虽然上线初期因抄袭等诸多问题受到国内许多玩家的抨击，但作为手游市场上难得一见的开放世界类型，《原神》靠创新的玩法，宏大的开放世界、精美的场景地图、良好的游戏体验，收获了更多玩家的心。 After a lively presentation featuring moderator Stephen Colbert, director J.J. Abrams, producer Kathleen Kennedy, and various members of the Star Wars: The Rise of Skywalker cast, Abrams unleashed the first teaser trailer for the film, finally ending months of speculation about the film’s title and revealing a few key things. Let’s take a look and some of the things we learned from the teaser and the Star Wars Celebration presentation as Star Wars returns to the Skywalker Saga and its key ideas one last time. No One Is Ever Gone and the Palpatine Cackle(Photo by Walt Disney Studios)Despite becoming one with the Force at the conclusion of Star Wars: The Last Jedi, Luke Skywalker (Mark Hamill) continues to offer Rey (Daisy Ridley) advice from the same place Obi-Wan counseled him long, long ago. Early in the trailer, he tells her that 1000 generations of Jedi experience lives within her, but the fight she will face is hers alone.From the start, it seems the fight will be with Kylo Ren (Adam Driver), her most obvious rival in this latest contest for the balance of the Force. But late in the trailer, the familiar laugh of Sheev Palpatine (Ian McDiarmid) can be heard, suggesting the “great evil” Abrams teased during the panel presentation will indeed be the original Sith architect of the Empire, tying the first episode back into the ninth.McDiarmid made a brief appearance on the Celebration stage to simply say “roll it again” for an appreciative crowd.But the sense that no one is gone also informed the shots of Carrie Fisher as General Leia Organa. As previously reported, Abrams used material from The Force Awakens and The Last Jedi to keep her alive in the story. “Emotionally, everyday, it hits me that she isn’t here, but we’re still working with her every day,” he said. “She is there in these scenes — in some scenes with Billie [Lourd], her daughter. Princess Leia lives in this film in a way that is mind-blowing to me.”Luke s Lightsaber Lives(Photo by Walt Disney Studios)Prior to rolling the teaser, Ridley was asked about the status of the Skywalker lightsaber seemingly destroyed at the conclusion of The Last Jedi. “My answer is not the end of the story,” she said. “But the lightsaber Rey inherited from Luke lives.”This proved to be true in the teaser, with Rey igniting the laser sword shortly before Kylo’s TIE fighter reaches her on an unidentified desert planet. While the saber may not be a Star Wars: Episode I — Phantom Menace detail — Anankin (Jake Lloyd) was far too young in that film to construct it — it is one of the longest standing icons of the entire series. And while broken in the last film, its appearance here is, ultimately, appropriate.There Will Be Worlds Both Strange and Familiar(Photo by Walt Disney Studios)So let’s talk about that desert planet for a moment. Star Wars loves its deserts. Despite Luke telling C-3P0 (Anthony Daniels) that Tatooine is the planet furthest from the bright center of the universe, it is a shockingly important world in terms of galactic history during the Skywalker Era. It remains to be seen if the desert planet in the teaser is Tatoonie, Jakku, or yet another desert planet, but considering that environment’s prevalence in the Skywalker Saga, it has to be a key element of The Rise of Skywalker.But it is not the only biome one can expect to see in the film. In the teaser, we get brief shots of an icy, mountain world, a dying forest bathed in red sunlight, and even a return to the Yavin star system. During the panel, Abrams also revealed a photo featuring the Millennium Falcon and many of the characters in a jungle environment. Abrams called the film an “an epic space adventure on many worlds,” and it would appear to be true. But will the Falcon crew hop to as many worlds as the Rogue One group? Time, of course, will tell.Lando Pilots the Falcon Again(Photo by Walt Disney Studios)Perhaps one of the most emotional shots in the teaser for Star Wars old-timers is the glimpse of Lando Calrissian (Billy Dee Williams) and Chewbacca (Joonas Suotamo) at the controls of the Millennium Falcon. As it happens, Lando is even back in his yellow-and-blue shirt from the Solo: A Star Wars Story era, recalling the circumstances under which he lost the ship in the first place. It’s a good look on Williams, who also