkness (sometimes played by Luke Cook), who also has designs on Sabrina’s unexpected powers.DC's Legends of Tomorrow: Season 5 (2020) 100%Returns: January 21 on The CWBased On: Various DC Comics characters like Black Canary, John Constantine, and Heat WaveWhy We Can’t Wait: It’s Legends, the most important show in the Arrowverse. True, it may not have the angst of Arrow, the social consciousness of Supergirl, or the family dynamic of The Flash, but it has its own irreverent spirit and offers the sensation of reading a DC Comic from the mid-1990s. Following the events of “Crisis on Infinite Earths,” the Legends will be dealing with the aftermath and preparing for the imminent departure of Ray Palmer (Brandon Routh) and Nora Darkh (Courtney Ford), whose stories will come to an end in the very near future. Also, every episode of Legends is a chance for Beebo to reappear and that alone is worth investing time in the series.Locke & Key: Season 1 (2020) 66%Debuts: February 7 on NetflixBased On: The sensational horror comic by Joe Hill and Gabriel RodriguezWhy We Can’t Wait: Besides the program’s tortured path to television – it took three pilots across nine years to get the series made – it’s just a crackling cool story. A Seattle family moves back East into the ancestral home of their patriarch following his death. Soon, youngest son Bode (Jackson Robert Scott) discovers a set of magical keys with unique and curious abilities. Will its magic be enough to restore his family following the tragedy? Or will the mysterious woman in the well rip the Locke family apart from the inside?Stargirl(Photo by DC Universe)Debuts:  This spring on DC Universe and The CWBased On: Stars and S.T.R.I.P.E. by Geoff Johns and Lee ModerWhy We Can’t Wait: In the mid-1990s, Stars and S.T.R.I.P.E. was ahead of its time. The premise: teenager Courtney Whitmore (played by Brec Bassinger in the television show) moves from California to Blue Valley, Nebraska when her mother (Amy Smart) marries Pat Dugan (Luke Wilson). Courtney soon learns Pat was the sidekick of a superhero in the Justice Society of America. Taking that fallen hero’s power for herself, Courtney becomes Stargirl. The television show will take its cues from both the comics and the concept of JSA. It also boasts a cast which also features Joel McHale as Starman and Henry Thomas as Dr. Mid-Nite.Doom Patrol: Season 2 (2020) 97%(Photo by DC Universe)Returns: This summer on DC Universe and HBO MaxBased On: DC Comics’s Doom Patrol, created by Arnold Drake, Bob Haneym and Bruno Permiani and expanded upon by the likes of Grant Morrison and Gerard WayWhy We Can’t Wait: Doom Patrol was the sleeper hit of the niche streaming services. Its surprising fidelity to the source material, strong cast, and bevy of surprising moments made it one of our favorites of 2019. Negative Man’s (Matt Bomer) fantasy of getting on stage and singing “People Like Us” would’ve been enough for us to want more Doom Patrol, but it also features talents like April Bowlby, Diane Guerrero, and Alan Tudyk as the villainous Mr. Nobody. While it is unclear where the show might go in its second year, we expect it will be strange, unexpected, and emotionally resonant. And, presumably, puppets will be involved in some capacity.The Boys: Season 2 (2020) 97%Returns:  Sometime in 2020 on AmazonBased On: The comic book by Garth Ennis and Darick RobertsonWhy We Can’t Wait: The first season was a genuine surprise as it converted Ennis and Robertson s sometimes raunchy comic into a more emotionally satisfying story. Sure, blood spattered and superheroes still took a good dose of trashing – particularly The Deep (Chace Crawford) – but the romance between Hughie (Jack Quaid) and Starlight (Erin Moriarty) balanced out Billy Butcher’s (Karl Urban) need for revenge. The new season will see Vought CEO Stan Edgar (Giancarlo Esposito) take a more active role in the company while the superpowered white supremacist Stormfront (Aya Cash) creates new problems for The Boys. Also, we expect the surprise revelation about Billy s wife will have a huge impact in season 2.Lucifer: Season 5(Photo by John P. Fleenor/Netflix )Returns: Later this year on NetflixBased On: Lucifer, as envisioned in the pages of Neil Gaiman’s Sandman and the subsequent Lucifer comic book by Mike Carey, Peter Gross