996传奇手游盒子是一款非常好用的游戏盒子软件，这款软件为用户提供了很多游戏资源，所有这些资源都是免费的，所有人都可以使用，想玩游戏的用户可以用这个软件免费获得很多游戏奖励，快来下载试试吧。 Martin Scorsese’s The Irishman isn’t just any run-of-the-mill awards season contender. It’s an epic collaboration between some of modern cinema s most accomplished and celebrated icons, and it s one of the most anticipated films of the year. So does this crime drama from the director of Goodfellas and The Departed reuniting here with Robert De Niro, Joe Pesci and Harvey Keitel and now working with Al Pacino for the first time live up to expectations?Reviews out of the movie’s opening-night premiere at the New York Film Festival are resoundingly positive in that regard. Not even the length or the notorious de-aging special effects can hold down what’s being called one of Scorsese’s best.Here’s what critics are saying about The Irishman:Has Scorsese got another gangster masterpiece on his hands?It’s the film that, I think, a lot of us wanted to see from Scorsese… rippling with echoes of the director’s previous Mob films but [it] also takes us someplace bold and new. Owen Gleiberman, VarietyThe Irishman has both the frenetic swagger of his mob movies and the more contemplative gut wrench of his most spiritual films, like 1988’s The Last Temptation of Christ and his most recent film, 2016’s Silence. Alissa Wilkinson, VoxThis is Scorsese’s least sentimental picture of mob life, and for that reason his most poignant. A.O. Scott, New York TimesScorsese is at the top of his game. Johnny Oleksinski, New York PostThe Irishman may not be as groundbreaking as Mean Streets or Taxi Driver, but then again, what is? Caryn James, BBC.comSo it’s not just another Goodfellas wannabe?The Irishman is Martin Scorsese’s best crime movie since Goodfellas… an ideal match of filmmaker and source material. Eric Kohn, IndieWireThis is not Goodfellas. This is not Casino. This is Scorsese at his most reflective, crafting a masterwork that finds the filmmaker reflecting on everything he’s done, and what it’s all amounted to. Chris Evangelista, SlashfilmIt’s moving in a way Goodfellas is not. An old man couldn’t have made that movie, just as a younger one couldn’t have made this one. Stephanie Zacharek, Time Magazine(Photo by Netflix)Is it reminiscent of any other movies?The Irishman reminded me a bit of Unforgiven: It feels, at last, like a critical eulogy for an era of crime fiction that Scorsese and De Niro and Pacino built. A.A. Dowd, AV ClubThere are aspects of The Irishman that recall David Lynch’s work on The Return. Joe Dieringer, Screen SlateWith stories within stories within stories, The Irishman is a little like a mob movie version of Inception. Matt Singer, ScreenCrushMove over Braveheart. Move over Air Force One. Move over Field of Dreams, Gladiator, The Right Stuff, Ben Freaking Hur. The Irishman could well be Dad Movie of the Century. Taylor Antrim, VogueHow are Robert De Niro and Joe Pesci?De N
《行尸走肉》是一款由美剧同名漫画改编的末世题材手游，游戏大背景在丧尸满布的华盛顿街区与其他NPC一起组建小队，并努力活到最后，这个游戏系列目前已经出了四部。亚博网络平台llion (.7 million total)Spider-Man: Into the Spider-Verse– .3 million (3.6 million total)The Mule – .7 million (.7 million total)Vice – .7 million (.6 million total)Holmes Watson – .3 million (.7 million total)Second Act .2 million (.7 million total)Ralph Breaks the Internet – .5 million (5.7 million total)The Grinch – .1 million (3.2 million total)
The coffee cup that stole Game of Thrones spotlight on Sunday night might have dominated the conversation on Twitter, but it looks like most of the first critics to review The Last of the Starks either missed the cup s cameo or were too enthralled with that dramatic dinner scene to care.In a statement released later, the network said: “In response to inquiries from those who saw a craft services coffee cup in Sunday night’s episode of Game of Thrones, HBO states, The latte that appeared in the episode was a mistake. Daenerys had ordered an herbal tea. ”News from Winterfell.The latte that appeared in the episode was a mistake. #Daenerys had ordered an herbal tea. pic.twitter.com/ypowxGgQRl Game of Thrones (@GameOfThrones) May 6, 2019(Photo by HBO)Update: By Tuesday, the cup was scrubbed from the scene in the streaming version.Despite the cup s explosion on the Twitter-verse, with the controversy trending under Starbucks cup (though HBO indicates the cup was a craft services item), critics weren t distracted by the contemporary set piece in last night s episode. Instead, some critics were captivated for positive reasons, but many others — not so much.The eighth and final season of Game of Thrones 89% is not faring as well as its predecessors. Granted, the season just passed its halfway mark, but it s still scoring about 10% lower than any season before. After Sunday s The Last of the Starks, season 8 is hanging in the 80th percentile — every other season is at 91% or higher on the Tomatometer. Still, season 8 is well on its way to being Certified Fresh. (The final two episodes would have to have dancing Starbucks cups to fully derail the season.)Last week, The Long Night drew criticism for its darkness, the lack of consequential deaths, and that the battle literally lasted only one night. At 74%, it became the second-lowest ranking Game of Thrones episode ever. But now, it appears that title will be taken by episode 4 — and that now-infamous Starbucks cup.