appeared on stage with the cast. “I didn’t expect to be in this new adventure, but I got lucky,” he said when asked about returning to the role. “I regard this as a real highlight.”But he, of course, defended the scoundrel’s actions in Star Wars: The Empire Strikes Back when Colbert asked him about selling out the rebels to Darth Vader. “I get sick and tired of being accused of betraying Han Solo,” he joked. “He had to figure something out! Did anybody die?” he continued, pausing only as the crowd applauded. “I had to figure out a way to prevent the complete demise of my friend and his friends.”Of course, it remains to be seen if Lando will prevent any more deaths with his return to the series. But based on the character’s excitement to be back in the saddle — presumably for the first time since his Star Wars: Return of the Jedi run on the second Death Star — we can’t wait to see what he does with the fastest hunk of junk in the galaxy.BB-8 Has A Cute New Droid Pal(Photo by Walt Disney Studios)“BB-8 has a new friend,” said Abrams shortly before rolling the teaser. A new, even smaller droid wandered onto stage. “His name is D-O,” said the director. Looking like a tricycle wheel with a shuttlecock affixed at the top, he immediately elicited sounds of what we can only call “affection” from the crowd in attendance. He appears briefly in the teaser alongside BB-8, but both the preview and the director were mum on his ultimate role in the saga’s final chapter. Like BB-8 and the porgs before him, expect D-O to be your favorite new cute Star Wars character. Provided you enjoy cuteness in your Star Wars, that is.For those that do not — which is equally valid — the teaser also offers a brief glimpse of Kylo Ren’s helmet being reforged. Rumors persist that the long-teased Knights of Ren will finally make their debut in this story. And if they are aligned with the great evil of Palpatine, expect a certain darkness worthy of concluding Star Wars. Funny they all feature McDiarmid’s characteristic laugh.We See the Remains of the Death Star(Photo by Walt Disney Studios)Another iconic Star Wars element resurfaces in the teaser in the form of Death Star wreckage Rey, Finn (John Boyega) and the others spy in the distance. Considering the terrain, we’re assuming the piece of the infamous battle station landed on one of the planets in the Yavin system, if not the moon of Yavin IV where the rebels maintained their secret base in the original Star Wars, Rogue One, and the final season of Star Wars Rebels.The image evokes both the original film and the haunting image of a smashed Star Destroyer in the Force Awakens teaser. Of course, fans will immediately wonder how a piece of the space station could survive the explosion as depicted in Star Wars, but debris of that magnitude does not seem out of the realm of possibility. Remember all the jokes about the second Death Star raining debris across the forest moon of Endor and ending the Ewoks in the resulting ecological disaster?Despite the presumed improbability of the wreckage surviving for 30-odd years, it shook the Celebration stage audience as they saw it for the first time.When The Phantom Menace teaser first debuted 20 years ago, it boldly declared “Every Saga Has A Beginning.” The Rise of Skywalker echoes that sentiment by declaring “The Saga Comes To An End.” Despite a title more appropriate for a Star Wars prequel or reboot, The Rise of Skywalker definitely declares a conclusion to the great filmic experiment that began over 40 years ago, something that Abrams, Kennedy, and the cast stressed during the panel. And the emotions surrounding that were felt on the Celebration stage, even as the crowd cheered Rey on in her leap atop a TIE Fighter. Emotions, we expect, that people will feel when the film comes out this Christmas.Star Wars: The Rise of Skywalker opens on December 20, 2019.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
