亚博网站官方采用百度引擎5（Baidu 4）Fall TV is now in full swing, so why not add a few more shows to your queue before you hunker down for the winter? Prepare for the return of fan-favorites, the end of long hiatuses, and discover some hidden gems with Rotten Tomatoes list of November s most binge-worthy series. Among our suggestions for your November TV marathons: catching up with House of Cards as its final season debuts, celebrating the end of the latest Droughtlander by revisiting Outlander, and more.House of Cards 77% (Netflix)What it is: This decorated ensemble-driven political drama showcases the endless ways in which Frank Underwood (Kevin Spacey) and his wife, Claire (Robin Wright), will manipulate, deceive, and even murder to gain power on Capitol Hill. While the series fate hung in the balance at Netflix after Spacey s sexual misconduct scandal, Wright stepped up to the plate and helped bring the sixth and final season to fruition.Why you should watch it: The behind-the-curtain wheeling and dealing that makes our nation’s capitol go ’round has never before been as tantalizingly imagined as it is in this hit political drama. The series, which counts David Fincher as an executive producer, has racked up some serious accolades over its five-year run and helped establish Netflix as a major player in original programming. Find out why when season 6 premieres on November 2.Where to watch: Amazon, FandangoNOW, Google Play, Microsoft, Netflix, VuduCommitment: Approx. 55 hours (for the first five seasons)Outlander 89% (Starz)What it is: Based on the hit fantasy novel series from author Diana Gabaldon, Outlander is the story of World War II nurse Claire (Caitriona Balfe), who is inexplicably transported back in time to 18th-century Scotland and quickly swept up in the drama and romance of Highland warrior Jamie Fraser (Sam Heughan) — despite being a married woman in her own time to Frank (Tobias Menzies).Why you should watch it: There’s little to dislike about this lavish Starz series. Fine performances and, ahem, titillating character arcs have consumed audiences in a “who will she choose” debate unseen since Twi-hards of yore. This time, though, the series in question has the scripts, direction, and overall production value that’s worthy of the fawning, too. Season 4 premieres November 4.Where to watch: Amazon, FandangoNOW, Google Play, Microsoft, VuduCommitment: Approx. 42 hours (for the first three seasons)Room 104 88% (HBO)What it is: Room 104 is Jay Duplass and Mark Duplass’ addition to the current anthology series craze. The series sets each 30-minute installment of its 12-episode first season in the titular hotel room. The varied assortment of characters who spend a night or two within that average hotel room s walls experience things that are far from typical, however.Why you should watch it: Part of the joy of watching Room 104 is bracing yourself for the unexpected. Luckily, the series narrative means you never quite know what you’re going to get. Genre, tone, time, cast — basically everything but place — changes with each installment. While that allows the viewer to watch the episodes out of sequential order (and even means you don’t necessarily have to binge season 1 before catching season 2), we still recommend you do if only to appreciate the bigger picture the Duplass brothers are creating. Season 2 premieres November 9 with even more star power than season 1. Guests include Mahershala Ali, Michael Shannon, Brian Tyree Henry, Judy Greer, and Rainn Wilson.Where to watch: Amazon, FandangoNOW, Google Play, HBO Now, MicrosoftCommitment: Approx. 6 hours (for each season)Patriot 91% (Amazon)What it is: Spy John Tavner (Michael Dorman) is tasked with helping to prevent Iran from going nuclear by going uncover on assignment at an industrial piping firm.Why you should watch it: Patriot, from The Secret Life of Walter Mitty filmmaker Steve Conrad, is pretty hard to pin down — and that’s precisely why it works. A melding of genres both well-trod (espionage thriller) and singular (cerebral comedy?), it ropes you in with the familiar, but hooks you with the unexpected. Plus, Dornan is just excellent. Season 2 premieres in full on Amazon Prime Nov. 9.Where to watch: AmazonCommitment: Approx. 10 hours (for season 1)Narcos 89% (Netflix)What it is: This critically acclaimed Spanish- and English-language Netflix original takes a closer look at formidable and feared Columbian drug lord Pablo Escobar (played by Wagner Moura) and his criminal contemporaries — until its fourth season with Narcos: Mexico, that is. The series dives into the roots of the modern drug war and the rise of cocaine trade from the 1970s through the 1980s.Why you should watch it: Narcos is riveting and entertaining television, boasting fine performances and equally engaging scripts — not to mention its precision in documenting the history of the drug trade that still plagues the world today. Narcos: Mexico drops in full November 16 and changes location and jumps back to the 1980s to tell the drug trade story from another angle.Where to watch: NetflixCommitment: Approx. 25 hours (for seasons 1 through 3)No Activity (CBS All Access)What it is: Created by Trent O Donnell and Patrick Brammall, who also stars, this CBS All Access comedy is a practice in minimalism that works, in that it simply depicts low-level pairs of colleagues involved a major drug cartel operation and bust: two cops, two criminals, two dispatch workers, and two Mexican tunnelers.Why you should watch it: Sometimes the best comedy comes from simple conversation. That’s what’s explored here in the monotonous day-to-day musings of a the series’ ensemble of duos. Relying on air-tight writing and exemplary performances from the likes of Tim Meadows, Amy Sedaris, Jesse Plemons, Arturo Castro, Jason Mantzoukas, and Will Ferrell (who also executive produces with Adam McKay), it’s the kind of smart, rat-a-tat humor that keeps you coming back for more. Season 2 premieres November 22.Where to watch: Amazon, CBS All Access, FandangoNOWCommitment: Approx. 4 hours (for season 1)Vikings 93% (History)What it is: In the mood for a meaty, generations-spanning period drama that has violence, politics, sex, and true-to-history recreations to spare? Look no further than Vikings, Michael Hirst’s brilliant follow-up to The Tudors. The heart of the series is legendary rags-to-riches viking Ragnar Lothbrok (Travis Fimmel), his rise to power, and how he passes that power to his children and their children.Why you should watch it: Vikings is complex, calculated storytelling at its best. Gorgeous, lush sets and production design, committed and gritty performances all around — it is a wonder that the program doesn’t garner awards acclaim on par with Game of Thrones (though it certainly draws comparisons). Still, there’s a mild pleasure to being in on a well-kept secret. Join the club before season 5 returns for its second half November 28.Where to watch: Amazon, FandangoNow, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 51 hours (for the first five and a half seasons)
in Nicole, idobi.com Audiences new to the work are about to be introduced to a darker interpretation of what it means to grow up in a family of superhumans. The Incredibles this is not. — Alexandra August, CBR As much as I love the original Umbrella Academy comics, I must admit: the series is more coherent, so newbies to the story will feel right at home. — Samantha Puc, The Mary Sue(Photo by Netflix)What s to love (or hate) about these heroes? It’s one of those shows where the characters are at their best when they’re all together, bickering and bantering, but the plot keeps them separated just for the sake of dragging out the big reveals. — Sam Barsanti, AV Club The majority of The Umbrella Academy is marred by fumbled attempts at character development and stilted performances. The protagonists rarely transcend the broadest strokes as the Netflix series dwells on the same few character beats and displays of sibling bickering and mind-numbing romance. — Steven Scaife, Slant Magazine There s plenty of good material to mine here, from Vanya s desperation for being loved, Luther s want for approval, Allison s insecurity, Klaus shielding himself from feeling, Diego thinking he has a point to prove, and Five untrusting of anyone else, in addition to the foster siblings collective parental issues. But the writing is too threadbare and inconsistent to bring that up in an affecting manner. — Akhil Arora, Gadgets360 [Luther] is fucking boring, and that’s a problem. Through the first five episodes, he does nothing spectacular. He’s plain, he doesn’t go against the grain. He probably eats unseasoned grits. The women of this series seem to be the saving grace. — Kenneth Broome, Black Nerd Problems The actors succeed to varying degrees — Hopper and Raver-Lampman, who share a flirtation that’s both troubling and sweetly revealing of their mutual isolation, are probably the best of the bunch, while Page ultimately feels marooned by the dourness of her material and a character evolution that’s written in a muddled and unclear way. — Daniel D Addario, VarietyAction-fantasy, family drama, or both? The Umbrella Academy is a murder mystery wrapped in an apocalyptic drama with a wild plot which takes in time travel, a talking chimp and the end of the world. — Henry Northmore, The List The Umbrella Academy is ostensibly about superheroes trying to save the world, but they’re so caught up in personal conflicts that very little world-saving takes place. — Gavia Baker-Whitelaw, The Daily Dot The show may be wrapped in superheroics and action, but it’s really about a group of people who have to work through their painful pasts and realize that forgiving one another is far tougher than the bigger task (saving the world, I guess) at hand. — Alex Abad-Santos, Vox The cleverest part of it, though, is that this isn’t really a Watchmen-style deconstruction of the superhero genre; it’s about a weird family that has drifted apart for various reasons and