and Ryan KellyWhy We Can’t Wait: Dennis Haysbert will play God in the upcoming season. Beyond that, season 4 ended on such a cliffhanger with Chloe (Lauren German) admitting her feelings for Lucifer (Tom Ellis) just as the Prince of Darkness agreed to return to Hell. But it seems a matter on Earth concerning his brother Amenadiel (D.B. Woodside) will bring him back to the mortal plane. Beyond all the story, though, is the pleasing thought that Lucifer beat the odds and received the chance to finish things on its own terms. We definitely hope it ends as strong as the comic book series it is based on.Marvel's Agents of S.H.I.E.L.D.: Season 7 (2020) 100%Returns: This summer on ABCBased On: Marvel Comic’s Strategic Homeland Intervention, Enforcement and Logistics Division and a handful of other Marvel charactersWhy We Can’t Wait: It’s no secret we’ve always loved Marvel’s scrappy series, but like Lucifer, it is also ending on its own terms, and we can’t wait to see what it means. First, the surviving S.H.I.E.L.D. agents must slip into the past to prevent a catastrophe in their present. We’ll they be able to “Bill and Ted” their way to victory? But beyond that, there are the personal stories to consider. Will Coulson (Clark Gregg) come back to life? Will Fitz (Ian De Caestecker) and Simmons (Elizabeth Henstridge) get to enjoy one day of wedded bliss? Will Deke (Jeff Ward) ever grow a backbone? As S.H.I.E.L.D.’s seventh and final season represents the sunset of Marvel Television as we’ve known it since 2009, we hope each of the characters get the endings they deserve.Jupiter’s Legacy(Photo by courtesy of Netflix)Debuts: Later this year on NetflixBased On: The comic book series by Mark Millar and Frank QuitelyWhy We Can’t Wait: While the premise – a new generation of superheroes rebelling against and letting down their parents and grandparents – is interesting enough, the program is also the first to emerge from Netflix’s purchase of Millar’s comic book company. And, as it happens, there is plenty of drama behind the scenes with showrunner Steven S. DeKnight (of Netflix’s Daredevil) walking away from the series due to creative differences. Does it bode ill for the show? That s hard to say as Daredevil survived several executive producer shake-ups throughout its existence. The cast — which includes (clockwise from top left as pictured above) Leslie Bibb, Josh Duhamel, Ben Daniels, Matt Lanter, Mike Wade, Elena Kampouris, and Andrew Horton — will certainly get us to watch the first few episodes, but we’re definitely excited to see if Millar’s work can launch a new Netflix dynasty.The Falcon and the Winter Soldier: Season 1 (2021) 89%(Photo by © Marvel / © Walt Disney Studios Motion Pictures)Debuts: Later this year on Disney+Based On: Characters appearing in Marvel Comics like The Avengers and Captain AmericaWhy We Can’t Wait: Sam Wilson (Anthony Mackie) and Bucky Barnes (Sebastian Stan) are two of the best supporting characters in the Marvel Cinematic Universe and pairing them up in the wake of Steve Rogers’ retirement makes for the sort of series we want to watch. As we understand it, elements of the American military are unhappy Steve picked Sam to succeed him as Captain America and decide to take the vibranium shield for themselves. Add in the return of Baron Zemo (Daniel Brühl) and Wyatt Russell as a counterfeit Cap and you get the makings of a spiritual successor to Captain America: The Winter Soldier. Also, as one of the first series in the new Marvel TV era, we can’t wait to see how it all connects.WandaVision 91%(Photo by © Marvel / © Walt Disney Studios Motion Pictures)Debuts: Later this year on Disney+Based On: Marvel comics characters the Scarlet Witch and the VisionWhy We Can’t Wait: Unlike The Falcon and the Winter Solider’s more direct ties to the established tone of the Captain America movies, WandaVision sounds like a complete new concept. Thanks to information Marvel revealed at D23, the series will both continue Wanda Maximoff’s (Elizabeth Olsen) journey in the MCU and serve as a traditional three-camera sitcom. Is it a dream? A hoax? A product of Wanda’s growing powers? All we know for certain is the series will be something of a head trip and that alone has us chomping at the bit to see it.Titans: Season 3 (2021) 100%(Photo by Brooke Palmer / 2019 Warner Bros. Entertainment Inc.)Returns: Later 2020Based On: DC Comics’ The New Teen Titans and other related titlesWhy We Can’t Wait: Titans has set itself up to do its own version of the classic “Who Is Donna Troy?” story and we hope that episode comes quickly. But beyond Donna’s (Conor Leslie) questionable status in the series, the program finally has the Titans together in one place (for the most part) and ready to kick ass in costume. Will Dick Grayson – newly minted as Nightwing – lead them to victory or will the continued presence of Kori’s (Anna Diop) nefarious sister Blackfire (Damaris Lewis) spell the end for the team? While Titans is never quite the series we expect it to be, it always offers something compelling and the stories set up for Donna and Kory would seem to be the best ideas for it to focus on.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
This October, Tom Hardy returns to the big screen as Eddie Brock in Venom: Let There Be Carnage, a sequel to the smash hit film in which we first met the dogged journalist and his foul-mouthed (and very hungry) symbiote. The new film is directed by Andy Serkis and co-stars Woody Harrelson as Carnage, the fan-favorite villain teased at the end of the original film.Ahead of the movie’s release, Rotten Tomatoes correspondent Erik Davis spoke with Serkis, Hardy, Harrelson, and Naomie Harris (who plays another villain, Shriek) about what’s in store for audiences in the “lean and mean” sequel, the developing bromance between Brock and Venom, and what finally drew Harrelson to the Marvel family.Plus, Hardy – as star and producer – reveals he’s “100%” in on crossover movies and the multi-verse… Hear that, Mr. Holland?Venom: Let There Be Carnage is in theaters from Friday October 1, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.
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Ghcxuf The Suicide Squad is “insane.” That’s the most common word critics are using to describe the latest DC movie. The first reactions arrived on social media this week, and the over-the-top violence and comedy are the unanimous highlights of the supervillain team-up. Guardians of the Galaxy helmer James Gunn is said to be the perfect director of the material, bringing the best of both his Marvel and his Troma aesthetics together. That means a fun ensemble and hard-R gore. If you think you know what to expect after the last Suicide Squad film, you’re wrong.Here’s what critics are saying about The Suicide Squad:How hyped should we be for this movie?The Suicide Squad is TOTALLY INSANE and insanely cool.  Sean O Connell, CinemaBlendThe Suicide Squad is absolutely insane.  Brandon Davis, ComicBook.comThe Suicide Squad is gloriously insane and so, so fun… after watching it, you’ll think you might have dreamed it.  Drew Taylor, ColliderEasily the most fun I ve had with any studio release this summer season.  Mario Allegre, Próxima TandaIt is balls to the wall *bonkers* in very entertaining ways.  Kara Warner, People MagazineThe Suicide Squad is fantastic! A no holds barred, superhero/comics bonanza.  Fico Cangiano, CineXpressThe Suicide Squad is an epic all out war movie that demands to be seen on the big screen.  Dorian Parks, Geeks of ColorAbsolutely loved The Suicide Squad… Just a great movie.  Steve Weintraub, ColliderThe Suicide Squad is all kinds of kick-ass… Get excited!  Eric Eisenberg, CinemaBlend(Photo by Warner Bros. Pictures/™ & © DC Comics)So it s full of surprises?Unpredictable in story, unique in style and full of risks. Fico Cangiano, CineXpressIt’s ballsy, unpredictable. Sean O Connell, CinemaBlendAn unpredictable blockbuster. Ian Sandwell, Digital SpySurprising in all the right ways. Vanessa Armstrong, SlashfilmExcellent twists and turns. Eric Eisenberg, Cinema BlendTons of surprises and things I wasn’t expecting. Steve Weintraub, ColliderThere’s nothing like it. Damn! Brandon Davis, ComicBook.comWill DC fans love it?This is the Suicide Squad we’ve been waiting for! Jimmy O, JoBlo s Movie NetworkThis is the best use of DC villains. Mind you, there aren’t a lot of predecessors. But THIS is what a Suicide Squad needs to be. Sean O Connell, CinemaBlendDC has another winner on its hands. Dorian Parks, Geeks of ColorWhat if we re not hardcore DC fans?Any doubts you might have over The Suicide Squad