Even if Peter Jackson honored the original and stuck to some old-school techniques, there s no doubt King Kong takes full advantage of every advancement in filmmaking, especially visual effects. The moment the film arrives at Skull Island, Jackson shifts gears and fully brings King Kong into horror movie territory. Sure, some of the computer-generated dinosaurs haven t aged particularly well, but the scene when the ship s crew falls into an insect pit — a concept Merian Cooper abandoned because it scared test audiences back in the 30s — is utterly terrifying, especially when Lumpy (played by a human Andy Serkis, who also provided the motion capture performance for Kong himself) is devoured by an army of leeches.The wildlife of the island not only looks great and is utilized effectively to convey a sense of wonder and horror, but the actual location looks like nothing audiences had seen to that point (except maybe in the Lord of the Rings trilogy). Skull Island feels like a place that belongs in our world, but was lost to time. The giant walls that surround the island, the temple-like architecture, and the towering mountains that loom above miles-long pits filled with giant insects lend the location a real sense of geography, capturing the mystery and adventure Carl Denham is constantly boasting about.It Plays with Your ExpectationsHow do you capture the shock and awe of seeing Kong climb up the Empire State Building when everyone on Earth has either witnessed the moment themselves or seen countless parodies and homages to it for over 70 years after the original film was released? You do it by showing it from a different point of view. Just as he extends the wait before we finally meet Kong, Jackson reframes the film s most famous set piece as a melancholy tragedy. Rather than watch the action from the perspective of the heroic airplane pilots who attempt to rescue Ann, we watch the incident unfold from Kong and Ann s perspective, as Jackson slowly builds up the human threat to Kong before revealing the planes as if they were the Four Horsemen of the Apocalypse. King Kong doesn t invite the audience to be awed by the prowess of the pilots or the spectacle of a 25-foot gorilla. Instead, this scene continues long enough to make you feel the sense of dread and imminent doom descending upon the titular king. The death of Kong was sad even in the original film, but it was Peter Jackson s King Kong that finally recognized the huge tragedy of the scene and its emotional weight, and it works because it knows you are already familiar with it.It s Secretly About Filmmaking(Photo by (c)Universal courtesy Everett Collection)Though King Kong is full of imagery and references to Joseph Conrad’s Heart of Darkness and plays on the ideas of savagery and civilization, the film can easily be read as an exploration of the magic of filmmaking.Indeed, if the original film was all about mankind s obsession with trying to tame and control nature, Jackson s remake is about how a filmmaker shares that same false sense of control. Carl Denham spends the first act trying to sell the idea for his movie as a public service because he s capturing the last piece of mystery left in the world. His journey to getting the film made is arduous and long — not unlike Jackson s own journey with the film, which he had to partially finance after it became far longer and more expensive than anticipated. But Denham s misplaced sense of duty results in the death of most of his crew, which he tries to downplay as a noble sacrifice he ll honor by dedicating the finished production to them. This version of Denham is a far more complex antagonist than in previous versions of the film, one that mistakes his obsession with control with artistic integrity and a sense of duty towards an audience that needs escapism.It Features an Incredible Performance from Andy Serkis沙巴体育开户With the Avengers taking up all of the superhero pop culture real estate of late, it s almost refreshing to come across a more small-scale tale of justice, particularly one as steeped in an underrepresented culture as El Chicano is. Unfortunately, critics say the effort is mostly wasted here. Raul Castillo stars as an LAPD detective on the trail of a cartel kingpin looking to expand into Los Angeles who, inspired by childhood tales of and a personal encounter with a mythical figure called El Chicano, decides to take on the persona to fight crime outside the law. While reviews tout Castillo s effective brooding, they also note that the film lacks nuance, with thinly drawn characters whose backstories feel perfunctory rather than enlightening. El Chicano is ultimately a dark, overly gritty crime procedural-cum-vigilante thriller that relies on cliche and fails to reach its ambitious goals, but it may still serve an audience hungry for something akin to a Latino Batman.