(Photo by Kevin Winter/Getty Images for AFI; HBO)This week s The Last of the Starks is even lower on the Tomatometer, currently at 63% with 63 reviews so far (updated at 2:45 p.m. PT on May 6). And that s despite a cameo by the series showrunners D.B. Weiss and David Benioff (pictured above at a 2018 event and in costume in the episode) in the feasting scene. The only episode ranked lower than these two most recent installments is season 6 s Unbowed, Unbent, Unbroken and it s Rotten.Read on to find out what critics had to say about season 8 Episode 4: "The Last of the Starks" 58%.First Impressions (Photo by Helen Sloan/HBO)Odd oversight of letting in a Starbucks cup cameo — Dominic Patten, DeadlineWell, at least no one will complain about the darkness in this latest Game of Thrones episode. — Verne Gay, NewsdayLast week was an emotional rollercoaster and tonight took us off the track! — Jamie Broadnax, Black Girl NerdsMaybe we don t have a hero on this show anymore, at least not in the game for the Iron Throne. — Dave Gonzales, ThrillistRead more: Sex, Death and Relationship Drama Feature in Game of Thrones The Last of the Starks Top Moments A Little Out of Character?(Photo by Helen Sloan/HBO)Not every character- or plot-based story decision feels earned, but at least the rapid momentum toward the series’ end has kept the eyes of Game of Thrones somewhat on the present, however volatile and fatal it may be. — Steve Greene, indieWireCharacter-driven errors were committed and the war for the Iron Throne ignited in a highly emotional and often devastating episode — have there ever been so many tears and kisses and hugs on this show? — James Hibberd, Entertainment WeeklyThe Jon/Dany conflict cuts to the heart of Game of Thrones‘ biggest problems in its final few seasons – in its zeal to set up these foregone conclusions, they’ve had to roll back significant character development to do so. — Clint Worthington, The SpoolCritics Predict It ll All Come Down to Dany, Cersei, and Sansa(Photo by Helen Sloan/HBO)We’re only a week past the deadly Battle of Winterfell, and Daenerys has already reached the sixth stage of grief: world domination. — Kimberly Roots, TV LineThis is an interesting episode because Daenerys is so bad in so many ways throughout, and yet she s also clearly not as vile as Cersei. — Erik Kain, ForbesHolding within herself the power for acts of desperation, grasping need, human connection, and inhuman cruelty, Cersei represents the show at its most painfully complicated. She’s back in full force for the show’s last two episodes — just in time. — Daniel D Addario, VarietyIt’s obvious now from the conversation among the characters and the closeups of Clarke, Sophie Turner, who plays Sansa Stark, and Lena Headey, who plays Cersei Lannister, that the battle for the Iron Throne will come down to these three women. — Robert Rorke, New York PostWho Do Critics Want to See Win the Iron Throne?(Photo by Helen Sloan/HBO)For the first time, I know who I’d like to see on the Iron Throne at the end: Sansa. I think she’d be a great Queen. I want to see Tyrion at one of her sides and Arya at the other. Maybe it’s time to place my bets? — Leona Laurie, Geek Girl AuthorityI’m afraid Jon Snow — sorry, Aegon Targaryen — is going to somehow stumble his way onto the Iron Throne. Yes, I do mean accidentally bumbling his way onto it, like he bumbles absolutely everything else, and everyone will just yell, “King in the south!” If that happens, I’m going to riot. — Tasha Robinson, The VergeRead more: All Game of Thrones Episodes, Ranked by TomatometerFinal Verdict? Complaints Outnumber Raves(Photo by Helen Sloan/HBO)As has been the pattern for two seasons now, the episode was filled with lapses in logic that were too irritating to ignore, plus a plague of idiocy on the part of most of its supposed heroes. — Kelly Lawler, USA TodayIt was a bad week for the Dragon Queen, the latest in a fairly regular string of tragedy and indignity that began roughly when she started hanging out with Jon and doesn’t suggest much in the way of a happy ending. — Jeremy Egner, New York TimesAs impressive as last week s spectacle was, none of it felt as engaging as this week s smaller moments of politicking and intrigue of Tyrion and Varys contemplating treason. — Stephen Kelly, BBC.comI suspect that when we all look back on the final season of “Game of Thrones” with the benefit of some hindsight (and when some of us are not in the position of speed-writing recaps late on a Sunday night), the pacing of these final six episodes is going to seem at least a little off But in the moment, I was delighted to see all of these characters loose and wonderfully, vitally alive. — Alyssa Rosenberg, Washington PostGame of Thrones airs Sundays at 9 p.m. on HBO.