will vanish after the outrageous opening. Ian Sandwell, Digital SpySo this skeptic loved The Suicide Squad. Kara Warner, People MagazineEnjoyable for everyone — hardcore DC comics fans and newbies alike. Go see this movie. Vanessa Armstrong, Slashfilm(Photo by Warner Bros. Pictures/™ & © DC Comics)How is the mix of comedy and action?Extremely funny. Steve Weintraub, ColliderWeird and wonderful! There are laughs aplenty. Jimmy O, JoBlo s Movie NetworkBig laughs, bigger action. Dorian Parks, Geeks of ColorAction and comedy to its fullest form. Wilson Morales, BlackFilmandTV.comHilarious. [The] action set pieces are insane. Fico Cangiano, CineXpressThe Suicide Squad is as funny, irreverent and violent as promised. Germain Lussier, io9.comHow violent is it?DC s goriest film to date. Wilson Morales, BlackFilmandTV.comThe film is the bloodiest DCEU film yet. John Nguyen, Nerd ReactorViolent as hell, raunchy, unforgiving. Brandon Davis, ComicBook.comThe Suicide Squad brings equal measures of gore and F-bombs, all in the name of dumb juvenile entertainment. Mario Allegre, Próxima TandaThe movie is super violent… a huge home fun for James Gunn. Steve Weintraub, ColliderThe Suicide Squad is probably the wildest, wackiest, bloodiest comic book movie I ve ever seen… not for the squeamish… I can see some thinking a scene may feel a little unnecessarily gross. But the film knows what it is. Feel like people have wanted a hard R and that s what you get. Kirsten Acuna, InsiderIf you re wondering whether James Gunn… would truly go there with the material and the R-rating, indeed they DO. Kara Warner, People Magazine(Photo by Jessica Miglio/™ & © DC Comics)So DC and James Gunn are a good fit?James Gunn definitely gives as much as he can for an R rati 😈😈

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We had actual priests there helping us out making sure that everything was in the right place, Linklater told Rotten Tomatoes. But if you re Catholic or Jewish or any religion, I think you understand guilt, perhaps. And an appetite, perhaps. I think we could all bring understandings to it, regardless of our denominational backgrounds. Flanagan grew up in the Catholic Church and was an altar boy for a good portion of his childhood, leaving many in the cast to acknowledge his deep knowledge of the Bible as an integral tool in telling this story. His relationship with the church may have evolved over the years, but Flanagan stands firm on his assurance that Midnight Mass does not vilify religion. We were very careful to make sure that this show has an open invitation to people of any belief system, Flanagan said. Its core values, in a sense, are very Christian: empathy, kindness, concern for your fellow man It celebrates our capacity for belief and our capacity for faith. 3. FANATICISM IS THE SHOW S BIG BAD(Photo by Eike Schroter / Netflix © 2021)Unlike Flanagan s Haunting series on Netflix, Midnight Mass isn t embedded in the ghost story aesthetics the writer-director is known for. There is a different sort of insidious nature to the threats here. Wherever faith and religion are, fundamentalism and fanaticism are not far behind. Fanaticism and aggressiveness — those things are baked into the DNA of the show, Flanagan explained, acknowledging a willingness in everyday people to have faith in something that can end up corrupted and weaponized. How do you take somebody who you think is a rational person, or a person of faith, or a person that you think is a little like you and walk them into this place where they would willingly kill themselves for an idea? In Midnight Mass, Flanagan does his best to make sense of this type of human horror.4. FLANAGAN S JOURNEY TO SOBRIETY WAS A BIG INSPIRATION(Photo by Eike Schroter / Netflix © 2021)Midnight Mass isn t the first project in which Flanagan explores the concept of addiction and recovery. It s a theme that is pervasive throughout his Doctor Sleep adaptation and bits of it pop up in The Haunting of Hill House. That said, his personal struggles with alcohol helped shed some necessary light on this project, which he says previously existed as a book, a screenplay for a movie, and multiple iterations of a TV show before Netflix picked up the idea.Admitting he had a problem with alcohol gave him the clarity needed to make this