Knives Out Stars Chris Evans and Daniel Craig on Making a Perfect Whodunit Plus, Jamie Lee Curtis, Ana de Armas, Don Johnson, and the rest of the cast reveal whose help they'd enlist to bury a body, and Chris Evans delights in telling everyone to "eat s--t." by RT Staff | November 25, 2019 | Comments
4. 呼朋唤友 随心所欲
(Photo by © Marvel Studios, © Walt Disney Studios Motion Pictures)It was no secret that The Abomination/Emil Blonsky would be re-entering the MCU in phase 4; during last December s Disney Investor Day, Marvel Studios president Kevin Feige announced that the villain, first portrayed by Tim Roth in The Incredible Hulk, would be a part of upcoming Disney+ series She-Hulk. Roth further confirmed the news. But it turns out we will see The Abomination even sooner than that – and we just got the confirmation from Feige himself.Check out: Kevin Feige s Oral History of the MCU s First Three PhasesWhen the studio dropped its trailer for Shang-Chi and the Legend of the Ten Rings last Friday, keen-eyed fans noticed that the character – or a creature that looked almost exactly like him, with a few improvements like those larger fins along his spine – appeared in the last few seconds, fighting in what looks to be an underground tournament. His adversary? Well, it looked more than a little like Wong (Benedict Wong), the sorcerer first introduced in Doctor Strange. But Wong, the actor, was not officially credited in the Shang-Chi cast list (though a lunch in Sydney between the star and Shang-Chi lead Simu Liu had raised some suspicions).Rotten Tomatoes sat down with Feige this week for an extended look at Phase 4 of the Marvel Cinematic Universe, the full video of which will be available shortly in the lead-up to Black Widow s release. When we asked for confirmation that we had indeed seen The Abomination squaring off against Wong in the closing moments of the Shang-Chi trailer, Feige revealed that our eyes were not deceiving us. Yes, we just recently released the final trailer for Shang-Chi, said Feige. Some fans said, This looks like a character they hadn t seen in many years named The Abomination, fighting a character that looks like Wong. And I can say that the reason it looks like that is because that is Abomination fighting Wong. Feige went on to say that the ability to bring back characters like The Abomination is one of the joys of his work on the MCU. [It s] a fun thing to have a character that we haven t had on screen in over a decade show up again in the MCU. And to see fans on that little tag of the trailer recognize that and embrace that is great fun. (Photo by Jasin Boland, © Marvel Studios, © Walt Disney Studios Motion Pictures)Shang-Chi also affords Marvel Studios a second go, of sorts, at another storied villain: The Mandarin. In the comics, the character, which was teased in Iron Man 3 but who, in that film, turned out to be bumbling actor-for-hire Trevor Slattery (Ben Kingsley) – much to some fans chagrin – is the founder of the Ten Rings, and the Ten Rings will make a proper debut in the upcoming solo film. That s what s fun about the MCU at this stage, Feige told Rotten Tomatoes. We can do something like Shang-Chi, introducing a brand new hero into the MCU and into the world at large. But that subtitle, The Legend of the Ten Rings, actually connects it back to the very beginning of the MCU, the Ten Rings being the organization that kidnapped Tony Stark at the very beginning of Iron Man one. And that organization was inspired by a character called the Mandarin in the comics. And going back to Iron Man one: We ve been talking about that when we do bring this character to the screen, [we] only wanted to do it when we felt we could do it supreme justice and really showcase the complexity of this character, which frankly we couldn t do in an Iron Man movie because an Iron Man movie is about Iron Man; an Iron Man movie is about Tony Stark. So [Iron Man 3 director] Shane Black, in his film and his script that he co-wrote, came up with this fun twist that we love to this day, and it turned out to be Trevor Slattery. Just because that version wasn t real didn t mean there s not a leader of the Ten Rings organization, and that is who we meet for the first time in Shang-Chi. Joel MearesFeige says he is particularly excited to have cast Hong Kong acting legend Tony Leung Chiu-wai in the role. Tony Leung playing Shang-Chi s father and the leader of the Ten Rings is another pinch-yourself, dream-come-true moment because he s one of the best actors of our time and we re very excited to have him introduced to, I hope, a whole new fan base who might not be aware of his spectacular work that he s done. Check in with Rotten Tomatoes for our full extended video interview with Kevin Feige previewing Phase 4 of the MCU. Shang-Chi and the Legend of the Ten Rings is in theaters September 3, 2021. She-Hulk is expected to be released on Disney+ in 2022. Thumbnail image: © Marvel Studios and © UniversalOn an Apple device? Follow Rotten Tomatoes on Apple News.
