亚博靠谱嘛采用百度引擎4（Baidu 1）f broken-down makeup. I m a trained makeup artist, and at first, the lines were very clean and very clownlike. And I had to go against the grain and break down this character. I remember when Chris brought in books of Francis Bacon paintings, these very blurry images. That really set the tone and set us in a direction of really just muting down and degrading the makeup. And that, that was really our Bible, those Francis Bacon paintings.”Caglione was inspired by Francis Bacon. Joel Meares“It had to be a very organic-looking makeup, like this guy is putting on makeup and maybe sleeping in his clothes for a week.”Caglione: “When you look at those images – Cesar Romero, you look at [Jack] Nicholson – they have the big white red lips, you know, they have kind of dark eyes. And the white face. So it s basically a blueprint. It s just riffing on it is the thing. And our riff on it was that it had to be a very organic-looking makeup, like this guy is putting on makeup and maybe sleeping in his clothes for a week. His hair is kind of oily and greasy, and he doesn t take off his makeup for like, three to five days. It’s not clean, pristine, this is an organic world we re taking a peek into. This is real life stuff. In my early sketches, I sketched different scars. And maybe that influenced the final prosthetics, but those prosthetics were built by Conor O Sullivan. I was just the guy responsible for all the paint work that went over the pieces. But I seem to remember, in some of the meetings, the Cheshire Cat smile.”“I always got the feeling that Heath had already worked it out in his head. He knew where he was going.” Caglione: “Heath was great in the chair. Special actors like Heath – and my experience with Al Pacino over the years – these actors help you relax so that you can bring your game… I always got the feeling that [Heath] had already worked it out in his head, from what I remember. He knew where he was going. Early on, in first meeting Heath and playing around with the makeup, he already kind of had it all figured out. It was my job to just basically gild the lily and try to catch up with him, really. That s what I felt.”Ledger was instrumental in creating the iconic look. (Photo by ©Warner Bros./Courtesy Everett Collection)
NEW TRAILERS: The Falcon and the Winter Soldier Is Set to Fill the MCU-Shaped Hole in Your Disney+ HeartThe Falcon and the Winter Soldier: come for the buddy comedy banter of Sam Wilson and Bucky Barnes, stay for the stellar MCU movie action. Anthony Mackie and Sebastian Stan star, and Kari Skogland directs. Premieres March 19 (Disney+).More trailers and teasers released this week:• The latest Kung Fu reboot revolves around Nicky Chen (Olivia Liang), a young Chinese-American woman who leaves college to move to a Shaolin monastery and learn martial arts to return to her San Francisco home and take on local criminals while also looking for the murderer of her mentor. Premieres April 7 (The CW).• Lupin Season 2’s five new episodes find Assane s quest for revenge tearing his family apart, as he puts himself in new danger to enact a new plan to go after Hubert Pelligrini. Stars Omar Sy. Premieres summer 2021 (Netflix).• The United States of Al is the new comedy about the friendship between a Marine combat veteran struggling to return to life in Ohio and his interpreter, who moves to America to start his life over, too. Stars Parker Young and Adhir Kalyan, created by Chuck Lorre. Premieres April 1 (CBS).• Made For Love is a dark comedy about a woman who flees her billionaire husband after she finds out he implanted a chip in her that allows him to monitor her every move. Stars Cristin Milioti, Ray Romano, and Billy Magnussen. Premieres April 1 (HBO Max).• Family Reunion continues with guest stars Anika Noni Rose, Kenya Moore, Brandi Glanville, Mark Curry, and Willie Gault. Stars: Loretta Devine and Tia Mowry-Hardrict. Premieres April 5 (Netflix).• This Is a Robbery: The World’s Biggest Art Heist is a four-episode docuseries about a 1990 art heist in which a half a billion dollars worth of Rembrandts and other works were stolen from a Boston museum. Premieres April 7 (Netflix).• The Wedding Coach is a reality series in which comedian and author Jamie Lee and her comedian friends help couples get past their wedding drama to enjoy their special day. Premieres April 7 (Netflix).• The Serpent is a BBC limited series about the crimes of serial killer Charles Sobhraj, who killed young tourists is the mid-’70s. Stars Tahar Rahim and Jenna Coleman. Premieres April 2 (Netflix)• In Manifest season 3, are we about to find out that Ben is the key to the puzzle surrounding the mystery of Flight 828? Starring Josh Dallas and Holly Taylor. Premieres April 1 (NBC).For all the latest TV and streaming trailers, subscribe to the Rotten Tomatoes TV YouTube channel.CASTING: Dakota Fanning To Star Opposite Andrew Scott in Ripley(Photo by Priscilla Grant / Everett Collection, Phil Bray / ©Paramount )Dakota Fanning has joined the cast of Showtime’s Ripley, which stars Fleabag’s Andrew Scott as the titular Tom Ripley, from Patricia Highsmith’s bestselling novels. Fanning will play Marge Sherwood – the character played by Gwyneth Paltrow in the 1999 film The Talented Mr. Ripley – an American living in Italy