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bobapp采用百度引擎6(Baidu 3)Best-Reviewed Action Adventure Movies 2020A revisionist romp through Victorian England awaits adventurous movie thrill-seekers in Enola Holmes, which fashions young star Millie Bobby Brown, a budding sleuth hot in the footsteps of her famous older brother. Then, the military movie canon gets another medal with The Outpost, depicting the most brutal American conflict out of the Afghanistan War. Tom Hanks Greyhound is nearby in the wings, though its presentation of the war movie is in a more decidedly classical mode. Meanwhile, the post-apocalypse is still going strong in Love and Monsters, and the surprise hit Bad Boys For Life is the best kind of action movie throwback.The order of the rank below reflects the Adjusted Score as of February 28, 2021. Scores might change over time.« Previous Category Next Category »

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This Week s Ketchup brings you more headlines from the world of film development news, covering such titles as Captain Marvel 2, Cyrano, John Wick 5, and Disney s Pinocchio. This WEEK S TOP STORYKEANU REEVES TO FILM JOHN WICK 5 BACK-TO-BACK WITH JOHN WICK 4(Photo by David Lee/©Summit Entertainment)Staging any major film production is a costly affair, so for decades, when a studio knows they re going to make more than one movie anyway, they will sometimes produce movies back to back, which basically means two or more movies are produced at the same time, using the same cast, crew, etc. The most famous example of back-to-back production was probably Peter Jackson s Lord of the Rings trilogy, but other examples include Keanu Reeves two Matrix sequels, the two Back to the Future sequels, and Quentin Tarantino s two Kill Bill films. Lionsgate obviously has something of a cash cow in their John Wick franchise, so it s not surprising that this week, the studio announced the greenlighting of John Wick 5, which will be filmed back-to-back with John Wick 4. Lionsgate had originally scheduled John Wick 4 for release on May 21, 2021, but the COVID-19 pandemic pushed that film s production back, so the release was pushed back a year to May 27, 2022. John Wick 5 does not yet have a release date. In related news, director Chad Stahelski (who will be directing the two John Wick sequels) and screenwriter Derek Kolstad (who has written or co-written all of the John Wick movies) are also now signed to adapt an English-language remake of the 2010 South Korean action thriller The Man from Nowhere, whose plot incidentally bears some resemblance to the first John Wick.Other Top Headlines1. CANDYMAN DIRECTOR NIA DACOSTA TAPPED FOR CAPTAIN MARVEL 2(Photo by Priscilla Grant/Everett Collection)This story is best started with a little bit of recent history. In 2018, director Gina Prince-Bythewood was getting ready to direct the Marvel Comics movie Silver Black (about Silver Sable and Black Cat) for Sony Pictures for what would have been their 2019 release after Venom, but then the studio flinched and pulled Silver Black from their calendar, and Prince-Bythewood directed The Old Guard (Certified Fresh at 80%) for Netflix instead. Also in 2018, Selma director Ava DuVernay signed with Warner Bros. to direct the DC Comics property The New Gods, but two years later, we still don t know when that project will start production. That means that before this week, neither Marvel nor DC had yet had a major superhero movie directed by an African American woman, but it may be Marvel Studios that gets there first. Nia DaCosta (Little Woods, Certified Fresh at 95%), who directed the upcoming Candyman reboot, has signed with Marvel Studios to direct their sequel Captain Marvel 2 (7/8/2022), starring Brie Larson. The premise of Captain Marvel 2 is not yet known, but one possible story could involve Monica Rambeau, who in the comics was the first woman to be called Captain Marvel. Monica Rambeau was depicted as a young girl in the 1990s in the first Captain Marvel movie, but the upcoming Disney+ series WandaVision will introduce Teyonah Parris as the adult version of the character. Other possibilities include the MCU introduction of the New Avengers, and also a continuation of the Kree/Skrull war from the first Captain Marvel. There are seven other Marvel Cinematic Universe movies scheduled before Captain Marvel 2: Black Widow (11/6/2020), The Eternals (2/12/2021), Shang-Chi and the Legend of the Ten Rings (5/7/2021), Tom Holland s third Spider-Man (12/17/2021), Thor: Love and Thunder (2/11/2022), Doctor Strange in the Multiverse of Madness (3/25/2022), and Black Panther II (5/6/2022).2. LIVE-ACTION MULAN TO DEBUT ON