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1.25.8 7月喜迎Addison Wright’s Hiplet: Because We Can is part of the Scene In Color Film Series, presented by Target, which shines a light on incredible filmmaking talent. As part of the series, three emerging filmmakers will receive mentorship from producer Will Packer, and their films are available to watch on Rotten Tomatoes, MovieClips Indie Channel, Peacock, and the NBC App.They have the “sexy walk;” “the pretzel;” “the dougie;” “the Vivian.” These aren’t 1950s innuendoes. They’re the dance moves performed by a special Chicago-based ballet company. Founded by Homer Hans Bryant, hiplet is a combination of hip-hop and traditional ballet performed to dizzying, intoxicating effect by a collection of incredible local dancers. Director Addison Wright, another Chicago native, decided to make a film about these viral sensations after discovering the troupe on Instagram. His eight-minute documentary short, Hiplet: Because We Can, was an Official Selection at the 2020 South by Southwest Film Festival, later became a Vimeo Staff pick, and is now part of the Scene in Color Film Series. Wright’s film, titled after the dance, fuses together a choreographed music video feel with a precise documentary style for a lively exploration of this new invigorating movement style. Though the performers’ movements speak for themselves — their swaggering strides texture their powerful, beautiful Black forms, mesmerizing the frame with an undaunted spirit — Wright interviews them, too. The ebullient ballerinas explain the pushback they’ve experienced in a classically white-defined world for their unique artistic identity, their varying body types, and their Blackness. In Hiplet, Wright casts an immersive and empathetic lens toward these talented women. He demonstrates a nimbleness in his filmmaking, capturing the balletic patterns of the dancers while oscillating between striking colorful compositions and equally magnetic black-and-white filmed interviews. Hiplet is not just an exhilarating introduction to a new, evolving ballet style, but a perfect launching pad displaying Wright’s fresh, assured voice. Here, Wright talks to Robert Daniels, a Chicago-based Tomatometer-approved Top Critic. Robert Daniels for Rotten Tomatoes: How did you first get into filmmaking?Addison Wright: I grew up during the 90s, so I was glued to the TV watching MTV and BET. I ve always been mesmerized by music videos and by directors like Hype Williams and Spike Jonze, and Little X. So early on I knew I had a passion for it. I went to Simeon High School in Chicago, where I played football all four years. I ended up getting a scholarship to Delaware State University. I played football there, and my major was TV production. I didn t have a camera in high school or anything like that, but once I got to college I realized this was something I wanted to go after. I ended up getting hurt around my junior year in college. So I didn t play football, but the team would have me around so I traveled and filmed practice and the games. When there wasn t any practice or a game, I would borrow the camera and film music videos around campus. That s when I got into learning how to build narratives within music videos. So I was taking some of the stuff that I learned in some of my classes, and applying it to my videos. That s where my passion started.(Photo by Addison Wright)Daniels: Where and when did the idea for Hiplet first form?Wright: I was on Instagram and on my Explore page I saw these Black ballerinas doing ballet a bit differently. So I clicked on it and I heard the music and saw them in the dance studio and thought these girls are dope. I was scrolling up and began seeing them again and again. So I researched online about the Hiplet ballerinas and saw some of the commercials that they were in like Old Navy commercials and Mercedes-Benz and featured in Japan and some other places.Then I saw they were based here in Chicago and I was like, whoa this is a story that needs to be told. Initially the concept was me doing an entire music video of them. I wanted to shoot it in Chicago’s South Shore Cultural Center because that was a white-only establishment a hundred years ago. And I want to place Black girls in this beautiful cultural center, and just let them do their thing in a place they wouldn t have been able to a hundred years ago. But once we got the cost back for how much it was going to be to rent that space, I knew we couldn’t do that.So we ended up finding a gym on the south side, the Grand Ballroom, which is on 64th and Cottage Grove. You won’t even notice it if you drive or walk past, but if you look up you can see the beautiful terracotta. The story grew by me going, at least once a week, to the studio to film the girls and watch them rehearse and practice just to see how they move around and to see their personalities so I would know different angles and areas to pay attention to. Homer, he s the founder of Hiplet, and I were having a casual conversation and he told me how much these girls go through. Whenever they post something online, people are making fun of them but those same people are emulating what they do. It comes from within the dance community. People from different races look at them and see how they aren t doing traditional ballet, so they talk about them. So I decided to give the girls the floor: We ll film them, but we ll also let them talk about the adversity they often face. That s what kinda changed the path of the film being a music video. That s what made me realize how I wanted it to be a short and a documentary, but with the feel of a music video.Daniels: How long was the shoot?Wright: The shoot was about a 12-hour day. We started loading around eight in the morning and we wrapped with the girls around eight o clock at night. It was a bit longer for us, but the girls were there all day. It was a lot of rehearsing. When the girls showed up, they knew what they needed and we knew what we needed to do as far as setting up lights and blocking. Daniels: I want