must now come back together, baggage and all, in order to save the world one more time. — Sam Barsanti, AV Club(Photo by Netflix)How s the tone? It’s pure comic book through and through. It doesn’t care about being great nearly as much as it does about being fun and exciting. — Merrill Barr, Forbes Umbrella Academy embraces its comic book origins, balancing cartoonish worldbuilding and visual flourishes with a sincere emotional arc. The overall vibe is a lot like an adult version of Netflix’s Series of Unfortunate Events. — Gavia Baker-Whitelaw, The Daily Dot It sounds melancholy in a Six Feet Under kind of way, and it can be, but the series also boasts a sardonic sense of humor to keep things light. Doom and gloom this is not. — Brandon Katz, Observer Its composition, like a giant dollhouse cut open, is reminiscent of a Wes Anderson flick (think a more emo, gothic Royal Tenenbaums), but there s little of that offbeat charm elsewhere. — Akhil Arora, Gadgets360Final verdict? Critics can t agree. The Umbrella Academy offers something new and unique in an already crowded genre and is a rare example of an adaptation that might actually surpass the source material. — Henry Northmore, The List After a while, endless stylization for its own sake comes to feel cluttered and, worst of all, dull. — Daniel D Addario, Variety Basically: This is the apocalypse we’ve been waiting for! — Sherin Nicole, idobi.com Despite such an audacious premise, The Umbrella Academy quickly slumps into mopey mediocrity, unable to render any of the visual imagination the material practically begs for. — Steven Scaife, Slant Magazine The joy of Umbrella Academyis that you can never predict the path the show will take as a superhero-tinged TV show, it gets everything right. — Allison Keene, Collider Today s Ketchup brings you another 10 headlines from the world of film development news, covering titles like Salem s Lot and Tom and Jerry, and new roles for Ben Affleck, Peter Dinklage, and Jennifer Lopez.This WEEK S TOP STORYLEONARDO DICAPRIO JOINS GUILLERMO DEL TORO S NIGHTMARE ALLEY REMAKE(Photo by Elizabeth Goodenough/Everett Collection, Stephane Cardinale - Corbis/Getty Images)The dark 1947 carnival drama Nightmare Alley is not as famous as other examples of film noir, but it remains a dark, creepy film worth seeking out. The film s profile is about to rise much higher in the next year or two, though, because Guillermo del Toro has decided a Nightmare Alley remake will be his next film as director, after the Academy Award-winner The Shape of Water. Leonardo DiCaprio will headline Nightmare Alley in the lead, a carnival showman who rises to fame by pretending to talk to the dead as a medium, taking over the role played by Tyrone Power in the original. The 1947 movie was an adaptation of a 1946 novel by William Lindsay Gresham that did take some liberties with the story (especially the ending), so it s possible that GDT s adaptation will be closer to the source material. Nightmare Alley will start filming in late 2019, and will probably be released sometime in 2020. Speaking of remakes, Guillermo del Toro also talked this week about his former plans for remakes of classic monster movies like Frankenstein and Bride of Frankenstein, saying, I don t think it s going to happen. Fresh Developments1. JAMES BOND 25 EVENT CONFIRMS RAMI MALEK, AND MORE (Photo by Well Go USA Entertainment)MGM and Eon Productions, the companies behind the James Bond franchise, staged a big event yesterday at Ian Fleming s Goldeneye estate in Jamaica to promote James Bond 25. Some speculated that the event might reveal the title (it didn t), but there were several casting revelations. As had been previously reported, Rami Malek (Bohemian Rhapsody) was confirmed to be the film s villain. The biggest new news was that Jeffrey Wright, who skipped Skyfall and Spectre, will be returning as CIA agent Felix Leiter, joining Daniel Craig s Bond on an international adventure to rescue a kidnapped scientist. Whatever it s called, the 25th official James Bond film will be directed by Cary Joji Fukunaga (Beasts of No Nation, HBO s True Detective) when it s released on April 8, 2020.2. STEPHEN KING S SALEM S LOT VAMPIRES FINALLY STALKING THE BIG SCREEN (Photo by Warner Bros. courtesy Everett Collection)This year marks seven years since the release of The Twilight Saga: Breaking Dawn Part 2, which was, for the most part, the last successful Hollywood movie featuring traditional vampires (2014 s Dracula Untold, not so much). Sony and Marvel are now filming Morbius (starring Jared Leto) for release next summer (7/31/2020), so that s at least a vampire movie coming out soon. A new project that will be further out is an adaptation of Stephen King s Salem s Lot, which was previously adapted twice as a TV mini-series in 1979 and 2004. Producer James Wan and screenwriter Gary Dauberman previously collaborated on The Conjuring spinoffs Annabelle, Annabelle: Creation, The Nun, and the upcoming Annabelle Comes Home, and are now reuniting for Salem s Lot. Stephen King s original 1975 novel is about an author who returns to his hometown to discover that a spooky mansion is now home to a European vampire and his brood. (Note: The proper title of Salem s Lot starts with an apostrophe, because it s an abbreviation of Jerusalem s Lot, which is the town.)3. PETER DINKLAGE LEAVING WESTEROS FOR THE THICKET (Photo by HBO)HBO s Game of Thrones has an extended cast of dozens of actors, so with the show ending, we re in the early stages of an expected deluge of post-Game of Thrones casting announcements. Many of them are European and mostly work outside Hollywood, but one of the stars who very much is a Hollywood star is Peter Dinklage (for example, Avengers: Infinity War). Dinklage s next film will even be produced by Hollywood Gang, which is the company behind the dark and twisted thriller The Thicket. In it, he will star as a fierce bounty hunter named Reginald Shorty Jones, who is hired by a boy in Texas after his sister is kidnapped by a serial killer known as Cut Throat Bill.4. WHO S BEN AFFLECK GONNA CALL? GHOST ARMY (Photo by Universal Pictures)Before he signed on to play Batman in 2013, Ben Affleck s career as director was moving pretty quickly, with three films in five years (Gone Baby Gone, The Town, and Argo), all Certified Fresh. Affleck had to delay filming Live by Night for a while (it eventually came out in 2016), and now it s been another three years since that film. This week, we finally heard what film he will direct next, for what will effectively be only his second film over the last seven years. Affleck will direct and star in Universal Pictures Ghost Army, which will be adapted from the book The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery. (The great thing about non-fiction books is how they can relate the whole premise in a subtitle.) One can draw a pretty obvious correlation between Ghost Army and Affleck s Argo, which was also a fact-based drama about how moviemaking techniques were used to carry out a mission (in that case, the liberation of diplomats during the Iran Hostage Crisis). The Ghost Army was also adapted as a PBS documentary in 2013.5. ANGELA BASSETT TO DRINK YOUR GUNPOWDER MILKSHAKE (Photo by Phil Bray/Fox Searchlight Pictures)Although they re mostly supporting roles, Angela Bassett has been racking up an impressive series of high profile films recently, including Black Panther (as his mom), Bumblebee (as the voice of the villain Shatter), and Mission: Impossible Fallout (as the CIA director). This week, Bassett signed on as one of the leads in an action thriller called Gunpowder Milkshake, as one of the unassuming leaders of a massive armory. She joins two already-signed actresses who are also coming off very popular franchises: Lena Headey stars in HBO s Game of Thrones as Queen Cersei Lannister, and Karen Gillan plays Nebula in Avengers: Endgame (and also co-starred in 2017 s Jumanji: Welcome to the Jungle).6. COLIN FARRELL, CYCLOPS, AND BRAN STARK ARE VOYAGERS (Photo by Jaap Buitendijk/Warner Bros.)After an early career that included The Illusionist (73% Certified Fresh) and Limitless (69% Fresh), director Neil Burger ( https://www.rottentomatoes.com/celebrity/neil_burger ) is currently coming off two films below 43% Rotten (Divergent and The Upside). For his next film, Neil Burger has cast the male lead ( https://deadline.com/2019/04/voyagers-colin-farrell-lily-rose-depp-tye-sheridan-cast-neil-burgers-lord-of-the-flies-in-space-universal-agc-1202602566/ ) from The Lobster, Colin Farrell, along with a young cast that includes Tye Sheridan, Lily-Rose Depp, and Isaac Hempstead-Wright (Bran Stark from Game of Thrones). The movie will be a science fiction thriller called Voyagers and show what happens when a spaceship with 30 young people sent to populate a new planet experiences a surprise disaster.Rotten Ideas3. BRITNEY SPEARS GETTING MUSICAL, ONCE UPON A ONE MORE TIME (Photo by Jason LaVeris/Getty Images)This summer, we ll finally get the ninth feature film directed by Quentin Tarantino, the 1960s period piece, Once Upon a Time in Hollywood, but it won t be the only movie in the next few years (or so) that borrows that naming convention, because Sony Pictures has won the screen rights to an upcoming Broadway musical called Once Upon a One More Time. As you might be able to guess, it will be a fairy tale musical using classic songs by Britney Spears (was Spears career long ago enough now to be considered classic ? #thiswriterisold). The golden oldies that will be featured in the musical will include Circus, Lucky, Toxic, and Oops I Did It Again. There is not yet a writer or director for this movie, or an idea of who might star.2. JENNIFER LOPEZ SAYS MARRY ME TO OWEN WILSON(Photo by Elizabeth Goodenough, Priscilla Grant/Getty Images)The romantic comedy has almost vanished from the big screen (except for rare films like Isn t It Romantic?), but the genre is starting to enjoy a comeback, thanks in large part to streaming sites like