DISNEY+ FOR A PREMIUM FEE (Photo by ©Walt Disney Studios Motion Pictures)As studios and theater chains alike struggle with the financial realities of the COVID-19 pandemic, Walt Disney Pictures arguably made the biggest move of the year by announcing that their epic live-action remake of Mulan (originally scheduled for March 9th) will debut in the United States on September 4, 2020 on Disney+ for a price of .99. That price is more than some of this year s other VOD debuts (like Trolls World Tour for a .99 rental), but the difference is that Mulan will not have a rental window of 24 or 48 hours, but will instead remain on Disney+ accounts as long as the subscription remains active. Marvel fans were quick to demand a similar release for Black Widow (11/6/2020), but Disney CEO Bob Chapek was quick to promise that the Mulan offer is a one-off that will not apply to Black Widow (though the pandemic has repeatedly had a way this year of changing plans and circumstances). Disney s decision to effectively pull Mulan from theatrical release in most theaters in the US has also had a quick reaction from the theatrical distribution industry. The Mulan news also came in the same week that Disney+ announced that they had met their five year goal of over 60 million subscribers in just eight months. The other, other related news, Lionsgate announced this week that they will also be releasing the Janelle Monáe horror film Antebellum (originally scheduled for 4/24/2020) on PVOD streaming on September 18, 2020.3. BRADLEY COOPER IN TALKS FOR PAUL THOMAS ANDERSON S 1970S TEEN DRAMA(Photo by John Baer/Rogue Pictures)Many film directors are influenced throughout their career by the period in which they were born, and Paul Thomas Anderson (born in 1970) is no different. His first major success, Boogie Nights (Certified Fresh at 93%) was mostly set in the 1970s, Inherent Vice was entirely set then, and the films of the 1970s have had an influence over most of his work, starting with 1996 s Hard Eight. Anderson has also worked with some of Hollywood s biggest stars, including Mark Wahlberg (Boogie Nights), Tom Cruise (Magnolia), Daniel Day Lewis (There Will Be Blood), and Joaquin Phoenix (Inherent Vice), and this week, he added another luminary to that list. Bradley Cooper is now in talks with MGM to star in Paul Thomas Anderson s next untitled project, which is described as a coming-of-age drama about a child actor set in the San Fernando Valley (also the setting of Boogie Nights) in the 1970s, though it s not yet known what role Cooper will be playing. Cooper s other upcoming film is Guillermo del Toro s remake of 1947 s Nightmare Alley (Fresh at 100%).4. PADDINGTON 2 DIRECTOR RECRUITS RYAN REYNOLDS FOR MONSTER MOVIE EVERYDAY PARENTING TIPS (Photo by ©20th Century Studios)One of the more disappointing stories in 2018 was the reporting that director Paul King, who directed both Paddington (Certified Fresh at 97%) and Paddington 2 (Certified Fresh at 100%) likely will not be returning for a third installment. Instead, King is preparing to direct a family comedy called Everyday Parenting Tips set during the Great Monster Uprising, based on a short story in The New Yorker, which you can read right here. Universal Pictures has put together a package for Everyday Parenting Tips that includes Ryan Reynolds attached to play one of the titular parents, with Paul King directing from a screenplay by the short story s author, Simon Rich, who also wrote the short story that inspired this week s Seth Rogen comedy An American Pickle. Bringing to mind Pixar s Monsters Inc, the story is based on a father s advice to his kid about what to do if a monster lurks under their bed, and then shows what happens when such Lovecraftian beasties as Gorgog the Annihilator [and] Ctharga the Eater of Souls actually do show up.5. PETER DINKLAGE WILL HAVE A NOSE THAT KNOWS THE CYRANO MUSICAL (Photo by HBO)When George R.R. Martin s A Song of Ice and Fire novels were adapted for HBO as the popular series Game of Thrones, one of the many details that were changed involves the face of Tyrion Lannister, as played by Peter Dinklage. Specifically, it s Tyrion Lannister s nose, which for much of the story in the novels doesn t even exist, while Peter Dinklage s version instead got away with n nothing but a nasty scar across his cheek, presumably so HBO viewers wouldn t be disgusted by one of their favorite characters having a huge hole in the middle of his face. In this week s news, Dinklage is fully going the opposite direction, as he is now attached to star in an MGM musical called Cyrano based on the classic 1897 play Cyrano de Bergerac by Edmond Rostand, which has