to get back to the blocking. I think what s so great about your film is you can feel the energy of the dancing. How did you get to that point where you got the right angles to bring the live energy onto camera?Wright: My DP, Dan Frantz, and I would go to the studio where girls would be rehearsing and we would film certain parts of the performance. That was a month out before we actually filmed. We would sit down and figure out the best angle for where the camera needed to be and lighting diagrams. We also went to the ballroom and took some pictures. I knew where I wanted to place the girls. I knew some of the angles that I wanted to hit just based off of their choreography. But it was a collaboration between him and me. We were rushing against the clock to get certain things because we only had the location for one day. But my goal was to really capture the energy of the ballerinas. Make sure they re making eye contact. Anytime the camera came around, I made sure that I told them to interact with the camera. If it s near you, look down at the lens, look through it just like you re on stage and somebody makes eye contact with you in a crowd. The camera is the crowd.Daniels: And now your film is part of the Scene in Color Film Series. How did you hear about the opportunity and what drew you to it?Wright: It s funny, I didn t know anything about it until they reached out to me. And I was completely blown away. Even when I talk about it right now, I m still in shock because it s all just surreal. They said they saw the film and they really loved it. And I was like: Me, really? That s dope that they love the film. About three weeks later they gave me the details and I found it incredible. I remember making the film public in February on Vimeo and it ended up becoming a Vimeo staff pick and then went viral. A month after that was when NBC reached out to speak with me.Daniels: How are you feeling about having a producer like Will Packer as a mentor?Wright: It s an incredible feeling having someone who is a powerhouse within the industry and within the Black community as a mentor. Even hearing myself say that, it sounds unreal. Just to be able to have opportunities to pick his brain and to have the opportunity to ask what to do in this situation, in certain situations, or do you think this is a good idea, can only help my career in an extremely positive way. He may be able to give some insight from his experience. He may be able to point me into a direction that may give me more exposure. I m extremely excited to be able to just chat with him.Daniels: What guidance or advice has Will given you so far?Wright: I asked him what s his favorite film that he’s ever done, the one that left him with the most memories. He said Stomp the Yard. In a nutshell, he wanted to do that film to provide inspiration to people. Being able to hear that from him let me know I m doing the right thing. My goal as a filmmaker is to inspire people through the lens. And if it can t change the world, at least I’ll open one person’s eyes. Will also said he enjoyed the film and I was where I was supposed to be. To hear that as an up-and-coming filmmaker, as a Black filmmaker, you know, to hear from Will Packer that I m where I m supposed to be, it s extremely crazy, man. It floored me. That solidified me as a filmmaker in my eyes and in my heart.Daniels: What do you hope people take from Hiplet?Wright: I m born and raised in Chicago, and Chicago always gets a negative light put on us. I want people to be able to see these Black girls on TV, on their phones, and on their computers to see how, number one, beautiful they are; number two, how they re taking ballet in a totally different direction by not changing ballet but by adding a twist to it. I want it to be motivational for Black boys and girls by seeing someone that looks like you, that s doing something that s changing the world of ballet by shaking things up.See more shorts and meet more filmmakers from the Scene in Color Film Series.
(Click to enlarge.)We are down to the Sweet 16 in the Ultimate Horror Movie Showdown, and we ve lost even more classics in the process. Scream, Frankenstein, The Fly, Nosferatu, and Poltergeist have all met their doom, with the latter only narrowly losing to Friday the 13th by a margin of 2% in the closest match-up of the round. On the opposite end of the spectrum, The Shining absolutely trounced The Birds, winning the fight 92% to 8%.Round 3 brings some interesting match-ups: John Carpenter s remake of The Thing faces Sam Raimi s Evil Dead 2 in a battle of the celebrated 1980s cult classics, while we get Freddy vs. Jason moment (kinda sorta) as A Nightmare on Elm Street goes up against Friday the 13th. Who will advance, and who will end up buried? Vote now in Round 3 of the Ultimate Horror Movie Showdown before polls close on Monday, October 18 at 10pm PT and then check back to see who made it out alive!Round 1 Results | Round 2 ResultsRound 3Round 1 Results | Round 2 ResultsOn an Apple device? Follow Rotten Tomatoes on Apple News.
In 1925, a group of tenacious young women set off a pro-labor lawsuit that had national implications, and Radium Girls gives that story the big-screen treatment. The American Radium Factory employed a group of young women to paint the dials of watches with glow-in-the-dark paint that contained radium, unaware of the dangers of working so directly with the element. Before the side-effects were known to the public, the girls would dip and lick brushes containing the toxic substance, causing catastrophic physical effects and eventual death. The Radium Girls, as they were dubbed, did fight back, however, and sued their employer, who they suspected knew about the deadly effects long before any of them started getting sick. Joey King and Abby Quinn star as sisters in the based-on-true-events historical drama that Frank Scheck of The Hollywood Reporter says fulfills a vital function with its dramatization of an important chapter in America s history of labor reform. Playing select theaters and on VOD October 23.