Netflix. The distributors that are probably going to commit most fully to something like this are the indies or smaller studios that mostly focus on fringe or counterprogramming genres anyway. One such company is STXfilms, and this week, they moved forward with the romantic comedy Marry Me with Jennifer Lopez and Owen Wilson. Lopez will play a pop star who flees from her cheating groom at the altar and picks a random guy (Wilson) from the audience and marries him instead. Marry Me will be directed by Kat Coiro, whose three previous films all received Rotten Tomatometer scores.1. CHLOE GRACE MORETZ TO STAR IN TOM AND JERRY(Photo by Shane Mahood/Focus Features)Although their long-in-development sequel to Space Jam is the project that gets the most media attention (thanks to LeBron James), Warner Bros. is also moving along with their plans to reboot Tom and Jerry in just under two years (4/16/2021, to be precise). We ve known for a while that Tom and Jerry will be a live action/animation hybrid (in the tradition of 1945 s Anchors Aweigh), with the title cat and mouse being mute characters (so they won t have any voice actors). The lead human, we learned this week, will be Chloe Grace Moretz, who will play a hotel worker who hires a cat named Tom to get rid of a pesky mouse named Jerry who has taken up residence there. Tom and Jerry is the week s most Rotten Idea not because of Moretz, but because it s going to be directed by Tim Story, who hasn t directed a Fresh movie that wasn t a Kevin Hart comedy concert film since 2002.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
ä¹æ¶åå ¬æµï¼ç©¶ç«ä»ä¹æ¶ååºå¢ï¼ä»å¤©å°ç¼å°±ä¸ºå¤§å®¶æä¾å¦ä½å¿«éå°ç¥éå ç«ç«åºæåçå°ç«å¼æ¾ä¸è½½åå ¬æµçæ¶é´ï¼ä½ å°±å¯ä»¥æå¿«ç¥éå ç«ç«åºæåçå°ç«å ¬æµæ¶é´äºï¼亚博网站官方《延禧攻略之凤凰于飞》是一款由《延禧攻略》电视剧正版IP授权的古风大女主成长手游。玩家将扮演属于自己的“魏璎珞”一角，在危机之间进行决策、体味浮沉之间的跌宕人生。
4. 呼朋唤友 随心所欲
5. HD 画质与高品质音讯
My connection to Dee Rees’ Pariah began one night at a Berlin bar. On New Year’s Eve 2009, I headed out for a drink in the German city, where I was stationed in the Air Force. As I settled in for the night and took a sip, I thought, “I am a lesbian.” It’s not something I had thought about in the weeks prior, but it felt right to say it then; and so over the super-loud music, I told my best friend that I was satisfied with coming out as a lesbian. I rang in that new year with a new branch of identity, one that felt right but also terrifying because I had a lot of questions. How would I integrate myself into this community? Would I have to fight for acceptance within it? How do I find a date? These aren’t things I felt comfortable asking someone; I needed to experience it for myself. Unfortunately, I also had to deploy. I worked nights, gave up on a social life, and didn’t have time to process those questions or get close to any answers. Instead I watched films, and one day someone suggested I check out Rees’ Pariah. I did some research, discovered what it was about, and knew this was something I needed to see.(Photo by Focus Features)Pariah follows Alike (Adepero Oduye), a 17-year-old Brooklynite who longs for an intimate connection with someone of the same sex. She knows she’s a lesbian and hasn’t come out to her parents; those around her suspect she may be gay based on her fashion choices and current friends, who are openly gay women. Observing this behavior, her mother Audrey (Kim Wayans) encourages her to befriend Bina (Aasha Davis), in the hope she will rub off on her daughter: Bina is feminine, demure, goes to church – everything Audrey s daughter is not. Alike develops a crush on her new friend, and things look promising until Bina admits the feeling isn’t mutual. Meanwhile, tensions are rising at home. Audrey is incensed at the idea that one of her children is gay, while Alike’s father Arthur (Charles Parnell) believes his wife is overreacting. Tired of the drama, Alike leaves home early for college to start life anew. As she is about to board the bus to college, director Rees interposes the action with a shot of Alike reading her poetry. When she’s finally on the bus, glaring out of the window with a look of satisfaction, we hear the line “I am not running, I’m choosing.” It hits close to home.(Photo by Focus Features/ Everett Collection)“I’m not running, I’m choosing” is a theme that ripples throughout the film, during which Alike is in a constant tug-of-war between family obligation and self-preservation. In the end, she chooses herself – not out of selfishness but for her own mental and spiritual wellbeing. Unlike Alike, my family didn’t have issues with my coming out. They were very accepting, and many were not surprised. However, it’s still a heavy cross to bear when you exist at marginalized intersections. Claiming a sexual label outside of heterosexuality – on top of being Black and a woman in America – can mean you face physical abuse, verbal abuse, and sometimes death. Alike and I have the same skin complexion, are of the same sexual orientation, we grew up in similar environments, and we made the bold choice to leave because it was the best choice for us and no one else. For me, leaving home to join the military was a decision without outside influences – the kind of major decision I hadn t made until then. Seeing Pariah gave me confidence and confirmed that I made the right choice.Katie ShearerThe movie changed my life and my perspective on what it means to be happy with everything I am. When the film was released, it didn’t receive the notoriety it deserves. Now, many movie fans are discovering what a gem Pariah is. I would go so far as to say it paved the way for films like Moonlight, Night Comes On, and Rafiki. Rees has built a successful career. She followed Pariah with the HBO original film Bessie, starring Queen Latifah; Mudbound, her third feature, picked up four Oscar nominations, including for Best Adapted Screenplay and Best Cinematography. Her next film is an adaptation of the Joan Didion novel, The Last Thing He Wanted.I’m just here to remind movie fans that Pariah should always come up in conversation when discussing queer cinema game changers. It’s a movie that speaks to a demographic that rarely interests Hollywood studios – Black queer women and non-binary people. Rees took a cinematic risk and in doing so created a queer classic that holds up 10 years later – and will for decades to come.Valerie Complex is a military veteran turned freelance movie journalist in love with all things related to cinema.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
(Photo by Jason Bell/NBC)This fall, Jimmy Smits revisits his L.A. Law days with NBC s latest legal drama, Bluff City Law. Whether in series regular roles like NYPD Blue and The West Wing or season arcs on 24: Legacy, How to Get Away with Murder, and Dexter, networks know Smits is the kind of reliable star they want to anchor a new fall show.Bluff City Law is about a father/daughter legal duo who team up to fight injustice. Smits plays Elijah Strait, who reconnects with daughter Sydney (Caitlin McGee) after his wife/her mother’s funeral and convinces her to leave corporate law and join his firm to fight for the very people those companies hurt.Smits told Rotten tomatoes that being back in a courtroom, even a television courtroom with a script, made him realize his TV law was a little rusty.“I remembered a couple of things. Objection!, ” Smits joked. “We’re really fortunate because the technical advisers, consultants have been really great in terms of helping us out with all the procedural stuff. It’s important to me. I’m a stickler on that kind of thing, on any type of thing, whether it’s a cop show [or a lawyer show].”(Photo by NBC)Bluff City Law is the first courtroom drama for McGee, who was glad to have a TV lawyer veteran there to mentor her.“It was called Smits Academy of Law and Order,” McGee said. “Really, the thing that was most useful to me in my research was when we actually got to watch a case and we got to see how performative lawyers have to be and how important it is to keep people engaged and interested in your side of the argument. The case McGee watched was a medical malpractice case where she saw the doctor in question testify on the stand. That just might come in handy for Bluff City Law. So will the jargon.“The whole thing about the jargon, no matter what area it is, it’s part of what we do,” Smits said. “It’s like learning another language almost, right? If you’re playing a doctor, it’s part of the fascinating thing what we do, the research part, whether it’s jargon, the technical aspects of it.”In their first case together, Elijah and Sydney team up against a chemical company whose product they believe caused their client’s cancer.“In terms of the particular case that we were handling, I tried to do the backstory on that and with regards to the real case that it was based on,” Smits said. “Speaking to the people who are the technical advisers on the show, going to cases, it’s all part of what we do as actors. That’s the fun part.”(Photo by Paul Gilmore/NBC)Bluff City Law is set and filmed in Memphis, Tennessee, which automatically gives it a different vibe than Los Angeles. Smits says filming any show in 2019 is automatically more advanced too.“Our show looks a lot different and it’s much more cinematic,” Smits said. “That’s not a slight on L.A. Law at all, but it’s really cinematic, and Memphis is a vibrant part of the show. The look is a lot different. You can actually have drone shots, [but] we haven’t had one yet.”Smits also looks back fondly on NYPD Blue, the landmark 90s cop show he joined in season two after David Caruso left.“I was working on the same lot, so I knew when they had written the pilot that it was going to be ground-breaking,” Smits said. “I didn’t know it was going to be the phenomenon that it turned out to be, so it was kind of fortuitous to me it came back around.”(Photo by Jake Giles Netter/NBC)NYPD Blue pushed broadcast standards for language and nudity in order to show what life is really like for policemen and women. Today, a show like that might be on streaming with no restrictions at all.