who suspects darker motives underlie Tom s affability. Johnny Flynn (Lovesick and Genius) also stars, as Dickie Greenleaf.Sopranos Emmy winner Edie Falco has signed on to star as Hillary Clinton in FX’s Impeachment: American Crime Story, based on Jeffrey Toobin’s book A Vast Conspiracy: The Real Story of the Sex Scandal That Nearly Brought Down a President. Clive Owen is playing Bill Clinton, Beanie Feldstein is playing Monica Lewinsky, Sarah Paulson is playing Linda Tripp, Annaleigh Ashford is Paula Jones, and Billy Eichner is playing Drudge Report founder Matt Drudge. (Collider)Emmy winner Mandy Patinkin will join the cast of The Good Fight for Season 5 at Paramount+. He’ll play Hal Wackner, a man who opens a court in the back of a copy shop, despite having no legal training (and that it’s a copy shop!). His (non-legal) legal judgements wreak havoc at Reddick, Boseman Lockhart.(Photo by Marvel Studios)WandaVision star Paul Bettany and The Crown alum Claire Foy will star in season 2 of Amazon’s A Very English Scandal, as the series becomes an anthology. The season will unfold the real-life divorce of Margaret, Duchess of Argyll, who was at the center of a scandal when her husband included Polaroids of her performing oral sex on another man in their divorce proceedings.Schitt’s Creek and Kevin Can F**k Himself star Annie Murphy has joined the Season 2 cast of Netflix’s Russian Doll, though TVLine reports details of her role are under wraps.Riley Keough will play elite triathlete Lauren Reece, the wife of Chris Pratt’s James Reece, in Amazon’s The Terminal List. Jeanne Tripplehorn has also joined the cast, playing Lorraine Hartley, the first female Secretary of Defense, reports Deadline. Black Mafia Family, 50 Cent’s Starz drama about real-world drug kingpin brothers Demetrius “Big Meech” and Terry “Southwest T” Flenory has added Snoop Dogg to the cast, playing the brothers’ spiritual advisor. La La Anthony (Power) will play the wife of one of the Flenory brothers’ friends, and Empire star Serayah will play Big Meech’s girlfriend. (TVLine)(Photo by Roy Rochlin/Getty Images)Oscar winners Natalie Portman and Lupita Nyong’o are starring in Apple TV+’s limited series adaptation of Laura Lippman’s book Lady in the Lake, about a 1960s Baltimore housewife (Portman) and single working mom (Nyong’o) whose fortunes cross when one of them tries to solve a murder.Ray Liotta will play the father of Taron Egerton’s character in In With the Devil, the Dennis Lehane-written Apple TV+ limited series about a prisoner and the son of a cop (Egerton) who tries to get a fellow inmate (Paul Walter Hauser) to confess to murder.Lost alum Josh Holloway will reunite with Lost co-creator J.J. Abrams in Duster, the HBO Max drama from Abrams and co-writer LaToya Morgan, about the getaway driver for a mobster. Holloway, who recently starred on Yellowstone, will play the driver. Dominique Fishback (Judas and the Black Messiah) is joining Samuel L. Jackson in Apple TV+’s The Last Days of Ptolemy Grey, playing a family friend who helps the 91-year-old Ptolemy (Jackson) as tries to regain his memories and solve his nephew’s death.Brandy and Nadine Velazquez have joined the cast of ABC’s hip-hop drama Queens, joining Eve and Naturi Naughton. The show is about a 90s musical group, called Nasty Bitches, which tries to reunite for a comeback.PRODUCTION DEVELOPMENT: Steven Spielberg and Stranger Things’ Duffer Brothers To Adapt The Talisman by Stephen King and Peter Straub(Photo by Jackson Lee Davis/Netflix)In a holy pentagram of storytellers, Steven Spielberg will collaborate with Matt and Ross Duffer (Stranger Things) on a series adaptation of the Stephen King–Peter Straub book The Talisman, about a 12-year-old boy who goes on a road trip through two different realities to try to find a cure for his dying mother. The Duffer brothers will be showrunners on the Netflix project. (THR) Fox is developing a romantic comedy anthology series based on the music of Huey Lewis. Hart of Dixie creator Leila Gerstein will write the still untitled series, which would blend a modern love story with a teen love story from the 80s, with each season a self-contained comedy inspired by Lewis’ music. The Grammy-winning, Oscar-nominated musician is an executive producer on the series. (Deadline)Wild Cards, the George R. R. Martin drama originally set to premiere on Hulu, will now find its home at Peacock. The story, based on Martin’s multiple-book series with input from various writers, was developed for two years at Hulu, but now a new writer will be assigned to the project as it continues to be developed at Peacock.The Wire collaborators David Simon and George Pelecanos will adapt investigative reporter Justin Fenton’s book We Own This City: A True Story of Crime, Cops and Corruption as an HBO limited series. The book tells the story of corruption, and how the Baltimore Police Department’s Gun Trace Task Force, an elite plainclothes unit, tried to clean it up. (Deadline)The History Channel is producing the eight-part series The Center Seat: 55 Years of Star Trek, a limited that will cover the stories pop culture history of all things Trek. (Deadline)(Photo by Jason Smith/Everett Collection)HBO, meanwhile, is teaming with Uncut Gems directors Benny and Josh Safdie and