Roll call! The 90s-set sitcom Schooled, ABC’s The Goldbergs spin-off, follows teachers of suburban Philadelphia high school William Penn Academy as Goldbergs troublemaker Lainey Lewis (AJ Michalka) returns home in search of a fresh start after failing to hack together a music career.Lainey enlists quintessential helicopter mom Beverly Goldberg (Wendy McLendon-Covey) to help her score a job as a music teacher at her alma mater, where former guidance counselor John Glasgott (Tim Meadows) is now principal. There, Lainey reconnects with Coach Rick Mellor (Bryan Callen) — who, despite the leap of fashion between the 80s and the 90s, has decided to keep his super-short gym shorts — and meets Charlie C.B. Brown, a spunky English teacher played by Jane the Virgin s Brett Dier. Clancy Brown appears as woodworking teacher Mr. Crosby.The Goldbergs captures the fashion, music, and culture of the 80s through the lens of a loving (if sometimes goofy) family, and always ends with a heartwarming word of advice. Schooled features similar one-liners, fast cuts, and sitcom gags that will have fans roaring, but with 90s style. Despite its grunge-era setting, the cast told Rotten Tomatoes on a visit to the show s Los Angeles set recently that it s one of the most optimistic sitcoms on television right now. It s optimistic, and it s not cynical, and these are teachers that care and make a difference, Callen told us. Below, Callen and his castmates help break down everything you need to know about their sitcom.Read on to learn the ABCs of Schooled.A: AJ Michalka is back(Photo by Eric McCandless/ABC)After breaking off her engagement with the oldest Goldberg brother and attempting to kick-start her music career, Michalka’s Lainey wants a fresh start.“Cut to however many years later in the 90s — she’s failed at music, tried to tour, tried to get signed, tried to be a part of anything she could,” Michalka said of Lainey’s headspace when she returns to Jenkintown, Pennsylvania, to seek a steady job.How does she end up as the new music teacher at her old high school, William Penn?“She gets a hold of Beverly Goldberg,” Michalka said, and true to Beverly’s Goldbergs pushiness, “Glascott can t say no.”B: Band geek Tim Meadows?(Photo by Eric McCandless/ABC)Meadows also returns and co-stars in Schooled as compassionate Principal John Glasgott, based on the real-life principal of show creator Adam Goldberg’s youth in Pennsylvania.Some fans might recognize Meadows as Mr. Duvall in Mean Girls or from his years on Saturday Night Live. But what kind of student was the actor-comedian in high school?“I was a band geek, basically,” Meadows told RT. “I can play saxophone, clarinet, flute, and then I started playing the oboe when I was in my senior year,” he said. It was the oboe that got him to think twice about continuing in the band: “It was the first time that I saw myself as being a total nerd,” he laughed.While music is a defining element of Michalka’s role on the show, Meadows said we shouldn’t hold our breath waiting for him to appear dancing or playing the saxophone on Schooled.“I begged for them not to put me in any musical numbers,” he said. “I’m not a good dancer. The first time I ever asked a girl to dance when I was in school, I didn t really know how to dance… I just started flailing my limbs, and I kicked her in the shin, and her leg started bleeding.”C: Coach Rick Mellor returns(Photo by Erica Parise/ABC)What would Principal Glasgott be without his sports-centric rival, Coach Rick Mellor?Callen said that while it might look like Coach Rick is the macho counterpart to Glasgott’s softness, Coach also leads with compassion.“Coach Rick is an emotional guy, but he hides it,” Callen said. Ultimately, being both a sports coach and a life coach for his students is what gives Coach Rick’s life meaning: “His life is being a P.E. teacher, and being a coach, and making a difference and watching kids grow — and instilling in them of values and principles that they ll take with them for the rest of their life.”Of course, Coach Rick’s ego took a blow when Glasgott was promoted as principal over him. And Lainey’s return to William Penn throws him off his game a little bit.“Coach Mellor believes in one kind of strength, and that is athletic strength — speed, power, agility,” Callen said. “But Glascott and Lainey show Coach that there are different kinds of strength.”D: Dier joins the cast(Photo by Craig Sjodin/ABC)You might know Dier as Det. Michael Cordero from Jane the Virgin (a.k.a. Jane’s fiancé), or maybe you recognize him as Luke Matheson from Pretty Little Liars spin-off Ravenswood. In Schooled, he plays Charlie “C.B.” Brown, a kindhearted teacher who absolutely loves his job. Dier told us that Charlie is playful, the kind of teacher he would want as a high schooler. He s goofy, he makes it fun, said Dier, This guy is like basically a big kid that knows information. Dier’s Charlie Brown helps welcome Lainey to William Penn when she’s first hired by helping her connect with the students.“I kind of take her under my wing,” Dier said, for instance when Charlie tells Lainey, “‘You have to relate to them, you have to make it fun.’”E: English teacher Charlie C.B. BrownCharlie teaches English, but he also “runs a ton of clubs,” including a “Wizard’s Club,” according to Dier. He said Schooled features “tons of 90s references” and he loves it. “I’m kind of reliving my childhood right now, through the show,” he said.F: Fire!Dier says he once almost lit a classroom on fire in high school. How, you ask? He blames instant ramen. I heated up ramen, and it almost exploded, he confessed, but his drama teacher was “really cool about it.” Dier draws inspiration from that teacher, in fact, when portraying Charlie Brown on Schooled.