5. HD 画质与高品质音讯
Jacqueline Coley for Rotten Tomatoes: Tell us about #blackAF. Is this black-ish unleashed?Kenya Barris: Yes, and no. It s a family show about my family, so in that, it is like black-ish, but those were archetypes. This is more accurate — well, except for the mother of my children; she s very different from what Rashida is doing. Rashida is a little bit more of a revolutionist. I ve been doing family shows for a long time, but felt like they needed a reboot. With Netflix, it feels like we re in this new era, in this new dawn, and what better place to try to reboot black-ish into a more authentic family. I made them functionally dysfunctional. And the notion behind it was to take out of my point of view, give the point of view of my daughter, and try and do it in a much more honest way.At ABC, I love those guys, but they were terrified of talking about having any kind of success. They thought it could be ostracizing. I always felt the opposite. I felt like, in the time of Jay-Z and Beyoncé, Barack and Michelle [Obama], or Swizz Beatz and Alicia [Keys], the idea of wish fulfillment and aspirational things really resonates. At the core of it, it s a human story; that was what I m tapping into, or that was what we hoped. But it s also so much scarier, because this was me and much closer to my real family — a rejection of this is a rejection of me in a much bigger way.(Photo by Netflix)You ve mostly worked in linear television. How was the switch to streaming?Barris: It was terrifying. It honestly was. No ad breaks? Just streaming? I m a fan of telling stories where in Act 1, you set the problem up, really explore it in the second, and resolve it in the third. And this was a completely different way of telling those stories. I really enjoyed it, to be honest with you. I enjoyed not having to focus on act breaks and commercials.But at the same time, one of the things that I missed was, Netflix is an unbelievably free, creative environment. As much s t as I used to talk about getting notes, there s something to having a partner give you notes, even if you disagree with them. The freedom to make what you want is a place you want to be as creative person. But if it bombs, you can t blame anybody else. [Laughs] I was like, Be careful what you wish for. But, it was a really, really good experience. I don t know what s going to happen with the show, but we re proud of what we did. They let me do something that I ve never done before. I m so proud of the actors and the family that we put together and the kids and Rashida. But it was terrifying.As your first show on a new deal with Netflix, this is a big swing as far as subject matter and tone. Was that a choice? Barris: I wanted to be noisy. [Netflix] is doing 400 series this year. Not 400 episodes of television, 400 series. To stand out in that crowd was really important to me. I would like to say I don t care what people think, but I care about the critics. In network television, you have your morning-after scorecard. You have ratings that was like basically getting your grade on your test.Netflix doesn t really have that. All you really have is critics, and they ll tell you if you make it or not. So for that, I knew I wanted to be loud. I wanted to try to be noisy and let it be authentic and personal. And know your lane — this is as close to my lane as I possibly can get. I let myself hang out there, but it makes it a lot scarier.(Photo by Netflix)Let s talk about episode 5. It talks about criticism and Rotten Tomatoes in general, but the first thing we have to know is, are you surprised by anything else besides Space Jam, which is discussed in the episode, being rated Rotten on the Tomatometer?Barris: [Laughs] Not to be controversial, but — f k it — I m just gonna say it: I m a huge Boots Riley fan. I think Sorry To Bother You got a 90-something percent. I m like, Really? I m with you until horse people. [Laughs] But my daughter argues with me about it, because she was like, That s the beauty of it. We don t get to do that often in our business We [Black creatives] are not allowed to be open and fluid, have weird endings, and get those kinds of ratings. But still, I check the score.At RT, we argue about scores all the time if that makes you feel any better. Will you be checking the score for #blackAF when it drops? Do you still care?Barris: Absolutely. I care. Tyler thinks I m crazy for caring, but I care. I care what white people are saying. I care what gay people think. I care what Black people think. I care what Rotten Tomatoes thinks. I care. Steven Spielberg put this article out, and he said if you believe any of it, you have to believe all of it, so he doesn t read reviews. Good for him. I m neurotic. I want to be liked, probably too much, but I definitely care. I think we need commercial success. There s room for If Beale Street Could Talk and Moonlight, but there was also something special about Cosby. We have learned the whole story about the man now, but at the time it was special that he became what he did. The Cosby Show changed the trajectory of what we were in this world. That was the first time I ever saw my white friends want the same father that I had.It s one of the things that I was really always happy about with black-ish is that when we first came on, we beat or came close to beating Modern Family. And, that was a huge statement to the powers that be. A lot of things that came after were because of black-ish in some aspect. Not to toot my own horn, but they were kind of derivative of what we did. Other creators said, Oh, why can t I talk about my family? I could talk about my family, and I can be more specific. People started seeing themselves reflected in things and that became the mainstream.