director Matt Wolf for a two-part documentary about the life and career of Paul “Pee-wee Herman” Reubens. (Deadline)Ma Rainey’s Black Bottom director George C. Wolfe is talks to write and direct an adaptation of Toni Morrison’s National Book Critics Circle Award-winning 1977 novel Song of Solomon. (Deadline)The adaptation NBC ordered of Dan Brown’s The Lost Symbol, featuring the Harvard symbologist Robert Langdon, has moved to Peacock, where it will premiere with Succession star Ashley Zukerman as Langdon.Comedian Nikki Glaser will host Comedy Central’s five-night Hall of Flame: Top 100 Roast Moments, a countdown of Comedy Central Roasts best insults, wrapping up with the hottest moment in franchise history. The event airs March 29-April 2 at 10pm each night. (Photo by ©AV Pictures/Courtesy Everett Collection)The Best Australian Horror MoviesYou might expect a list of Australian horror films to be teeming with the beasties people associate with the continent: poisonous snakes, deadly spiders, mammoth crocs. Yet while this collection of essential Aussie horror flicks does contain several of those Down Under biters – two crocodile movies, one shark movie, and one about a giant wild boar (didn t see that coming, did ya?!) – it also features works that tap into something just as threatening: the vast land itself, from the mystery of its desert center to the dark possibilities of its cities sprawling suburbs. Movies like Wolf Creek and Road Games play with our anxiety about who, and what, we might encounter dare we venture into the endless Outback, while Hounds of Love and The Babadook explore what might lie behind your neighbor s door.Recent international breakouts like Jennifer Kent s Babadook and Natalie Erika James atmospheric haunted house chiller Relic traffic in the slow-building dread of today s elevated horror, but Australian genre films have been largely marked by a certain hard brutality over the years. Consider Wolf Creek and its sequel, or the more recent Killing Ground, which tell ripped-from-the-headlines slasher tales of terrorized backpackers and campers, but do so with an almost merciless insistence on graphic, real-feeling violence. And while we re talking brutal, check out The Loved Ones, a darkly comic tale of obsession that found new ways to drill into the torture porn trend of the 2000s.To be included in the list, movies had to be made and set in Australia, by a predominantly Australian crew. They also had to have more than 10 reviews – which is why the great maybe-horror Bad Boy Bubby, with only nine Tomatometer-approved reviews, didn t make the cut; ditto the excellent anthology Dark Place. We then culled the selection down to the 20 highest-rated movies, which included a couple of Rotten-but-fun (Bait) or seminal flicks (Patrick), and even a Jamie Lee Curtis sort-of-slasher. (Yes, Curtis s Final Girl phase even took her to entirely different hemispheres.) Purists may quibble with the choice to include Phillip Noyce s Dead Calm, a twisty and taut three-hander with Sam Neill, Nicole Kidman, and Billy Zane – it s not horror in the traditional sense, perhaps, but it will have you squirming. As will Justin Kurzel s The Snowtown Murders (released as just Snowtown in Australia), a crime drama with grisly horror elements you won t soon forget. Take shots at us in the comments if you must, but won t regret watching them.With all that said, here are the 20 highest-rated Australian horror films, according to the Tomatometer.Best Spanish-Language Horror Movies | Best Korean Horror Movies | Best Italian Horror Movies | Best French Horror Movies | Best Japanese Horror Movies2020’s Best Horror Movies | 200 Best Horror Movies Ever
开测首日就已开启24组服务器，每个服务器都是处于爆满状态，这还不算其他渠道服。这样亮眼的成绩，也让许多玩家感到困惑，到底这款手游为何受到了如此多玩家喜爱？复刻18年前端游玩法的手游，为何依旧如此有吸引力？亚博靠谱嘛(Photo by Weinstein Company LLC/Courtesy Everett Collection)All Jennifer Lawrence Movies RankedIf there ever was a life-or-death need to pick a Hollywood it-girl to define the 2010s, Jennifer Lawrence would surely be the one chosen to save our hides. She started the decade with the star-making Winter s Bone, the rural mystery that marked only her third feature film appearance, nabbing a Best Actress Oscar nomination in the process. 2011 and 2012 came and it felt like Lawrence was everywhere, across blockbusters like X-Men: First Class and The Hunger Games, along with Silver Linings Playbook, for which she finally ( finally meaning five years into a film acting career) won the Academy Award. Sequels and franchising were the name of the game in the 2010s, so of course she stuck around as Mystique in every X-Men sequel, all the way to the bitter end with Dark Phoenix. Likewise, Hunger Games completed its dystopic story with Lawrence in the lead. In-between, she collaborated twice more Playbook director David O. Russell (Joy, American Hustle), worked with 2010s it-dude Chris Pratt (Passengers), and released against-type material like mother! and Red Sparrow. In 2020, Lawrence signed up for Adam McKay s Netflix comedy Don t Look Up; she and Cate Blanchett will play astronomers who go on a media tour to convince people a meteor will destroy the Earth in six months. Until that comedy shows up in your streaming queue, we re looking back on all Jennifer Lawrence movies ranked by Tomatometer!