“A show like that, you could not pitch that show to a network [today],” Smits said. “It wouldn’t happen. It just wouldn’t happen. The landscape of television is much more niche-oriented now. Certainly, edgier topic matter is something that we’ve gone for [on Bluff City Law], but I don’t know if you’re going to see naked butts on our show. That’s not going to happen.”McGee was ready to show Sydney’s love life explicitly, though.“You might see a back though, a naked back, maybe some abs,” McGee joked. “Hopefully it’ll be Barry Sloane’s.”Sloane plays Jake Reilly, another lawyer at the Strait firm. Josh Kelly plays Sydney’s ex-husband Robbie, a detective who is still broken-hearted over Sydney. And while the legal drama is one focus of the series, the Straits personal lives will come into play as well.“We established in the first episode what we’re all about, what the firm is about,” McGee said. “We are a legal drama, but once you really get to know these characters you’re just going to want to know more about their personal lives. You’re going to want to meet their spouses, their exes, see their homes. You’ll definitely get to see more of that.”(Photo by NBC)That, said Smits, will make the legal cases even more compelling.“I think that the audiences will engage more in the legal aspects of the show once they know all of the little character traits that each one of the characters has,” he said.Bluff City Law premieres Monday, Sept. 23 at 10 p.m. on NBC.
Everything old is new again when The 100 returns to The CW with its sixth season on Tuesday.But that s one of star Lindsey Morgan s favorite aspects of the sci-fi series, she said when Rotten Tomatoes visited the set of the series back in November. We really concentrate on world building and building these new environments and then we blow them up, she said.Indeed, after crash-landing the titular group of 100 teens on a post-apocalyptic Earth in its first season, the show has specialized in upending its status quo each year. Its core team of teen miscreants-turned-explorers faced new difficult situations each season as they attempted to make life thrive on a radiation-soaked Earth. Season 5 sped forward six years as some retreated to a space station above Earth and others defended the last safe zone on the planet. But when that attempt failed, the survivors had only one choice left: find a new planet.Which, of course, they did. A planet a previous Earth ship set out for and, presumably, will support human life.(Photo by Sergei Bachlakov/The CW)Details on this brave new world are still deeply classified, but Bob Morley, who plays key survivor Bellamy, suggested fans can gather something about the new planet based on what happened at the end of last season. And while there is a sense that the show has been reborn, he noted the characters may also experience a sense of déjà vu as they explore the new world. This planet is completely different from the Earth we knew, said Marie Avgeropoulos, who plays Bellamy s sister, Octavia. There are a lot of sci-fi elements to this planet. It makes it really challenging to survive. Instead of various rival clans as seen on Earth, she said the survivors will encounter one set of new people immersed in the new sci-fi trappings. The planet’s gonna be nuts, said Richard Harmon, who plays ne er-do-well Murphy. It will suspiciously look like Vancouver, but they did a great job giving the planet a cool look this season. The new status quo sees the survivors reunited on the same side after years of personal and political conflicts. As Morley noted, Bellamy and Clarke (Eliza Taylor) will have to deal with being leaders of the same group once again despite all the time they were on opposite sides of warring factions. They have to take up that mantra from Monty: Do better,' he said.In the season 5 finale, Monty (Christopher Larkin) stayed awake aboard the Eligius IV while the others went into cryosleep hoping to wait out the decade required for Shadow Valley to become habitable again. Unfortunately, when that decade passed, Monty and fellow survivor Harper (Chelsey Reist) saw little change to the radiation levels around the planet and he began decoding the mission files of the Eligius III, a ship sent out to find a hospitable and oil-rich planet out in the galaxy. The two lived long lives together, even having a son. After Harper s death, Monty chose to remain awake until he could find the route the Eligius III took, eventually dying of old age and hoping his friends would be better people when they settled the world he found for them.(Photo by Diyah Pera/The CW) Everyone takes Monty’s dying wish differently, Morgan explained. It has a resounding impact on us all. He was very much the core of the family and for him to sacrifice his life was such a gift. In the case of Morgan s Raven, it leads her to take a more active role in their coming exploration of the new world. A crisis is on hand in this new set of circumstances, she said. Being the brains of the operation and figuring out the intel, she has to figure out how to assess the planet and how to survive. Presumably, this means she will be one of the first to wake up from cyrosleep, but the cast was oddly mum about who wakes up first. Instead, Morgan joked, there’s been peace because we’ve all been asleep. While Harmon noted that the group is as cohesive as a unit as we ve ever been at the start of the season, old wounds will quickly open up as the various characters awaken. For Raven and Murphy, that means injuries sustained across the fifth season have not healed after 125 years. In fact, Harmon said Murphy’s injury allows him to relate to Raven a little better — at least when he first wakes up. But for Octavia, it means her actions as Red Queen will haunt her. She spends a lot of the time this season dealing with her interior demons and the group has a lot of ill-feelings toward her, Avgeropoulos said. She feels isolated. Additionally, the relationship between Octavia and her brother will be interesting considering as Octavia threw Bellamy in the Pit, which is going to take a little bit of time to overcome. There’s an interesting thing that happens between them this season that’ll shock the viewers, she said. I’m really excited for everybody to see it. Added Morley, It will take some time for them to be able to address the situation, and a lot of their own healing before they can speak about it or it’s amicable or for it to grow into a more healthy relationship. (Photo by Diyah Pera/The CW)That fractious sibling relationship may also put some pressure on Bellamy s relationship with Echo (Tasya Teles). On that front, Morley said Bellamy and Echo are still very much in love, but evaded elaborating on it to point out the show will finally spend some time filling in certain gaps in her backstory. I’m super excited about that, Teles said. It s one of the things I ve been hoping for and asking for the last couple of years. I had ruminated on her backstory and the opportunity to share that for the first time is really exciting. She suggested Echo s past was not roses and picnics, but her unique trauma may lead to something she can contribute to the group as they face the new world. At the same time, she said Echo is still learning to adapt to her new surroundings and trying out a new way of life.But when asked about Echo s relationship with Bellamy — and the fact he has to deal with Clarke in close quarters again — Teles said, rather enigmatically, She understands loyalty better than anyone else, she understands certain relationships are sacred. So there’s a lot of support within them all. She added that Echo also feels a certain indebtedness to Clarke.And when Morley was asked if there was a chance for Bellarke shippers to be pleased this year, he joked there is “as much of a chance as all those other years.”Among their other duties in exploring the new planet, the pair are tasked with looking after Monty and Harper s son, Jordan (Shannon Kook). Though an adult, there is something childlike about him.As Morley put it, Jordan is such an interesting character. He spent his whole life on a spaceship with his parents. Spending 26 years with only his parents to talk to would drive anyone a bit insane, but Kook is a great addition to the cast and Jordan is a new type of quirky character the show hasn t seen before.For his part, Kook said, It’s befuddling for the heroes to encounter this idealistic and optimistic personality who reminds them of their old friend. (Photo by Sergei Bachlakov/The CW)Unlike their childhoods on the Ark and their adulthoods-by-fire on Earth, Jordan was raised in the harmony of his parents even as he trained to join the others on their exploration of the new planet. There are some parallels between him and Octavia [who also grew up separate from the others], but the difference in that is that he wasn’t growing up in a time of tension. Unlike the fear Octavia knew, Jordan has always enjoyed peace. It means planetfall will be quite a jolt to his system. But Jordan, not unlike the original 100 when they first arrived on Earth, will approach this new world as a series of firsts. As Kook put it, Jordan notes the moment he breathes fresh air for the first time and sees a woman who isn t his mother. He also faces the challenge of working with the people he idolized growing up, challenging their jaded worldviews, and feeling an obligation to protect his new family. It s a tall order for a young lad who s never met anyone before, the actor said.Nonetheless, Morley and Teles said Bellamy, Clarke, and Echo feel a certain protectiveness for Jordan immediately. And while that sense will be reciprocated, Kook admitted Jordan has one fave among the group: Murphy. He throws your expectations, Kook said.Added Harmon, I was his favorite growing up, which is very valid. But be careful what you wish for when it comes to meeting your legends. The 100 returns Tuesday, April 30 at 9 p.m. on The CW.