previously been adapted as a film a few different times, including one in 1950 starring Jose Ferrer and one in 1990 starring Gerard Depardieu. Peter Dinklage also starred as Cyrano de Bergerac in a 2018 stage production, and Hayley Bennett, who co-starred opposite Dinklage as Roxanne, will also reprise that role in this musical version. Cyrano will be directed by Joe Wright, who recently earned Gary Oldman a Best Actor Oscar for his performance as Winston Churchill in Darkest Hour, and whose next film is the upcoming The Woman in the Window (which will debut on Netflix), starring Amy Adams. Ben Mendelsohn and Brian Tyree Henry will also co-star in Cyrano.6. TOM HANKS TO REUNITE WITH ROBERT ZEMECKIS FOR DISNEY S PINOCCHIO (Photo by Everett Collection)As Walt Disney Pictures proceeds to adapt the bulk of their classic animated canon as live action remakes, one of the biggies that still hasn t happened yet is 1940 s Pinocchio (Certified Fresh at 100%), which was Disney s second feature film after Snow White and the Seven Dwarfs. Disney has gotten close in the past few years, with a few different filmmakers attached, but it appears this week that they may have finally found the winning combination. Tom Hanks has remained in talks to co-star as Gepetto, and the new director now being eyed for the job is Robert Zemeckis, himself a frequent collaborator with Tom Hanks. The pair first worked together in Forrest Gump, which was followed a few films later by both Cast Away and The Polar Express. Zemeckis next film, still awaiting release during the COVID-19 pandemic, is his remake of Roald Dahl s The Witches, featuring Anne Hathaway, Octavia Spencer, and Chris Rock.7. JAMES WAN REVVING UP A KNIGHT RIDER REBOOT (Photo by ©Universal TV courtesy Everett Collection)In between directing and producing the first several Saw movies and directing The Conjuring 2 and Aquaman, James Wan also directed the 2014 car heist sequel Furious 7 (Certified Fresh at 82%). Wan is now looking to add another movie featuring, no doubt, some crazy automobile handling, as his Atomic Monster production company is on board bringing back the classic 1982-1986 NBC TV show Knight Rider. David Hasselhoff starred in Knight Rider as Michael Knight, an ex-cop recruited to pilot an A.I.-powered super car called K.I.T.T. as they travel across the United States solving various crimes. This is far from the first time that a Knight Rider movie has been put into development, which dates at least as far back as the 2000s. Former video game writer TJ Fixman is now adapting the Knight Rider screenplay, which will reportedly be set in the present day.8. WHITNEY HOUSTON BIOPIC I WANNA DANCE WITH SOMEBODY LIKELY FOR LATE 2022 (Photo by Suzie Gibbons/Getty Images)Following the 2018 box office success of the Queen movie Bohemian Rhapsody, Hollywood has been stepping up its various plans for musical biopics, with both Respect (about Aretha Franklin) and Baz Luhrmann s Elvis Presley project now due out by late 2021 (thanks, pandemic). One of the projects we ve been hearing the most about is I Wanna Dance With Somebody, chronicling the life of Whitney Houston. This week, Sony Pictures came on board the project, with director Stella Meghie (The Photograph) now attached. Sony reportedly hopes to start production in time for a release around Thanksgiving, 2022. In the meantime, of course, Meghie and Sony will have to find the singer and/or actress who will be able to reasonably approximate Houston s singing talent.9. JENNIFER GREY S NEW DIRTY DANCING MOVIE OFFICIALLY CONFIRMED (Photo by Vestron Pictures courtesy Everett Collection)One of the stories in The Weekly Ketchup just a few weeks ago involved what at the time was just this side of a rumor. What was known was that Jennifer Grey, who probably remains best known for starring in Dirty Dancing (just above playing Ferris Bueller s sister), was rumored to be producing and starring in a new Dirty Dancing movie, possibly set in the 1990s. The setting is not directly confirmed in this week s news, but we can now report that Lionsgate has indeed confirmed that they are developing a new Dirty Dancing movie in which Jennifer Grey will star and executive produce. The major new element to be added to the story this week is that the film, whatever it actually is, will be directed by Jonathan Levine, a frequent Seth Rogen collaborator whose credits include 50/50 (Certified Fresh at 93%), Warm Bodies (Certified Fresh at 81%), and Long Shot (Certified Fresh at 81%). It s not yet known if Levine s involvement might suggest Rogen could join Jennifer Grey as one of the new Dirty Dancing stars. Is it okay to put Seth Rogen in the corner?