(Photo by United Film Distribution, Universal, Weinstein Company / courtesy Everett Collection)All George A. Romero Movies Ranked by TomatometerGeorge A. Romero s first movie, Night of the Living Dead, released in 1968, walloped the country with its black-and-white dread and gore; infused with progressive casting and social commentary, it single-handedly created the modern-day zombie genre. His final movie Survival of the Dead, released 2009 and eight years before his death had, well, not quite the same impact, but discloses Romero s lifelong commitment to the zombie revolution he spearheaded. The movies he made in-between these two Deads represent a visionary s rocky but tenacious journey through the industry, frequently compromised or pigeonholed, but true to a drive to shake up the conventions of horror.Night of the Living Dead took the space-age hopes of a nation on the cusp of landing on the moon and cut it to ribbons, fashioning an ambiguous backstory of a downed space craft whose radiation transforms the freshly deceased into mindless flesh-hungry shamblers. Romero was keen to quickly climb out of the horror genre pit, releasing rom-com There s Always Vanilla in 1971, and then drama Season of the Witch in 73, whose distributor chopped out 40 minutes and marketed as softcore. Both films have gone little-seen since.With his talents apparently unwanted outside of horror, Romero returned to the genre and filled out the rest of the 70s with his best streak of movies: virus-based The Crazies, vampire deconstruction Martin, and the legendary Dawn of the Dead. With this Night of the Living Dead sequel, Romero took a maximalist approach: More social commentary, more characters, more action, and, of course, much more gore. The effects had people literally blowing their tops off. We call it the #1 zombie movie you must see.Dawn s success gave Romero enough cred to make one last go at it outside horror: Knightriders, a 2.5-hour personal drama about a troupe of Reniassance Faire-esque moto-performers. Romero, still one of the biggest names in horror even in the 80s age of the slasher, collaborated with the biggest name in literary horror, Stephen King, for anthology Creepshow. 1985 s Day of the Dead took aim at the human psychological breakdown that came with living in the undead post-apocalypse, concluding his ultimate at-the-time trilogy of zombie cinema.Romero then entered big studio production with Monkey Shines for Orion Pictures, which balked at the movie s initial long runtime, and were desperate for a hit. (They didn t get one.) He collaborated with Dario Argento for 1990 s Two Evil Eyes, each adapting Edgar Allan Poe, before making Dark Half for Orion, which was still desperate for a hit. (They still didn t get one.)It d be seven years before Romero s next film, Bruiser. And then five years after that for Land of the Dead, a highly credible return to zombie land after two decades away, working with his biggest budget ever. He would stay among the Dead for the rest of his career, following Land with found-footage reboot Diary of the Dead, shot in his native Pittsburgh area, where he set a majority of his films. Survival came out two years after that. And now, we pay tribute to the godfather of zombies by ranking all George A. Romero movies by Tomatometer!
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(Photo by Glen Wilson /© Warner Bros. )The Golden Globes will be handed out on Sunday, with the Hollywood Foreign Press Association honoring 2020 s best film and TV — according to them, anyway. And, whew, it s gonna be quite the evening – and not just for the glitz, glam, and speeches.The pandemic, with its shuffled release dates and changes to eligibility for various awards ceremonies, already made this year a different beast for the HFPA s night of nights, but a slew of controversies have also colored the 2021 Globes. First came criticism after the organization decided that Minari, the American film with mostly Korean dialogue, would compete in the foreign category; then came the noticeable snubbing of multiple projects featuring Black creatives and casts on nominations morning. And then, just a week out from the ceremony, the L.A. Times dropped a bombshell investigation into the makeup (zero Black journalists are members) and ethics of the 87-member group. You can read the full piece here.Recommended: The Full List of Nominations for the 2021 Golden GlobesRecommended: Vote for the Winners In Our Online 2021 Golden Globes BallotYet the show will and must go on, in virtual form this year, with Tina Fey and Amy Poehler hosting from opposite sides of the country (and no doubt re-writing their material to address recent controversies even as we speak). And while some in the industry will snigger at and maybe even avoid the ceremony, it s hard to deny its significance as on one of the biggest dates on the awards season calendar, both in (potentially) reshaping the Oscars race and giving TV networks and streamers some new marketing juice, and in its standing as one of the most widely-viewed awards ceremonies of the year.If you re going to be viewing the Golden Globes, and perhaps wanna beat your buddies on a ballot, we ve got you covered with our choices for who s likely to win on the big night (and those who we feel truly deserve to win). Our experts – Jacqueline Coley for film and Debbie Day for TV and streaming – take into consideration everything from industry buzz and the tastes and historical leanings of the HFPA, to our Tomatometer and Audience Scores, to read the tea leaves and place their bets. How right will they be? Bookmark this page for Sunday night and find out.Check out our picks for the Golden Globes winners, and let us know who you think will be a win in the comments.Film | TelevisionBest Motion Picture Drama(Photo by © Searchlight Pictures)What will win?