The comic book Y: The Last Man, by writer Brian K. Vaughn and artist Pia Guerra, opens with an idea that is simply expressed but complex in its meaning: What if all but one man suddenly died? Debuting in 2002, the series explored that idea for 60 issues, reaching an interesting conclusion. But even before the final issue was published, the comic book was on its way to becoming a film. Nearly 15 years later, that film has not materialized; instead, FX on Hulu’s adaptation, also called Y: The Last Man, debuts today.In the decades since the comic’s debut, its basic question has become an even more complex notion. As showrunner Eliza Clark told Rotten Tomatoes, it is as much about “identity and the way that oppressive systems conspire to inform our identities” as it is about observing the last “man” on Earth as he searches for a way to continue the species.Nevertheless, we also spoke to star Ben Schnetzer about playing Yorick, the titular man in a world where maleness is determined by more than the Y chromosome. We also chatted with Olivia Thirlby, who plays Yorick’s sister, Hero, about her journey, the tough bonds of family and, along with Clark and Schnetzer, the scope of Y as a television show.A World Of Browns(Photo by Rafy Winterfeld/FX)As much as the series is about its provocative premise, it is also about the Brown family: mother Jennifer (Diane Lane) and her children, Yorick and Hero. Jennifer is a tough and seasoned US Senator, and Yorick and Hero enjoy a certain amount of luxury as children of privilege. Before “The Event,” which utterly changes the world, they both live in New York. Hero gets by as a paramedic while Yorick teaches magic and prepares an escapology routine he expects to be his ticket to fame. And, as viewers will discover, they are typical siblings. “They are angry at each other a lot of the time,” Thirlby said. “But they re sort of bonded in this shared experience of being Jennifer s kids. I don t think there s a very big margin of error when you re Jennifer s kids, so they always had to look out for each other in a very specific kind of way.”Then, The Event happens and all mammals carrying the Y chromosome – except Yorick and his pet monkey Ampersand – drop dead. Jennifer ends up in charge of preserving the US government while Yorick and Hero (who is unaware her brother is alive) set off on very different journeys.(Photo by Brendon Meadows/FX)According to Clark, the three viewpoints were inspired by the early issues of Y, which also split its time between several characters in different parts of the world. But by centering on Jennifer, Yorick, and Hero as the major viewpoint characters in the television show, an opportunity to “see inside these worlds a little bit more deeply” presented itself.“It s a large ensemble,” added Thirlby. “It s about many stories unfolding simultaneously. It s about people who don t know that they re in a TV show, so their understanding of their own world is pretty complete.” In her view, part of the fun for the audience is keeping in mind the characters’ certainty in the face of severe knowledge gaps; it leads to a lot of tension for the characters and the viewer.The Escape Artist(Photo by Rafy Winterfeld/FX)Though it is an ensemble which includes Amber Tamblyn as a Washington insider (despite the character’s own protests to the contrary), Ashley Romans as a secret agent tasked with keeping Yorick alive, and Elliot Fletcher as Hero’s traveling companion Sam – the show is called Y: The Last Man. Therefore, Schnetzer’s character is primary thanks to his Y chromosome. That said, fans of the book may be surprised by the Yorick they meet in the first episode.“Yorick s kind of guileless, disarming humor reads in a particular way, beautifully, in the panels of a graphic novel,” the actor said. “But we wanted to make him a little more vulnerable, and a little more human, in a way that would read in the three dimensions of a series on screen.” The initial innocence (and obliviousness) of the comic book character gave way to something a little more, well, privileged. “I wasn t thinking consciously about it when we were filming it, but definitely, there s a part of him that is spoiled, and it is very privileged,” Schnetzer said. “[It’s] the idea of Yorick being a really unlikely candidate for the role he finds himself in… There s no nobility going into it. We wanted to give him a runway to discover that through the trials of the show that lay before him.”Yorick’s introduction may present him as somewhat unpleasant, but Clark said the hope is that viewers will still “like him even though you re like, ‘Ugh, this f ing idiot.’”(Photo by Rafy Winterfeld/FX)“I really love Yorick and want him to succeed,” she continued. “And I think the story needs you to like him in spite of the ways he really has so much growing up to do.”Part of his journey to maturity will be his travels with Agent 355 (Romans), an element fans will recognize from the book, though Schnetzer felt it was important to “un-know” that aspect of the story so he and Romans could build the rapport between their characters in an organic way. “It was really important to understand who these people were before they knew each other,” he said of the preparation. It proved to be a tightrope, as some takes would end with him wondering if the characters were too familiar for an escape artist and secret agent at the start of their journey across the ruins of America. Nevertheless, he felt the early episodes provide “a bit of an origin story for this relationship,” which will lead to a “Butch and Sundance” dynamic.They will also meet a third traveling companion, Dr. Mann (Diana Bang), along the way. “Her eccentricity and her sense of purpose bonds 355 and Yorick,” he teased, also suggesting that Dr. Mann may create some doubt about 355 in Yorick’s mind. “It just adds a whole different flavor to things,” he said.The Wanderer(Photo by Rafy Winterfeld/FX)Perhaps for more than any of the other Browns, Hero’s story is one of survival – even before The Event. “[It’s about] her capacity to navigate her own traumas,” Thirlby said. “But also asking the question, does she have the strength and the capacity to have the will to survive, given some of what she s experienced and the way that she s coped with that?” That question will lead her on a very different path than Yorick’s, much of which we can only tease, as it greatly redefines the state she is in when comic book readers first met her. One thing we will mention: she has little interest in meeting up with Jennifer. “Her relationship with her mother is a little bit too fraught,” she said. And whether or not that relationship is examined more closely later in the series, the Hero who prepares to leave Manhattan after The Event “does not want to continue her role as a daughter in this world.”Instead, she strikes out into the wide world with Sam, a trans man who is an entirely new character for the series. “They love to be their own little unit and look down on everyone else around them,” she said of their dynamic before The Event. “I think [when] they met, it started instantly with their shared eyeroll about the larger social circle that they happen to be sitting in.”(Photo by Rafy Winterfeld/FX)Of course, the world after The Event will test their bond and prove it is more complex than a shared sense of superiority. “Their friendship is really unusual,” she said. “It s many things rolled into one. It s a best friendship. There s a deep intimacy that they share. There is the desire to be drawn together, romantically and sexually, that I think they both resist a lot of the time for totally different reasons.” To Thirlby, the malleable nature of their relationship is one of the show’s strengths as it examines “the way that people connect outside of the normal confines of what we re used to seeing.”“There s a lot of love there, [but] I think there s a lot of toxicity too,” Clark added. “They enable one another.” One thing that is solely Hero’s motivation is a sense of shame for something she does just prior to The Event. “She s looking for consequences… and they get into dangerous situations because of Hero s shame,” she explained. It may be different from the comic book, but Clark felt it was important to strongly define who Hero was before The Event in light of “who she becomes.” Readers of the book will have a pretty good idea what that means, even if the show approaches the concept from a different angle.The Commander(Photo by Rafy Winterfeld/FX)Meanwhile, Jennifer remains in the Pentagon trying to maintain a semblance of a working government. It represents some of the program’s most harrowing post-apocalyptic moments because they are so close to reality. “Our [real] power grid is poorly constructed and needs constant maintenance. It s a patchwork of random systems,” Clark said. “Same is true for our infrastructure. It is crumbling now.” Then add the historic gender inequalities in the workplace and Jennifer faces a situation where she has, potentially, a single woman running a hydroelectric dam. “There might be a woman who works at the dam – she might be one of two – can she handle it entirely by herself? Maybe her talents might be better used at a different kind of emergency,” Clark said of the problems just with maintaining electricity after The Event. At some point, Jennifer, who is aided by a dynamic and diverse staff also dealing with the personal aftermath of The Event, is pretty much just “putting her finger in the dam.”“The extent of the problems just gets bigger and bigger,” she continued. Nevertheless, part of expanding Jennifer’s role in the story verses the comic book was to illustrate a situation in which “people who really are super capable” try to patch the holes left in society after The Event.(Photo by Rafy Winterfeld/FX)Complicating the patch job is a continuing political opposition represented by Tamblyn’s Kimberly. “She is a person who has aligned herself with the patriarchy and gotten basically all of her power and her identity from her proximity to men,” Clark explained. In the wake of The Event, and Jennifer assuming power, Kimberly is left grasping for the old ways and reinforcing the binary roles she understood. The character could easily lend itself to caricature, but viewers will find Kimberly is a surprisingly complex (and compassionate) foe. “[It’s] Amber Tamblyn like you ve never seen her before,” Clark said.And this is all before Jennifer can contemplate sending a rescue unit for Hero or even dare to hope Yorick is alive. But once it becomes possible that her son is the last Y chromosome-carrying human on Earth, she will be forced to view it through the lens of her political liabilities. “She s had to compromise from the beginning, and it puts her in a gray moral area that is, I think, super interesting to watch, Clark said of the problems any reunion might cause.The World Of YRyan FujitaniOf course, the Brown Family represent just a part of Y: The Last Man’s world. There is Jennifer’s staff some of whom absolutely steal scenes the unique challenges Sam faces on the road with Hero, and one re-imagining of a comic book character we can only reference in the broadest terms. But perhaps, for now, it is best viewers begin the journey alongside as Jennifer, Yorick, and Hero and discover the world of Y for themselves.Y: The Last Man premieres on FX on Hulu on Wednesday, September 13, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.