(Photo by Emily V. Aragones/Netflix)You brought in Tyler Perry for this episode to talk about the Rotten Tomatoes, and he doesn t share your opinion.Barris: I love that Tyler was like, Oh, I don t f k with them Tomatoes. I have people in my family, they enjoy his films, particularly my mom, my aunt, and some of my relatives. They get so much enjoyment from his movies — honest enjoyment, not just ironic or so-bad-it s-good, just honest enjoyment. He opens up at box offices and does business, too. So why are those people s opinion not as important as someone else s opinion. Their opinion counts, too. Tyler puts a movie out that people enjoy. And because people or certain critics might not feel like it s the most elevated form of comedy, he s destroyed Black culture. There are people who really enjoy him, just as there are people who love Adam Sandler.Tyler Perry opens up doors for Shonda [Rhimes] and me, for Barry Jenkins, and so many others. The only color Hollywood really cares about is green. And, he has the greenest story in Hollywood. He deserves to do his movies and be celebrated just as much as Adam Sandler. He knows his audience. He entertains them, and he s opened so many doors for people of color. Why take away his success? Why marginalize his success because it s not for you. That s where Rotten Tomatoes and those other aggregators have a hard time accurately evaluating our work. It s hard because I feel like many white male reviewers are afraid. They feel like if a female-driven movie or an LGBTQ movie or a Black movie comes out, they can t rip on it. They think, I m not going to be the guy who says something bad about this. Then at the same time, because Tyler Perry s the whipping boy, he s the one guy that they re comfortable taking a swipe at, and I have a problem with that.(Photo by Netflix)In that same episode, you had a Zoom call with a fictional Ava DuVernay, Tim Story, Lena Waithe, Will Packer, and Issa Rae — a.k.a. some of the biggest names in Black Hollywood. How did that come about? Did they have input in their characters ?Barris: I wrote it, and I gave them a little bit of a pitch when I sent it. My pitch was Michael Bay and Jerry Bruckheimer could be on a show together. And, Jerry could joke, Sorry I didn t blow something up, Michael. No one would think any less of Michael Bay or Jerry Bruckheimer for that. They d say, They re bosses and that s how they talk in real life. They can be self-deprecating with their work and never think less about each other. Why can t we do that? Here s the exact group of people responsible for a lot of entertainment on television right now. Especially, in a cultural sense. Why do all our calls have to be something that s like, Between you and me Why can t people see us actually have the conversations that we have and know that we re critiquing our work, too, just the same way everyone else is critiquing our work.How honest do you think creatives are with each other, publicly or privately, if you could give them a grade?Barris: I think it s probably a B. The one thing that I really appreciate about us is that we show up for each other. Black Panther is a great example of us showing up for each other. Black Panther was an amazing movie. Ryan Coogler is going to go down as one of the best filmmakers in the history of cinema. But, one of the things that helped that movie is that we showed up for him. In addition to everyone else showing up, because it was a great movie, we showed up for him. And it was the same thing with Girls Trip. That first weekend, in droves, and our people showed up with their girlfriends. And then boom, next thing we see is white girlfriends showing up doing the same thing. When things cross over and become mainstream, and it allows everyone else to be a part of it. It doesn t feel so niche.That s something that we do, and it s important that we continue to do it. As far as celebrating sort of publicly, actually, I think we get an A. I think that privately the conversations are always a little bit scarier. You can have them with your close peers, and sometimes it s a little bit harder to sit through, because you don t want to have say something that makes someone feel like you re not being supportive. But we re getting better. The calls, that episode, the willingness of people who have active careers to do things like this shows that we re getting better. I m a huge Jordan [Peele], but after Jordan did