(Photo by Courtesy of Sundance Institute | photo by Kasia Ladczuk. )Five years after The Babadook made Jennifer Kent a household name – at least within the homes of adventurous filmgoers with a thirst for smart and terrifying horror – the Australian director returns with a brutal, controversial, and Certified Fresh surprise. For her second feature film, The Nightingale, Kent moves away from the horror genre and jumps back in time to 1825 Tasmania, the small island at the base of southeast Australia from which some of the darkest stories of the nation s colonization have emerged. It s a bleak setting for a brutal story. Irish convict Clare (Aisling Franciosi) seeks revenge on a British officer (Sam Claflin) after he and two other men rape her and kill her husband and baby. Her chase takes her through the wilderness of Tasmania as the officer and his crew head north to the city of Launceston; to navigate the woods, she enlists – steals, really – Aboriginal man Billy (Baykali Ganambarr) to work as her tracker. At Sundance in January, where the film had its U.S. debut, a number of audience members walked out of the premiere screening, mirroring reactions at other film festivals where the film has screened. There are multiple scenes of rape, two of them extended, and moments of extreme violence. But there is also an unflinching honesty that drives the film, a rage, and a refusal to turn away from the brutality of colonial history that many are hailing as an overdue corrective to more sugarcoated readings of the period. Rotten Tomatoes met with Kent the day after the Sundance premiere at a hotel lobby in Park City, Utah, to talk about reactions to the film and the director s determination to throw a torch into dark corners, no matter how uncomfortable it makes those who have to look.Joel Meares for Rotten Tomatoes: When you introduced the film last night, you said you didn’t necessarily think of it as a period film, but a contemporary film. What did you mean by that?Jennifer Kent: I mean, I think of it as a myth. Not in that it s untrue, but just, I love myth. I love mythical stories, but I don t really love period dramas that kind of focus on costumes and sweeping images. I guess I meant that the concerns of the film are modern. You know? Charlie says, ‘It s a really brutal time.’ But I think [the time] where we re living now is brutal.Rotten Tomatoes: Watching with an American audience, when you made the comment about it being a brutal time, I think everyone sort of chuckled assuming it was a reference to U.S. politics. But being at that screening so close to Australia Day [which marks the day the first fleet of British settlers arrived to colonize the country], it felt much more directed at Australia and the debate around Indigenous rights and history there. It hit hard. Kent: Yeah, well I m really happy to hear. Not happy to hear it hit you, but I mean, I am, because I feel I have so much to say. I went to the Adelaide Film Festival, and I was really scared about how the Australian audience would take it to be honest. I just thought, we ve had such a blind spot in the past historically. And I think we went in with such sensitivity to that, but we couldn t not tell [certain parts of the story]. You can t not include those things in 1825 Tasmania because that is what happened. But also I think in order for this to change we need to shine a light on the darkness. Then we will really start to move forward, I think, have some kind of reconciliation and evolution together.(Photo by Matt Nettheim, © IFC Films)Rotten Tomatoes: How was the reaction at that first Australian screening in Adelaide?Kent: So yeah, I was really scared. And at the end of the screening no one left, no one clapped in the credits. It was dead silence for the whole, I don t know, those credits were four minutes or something. Then after the music ended and the screen went black, they stood up and gave a standing ovation for several minutes. And it really felt real – because Australians don t give standing ovations.Rotten Tomatoes: The film contains some brutal scenes, including two extended rape scenes and then there’s a smashing of a man’s head, shown graphically. How sensitive are you in shooting and editing in terms of how far to take it and how much an audience will be able to take? Kent: I mean yes that s violent, but no more violent than, say, Game of Thrones. But I don t think that s what disturbs people. I think it s all context. For example, if you sat and broke down that big long scene in the hut [in which Franciosi’s character Clare is assaulted by three men], there are only faces. It s just human emotion. That blows my mind that that s what really angers people. And you know, I ve been asked, ‘Do you feel you have the right to put this on screen?’ Well I don t believe in artist censorship for one, but I also think, ‘What are you asking me to censor? Human emotion? Is that what you want me to take out? Human hatred and rage?’ No, I won t do that. A person [at the Q A] last night had said, ‘How are you going to get this film seen across the world, because you show a baby being murdered?’ And I said, ‘No I don t.’ I said, ‘Your mind saw that. I don t show that on screen.’ I ve seen it thousands of times, I know I don t show it.I could tell you all sorts of terrible stories that are documented historically that happened in that period that would just shock you to your core. And I think the only thing I think I can say is, I ask the idea, ‘How far do I need to go?’ And the idea tells me. I m in service to the story. I try with all my heart to tell the purest story I can. It s not about me.