亚博网站官方 This Week s Ketchup brings you seven headlines from the world of film development news, covering such titles as One-Punch Man, Scary Stories to Tell in the Dark 2, and Venom: Let There Be Carnage. This WEEK S TOP STORYSONY DELAYS SPIDER-MAN AND VENOM SEQUELS, MOVES UP UNCHARTED(Photo by ©Marvel/©Walt Disney Studios Motion Pictures)This week saw a number of release date changes for some of Sony s biggest titles, beginning with the Venom sequel, starring Tom Hardy as the titular anti-hero and Woody Harrelson as (presumably) the crimson red serial killer Carnage. That movie had been scheduled for October 2, 2020, but Venom 2 became Venom: Let There Be Carnage as it got bumped back eight months to next summer on June 25, 2021 (taking the spot where The Batman previously was to have been released). Sony Pictures also quickly took advantage of the announcement to Tweet out a brief teaser of the new title. Then, late on Friday, Sony further announced that its third Spider-Man film featuring the MCU s Tom Holland, which was set to open on July 16, 2021, will be pushed back four months to November 5, the release date of Marvel s Doctor Strange in the Multiverse of Madness, which was itself then also pushed back to March 5, 2022. Remember that domino effect we were talking about? Holland s other big film, the video game adaptation Uncharted, was then moved forward from October 8, 2021 to replace the untitled Spider-Man sequel in the now-vacant July 16 slot. To top it all off, the sequel to the Oscar-winning animated film Spider-Man: Into the Spider-Verse, which had been planned for April 8, 2022, was also pushed back six months to October 7 of the same year. Whew!Other Top Headlines1. WARNER BROS. DELAYS THE RELEASES OF THE BATMAN AND SHAZAM 2 (Photo by Matt Reeves)Some of the movies originally scheduled for the summer of 2020 have been pushed back because of COVID-19, which has resulted in a domino effect, with their delays leading to delays in other films. In some cases, the movies scheduled for next year that were supposed to be filming right now need that much more extra time to get filmed, get through post-production, and get released. Few movies need quite as much time as supehero movies do, so it was probably always inevitable that Warner Bros. would have to push some of their 2021 and 2022 DC Comics movies back a bit. The biggest film being delayed is The Batman, from 6/25/2021 to October 1, 2021. Shazam! 2 was to have been released on April 1, 2022, but is now scheduled for November 4, 2022. Another studio that delayed two of their big franchise movies is Paramount Pictures, which has delayed Mission: Impossible 7 from 7/23/2021 to 11/19/2021 and Mission: Impossible 8 from 8/5/2022 to 11/4/2022, which is a curious move because it means they just put their big Tom Cruise action movie right up against the Shazam! sequel that also just moved.2. ARE YOU READY FOR (MORE) SCARY STORIES TO TELL IN THE DARK? (Photo by CBS Films)Lionsgate probably did not have as big of box office success with last year s Scary Stories to Tell in the Dark (Certified Fresh at 78%) (5 million worldwide) as they might have hoped, but the PG-13 horror film was also produced relatively cheaply ( million), and it s also one that should have a good shelf life, since it can be revived every Halloween for a new generation of kids. That is presumably part of why Paramount Pictures (taking over from CBS Films) felt confident enough with the possible new franchise as they have pulled the trigger on a sequel by hiring the same director and writers. Director André Øvredal (Trollhunter, The Autopsy of Jane Doe) and writers Dan and Kevin Hageman can now spend their COVID-19 stay-at-home time working on a new set of stories from Alvin Schwartz s original anthology books for the next movie. Which stories from the Scary Stories to Tell in the Dark books do you think should be adapted for the second movie?3. A HUNGER GAMES PREQUEL IS IN THE WORKS(Photo by Murray Close/Lionsgate courtesy Everett Collection)Before Star Wars: Episode I The Phantom Menace came out over 20 years ago, there was a time when people were perhaps more optimistic about a popular franchise going back a generation to tell a prequel story about the franchise s big bad villain. Now, people look back at the Star Wars prequels and many think three movies about the young Darth Vader were maybe not a great deal, but hey, another popular franchise would never make the same mistake, right? Tell that to the people who mad The Hunger Games, because author Suzanne Collins has written an upcoming novel called The Ballad of Songbirds and Snakes (5/19/2020) about the future villain Coriolanus Snow when he was a young 18-year-old man. Lionsgate has quickly picked up the rights to The Ballad of Songbirds and Snakes, which will again be directed by Francis Lawrence, who directed all of the Hunger Games movies except the first one. The Ballad of Songbirds and Snakes tells the story of young Coriolanus Snow, who is frustrated when he discovers he has been assigned to mentor the girl tribute from impoverished District 12 (the same district that Jennifer Lawrence s Katniss Everdeen will also eventually come from).4. POPULAR ANIME FRANCHISE ONE-PUNCH MAN GETS LIVE-ACTION ADAPTATION(Photo by Viz Media)Although last year s Pokemon: Detective Pikachu was usually credited as being a success for video game movies, the argumennt could also be made that it was just as much an adaptation of anime and manga, which is another type of live-action adaptation that has mostly struggled in Hollywood to date. As with most of these situations, it s inevitably just a matter of time before someone in the industry figures out the right project, which then becomes a big enough success that it opens the gates for others. Sony Pictures is gambling that perhaps the popular anime series One-Punch Man could be exactly that, as they are now developing a live-action One-Punch Man movie, which will be adapted for the big screen by Venom screenwriters Scott Rosenberg and Jeff Pinkner. One-Punch Man tells the continuing adventures of a superhero called Saitama who has perfected his fighting abilities to the point where he can literally defeat any opponent with just one punch, but that overwhelming power has also left him bored with his life.