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Four famous friends Jim Brown, Malcolm X, Sam Cooke, and Cassius Clay met for one magical night in Miami, and the film that fictionalizes the legendary evening might garner an Oscar-winning performance. Leslie Odom Jr. and Aldis Hodge as Best Supporting Actor contenders are both compelling choices in the conversation, but we are giving the edge to Hamilton star who closes out the film with a stirring rendition of Sam Cooke s A Change Gon Come. With one of the best lines of the film and an exclamation point of a closing number, Odom rises above the already impeccable ensemble. Of the four, he s the one we see making it to Oscar night, and as of today, he s our pick to win it all.With pointed commentary on the politics of art and the burden of being young, Black, and gifted, One Night in Miami, its cast, and many players below the line are already on the top of just about every 2021 predictions list, but Odom is the only performance consistently pegged for end-of-year awards. Adding in the recent release of Hamilton on Disney+ over the summer, the man who originated and won a Tony for playing the role of Aaron Burr may indeed find himself giving acceptance speeches again soon. This is not to say we are counting Hodge out completely. Hodge percolated around the Best Actor conversation last year as the title character in Brian Banks, but the film s lackluster reception kept him outside the conversation; it s possible he could squeak in this year, but for now, our money is on the man playing Sam Cooke.Chadwick Boseman
Love spectacle? Love splosions? Love slow-mo? Then you probably love the output of directors Zack Snyder and Michael Bay. But which blockbuster director’s output is the most lovable? That’s what we’re asking in our fieriest episode of Vs. ever. Host Mark Ellis pits the two directors against each across five rounds: Box office performance; Tomatometer and Audience Scores; Iconic Character; Memorable Moments; and a special wildcard category. Will it be the man who gave us jacked-up Spartans, hyped-up zombies, and a very torqued-up Bruce Wayne? Or will the maestro behind Transformers, Bad Boys, and Armageddon get the W? Watch to find out, and let us know your thoughts in the comments.On an Apple device? Follow Rotten Tomatoes on Apple News.

solved.Hoffa’s connections to organized crime began in the 1930s when he was a union activist in New York, and it was here that the young Hoffa first gained an audience with mafia dons Russell Bufalino and Angelo Bruno. After years of moving up in the Teamsters Union, all while making shady backdoor deals with the East Coast mafia, Hoffa became president of the Teamsters from 1957 until 1971 and turned it into one of the most powerful in the world.But, on July 30, 1975, just four years after stepping down as Teamsters president, Hoffa vanished without a trace. The unsolved disappearance has led to countless theories of what happened, including ones that posit Hoffa was either buried underneath Giants Stadium in the Meadowlands, compacted in a car and sold as scrap metal and shipped to Japan, or buried under a suburban Detroit driveway. The one commonality is that they all agree the mafia had him taken out.The teaser trailer released today seems to have higher ambitions than just exploring Hoffa s rise, fall, and presumed death, however. With frequent allusions to John F. Kennedy and the role of big business and the government, it seems like The Irishman will tackle the connections between a tangled web of organized crime, crooked unions, and American politics in the 20th century.The Cast and Crew(Photo by Universal courtesy Everett Collection)We first got a glimpse of the type of talent in this movie in the initial teaser (even though it was only their names), but now we finally get to see some of the greatest actors in film history and one of the most beloved and revered directors of all time doing their thing.We all know the work Scorsese, De Niro, Keitel, and Pesci have done together, including Mean Streets, Taxi Driver, Raging Bull, Goodfellas, and Casino, but adding Pacino to that crew is the pistachios on the cannoli.In the upcoming film, Pacino plays Union leader Hoffa and De Niro plays his friend and alleged killer Sheeran, while Keitel and Pesci play bosses of rival East Coast crime families.But the talent doesn’t stop there, as The Irishman’s roster is both top heavy and deep. In addition to these heavy hitters, the film will also feature Oscar winner Anna Paquin, two-time Emmy winner Bobby Cannavale, two-time Emmy nominee Jesse Plemons, and Emmy-winner Ray Romano.In case you weren’t keeping count, that cast features actors who have been nominated for a combined 19 Oscars, 35 Golden Globes, and 27 Emmys, and have collectively taken home five Oscars, five Golden Globes, and seven Emmys. And that’s just in front of the camera.Between Scorsese, screenwriter Steven Zaillian, editor Thelma Shoonmaker, and cinematographer Rodrigo Prieto, the talent behind the camera has combined for 25 Academy Award noms and four wins.So, with all that talent and excitement, how has it taken so long for this film to get made?The Journey(Photo by Andrew Cooper/Paramount courtesy Everett Collection)This film has been a passion project for director Martin Scorsese for years, with news coming about the potential film