version of Midnight Mass, he said:  It s a very different show with three years of sobriety behind me than it would have been before that. I feel like it would have been an incomplete conversation. The internal monologues, debates, and discussions Flanagan had with himself throughout this drawn-out process all ended up going into the show. Those conversations were so inseparable in my head, that this show was always where they were just kind of dumped, he said. It s where they lived as a record of my perspective of sobriety through various points of my life — in the full grips of it, in the denial of it, and in the acceptance of it. 5. IT SUBVERTS THE EVIL PRIEST HORROR TROPE(Photo by Eike Schroter / Netflix © 2021)When it comes to seeing a priest in a horror story, the common audience expectation is that he is the villain. It s a common trope in horror. Flanagan chose a different road. When it became clear that Father Paul could still do all of the horrible things I needed him to for the story while being a good person with a pure motive, then I felt like we had a show that was about something, Flanagan said.From day one, Linklater set out to bring authenticity and truth to the role. One of my first conversations with Mike was, I m playing a priest in this genre. I just want to make sure you don t want me to be skewed, or sinister, or scary, or anything like that,' Linklater said. The guy is trying to do the right thing all the way through it, as far as his understanding of what the right thing is. 6. AND PUTS A UNIQUE SPIN ON THE TOWN SHERIFF (Photo by Netflix)It s a fair assessment to say we ve not seen many Muslim sheriffs in modern-day entertainment. Rahul Kohli s Sheriff Hassan is here to change that perspective. According to the Haunting of Bly Manor alum, it was the combination of two cultural polarities that really excited him to play the part. You ve got the quintessential American hero in cinema: the sheriff. John Wayne, he explained. He saves the day and he is the ultimate hero in America. Then, there s the Hassan bit. You ve got America s greatest villain post-911: the bearded brown man. The Muslim. Those two things get fused. And that was the first thing that was very apparent to me with the sheriff. And I loved that. I loved how confusing that image is. 7. A TRAGIC LOVE STORY LIES AT THE SHOW S CORE (Photo by Eike Schroter / Netflix © 2021)We could easily call the love story that centers Midnight Mass another subverted genre trope, but that would downplay the dynamic of the relationship that unfolds between Zach Gildord s Riley and Kate Siegel s Erin. The result of their subdued chemistry points to a lived-in notion of how love can change over time. One of the things you learn, I believe, is when you get a little bit older and you get into your late 30s, early 40s, is this feeling that if you went back to your high school sweetheart, maybe everything would be OK, Siegel said. No, that s gone You see the disappointment in both of them that the innocence of childhood is lost. That first love is lost. What remains, she says, is something deeper and more profound: The quiet understanding of someone who s actually seen who you are. 8. THE SERIES IS TIMELY AND RELEVANT (Photo by Eike Schroter / Netflix © 2021)Midnight Mass doesn t directly address our own society s polarization and political upheaval, but it doesn t take a lot of brainpower to connect the dots between the story Flanagan and his team are telling here and the current state of the world.The combination of fear, misinformation, and disenfranchisement reveals itself as a potent mix that can lead to unspeakable acts under the guise of religious ideology. It s a bleak idea that resonates with our present-day reality. But remember this is a Mike Flanagan joint: As dark and troubling as things get, he makes sure to imbue his characters with love and empathy, leaving traces of hope along the way. Midnight Mass is no different. There is a requirement for deep listening, and attention, Annabeth Gish said of the series. I think there s a real availability for understanding about what s happening in our world right now. It s very timely. So, I hope that people receive that. I think there s something very special about this project. Midnight Mass launches on Friday, September 24, on Netflix. 在玩家们的殷切期盼下,英雄联盟手游克服了设备问题,提升了手游移植的适配性与便捷度,实现了玩家们的愿望。现在只需一部手机,玩家就可以随时随地呼朋唤友,来一场峡谷巅峰对决。此外,游戏的对局节奏也调整加速,不再像端游那样一场游戏要打四五十分钟了。英雄联盟手游能在如此短时间内迅速火爆全网,与它超高的还原度和手游自身的特色都脱不开关系。