As a lot of folks in Hollywood will tell you, nobody signs on to a movie thinking it s going to be bad. Sometimes, though, due to any number of reasons, things just don t line up the way everyone thought they would, and you end up with a stinker. That said, actors who are consummate professionals will always put forth maximum effort into any role they accept, and every once in a while, it results in a memorable performance in an otherwise forgettable film. We re here to celebrate those performances and make sure these talented actors efforts don t go unrecognized, even if the movies surrounding them were mostly dismissed.Jasmine Guy in Harlem Nights (1989) 21%(Photo by Paramount Pictures)In 1987, five years after the success of Robert Townsend s Hollywood Shuffle, studios were looking to capitalize on Black content, and fresh off the success of Beverly Hills Cop, Paramount gave Eddie Murphy a few million dollars to make his passion project. Casting his comedy idols in a minority-led Cotton Club-style crime-comedy, Murphy made a film that was hilarious and stylish. Still, critics savaged the effort as a vanity project with no plot and little substance. The film did boast dazzling costumes, the best of which were worn by Jasmine Guy as she played the femme fatale Dominique La Rue. Primarily known for her comedic role as the southern daddy s girl Whitley Gilbert on the Cosby Show spinoff A Different World, Guy showed she could bring the goods as the seductive and deadly mistress of the local mob boss. In between the laughs that Richard Pryor, Redd Foxx, and Della Reece provided, La Rue was a welcome, well-acted change of pace; it s a shame that Murphy s script rarely rose to the level of her performance.Meryl Streep and Goldie Hawn in Death Becomes Her (1992) 54%(Photo by Universal Pictures)Look, we can barely believe Robert Zemeckis’ dark and hilarious 103-minute catfight is Rotten on the Tomatometer, either. But at the time of release, critics were underwhelmed by what they saw as pretty ineffective satire, even as they praised the movie’s innovative special effects – “There’s a hole in my stomach!” – and the two women to whom they were generously applied. As long-time rivals and youth-obsessed divas Madeline Ashton and Helen Sharp, Meryl Streep and Goldie Hawn are fabulous monstrosities, all daytime-soap stares and Disney-witch snarls. Their work is big – huge, really – but always grounded in a deep sadness that flavors this showcase for pre-Jurassic Park Industrial Light and Magic with a compelling dose of tragedy.Bette Midler in Hocus Pocus (1993) 38%Ryan FujitaniAll three Sanderson sisters in Hocus Pocus probably deserve to be on this list: Sarah Jessica Parker brings great sensuality to what could have been a throwaway role and Kathy Najimy is an incomparable doof. But we’re singling out Midler because, in a film where no corner of scenery goes un-munched-upon, it’s Midler as lead witch Winifred who goes home with the fullest belly. Flaming red hair high and front teeth comically bucked, she delivers a huge performance, hilarious and nasty all at once, her expressions destined to be enshrined forever by nostalgic millennials in the galleries if giphy. Everyone is good in this movie, true, but we don’t know whether fans would still be clamoring for a sequel without Midler’s iconic performance of “I Put A Spell On You.”Raul Julia in Street Fighter (1994) 13%(Photo by Universal Pictures)Nothing ever goes exactly as planned on a movie shoot, but Street Fighter s journey to infamy was besotted with one catastrophe after another. The lead star was a coked-up, unreliable diva. A military coup in Thailand shut down road access. None of the actors were getting martial arts training, and were losing weight in the Southeast Asia humidity. And Raul Julia, who played the psychotic M. Bison, showed up withered and frail, besieged by stomach cancer treatment. Yet, the latter proved to be Street Fighter s most enduring asset, as Julia laid it all on the line for his final role. Julia s performance is big, unguarded, and wild, but with the good taste to stop short of chewing the scenery. You don t laugh at what he s created here, you actually cheer on this kind of menace, as Julia scissor kicks the movie up a notch with goofy, infectious energy.Angelina Jolie in Hackers (1995) 32%(Photo by Everett Collection)Angelina Jolie is no stranger to being the very-good-thing in a not-very-good movie: Think Gone In 60 Seconds, the Tomb Raider movies, or even the flick that won her an Oscar, Girl, Interrupted, which is – surprisingly for some – Rotten at 54% on the Tomatometer. In Hackers, the ahead-of-its-time 1995 techno thriller released the same year as The Net and Johnny Mnemonic, Jolie showed exactly why she would become a mega star. Her high school hacker Kate commands the screen, thanks to Jolie’s committed performance and the signature screen charisma that has kept people ponying up to see her in movies, good, bad, and Rotten as hell. Interestingly, Jolie beat out the likes of Hilary Swank and Liv Tyler for the Hackers role – only her second big-screen job.Gina Gershon in Showgirls (1995) 22%(Photo by United Artists courtesy Everett Collection)Showgirls’ reputation may be on an upswing with its newfound status as a cult-classic queer favorite, and the documentary You Don’t Nomi detailing how the movie came to this point, but one thing the world has always agreed on – even as the film collected six Razzies following its release and became a global punchline – is that Gina Gershon is brilliant as coke-sniffing meanie Cristal Connors. If you’ve got a favorite Showgirls line – from “I like nice t s” to “I used to love doggy chow” – chances are Cristal snarled it.Jim Carrey in Batman Forever (1995) 38%(Photo by Warner Bros. courtesy Everett Collection)Actors can come to set, nail their lines, and, if they have a little something extra, help pull better performances from the cast around them. As the Riddler in Batman Forever, Jim Carrey achieved this with Tommy Lee Jones, who offered an uncharacteristically unhinged take on Two-Face. Jones also reportedly detested Carrey. This alleged animosity actually underscored the tenuous alliance formed by the two villains, as Jones worked to keep up with Carrey s manic hopping and shrill flights into delusional grandeur. Ironically, it was the latter who gave the dual performance in Forever; Two-Face is Two-Face the entire movie, but Carrey had to first build the pathetic, sympathetic Edward Nygma, a sad wretch whose tragic end would give rise to the question-baiting, green-spandexed loon. It was another showcase for Carrey s knack for merging comedy and drama, first glimpsed in Dumb Dumber and The Mask, and soon to bloom in full with The Truman Show and Eternal Sunshine of the Spotless Mind.Phil Hartman in Jingle All the Way (1996) 17%(Photo by 20th Century Fox Film Corp.)Jingle All the Way is both worse than you think and better than your remember. The first two acts achieve moments of genuine charm and amusement from its gag-based physical comedy, as Arnold Schwarzenegger embarks on his increasingly absurd trek to find an action figure for his son on Christmas Eve. Then it hits the breaking point in a forced action finale with poor effects. But who s rock-solid throughout the movie? Phil Hartman, who plays Schwarzenegger s neighbor and a local soccer mom-seducer, a skeevy suburban Lothario who s got the hots for Arnie s wife. Jingle s most famous line ( Put the cookie down, now! ) wouldn t have become a meme if it wasn t cut against Hartman s inappropriately orgasmic consumption of said cookie. And Hartman s delivery of the line You can t bench-press your way out of this one! is so underrated; he was the only one who could cut through the farce of putting Schwarzenegger in a family comedy where everyone pretends everything s totally normal.Robin Williams in Patch Adams (1998) 22%(Photo by Everett Collection)Director Tom Shadyac followed up the Certified Fresh Jim Carrey vehicle Liar, Liar by partnering with another comic genius for Patch Adams, the true story of an unconventional medical student dedicated to treating the whole patient, not just the disease. Usually with clown routines. The movie has rightly been slapped around for its manipulative sentimentality – Shadyac does everything but squeeze lemons into the audience’s eyes to “earn” the movie’s many tears – but at its heart is a frenzied, moving, and wholly committed performance from Robin Williams, near the beginning of a streak of sentimental ’90s roles that included What Dreams May Come and Bicentennial Man. His work was called out for being a bit “much” at the time, but for those missing the late Williams’ energy and that rare ability to have us chortling through our tears, it’s frankly a feast.Ewan McGregor in Star Wars: Episode I -- The Phantom Menace (1999) 52%(Photo by Everett Collection)The Star Wars Prequel Trilogy has undergone something of a reappraisal in recent years, at least by fans who remember Episodes I, II, and III fondly, but the fact remains that The Phantom Menace is one of the worst-received entries in the saga, due to a plodding story, stiff acting, and at least one character who rubbed audiences in every wrong way. For his part, Liam Neeson brought the requisite gravitas to play Jedi mentor Qui-Gon Jinn, but it was his padawan, a young Obi-Wan Kenobi played by Ewan McGregor, who stole the show and became an instant fan-favorite. Although McGregor would truly blossom in the role over the next two films, this is where he established himself as one of the saga s most reliable anchors, giving fans a reason to stay with the franchise despite The Phantom Menace s shortcomings. Hell, one look at our recent Star Wars showdown bracket is all you need to see how influential his work was.Parker Posey in Scream 3 (2000) 40%(Photo by Dimension Films)Scream 3 has gotten some later-in-life appreciation in the #MeToo era: As well as a wink-wink, nudge-nudge horror satire, it’s a pretty bold attack on systemic sexual abuse in Hollywood – featuring a Harvey Weinstein-style producer character… in a movie produced by the Weinsteins. It might be the most meta movie ever made, and years ahead of its time. Still, it remains the bottom of the slasher series’ offerings, with critics lashing it for leaning too hard into laughs over scares, and its 39% Tomatometer score makes it the only Rotten Scream movie to date. The highlight of the film is 1990s indie darling Parker Posey as actress Jennifer