as far back as 2008. (That same article refers to Scorsese s adaptation of Shutter Island as an upcoming release, just to give a sense of how long ago 2008 was.)Since then, the film has floundered in development hell, and Scorsese moved on to directing other long-gestating passion projects like Hugo, The Wolf of Wall Street, and 2016’s Silence. But Scorsese kept coming back to the story of the most famous mob hit in history, and finally, in 2017, Paramount and Fábrica de Cine came together to co-finance the film and aim for a 2019 release.So how did it end up on Netflix, you ask?The BudgetYes, like all things, it comes down to cold, hard cash.Initially targeted for a 0 million budget, the movie s cost soon ballooned to nearly 0,000,000 after the production opted to use a CGI de-aging technique to make De Niro, Pacino, and co. appear younger while playing the younger versions of their characters.Because of this price tag (and perhaps still feeling the burn left by Silence, which cost upwards of million and took in less than million at the box office), Fábrica de Cine and Paramount decided to back out of the project less than a year after agreeing to fund it.Fábrica de Cine producer Gaston Pavlovich explained this difficult decision, saying We quickly realized that Marty and De Niro really thought that the aging process was going to be a very important aspect of this film. The traditional model was not going to work with this new vision of the project [we could not] risk that amount [of money] when all our data was telling us that it was not going to come back. Thankfully, Netflix stepped in, and the importance is not lost on Scorsese, who recently said, “People such as Netflix are taking risks. The Irishman is a risky film. No one else wanted to fund the pic for five to seven years. And of course we’re all getting older. Netflix took the risk.”(Photo by Netflix)Even so, the CGI de-aging comes with both budgetary and cinematic concerns. Previously used on Brad Pitt in Benjamin Button, Jeff Bridges in Tron: Legacy, and Robert Downey Jr. in Captain America: Civil War, the de-aging technology has advanced in recent years to appear more natural, but still remains costly. So costly, in fact, that until Samuel L. Jackson (and, perhaps less noticeably, Clark Gregg) was made to look 25 years younger in the recent Captain Marvel, it had only been used sparingly.Editor Thelma Schoonmaker called it a “risk,” saying, “We’re youthifying the actors in the first half of the movie. And then the second half of the movie they play their own age. So that’s a big risk. We’re having that done by Industrial Light and Magic Island, ILM. That’s a big risk.”While it might be cool to see young Pacino, young De Niro, young Pesci, and young Keitel in the same scene, it could also venture too close to the uncanny valley and take the viewers out of the film.Schoonmaker has also expressed some trepidation over how the public is going to view seeing a 30-year-old Pacino, De Niro, et al. in a 2019 movie: “I haven’t gotten a whole scene where they’re young, and what I’m going to have to see, and what Marty’s going to have to see, is ‘How is it affecting the rest of the movie, when you see them young?’” In that same interview, the eminent editor said that, of the few people they’ve screened the movie for, “nobody minds. Nobody minds watching them play young, because they’re gripped.”While we don t see too much of the de-aged film legends in the teaser trailer, what we do see looks pretty good. On first impressions, the one shot of a young De Niro talking on the phone might be a little distracting, but this is just the first glimpse, so that s a given. With what is sure to be stellar directing from Scorsese and brilliant acting from some silver screen legends, audiences likely won t even notice that there s a 40-something Robert De Niro in a 2019 movie.The Release(Photo by Paramount Pictures)As one of Netflix s main prestige productions for 2019, it was always expected that The Irishman would be released at the heart of awards season, and now we have confirmation.It was recently announced that The Irishman will celebrate its world premiere as the Opening Night film for the 2019 New York Film Festival on September 27. Most likely, the film will be available for the general public a few weeks later in theaters and on your couch.Previously, Scorsese has expressed his disdain for movie-watching on small screens, saying that when he was growing up, films “had to be shown in certain ways — people went to a movie, it wasn’t something you could choose or pick up, or walk out of the room. You actually made a commitment. It was a different experience.” He continued, “the ideal would be to see cinema in its proper context… It’s a problem of pure concentration.”Robert de Niro agrees, saying at a recent film festival, Movies have to be shown on a big screen.  It appears Netflix also shares this sentiment, as the teaser trailer announces that the film will be shown in select theaters. Unfortunately, we still don’t really know when exactly The Irishman will be released. But we now know that it will have a splashy premiere at a prestigious film festival at the end of September, and will be shown in theaters and on the streaming service sometime this Fall.The Irishman  is currently set to release in select theaters an on Netflix during the Fall of 2019.