(Photo by © IFC Films)Rotten Tomatoes: The film gives audiences an incredibly blunt, unfiltered portrayal of the way indigenous Australians were treated in that period – and for a long time after. It’s like no film I’ve seen in that way. There are rapes; Billy is treated like an animal. You don’t turn away from anything. And it’s confronting and hard to watch at times.Kent: It is. It is. I mean all I can say is the Aboriginal people who worked on the film are so proud of it. You know I wish Baykali [Ganambarr, who plays Billy] was here. He s doing a tour, a world tour with his dance group, but he always says, ‘It s not sugar coated. It s as it was.’ And I m really proud of it.Rotten Tomatoes: Baykali’s performance is incredible in this film. It’s a shock to hear it’s his first role. Kent: He hasn t acted before, but he s an experienced dancer, so he understands performance. I can t speak highly enough of Baykali. I love him and he s a genius actor. Incredibly bright, emotional intelligence. So dedicated. So easy to work with. He just was Billy. He really understood the character. You write a character like that and I thought, ‘How the hell am I gonna, A, find them and, B, direct them?’ It was just meant to be.Rotten Tomatoes: He’s well matched by Aisling. I remember seeing her in The Fall a few years ago and thinking that she stood out. And the character of Clare is fascinating: She’s sympathetic because of what happens to her at the beginning, but then she loses some of our sympathies because of the way she treats Billy initially. She’s racist and brutal in the same way as the British officers. Was there any temptation to smooth those edges down?Kent: No. I mean it s what I tried to do with Essie [Davis], who played Amelia and The Babadook, as well. For example, Amelia going, ‘Oh, my sick kid, I ve got to go home and look after him,’ and then she goes to the shopping center, has ice cream, and sits. She doesn t want to be with her child. It s really important when I m creating characters to find, you know, a human being. We re all complex. And I think Clare is a product of her time. And people were racist. That old man towards the end, there were people like that and that s why he s in there, because there were people who understood that this system was wrong. It wasn t a collective blind spot. There were people like him; he wasn t just a fantasy or hope of mine. People like that existed in history books. They re there. Just not many.(Photo by Matt Nettheim )Rotten Tomatoes: Speaking of horror, because that audience does know you from The Babadook. The movie has a kind of horror structure starting out; something like I Spit On Your Grave or Last House on the Left, with a big brutal thing happening and us expecting then some sort of satisfying revenge. But it doesn’t stick to that at all, and doesn’t give us that.Kent: If you love those movies you ll be terribly frustrated by this film, really, don t you think? Be like, ‘What s going on? What s this with the, you know, compassion and empathy?’ No. I don t want that. But you know it s a backdrop. It s not a right revenge film. It s not.Rotten Tomatoes: [SPOILER WARNING for the end of The Nightingale]. Indeed. She doesn’t even get to be the one who gets to do the avenging in the end. Was there any temptation to have her do the killing and give the audience that catharsis?Kent: Only from the financiers, not from me. I m not interested in giving an audience satisfaction. I think often we re fed stories that are comforting and for all the wrong reasons. And more and more it s happening. I think that s not personally my job to spoon feed people, or make them feel safe, or make them feel better about the world.Rotten Tomatoes: What do you see as your job?Kent: I think my job is to serve the story that comes to me, hopefully on a deeper level. And to move people in some direction. And I can t be responsible. It s like, you put a painting on the wall, but you can t be responsible for how people feel about it. I know in my own life, for example, it s the story I always remind myself of: I saw Mulholland Drive and I hated it. I was so angry, you know, it s two-and-a-half hours long, nearly three hours long, and I was so pissed off. I was like, ‘This is stupid stuff with the box.’ And really irritating. Even though I loved her performance, it really irritated me. Then I ve seen it like 10 times since then. Now I realize it was no problem with the film, it was me that was the problem. I appreciate so much more his vision. And I love it, it s a masterpiece. I never thought that I could change my opinion or feeling about a work of art, but you can. So, we can t as artists bow to what we think people [want], you know. You can t want to be liked.The Nightingale opens in limited release August 2, 2019.
Just when you thought the Marvel Cinematic Universe was over or at least Phase 3, anyway here comes your friendly neighborhood Spider-Man with another solid MCU installment. Spider-Man: Far From Home screened for critics this week, and those who saw it have taken to social media with mostly gushes of praise for how it continues the franchise, particularly following the events of Avengers: Endgame. Some are even calling this the best Spidey movie yet.Here’s what critics are saying about Spider-Man: Far From Home:Has Marvel done it again?Spider-Man: Far From Home is wonderful. It’s funny and clever and filled with smart twists. Kate Erbland, IndieWireSpider-Man: Far From Home is jaw dropping. Sean O Connell, CinemaBlendSpider-Man: Far From Home is an absolute home run. It’s SO much fun. Brandon Davis, ComicBook.comAbsolutely loved Spider-Man: Far From Home. Captures the spirit of the comics and mixes in some amazing movie magic. Steve Weintraub, ColliderSpider-Man: Far From Home is an extremely fun, cleverly executed, and frequently hilarious culmination of the MCU’s wall-crawler’s journey so far. Jim Vejvoda, IGN MoviesWhat a fun, solid sequel. Kara Warner, PeopleHow does it compare to Spider-Man: Homecoming?Far superior to its predecessor and really delightful, with a terrific theme of trust