“He felt like a friend and that’s why I think he inspired so many kids,” Dier said of his real-life high school drama teacher. “I also imagine how I would want to be taught as a kid.”G: Goldbergs tradition — Beverly gets what Beverly wants(Photo by John Fleenor/ABC)What could possibly make Principal Glasgott hire Lainey, a troublemaker in high school with absolutely no teaching experience? It’s simple, said Meadows: “What makes me hire Lainey is Beverly Goldberg.”In The Goldbergs, Beverly is famous for making demands of the teachers at William Penn. At the start of every year, she marches into the principal’s office and hands over a list of the classes her children will be taking — class assignments be damned. Beverly Goldberg gets what Beverly Goldberg wants. And on Schooled, it’s no different.Glasgott hires Lainey to get Beverly “out of my hair,” Meadows said. But there’s also something in it for him: “I think my character also loves the fact that he’s still teaching Lainey… giving her a job and taking her under his wing is still a part of teaching her.”H: High school movie recommendations and The Haunting of Hill HouseWhat’s Meadows’ quintessential high school movie?“Mean Girls, obviously,” he said. “Heathers would probably be second, Clueless third.” After a pause, he admitted that he loves Bring It On, too. “That’s a good one where people are funny dancing,” he laughed.And when asked what he’s bingeing right now, Dier admitted he “just finished” The Haunting of Hill House on Netflix and loved it for the same reason we did: “That sixth episode where there’s an 18-minute oner,” he said. “That was insane.”I: InternetLainey actually uses that great early- 90s technology known as The Internet to find the job. Then, after failing to convince Principal Glasgott that she s the woman for the job, Lainey enlists Beverly s help to persuade him.J: Jealousy (Photo by Eric McCandless/ABC) [Coach Rick and Principal Glasgott] butt heads a little bit, but they’ve been friends for a long time,” Meadows said. “There’s a little jealousy in the very beginning, because Coach Mellor thinks that he should be [principal], too.”Callen said that Coach and Glasgott often clash over philosophical differences. Principal Glasgott is “trying to reinvent the wheel” with less strict teaching methods. “Problem is, Rick Mellor is working off the knowledge and wisdom of the ancients, said Callen.Eventually the dust settles and the two balance each other out, in large part because Lainey and Charlie bring their own values and skills to William Penn, too.“You need the young to kind of break those molds,” Callen said, and Lainey and Charlie definitely shake things up.K: Kids, kids, kidsWhile Lainey doesn’t plan on sticking around William Penn long-term, she eventually changes her tune.“She’s a mess for the first few episodes,” Michalka said with a laugh. But soon, Lainey finds meaning and value in building her students’ confidence and learning from them, too. “She ends up really relating with some of these kids because in some of them she sees herself.”L: Lainey s teaching style Some people peaked in high school; others dread ever returning. Lainey’s transition is softened by her old mentors, Principal Glasgott and Coach Mellor.“Having Glascott and Mellor kind of grounds her, because those are the guys that also helped raise her,” Michalka said. Coach Mellor gives Lainey a sense of belonging, and she gains a new sense of respect for Glasgott: “She can t but notice Glasgott really does run this place, and his kind of nurture for the school is something that she really looks up to.”Lainey uses her high school experiences to understand her students — sometimes to connect with them, other times to stay a couple steps ahead of their pranks. “Because there is kind of a rebellious, hip edge to her, the kids see that as a fun way to learn,” said Michalka.And while her teaching mechanisms are bizarre, she stays one step ahead of her students because she invented all their tricks for skipping class and sneaking around. That allows her to discover a really great way to hone in what she wants, get the kids to another level, and also accomplish what she needs to accomplish in order to make Glascott happy.”M: Music (Photo by Eric McCandless/ABC)“Music s a big part of the show,” Michalka said, but not just because of Lainey’s musical background — or her own, seeing that Michalka is a pop star in her own right.“When Lainey was going to William Penn, her and Erica would join a talent show, or they would perform at a dance, or whatever it may be,” Michalka said. But now, it’s Lainey’s students who take center stage. “Now, I m kind of the one to sit back in the audience and watch the kids work. Lainey s in a different position now, which I think is really lovely.”N: The Nineties What The Goldbergs was for poufy hair, brightly patterned sweaters, and workout wear, Schooled is for chokers, plaid, and smelling like teen spirit. Prepare to break out your Doc Martens and sing along to Nirvana with some iconic fashion choices.O: Oboe(Photo by Eric McCandless/ABC)Meadows was once a self-described “band geek,” but he didn’t realize it until he played the oboe.“One day, I was in my senior year sitting in my room practicing the oboe,” he said. It was seeing himself play the instrument that did it. “I looked in the mirror, and I saw the biggest nerd in the world and it was me.”He laughed: “I was playing the oboe, and I said, ‘All right, that s it. I m done. I m done.’ … I made up my mind that I was not going to be learning any more instruments in the woodwind family.”P: Prankster Dier’s Charlie Brown is a bit of a goodie-goodie, a rule follower. But in real life, Dier’s high school classmates knew him as a prankster.“I was a goofball in high school. I was the class clown, always in trouble,” he said. “I bought a hundred bouncy balls once and let them all loose in the school.”And that’s on top of (accidentally) almost setting a classroom on fire.Q: Quentin TarantinoWhat does Callen think of when he thinks of the 90s? Pulp Fiction, True Romance, and Reservoir Dogs. In a word, Tarantino. Said the actor, “He just came out on the scene… and we were like, what!?”R: Rivalry It’s not just Coach Rick and Principal Glasgott who have a rivalry, said Dier. His character, Charlie, has his own rivalry with Lainey — at least at first.