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Ghcxuf Quentin Tarantino s ninth feature film brings him back to Los Angeles for the first time since Jackie Brown, but it’s a groovy L.A. of hippies and psychedelia, set in the summer of ’69, with the Manson murders around the corner and the Hollywood counterculture at its apex.Tarantino has said Once Upon a Time in Hollywood will focus more on the year 1969, not the Manson murders. And that’s exactly what we get from the movie’s trailer: a pastiche of late- 60s L.A. local color and trippy antics, but virtually no Manson presence, save for one blink-and-you’ll-miss-it shot of a crookedly smiling Charles Manson stepping out of a car.Tarantino said some time ago that he was going to call it quits after making 10 films. Is this really his penultimate film, his almost-swan song? Stay tuned…It Will Premiere at Cannes; Tarantino Has not left the editing room in four months After a game of will-they-or-won t-they, it s been confirmed that the Tarantino movie will play in competition at the Cannes Film Festival. The film is a late addition to the festival, and its inclusion is auspicious: It s been 25 years since Tarantino first came to Cannes with Pulp Fiction, for which he won the Palm d or. Cannes Film Festival General Delegate Thierry Frémaux said in a statement, We were afraid the film would not be ready, as it wouldn’t be released until late July, but Quentin Tarantino, who has not left the editing room in four months, is a real, loyal and punctual child of Cannes. Like for Inglourious Basterds, he’ll definitely be there – 25 years after the Palme d’or for Pulp Fiction – with a finished film screened in 35mm and his cast in tow (Leonardo DiCaprio, Margot Robbie, Brad Pitt). His film is a love letter to the Hollywood of his childhood, a rock music tour of 1969, and an ode to cinema as a whole. In addition to thanking Quentin and his crew for spending days and nights in the editing room, the festival wants to give special thanks to the teams at Sony Pictures, who made all of this possible.”What It s About(Photo by Columbia Pictures)Here’s how Tarantino described the film to the Hollywood Reporter last February: “It’s a story that takes place in Los Angeles in 1969, at the height of hippie Hollywood. The two lead characters are Rick Dalton (Leonardo DiCaprio), former star of a Western TV series, and his longtime stunt double Cliff Booth (Brad Pitt). Both are struggling to make it in a Hollywood they don t recognize anymore. But Rick has a very famous next-door neighbor Sharon Tate. Tate, an actress who was married to the director Roman Polanski (and eight months pregnant with their first child at the time), was murdered, along with three of her friends, by the Manson Family on August 8, 1969. Just how the shocking crime will impact the two protagonists’ story – if at all – has been a closely guarded secret. But Tarantino has maintained that the film is about 1969, not the infamous Manson slayings.Structurally, Once Upon A Time is said to be separated into thematic chapters along the lines of Pulp Fiction. If that’s the case, it’s entirely possible that Cliff and Rick’s characters will not intersect directly with the Manson murders.Tarantino also told THR: I ve been working on this script for five years, as well as living in Los Angeles County most of my life, including in 1969, when I was 7 years old.  I m very excited to tell this story of an L.A and a Hollywood that don t exist anymore.” In an interesting meta-twist, Tarantino himself is confronting a Hollywood that, thanks to streamers like Netflix, may soon be unrecognizable to many.Speaking at Cinemacon last April, Sony Pictures motion picture group chairman Tom Rothman raved about Once Upon A Time’s script: It s the best screenplay that I have had the privilege to read. High praise, considering QT is a two-time Oscar screenplay winner for Django Unchained and Pulp Fiction.The Cast: Fictional Characters vs. Factual(Photo by Andrew Cooper/Weinstein Company)Once Upon A Time marks the first time DiCaprio and Pitt appear on-screen together. Both have worked with QT before: DiCaprio on Django Unchained, and Pitt in Inglorious Basterds. DiCaprio was supposedly so enamored of the script that he agreed to a 50% pay cut to work on the film (but don’t feel bad – he still earned a reputed million).Tarantino’s longtime cinematographer Robert Richardson, who’s been with QT since the Kill Bill movies, was thrilled to be able to frame both DiCaprio and Pitt in the same shots, as he told IndieWire in October. “It’s beautiful. To work with Leo together with Brad… It’s Butch Cassidy and the Sundance Kid, sort of the contemporary versions. These are two massive stars, and they’re so talented. Margot [Robbie] is also phenomenal and wonderful to be around. There are a number of people that you will see within the film that haven’t had as much exposure that are remarkable. We’ve got Dakota Fanning in the movie and she — phew, is she a powerhouse. It’s a great cast.”The 😈😈