2021-10-27

(Photo by © Warner Bros. )Space Jam: A New Legacy is no Jurassic World, but never underestimate the appeal of a film that has become a generational security blanket. Twenty-five years after the release of the original Space Jam movie, the sequel has topped the box office and given some hope to a family box office market struggling to bring kids ineligible for vaccinations back to the theaters. (Not to mention that other added barrier: the convenience of family films like Space Jam: A New Legacy being available to stream at home.) This week was a more than solid opening for A New Legacy, but is it just another front-loaded event picture that will leave its studio wishing for more?King of the Crop: A New Legacy Hopes to Go Strong For All Four Quarters After Blistering Opening First, let’s go to the charts. Space Jam: A New Legacy opened in first this weekend with .7 million. That is the fifth best opening of the year – just ahead of WB’s Godzilla vs. Kong’s .6 million, if the estimates hold (and GvK had a two-day head start). That is also the best family-oriented opening of 2021, surpassing even Cruella’s four-day Memorial Day opening of .5 million. LeBron James fans may even point out that it is better than the .5 million start that Michael Jordan’s Space Jam kicked off with back in 1996. Though with inflation that was about a .6 million opening and the movie went on to make more than 6 million. (At the time of its release, that was the fifth best opening of 1996, but the movie dropped to seventh in subsequent weeks when Star Trek: First Contact and the live-action 101 Dalmatians opened bigger.)GOAT debate aside, there was not a lot of chatter that Space Jam was going to dethrone Black Widow in its second weekend after a record-breaking pandemic opening. And yet here we are. But long term is the question now, with watchers wondering whether A New Legacy will join the exclusive company of 0 million films. So far it has taken at least a million opening to achieve the ranks of 0 million. By next week we will have three films in that bracket: A Quiet Place Part II, F9, and Black Widow. Godzilla vs. Kong is still a bit of an anomaly in that it had very little competition; it was in the top 5 for six weeks and the top 10 for 10 weeks, and it still stands at just 0.5 million.(Photo by ©2021 Disney Enterprises)The good news for Jam is that family films, while not breaking the bank, have been pretty consistent in bringing in audiences post-opening weekend. Raya and the Last Dragon had a disappointing .5 million start back in March, but is now up to over million (or 6.42 times its opening). Cruella and Peter Rabbit 2 were at 3.82x and 3.83x their openings entering this weekend and The Boss Baby: Family Business is approaching getting over the 3x hump. Cruella’s number, though a far cry from being a success against is budget, is interesting given its availability on Disney+ via Premier Access. The Boss Baby sequel may be a better gauge for A New Legacy, given it is also available as part of a streaming subscription (Peacock) with no extra cost. As of this weekend the film is at a 2.76 multiplier, but also opened to just a bit more than half of A New Legacy’s start. Can this be the second Warner Bros./HBO Max title to reach 0 million – after Godzilla vs. Kong? A new generation will tell.The Top 10 and Beyond: Black Widow Has Big Second-Weekend Drop, But Still Aims for 0 MillionMarvel’s Black Widow reached one high peak already during the pandemic box office, which means it had the furthest to fall too. Its 67.2% drop from its opening of million down to .3 million this weekend was the third-highest drop of the year for a wide release after Mortal Kombat fell 73.2% and Demon Slayer fell 69% in the same weekend. The positives still outweigh the setback, though, as the film managed to gross over 5 million in its first full week and will eventually be passing both F9 and A Quiet Place Part II to become the highest-grossing film (domestically) of the pandemic so far.But is a 0 million total now in jeopardy? The film has fallen behind the pace of Ant-Man and the Wasp already, which had 3 million after 10 days with a million second weekend – it finished with 6 million. Black Widow is at 2 million and could actually become the first July release to have over 0 million in its first 10 days and not reach the 0 million milestone. Disney also chose not to report its Premier Access numbers this week.