Jolie, who is cast to play Courteney Cox’s reporter, Gale Weathers, in the movie-within-the-movie, Stab 3. (We said it was meta.) Parker is nervy and hilarious as she shadows the “real” Weathers across the studio backlot, imitating her moves and line delivery, and a total scream when she gets into full breakdown mode, jittery cigarette rarely out of shot, as the bodies start piling up. You rarely believe she’s genuinely terrified at any point – when cornered by Ghostface she begins shrieking, “You can’t kill me! I’m the killer in Stab 3!” – but in this high-camp low-point for the series, she’s a treat.Denzel Washington in Man on Fire (2004) 38%(Photo by 20th Century Fox Film Corp.)Let s be real, here: When is Denzel Washington ever not good? This wasn t the first time he and director Tony Scott had collaborated (they did Crimson Tide in 1995), nor was it the last (they would go on to work together three more times, including Scott s final film, Unstoppable), but it was the relentless violent streak and punishing run time that made Man on Fire the least of their collaborations. That said, Scott and Washington clearly had an understanding, and even when the final product as a whole failed to deliver, Denzel was always reliably irresistible. As a vigilante out for revenge, he s all bile and gritted teeth, and he seems to pull a shocking sadistic streak from somewhere deep within. He s so compelling that you can t help but root for him, even when he s doing the absolute dirtiest of dirty work.Tobin Bell in the Saw Franchise(Photo by Steve Wilkie/©Lions Gate courtesy Everett Collection)Jigsaw is a rare breed in the horror villain world: He was human. Nobody seemed able to stop him, yet there was nothing supernatural about the monster he couldn t take an axe to the head or survive a house fire. What Jigsaw did have was a wonderfully warped sense of justice, drawers full of blueprints for death-dealing traps, a lot of time apparently, and Tobin Bell s chilled-over performances to bring the guy to cinematic life. The simple, menacing purr of Jigsaw s I want to play a game by Bell was enough to send shivers down our spines, and let us know we weren t about to break out the Parcheesi board. If anything, Bell was too good and reliable, as the Saw franchise hung on to the character well beyond his shelf life, until he became the only good thing about the later sequels.Sung Kang in The Fast and the Furious: Tokyo Drift (2006) 38%(Photo by ©Universal Pictures courtesy Everett Collection)Tokyo Drift is sort of the neglected stepchild of the Fast and Furious series, a somewhat franchise-adjacent detour that takes viewers all the way to Japan and introduces a completely new cast with pretty much no connection to either of the two films that preceded it. It didn t help that the star of the film was Lucas Black, whose middle name might as well be Flat and whose lack of presence on screen essentially doomed the project from the get-go. But if there was one bright spot in the film, it was the calm, collected, perpetually peckish Han, as played by Sung Kang. Immensely likable with a hint of mystery behind his sly smirk, Han came to represent the heart and soul of the franchise and one of its most compelling characters, so much so that fans actively campaigned (#JusticeForHan) to bring him back. Guess who shows up at the end of the trailer for F9?Charlize Theron in Snow White and the Huntsman (2012) 49%Ryan FujitaniSnow White and the Huntsman was an entirely unnecessary and borderline nonsensical retelling of the Snow White fairy tale that earned mixed reviews from critics and fans. Star Kristen Stewart, who was miscast as Snow White, gave us a heroine no one wanted to root for, and her onset affair with director Rupert Sanders overshadowed any good points the film had to offer. This was supremely unfortunate as one of the best parts of the film was Charlize Theron as the Evil Queen Ravenna, by way of Ursula from The Little Mermaid meets 101 Dalmatians Cruella de Vil in all the best ways. Literally dripping in gold, courtesy of her magical mirror, and wearing medieval goth couture, Theron s Ravenna was captivating and deliciously entertaining despite acting opposite a CGI effect. It s a testiment to Theron s talent that she delivered such a flawless performance while playing off tennis balls on set.Joseph Gordon-Levitt in Frank Miller's Sin City: A Dame to Kill For (2014) 42%(Photo by Dimension Films)If you ever need to make a case for not waiting too long for a sequel, Sin City: A Dame to Kill For should be Exhibit A. In 2005, Sin City was a surprise hit, earning 0 million at the box office, and the popularity only grew from there. However, for a host of reasons, it took over nine years to commission a sequel, and by that time, tastes had changed; even the most ardent fans had moved on. In addition to A Dame to Kill For s woeful timing, the new script lacked the originality and crispness of the first installment, save for one standout performance. Joseph Gordon-Levitt proved in Rian Johnson s Brick that he was an actor tailor-made for noir, and his work here only furthers that legacy. Playing Johnny, the brash cardman, he drips bravado and determination as he risks his last dollar for revenge. Slick and stylized, he and Eva Green are the only things that hook the audience; it s only a shame everything else pales (pun intended) in comparison.Eddie Redmayne in Jupiter Ascending (2015) 28%(Photo by ©Warner Bros. Pictures)The Wachowskis Jupiter Ascending is only slightly less ambitious than Cloud Atlas, but it s also arguably a lot goofier, with inane dialogue, baffling turns of plot, and gaudy special effects. But oh, did Eddie Redmayne ever come to play. If he was looking for a change of pace after his Oscar-winning portrayal of Stephen Hawking in The Theory of Everything, he certainly found it in the role of Balem Abrasax, the effete eldest sibling of a ruling family who speaks in sighs and whispers one moment and erupts like a banshee the next. This is scenery-chewing with style, and Redmayne digs into every line with gusto. It s absolutely glorious to behold, and it s quite possibly the only memorable thing about the film.Chris Pratt and Jennifer Lawrence in Passengers (2016) 30%(Photo by Jaimie Trueblood/Columbia Pictures)Passengers failed mostly due to its unfortunate and problematic premise. A mechanic in cryogenic sleep is awakened early on an 80-year trip to a colony in space. Facing the prospect of dying alone, he sabotages a fellow passenger s pod because he thinks she s his soulmate. By essentially dooming his lady love to a life of isolation and assuming she would fall in love with him which she does the film was so distasteful that critics found little to enjoy despite stellar visuals and impressively futuristic production design. Obvious problems aside, Passengers also features two standout performances from Jennifer Lawrence and Christ Pratt. Lawrence showcases the chops that won her the Oscar just four years prior, Pratt is surprisingly good in a dramatic role, and the pair have undeniable chemistry. If not for the queasy feeling you get thinking about why they are together, this could have been an adventurous sci-fi romance.Viola Davis in Suicide Squad (2016) 26%Ryan FujitaniThere are a lot of things wrong with Suicide Squad, from tonal issues to paper-thin characters, dull action sequences to atrocious dialogue, and whatever Jared Leto was trying to do as the Joker. Regarding the latter, not all of the acting is bad, thankfully. Margot Robbie s take on Harley Quinn is fun and exciting, and it earned her a solo joint (sort of) that opened earlier this year to solid reviews. But one of the unsung bright spots of the film is Viola Davis Amanda Waller, who initially behaves just shady enough to make you suspect her of ulterior motives and then succeeds in delivering one of the few genuine surprises in the film. She does the best she can with what she s given and grounds the story as arguably the most interesting character, which says a lot about the antiheroic ensemble that surrounds her. There s a reason she s one of the very few people who are returning for James Gunn s hopefully much better follow-up next year.Octavia Spencer in Ma (2019) 56%(Photo by Anna Kooris/Universal Pictures)Critics were fairly split on Ma, Tate Taylor’s schlocky thriller about a loner who exacts revenge on her high school tormenters by befriending – and then targeting – their own teenage children. But all agreed that whatever you thought of the gory, campy flick, Octavia Spencer delivered big time as title character. Whether tearing up the dance floor to “Kung Fu Fighting,” staring down her prey across a crowded room, or transfusing dog’s blood into a naked former high school crush – really – Spencer is hilarious, sympathetic, and completely menacing.What are some of your favorite performances in Rotten movies? Let us know in the comments. Thumbnail image by Universal Pictures he next two years will involve 50 percent women. As many in the crowd stood up to applaud, King challenged those in positions of power, and not just in the entertainment industry, to do the same.Green Book Wins Best Screenplay and Best Film – Musical or Comedy Leaves Some Heads ScratchingIn one of the biggest surprises of the night, Green Book took Best Screenplay over Vice, If Beale Street Could Talk, The Favourite, and Roma, all of which were favored over the Peter Farrelly film. Especially Roma, which would go on to win Best Foreign Language Film. Farrelly co-wrote Green Book with Brian Hayes Currie and Nick Vallelonga. And then, in an arguably equally big surprise, the movie won the Best Film – Musical or Comedy Award, beating out The Favourite, which had been, well, the favorite.Christian Bale s Burrito and Banana Get Internet GooglingIn one of the night s most entertaining speeches, Christian Bale accepted his Best Actor – Drama award for Vice and thanked his children Burrito and Banana (he also thanked Satan, for the inspiration). Burrito and Banana? His kids? The Internet was confused, but excited. Bummer that it turns out they re not the actual names of his kids, but nicknames.I really want Christian Bale’s kids to be named Banana and Burrito, but sometimes life’s not fair. #GoldenGlobes Franklin Leonard (@franklinleonard) January 7, 2019Jeff Bridges gets Cecile B. deMille Award, Goes Full “The Dude,” And Makes “Tag, You’re It” a New MemeWe ll just leave this here without comment (make sure you have some time in your hands).