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(Photo by Warner Bros./courtesy Everett Collection)All Harry Potter Movies Ranked by TomatometerThe Harry Potter film franchise ruled the box office for a decade, but it also managed the uncommon feat of earning Certified Fresh status for every single one of its installments. It remains one of the most successful movie sagas of all time, and it’s even spawned a spinoff series. But while the first Fantastic Beasts continue the Certified Fresh streak, the second became the first Rotten entry in this cinematic Wizarding World. As theaters prepare for a third film in 2021, we re ranking all Harry Potter movies by Tomatometer! Pixar is such a quality brand that even its “lesser” products prove to be essential for fans of their animated output. The studio’s latest feature, Luca, is arguably on that lower tier, according to critics — not among Pixar’s best but still better than most alternatives — hence the high Tomatometer score we’ve come to expect, even if there isn t quite as much of the excitement we usually find in the reviews themselves. Some critics think that it’s too basic, while others believe its lack of complexity is a good thing. And some critics trust that there’s more to the movie than what’s on the surface and it requires repeat viewings to properly appreciate it. Fortunately for anyone hoping to find out, Luca can be watched over and over on Disney+ starting this Friday, June 18.Here’s what critics are saying about Pixar’s Luca:How does it compare to other Pixar movies?Luca leans far lighter in tone and effect, but it’s no less memorable.  Rob Hunter, Film School RejectsLuca is easily Pixar’s most intimate and laidback effort since Ratatouille.  Keith Watson, Slant MagazineThe last fifteen minutes of Luca might go down as one of the best endings Pixar has ever produced.  Ryan McQuade, Awards WatchThis might be Pixar’s most childlike and cartoony offering.  Brian Roan, The Film StageMore of The Good Dinosaur or Onward level for me, Luca doesn’t quite reach the potential that I have grown to expect from Pixar.  Christie Cronan, Raising WhasiansWhile some material may hit with younger audiences, Luca makes for Pixar’s least enchanting, least special film yet.  Robert Daniels, by Pixar)Is it just a simpler Pixar movie than we re used to?Luca is nowhere near as complex or deep as other Pixar fare and there’s absolutely nothing wrong with that. Doug Jamieson, The Jam ReportAll the more satisfying for its simplicity… the rare Pixar movie that doesn’t feel like it’s been thought to death. David Ehrlich, IndieWireIt is rigorously unphilosophical in a way that proves to be its greatest strength. Clarisse Loughrey, IndependentBy going back to basics, we get a real connection with these characters. Ryan McQuade, Awards WatchLuca has the look and feel of a more disposable flick, but that’s just on the surface. Beneath, it has the beating heart of a classic family tale in the making. Joey Magidson, Awards RadarLuca never quite rises beyond being adorable — and hey, these days, adorable is fine —there’s something that just isn’t there. Moira MacDonald, Seattle TimesHow are the visuals?The real magic of Luca is its visuals… The richness of the settings in both realms is a constant source of pleasure. David Rooney, Hollywood ReporterLooking like a hand-drawn fairy tale book come to animated life, Luca has a captivating visual style with every detail popping. Richard Roeper, Chicago Sun-TimesThe gorgeous animation of Luca… is unlike other Pixar movies you ve seen. Ian Sandwell, Digital SpyIt’s been a while since they’ve done anything visually distinct and felt vastly different from the rest of their fare. Thankfully, Luca is that breath of fresh air. Rendy Jones, Rendy ReviewsPixar’s Luca is proof once again that cartoon movies keep getting better and better with the technology. Christie Cronan, Raising WhasiansRyan FujitaniDoes it bring on the usual waterworks?For much of this film, you’ll be thinking Luca will be one of the rare Pixar movies not to make you cry. But… [it] may just leave you in a puddle of tears. Doug Jamieson, The Jam ReportYeah, it’s cliched to say “I got misty-eyed in a Pixar movie,” but damn by the way they invest you with the friendship, it’s difficult not to find yourself feeling all warm and fuzzy. Rendy Jones, Rendy ReviewsHappy tears at how lovely it all is, fortunately, we re not talking Toy Story 3 or Inside Out trauma here. Ian