well-threaded throughout. Rodrigo Perez, The PlaylistI liked it a tad more than Spider-Man: Homecoming, which I loved. Jim Vejvoda, IGN MoviesI liked it a smidge more than Homecoming. Terri Schwartz, IGN MoviesIf you loved the teen-centric stuff in Homecoming, there s more where that came from. Ben Pearson, SlashfilmDidn’t LOVE Spider-Man: Far From Home as much as Homecoming, but it’s still a rad take on bearing the weight of great expectations and a fun ode to teen romance. Brian Truitt, USA TodaySpider-Man: Far From Home isn’t quite as wonderful as Homecoming, but it s a really strong, endearing sequel that delivers some excellent moments in its second half in particular. Eric Goldman, IGN Movies(Photo by Sony Pictures)How does it rank against other Spider-Man movies?The best Spider-Man movie yet… Honestly, Spider-Man: Far From Home feels like the Spider-Man movie I ve waited all my life for. Josh Wilding, We Got This CoveredI haven’t decided if Far From Home is better than Spider-Verse yet, but it’s certainly the best live-action outing. Sean Keane, CNETSpider-Man: Far From Home had the difficult task of following two epic Avengers movies AND Spider-Verse and succeeds by telling a smaller, classical story about Peter Parker caught between what he wants and what responsibility demands. Pure cat(spider)nip for Spidey fans like me. Matt Singer, ScreenCrushWhat sets it apart from the previous ones?The BEST Spidey action ever. Most SHOCKING ending in a Spider-Man movie ever. Fans will flip out! Sean O Connell, CinemaBlendBoth Sam Raimi and Marc Webb s movies did a lot of great stuff with the character but it s Jon Watts who has made him amazing AND spectacular. Josh Wilding, We Got This CoveredThe cast are better than Raimi’s. But the Raimi movies are pretty focused, and this is more sprawling with a bigger scope, so it’s a tough comparison. Ben Pearson, Slashfilm(Photo by Sony Pictures)Is it a worthy follow-up to Avengers: Endgame?Far From Home does a terrific job of balancing Avengers: Endgame fallout with a seriously fun and inventive Spidey adventure. Digital SpyThe movie is very clever (and funny) how it handles the fallout post Endgame in explaining how this world works now. Mike Ryan, UproxxThe coda we needed after Endgame, a glimpse of how the world looks now that the dust has settled. Angie Han, MashableIt’s pretty much the perfect Avengers: Endgame epilogue — reminding us that the MCU goes on in a joyous, emotionally fulfilling ride. Sean Keane, CNETThe way it builds off Endgame to to dive deeper into Peter’s emotions is really what make it soar. Germain Lussier, io9Far From Home is a great afterword for Endgame, closing out Marvel Phase 3 with a bang while also setting up new challenges and exciting stuff ahead. Jim Vejvoda, IGN MoviesAre there any surprises?Spider-Man: Far From Home had three legit ‘holy sh*t’ shocking moments. Mike Ryan, UproxxIt’s huge in itself and for the future of the MCU in the most surprising ways. Brandon Davis, ComicBook.com(Photo by Sony Pictures)How is the movie s treatment of Mysterio?I’m a huge Mysterio fan and Gyllenhaal nails him… Obviously, with Mysterio involved, there are some pretty bizarre scenes. Honestly I always kind of assumed a Mysterio movie wasn’t really possible, but Jon Watts and company pulled it off. Mike Ryan, UproxxJake Gyllenhaal is fantastic as Mysterio. Steve Weintraub, ColliderJake G’s an inspired choice for Mysterio. Brian Truitt, USA TodayJake G = perfect casting. Angie Han, MashableMajor kudos in particular to Jake Gyllenhaal for his super engaging performance as complex character Mysterio. Sean Keane, CNETJake Gyllenhaal gets way more to do than expected, clearly had a ball doing it. Kara Warner, PeopleJake Gyllenhaal is one of the MCU’s most entertaining characters ever. He’s so unpredictable and fun and brings A LOT to Spider-Man: Far From Home. The chemistry between Gyllenhaal and Tom Holland is top of the line. Brandon Davis, ComicBook.comHow is the rest of the cast?Tom Holland pours his heart and soul into his best work as Peter/Spidey yet, with a more involving story and conflicts this time out. Don Kaye, Den of GeekTom Holland continues to be a perfect Spider-Man, and his chemistry with Zendaya is adorable. Digital SpyTom Holland continues to be amazing, Zendaya’s MJ is just as cool as Shuri. Brian Truitt, USA TodayZendaya brings depth in her massively expanded role as MJ. Sean Keane, CNET(Photo by Sony Pictures)Are there any problems?Some of the comedy falls flat, but this film has A LOT going on – ultimately beneficial because it mostly distracts from stuff that doesn t land quite as well. Ben Pearson, SlashfilmCould maybe have gone a bit harder on Peter s emotional arc. Angie Han, MashableShould we stay until the end?Do NOT miss the mid-credits scene because it s the biggest and best effort from Marvel Studios yet. Literally mind-blowing avoid spoilers at all costs! Josh Wilding, We Got This CoveredI can’t stress this enough: stay all the way through the credits for Spider-Man: Far From Home!!! There’s a couple of brilliant sequences waiting for you! Brandon Davis, ComicBook.comTwo of the best end credits scenes ever. Kevin McCarthy, WTTG-TVWill we want to see it again?The second the film ended I wanted to watch it again. Steve Weintraub, ColliderI don’t think I’ve been this excited to re-watch a film since Jordan Peele’s Get Out and Us. Watts masterfully layers incredible action, storytelling and character development into a film that will be a whole new experience on the second watch. Kevin McCarthy, WTTG-TVI love that Spider-Man: Far From Home is all sleight-of-hand. It begs to be seen multiple times. Jason Guerrasio, Business InsiderI can’t wait to see it again. Germain Lussier, io9I cannot wait to see this movie again. And again. Brandon Davis, ComicBook.comSpider-Man: Far from Home opens everywhere on July 2.