“It begins because I feel like she doesn’t really understand how to connect with kids on a deep level,” he said. Charlie is “thrown off by how weird she was.”But Lainey is independent and eager to prove herself, and Dier is excited to see where that relationship leads them.S: The Shawshank Redemption and Star WarsThe first is the 1994 film in which actor Clancy Brown played Captain Hadley. The second is the now-40-years-old film franchise that Dier s C.B. loves in the series.In addition to teaching English and running a so-called “Wizards Club,” Charlie Brown also runs a Star Wars-related club — which may or may not result in a lightsaber battle, he hinted.T: Teachers who really careUnlike other high school-set series, Schooled focuses on the lives of teachers rather than students or their families. But Callen said there’s something else that makes Schooled stand out from other series like it.“It’s not cynical,” Callen said. “This is actually a show where we re trying to make a difference, where the teachers really care, and within that there s a lot of comedy.”U: UnexpectedWhen Lainey first arrives at William Penn, she’s not seeking to launch a teaching career or plant long-term roots.“She wants to do music but this is temporary,” Michalka said. “She wants to be a professional musician.”But as time goes on, she discovers something unexpected. She forms bonds with her students and reconnects with her former mentors. Said Michalka, “She realizes, this is really my calling and this is where I m supposed to end up — and I love this job.”V: Valuable lessonsOne of the things that makes The Goldbergs stand out are its end-of-show bits of wisdom. Each episode ends with an explicit “moral” — they’re authentic without being preachy, nostalgic without being too cheesy.Callen said that there are similarly valuable lessons to be learned from Schooled. His character is known for being tough-as-nails, traditional, and super-duper “manly” (all while wearing super-tight shorts). He said that there are certainly lessons to be learned from P.E. class: “Sports teach you how tough you are but they teach you how tough you re not,” and the persistence of practice can also really up someone’s confidence.”But there’s something else to be learned from Coach Rick’s masculinity, particularly in contrast to Principal Glasgott’s softness. Callen said his first acting teacher modeled it for him, too: “[He] said that I had one idea of masculinity, because it was imposed on me, and told me that I was allowed to be emotional — and embarrassed, and scared — and those things were manly too.” That was “profound” for him, he said, “because there s a lot of pressure in our culture for a man to be a man.”Callen really valued having a mentor who taught him he could break such molds and be himself, and Coach Rick and Principal Glasgott both fill that role for the students of William Penn.W: William Penn AcademyIf you went to school in the 90s or early 00s, there’s no need to watch Goldbergs reruns to imagine what William Penn will look like. Think back to those blue chairs, faux-wood tables, classic vending machines, and barely working water fountains. Picture red dodgeballs, hand-painted posters, crowded cafeterias, and decades-old band equipment.And of course, Coach Rick’s thigh-exposing shorts are short as ever. Callen admits that even as 90s fashion introduced knee-length shorts, Coach doesn’t budge on his speedo-looking style.Y: “You re going to make mistakes. Principal Glasgott is famous for being a well-intentioned know-it-all. In The Goldbergs’ flashback episode, he fights with his sister when he acts like he knows best when it comes to raising her kids. He also fights with Coach about which of their teaching styles is most effective. But when his former student Lainey arrives and shakes things up, even wise guys like Coach and Glasgott have something to learn.What exactly are those lessons? She reminds him that his job is important and that you re going to make mistakes,” Meadows said. “She s sort of an example of his success as a teacher, even though her life outside of teaching wasn t great.”Z: Zeitgesit — Tunes, trends, Tamagotchis and… Pokémon?As if the fashion and music of the 90s wasn’t enough, the cast of Schooled revealed there will be surprise cameos and lots of nostalgic Easter eggs for fans to gush over. Dier had a Pokémon card collection as a kid in the 90s, and hinted that they — along with other 90s collectibles, including Tamagotchis — will appear throughout the series.Schooled airs Wednesdays at 8:30 p.m. on ABC.
Saturday, Dec. 125 Days of Christmas, Freeform — The annual nearly month-long programming event features family-friendly Christmas movies including The Santa Clause, Home Alone, and The Holiday; Disney movies including all three Toy Story films and Tim Burton s The Nightmare Before Christmas, and, for the first time on cable television, the Rankin-Bass holiday classics, Frosty the Snowman and Rudolph the Red-Nosed Reindeer.31 Days of Holiday Survival, Comedy Central — Professional basketball star Blake Griffin will host this month of programming dedicated to getting you through the holidays with your sanity intact. Movies like Bad Santa 2, 21 Jump Street, Meet the Parents and Office Space will air throughout the month-long lineup. Holiday-themed episodes of South Park and The Office will join Chappelle s Show to close out the year.You Light Up My Christmas, Lifetime, 8 p.m. — Inspired by true events, Emma (Kim Fields) returns to her hometown built around her family s pioneer Christmas Light Factory two weeks before Christmas. However upon Emma s return, she discovers the lights have gone dim in the once festive town, prompting her to reconnect with an old flame to set their hearts and the town ablaze with light again.Christmas Town, Hallmark Channel, 8 p.m. — Lauren Gabriel (Candace Cameron Bure) leaves everything behind in Boston to embark on a new chapter in her life and career. But an unforeseen detour to the charming town of Grandon Falls has her discover unexpected new chapters — of the heart and of family — helping her to embrace, once again, the magic of Christmas.Holiday Wars, Food Network, 9 p.m. — Five teams of cake masters and sugar artists face-off to create mind-blowing holiday displays that are as festive as they are delicious. Hosted by Jonathan Bennett, and featuring award-winning cake decorator Shinmin Li and Food Network s Jason Smith as judges, the teams must compete in two jolly rounds. First up is the Snowball Fight challenge, where the artists must use cake and sugar to create an edible holiday design