(Photo by ©Universal Pictures)Checking in on the films that Widow is chasing for the top spot, we have F9 making .6 million this weekend, driving its total to 4.8 million after 24 days of release. Last week, we put the film in line with Pirates of the Caribbean: Dead Men Tell No Tales, which had 0.5 million in the bank after an .9 million fourth weekend. Somewhere around that film’s total haul of 2 million still looks right and F9 continues to lead the way internationally with over 1 million to date. A Quiet Place Part II just finished a seven-week stay in the top 5 and is still holding onto a narrow lead over F9 with 5 million. In many ways this is the truest success story of the pandemic so far. An exclusive theatrical run from Memorial Day weekend through last weekend and a consistent audience that is going to drive it to over 0 million: This is the film most deserving of the “theaters are back” title.The other sequel unleashed in theaters this week, Escape Room: Tournament of Champions, grossed just .8 million this weekend. That is down nearly million from the .2 million the first film did when it became a modest hit in January 2019, finishing with million. The critical consensus on the Escape Room sequel is not so far off from the original, with a Tomatometer of 42% compared to the first film s 51%. It s worth noting that franchise horror has been going lower and lower in terms of box office pull this summer since A Quiet Place Part II opened to .5 million. The Conjuring: The Devil Made Me Do It did .1 million the week after Quiet Place opened, then The Forever Purge started with .5 million a month later. Lest we not forget Spiral starting with just .7 million in mid-May. The third Conjuring film was the only one of the bunch not exclusive to theaters upon opening. An original horror film, M. Night Shyamalan s Old, will test the audience’s thirst this upcoming week and the genre could reclaim the number 1 slot.(Photo by © NEON)Opening in 927 theaters was the acclaimed but controversial documentary Roadrunner about Anthony Bourdain, which took in .9 million or about as much as Apollo 11 opened to in just 120 theaters in 2019. In only 552 theaters is Pig, with Nicolas Cage as a truffle hunter searching for his stolen companion. It scrounged up 5,000 for a ,712 per-screen-average compared to Roadrunner’s ,000. A24’s Zola is out of the top 10, but is up to .2 million with another 0,000 this weekend.On the Vine: M. Night Shyamalan Returns To Battle Henry Golding in Action ModeNext week, M. Night Shyamalan turns the Fountain of Youth – or its complete opposite – into the Beach in his latest thriller, Old. Its challenger for the week is the latest in the G.I. Joe series, an origin story for Snake Eyes with Henry Golding stepping into the role. It could make for an interesting box office battle, one that is rife with potential for both major surprise and crushing disappointment.Full List of Box Office Results: July 16-18, 2021

亚博登录网址 Join us weekly as Rotten Tomatoes reports on what s indie features are streaming. From promising releases by new voices to experimental efforts from storied filmmakers – or perhaps the next indie darling to go the distance for end-of-year accolades – we will break it all down for you here each week.For the foreseeable future, the specialty box office and all theatrical releases will be on hold as we all make efforts to socially distance ourselves and reduce the spread of the COVID-19 coronavirus. With that in mind, we have reshaped our Indie Fresh List to reflect the specialty box office releases that are newly available on streaming services and VOD. This week in our Fresh picks we have a father-son road trip drama, a sci-fi thriller about a mysterious radio message, and a modern-day love story. In our Spotlight section, we have the final installment of Rob Brydon and Steve Coogan s comedy travel series, along with an interview with Brydon.Streaming This Weekend

2021-10-27
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