亚博靠谱嘛 Movement on the She-Hulk front gives Marvel fans another hero to look forward to, big changes are ahead for CBS All Access and DC Universe, Starz doubles-down on 50 Cent, and more of the week s top news, trailers, and other TV and streaming developments.TOP STORYThe Orphan Black Star Lined Up to Star as the Marvel Attorney/Superheroine (Photo by Marvel Comics; Valerie Macon/AFP via Getty Images)The MCU’s TV wing just got a little more badass: Orphan Black star Tatiana Maslany has been tapped by Marvel to star in its Disney+ She-Hulk series, playing the leading lady who snagged super powers after sharing some of cousin Bruce Banner’s — a.k.a. The Hulk’s — blood.She-Hulk is attorney Jennifer Walters in her regular life, but she grows green and large and super strong and powerful as She-Hulk. She-Hulk, unlike Bruce, usually maintains her personality and intelligence when she Hulks out. The character was set to be featured in a live-action movie played by Brigitte Nielsen in the 1990s, but the film was never made.In addition to Maslany’s casting, which was first reported by Deadline, Kat Corio, who has directed episodes of It’s Always Sunny in Philadelphia, Modern Family, and Dead to Me, was announced as the director of the She-Hulk pilot and several additional eps, as well as an executive producer on the series, which will be under the showrunner leadership of Rick and Morty Emmy winner Jessica Gao.Maslany, an Emmy winner for Orphan Black, most recently starred with Matthew Rhys in HBO’s Perry Mason remake.CBS All Access To Become Paramount+ and Making an Offer We Can’t Refuse with New Godfather Making-Of Series(Photo by Paramount Pictures)Goodbye, CBS All Access, hello Paramount+ and some new programming to be excited about. The Viacom-owned streaming service that is currently home to all things new in the Star Trek series world will revamp and rename itself Paramount+ early in 2021, and will add a lineup of additional series that, like Trek, will be new versions of old favorites.The service, which will offer TV programming from Viacom networks like BET, Comedy Central, MTV, VH1, and Nickelodeon, as well as movies, is combining both genres for The Offer, a 10-episode limited TV series from writer and executive producer Michael Tolkin about Al Ruddy’s experience producing The Godfather. Ruddy won the Best Picture Oscar for The Godfather, and was presented with the statue by Clint Wastwood. He later shared his second Best Picture Oscar with Eastwood (and Tom Rosenberg) for the Eastwood-directed and starring drama Million Dollar Baby.Also in the lineup for Paramount+, which will boast more than 30,000 TV episodes and movies:• A revival of Mara Brock Akil’s The Game, the 2006-15 CW and BET sitcom now streaming on Netflix• The Real Criminal Minds, a true crime docuseries based on the CBS procedural• A reboot of the classic VH1 musical biography series Behind the Music that will now focus on the top 40 artists of the last 40 years• Lioness, a new spy drama from Yellowstone creator Taylor Sheridan, about a Marine who is tasked with befriending the daughter of a terrorist to help destroy the criminal organization• The SpongeBob SquarePants spin-off Kamp KoralParamount+ will also be the home of continuing CBS All Access original series like The Good Fight, The Twilight Zone, Star Trek: Discovery, Star Trek: Picard, Star Trek: Lower Decks, and the upcoming Star Trek: Strange New Worlds. DC Universe To Evolve into Digital Comic Book Subscription Service(Photo by DC Universe)As HBO Max takes over streaming DC premium video content, including classics and originals, the DC Universe will evolve into DC Universe Infinite, a digital comic book subscription service scheduled for a January 21 relaunch. Subscribers to the service will get digital-first comics, exclusive access to DC fan events, as well as recently released comics six months after the physical versions hit store shelves.Along with the news, HBO Max announced it has ordered a third season of Warner Bros. Animation’s critically acclaimed DC Universe adult animated comedy series Harley Quinn, starring Kaley Cuoco.Power Producer and Star 50 Cent Developing More Starz Dramas, Including One About 50 Cent(Photo by Mireya Acierto/Getty Images)Starz might want to consider renaming itself The 50 Cent Network, because the rapper, producer, and star of the cable network’s hit drama Power (which has already launched a spin-off and has three more in the works) is loading another pair of dramas into the Starz development lineup.50 Cent’s G-Unit Film and Television company is developing a series about a female sports agent, based on real-life agent and attorney Nicole Lynn (who will be an executive producer on the series). The project is from writer Tash Grey, who is also writing Power Book III: Raising Kanan, the upcoming second Power spin-off, a prequel that will focus on the character played by 50 Cent.50 Cent (real name: Curtis Jackson) is also developing an anthology series about hip hop, Moment in Time: The Massacre, with plans for the first season of the show to revolve around Jackson’s feud with fellow musician The Game, which included a murder-for-hire plot and music executive Jimmy Rosemond going to prison for life. The series will be written and produced by Abdul Williams, writer and producer of BET’s fantastic The New Edition Story and The Bobby Brown Story miniseries.And Jackson is an executive producer on the first Power spin-off, Power Book II: Ghost, which debuted on Starz on September 6. Picking up right after the series finale of Power, the sequel is already a big hit for Starz. New subscriptions rose 42 percent in the week after the premiere of the series – created by Courtney A. Kemp – and viewership was up 36 percent versus the season premiere of the final season of Power.