Sandwell, Digital SpyI watched twice and no Inside Out or Up equivalent eye watering… Luca misses the Pixar emotional pull for me. Christie Cronan, Raising WhasiansAre the characters memorable?Giulia s lovable father Massimo, who instantly goes into the all-time list for best animated dads. Ian Sandwell, Digital SpyA translucent anglerfish who Sacha Baron Cohen turns into one of Pixar’s funniest characters in less than two minutes of screen time. David Ehrlich, IndieWireAs always, the Pixar magicians create a wonderfully populated world: I particularly enjoyed the cat character, who stares fixedly as only cats can. Moira MacDonald, Seattle Times(Photo by Pixar)How is the screenplay?With all of its wit and perfectly interwoven story threads and running gags, [the script] bears all the hallmarks of the best of Pixar’s story trust. Brian Roan, The Film StageThe script… like all the best Pixar movies, laces touching life lessons and delicate helpings of sentiment into what’s essentially a caper. David Rooney, Hollywood ReporterWhy do another narrative about a girl stuck in the middle of two best friends?… The primary story flows through the motions. Robert Daniels, RogerEbert.comUnfortunately, there’s also an episodic, shaggy-dog quality to the plotting that undercuts Luca’s emotional beats. Keith Watson, Slant MagazineAre its themes up for interpretation?This really is a metaphorical film. The sea monsters could be any of us who feel different. Maybe they’re a metaphor for the LGBTQ community. Danielle Solzman, Solzy at the MoviesIt’s the kind of metaphor that could be applied to a hundred different situations, but there’s an inherently queer subtext bubbling beneath the surface. Doug Jamieson, The Jam ReportVery relatable for anyone who is within the LGBTQ+ community… [and also] works for a universal audience who may not identify as LGBTQ+ but can relate to someone who is. Ryan McQuade, Awards Watch[It] serves as a kind of all-purpose allegory, where audiences are free to narrow in on its queer subtext, its rebuke of xenophobia, or its triumph against any facet of small-mindedness. Clarisse Loughrey, IndependentIts themes of coming-of-age resemble too much of Pixar’s existing catalog — and without a narrative that really makes these themes feel fresh. Nicole Clark, IGN MoviesIt never settles on exactly what it wants to say… It never makes a cohesive, powerful point. Germain Lussier, io9.comWho is Luca ultimately for?While Disney and Pixar’s Luca is fun for the whole family, there are some very important messages for children laced throughout the film. Tessa Smith, Mama s GeekyLuca is entertainment for all ages as its bright colors and fast-moving action will appeal to the kids while the humor and themes should speak to older viewers. Rob Hunter, Film School RejectsWhile there are a few moments that may be a little tense for younger kids… I recommend Pixar’s Luca for kids as young as 5-6 years old. Christie Cronan, Raising WhasiansWill it remind us of any other films?Luca is the closest that Pixar has ever come to capturing the ineffable spirit of a Studio Ghibli film. David Ehrlich, IndieWireThe smooth, rounded character designs are something more akin to the stop-motion work of Aardman Animations. Doug Jamieson, The Jam ReportThere are obvious shades of The Little Mermaid in this fairy tale-like story… but Luca plays like a deliberate inversion of that Disney classic. Keith Watson, Slant MagazineLuca is The Little Mermaid without the heart, Cloudy with a Chance of Meatballs without the laughs. Roger Moore, Movie Nation(Photo by Pixar)Is it rewatchable?Expect to visit this destination more than once. Rob Hunter, Film School RejectsSince it’s so dense and layered, my guess is it’ll only improve, solidify and blossom with multiple viewings… I do want to watch it again. Germain Lussier, io9.comIt’s also so fabulously summery that you shouldn’t be surprised if you return to it over and over for that sunny feeling. Deirdre Molumby, entertainment.ieWill Luca leave us hopeful for Pixar s future?Luca should be the model going forward for Pixar, with character driving entertaining stories instead of big concepts that fail to execute and leave you feeling hollow by the end (looking at you Soul). Ryan McQuade, Awards Watch[It] hopefully anticipates how the monolithic animation house will continue to create more intimate fare now that it can use Disney+ as a safety net. David Ehrlich, IndieWireLuca releases in theaters and streams on Disney+ on June 18, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.

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目前版本 6.47.2
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更新时间 2022-01-18
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