in just 45 minutes. One winning team gets a vital advantage going into the second round. In the Winter Blizzard challenge, the teams are tasked with developing an eye-popping, masterful Christmas display made up entirely of cake and sugar. At the end of this battle, one team will jingle all the way home with a ,000 grand prize.Holiday Gingerbread Showdown, Food Network, 10 p.m. — On this four-part stunt, host Paige Davis tests the skills of three gingerbread artists in each holiday-themed challenge. Judges Mary Berg, Maneet Chauhan, and Adam Young determine the winner of each episode that advances to the grand finale where they will square off in the ultimate showdown. But it s not all gumdrops and candy canes as the clock is ticking on dreams of the ,000 prize. Only one will be crowned Best Gingerbread Artist and will be featured in Food Network Magazine. Monday, Dec. 2Team Kaylie: Part 2 (Holiday Episode), Netflix — To try to help Amber get through her first Christmas since her mom passed away, Kaylie decides to try to buy Amber the dollhouse she always wanted.Unhappy Holidays, Shudder — Last year, the streaming platform added a whole collection of gruesome holiday goodies including titles like Better Watch Out, All the Creatures Were Stirring, and 1974 slasher classic, Black Christmas. AMC s small screen adaptation of Joe Hill s NOS4A2 is a recent addition to the lineup. On Dec. 2, Silent Night, Deadly Night Part 2 will be available to view, along with the previously hard-to-find ‘80s cult film Deadly Games which is described as a French Home Alone meets Rambo — but released a year before Macaulay Culkin faced off with Joe Pesci.The Great Christmas Light Fight, ABC, 8 p.m. — Season seven of the holiday hit will once again showcase the most extravagant and utterly spectacular Christmas displays America has to offer. In each one-hour episode, four families with dazzling household displays will compete to win ,000 and the coveted Light Fight trophy. (Photo by ABC)Making It, NBC, 10 p.m. — Emmy Award nominees Amy Poehler and Nick Offerman host a craft-worthy and comedy-filled new eight-episode season.Tuesday, Dec. 3How the Grinch Stole Christmas, NBC, 8 p.m. — The iconic 1966 cartoon features the voice of Boris Karloff as the Grinch.How to Train Your Dragon Homecoming, NBC, 8:30 p.m. — The new animated special features the return of Jay Baruchel as the voice of Hiccup, America Ferrera as Astrid, Gerard Butler as Stoick, Craig Ferguson as Gobber, and Christopher Mintz-Plasse as Fishlegs.CMA Country Christmas, ABC, 9 p.m. — Trisha Yearwood will host and perform on the 10th annual CMA Country Christmas. The two-hour music celebration features a night filled with Christmas classics and festive one-of-a-kind collaborations by Yearwood, Kristin Chenoweth, for KING COUNTRY, Chris Janson, Tori Kelly, Lady Antebellum, Rascal Flatts, Runaway June, CeCe Winans, Brett Young, and Chris Young. Wednesday, Dec. 487th Annual Christmas in Rockefeller Center, NBC, 8 p.m. — For eight decades the tree lighting ceremony has been one of the iconic New York City holiday moments, with thousands on hand and millions watching across the country. The Moodys, Fox, 9 p.m. — The six-episode remake of Australia s miniseries A Moody Christmas stars Denis Leary and follows a tight-knit but slightly dysfunctional family of five, all of whom gather in their hometown of Chicago for the perfect holiday. The holiday event series will air over three nights on Wednesday, Dec. 4; Monday, Dec. 9; and Tuesday, Dec. 10. Ghosting: The Spirit of Christmas, Freeform, 9 p.m. — This is the quirky and heart-warming story of Jess (Aisha Dee), who goes on the greatest first date of her life, but inadvertently “ghosts” Ben when she tragically dies in a car accident on the way home. Stuck on Earth, with no idea how to ascend, Jess will need the help of her best friend Kara (Kimiko Glenn), the only person who can still see and hear her. A Saturday Night Live Christmas Special, NBC, 9 p.m. — Santa brings the laughs as “SNL” goes into the time capsule for two hours of Christmas-themed sketches.Thursday, Dec. 5(Photo by Netflix)A Christmas Prince: The Royal Baby, Netflix — It’s Christmastime in Aldovia, and a royal baby is on the way. Queen Amber (Rose McIver) and King Richard (Ben Lamb) are getting ready to take some time off to prepare for their first child’s arrival, but first they have to host King Tai (Kevin Shen) and Queen Ming (Momo Yeung) of Penglia to renew a 600-year-old sacred truce.Magic For Humans: Season 2 (Holiday Episode), Netflix — Justin embraces the holiday spirit by visiting Santa school and teaching kids about the magic of giving.Into the Dark: A Nasty Piece of Work, Hulu — The Christmas-themed installment of Blumhouse s horror holiday series follows a mid-level employee at a large company who finds out he’s not getting the bonus or promotion he was expecting. But then his boss invites him over for dinner with a proposal for how he can climb the corporate ladder … by beating his professional rival in a violent competition.A Charlie Brown Christmas, ABC, 8 p.m. — Celebrate the joy of the holidays with the classic animated Christmas-themed Peanuts specialBest Christmas Bingo, IFC, 9 p.m. – Starting Thursday, December 5, Wrestling Legend Mick Foley will be hosting an interactive BINGO game during holiday movies every Thursday in December at 9:00 p.m. ET/PT, featuring Planes, Trains Automobiles, Gremlins, Year Without Santa Claus and Snow Day.Same Time, Next Christmas, ABC, 9 p.m. — In this original holiday film, Olivia Anderson (Lea Michele) is a successful young woman who met her childhood sweetheart during her family s annual Christmas visit to Hawaii. After being separated by distance and years, the two reunite at the same Hawaiian resort years later, and the old chemistry between them flares up anew-but circumstances conspire to keep them apart. Friday, Dec. 6Three Days of Christmas, Netflix — Three Days of Christmas is the story of four sisters through time united by a secret. A story told through their eyes in three key moments in their lives: when they are daughters, mothers, and grandmothers, each episode corresponds to one generation. With Christmas as a backdrop, we will discover th