Us, I was seeing articles saying like, He s Hitchcock. And I was like, I think even Jordan would be like, That s a little bit quick. There s a positiveness to us being embraced like that, but we have to put in the work. We have to be respected in terms of the general notion of what it takes to really put those 10,000 hours in.I just watched Unorthodox on Netflix, and I m like, Why can t we [Black people] have this? Black people get, like, four stories to tell. White people have like a million options. With [Unorthodox], that story was such a niche story, but it was told so well, someone bought it and people support it. I m like, Why can t we tell more of those stories? Why can t we get stories that feel outside of what people are used to hearing from us?, because that s how we actually grow culturally and within the industry.Since you do read reviews, do you have a favorite critic? Barris: Emily Nussbaum did a great New Yorker article on me, and she kind of changed my career. She embedded with us for a few days and she really got it. She s also like a TV fanatic. I am always interested in what people like her have to say. I get it. Some people don t like what I do, and I am OK with that, but I am also not going to pretend it doesn t bother me. I get it: I m not for them. But that s that needy part of me, because I want so badly for them to like my stuff.Many creatives feel that way. Quentin Tarantino was awarded Best Original Screenplay last year by New York Film Critics Circle, and he spent half his acceptance speech talking about one of the members who has hated every movie he s made, but Tarantino loves his writing. And this is a man with multiple Oscars and nothing to prove. Barris: And, that s part of why Tarantino s a good writer. How do you say that you don t care? How could you not care? It s you. You ve put years of your time, energy, and life-blood into this thing, to say you don t care? It s like you re either a sociopath or a liar.#blackAF premieres April 17 on Netflix.
Listen, we get it: This is the time of year that you want to be soaking up some sunshine and staying away from the various screens in your life. But with a crop of 13 certified fresh returning series like this, how can you resist!?Fear the Walking Dead 75% (AMC)What it is: An extension of the zombie apocalypse world of AMC mega-hit The Walking Dead that takes place in Los Angeles before the events of its mothership series and shows how city dwellers deal with the virus outbreak.Why you should watch it: It comes as little surprise that if you love The Walking Dead, you’ll love Fear. Its engrossing backdrop and cast of memorable characters is enough to tune in week to week, even through some of its more languid, slow-boiled pacing. Season 5 premieres June 2 on AMC. Where to watch it: Amazon, FandangoNow, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 40 hours (for the first four seasons)Luther 88% (BBC America)What it is: This BBC drama follows a brilliant Detective Chief Inspector (Idris Elba) who finds it difficult to strike a work-life balance as he struggles to toe the line between genius and madness.Why you should watch it: Elba is a four-time Emmy nominee and Golden Globe winner for his spellbinding performance as DCI Luther, a magnetic cross between Sherlock Holmes and Columbo, in this gritty character study that adds a new dimension to the cop show genre. Season 5 premieres June 2 on BBC America.Where to watch it: Amazon, Google Play, Microsoft, VuduCommitment: Approx. 17 hours (for the first four seasons)Black Mirror 84% (Netflix)What it is: Basing its title on the black, reflective screen of a powered-off phone, tablet, or computer, this hit anthological Channel 4-turned-Netflix series from creator Charlie Brooker examines mankind’s dark, twisted (and thankfully, for now, hypothetical) future when beholden to modern technology.Why you should watch it: Few other sci-fi series today have proven as prescient on technology, sociology, and politics as Black Mirror, and it just keeps getting better. Plus, the Emmy-winning series has helped launch the careers of U.K. talent like Daniel Kaluuya, Letitia Wright, Alex Lawther, Hayley Atwell, Domhnall Gleeson, and many others.Where to watch it: NetflixCommitment: Approx. 20 hours (for the first four seasons)The Handmaid's Tale 83% (Hulu)What it is: Set in a not-too-distant future and adapted from Margaret Atwood’s acclaimed novel of the same name, The Handmaid’s Tale is the harrowing imagining of a society where fertile women are forced into slavery to help procreate for the rich and powerful. A gripping and prescient look at modern patriarchy’s darkest corners (and possible futures), it truly is must-watch TV.Why you should watch it: Last year, The Handmaid’s Tale became the first-ever streaming series to take home the Television Academy’s top honor: the Emmy for best drama. We’d follow its formidable cast — Elisabeth Moss, Ann Dowd, Joseph Fiennes, Alexis Bledel, and Samira Wiley among them — and behind-the-camera creatives anywhere, maybe even to Gilead. Season 3 premieres on Hulu June 5. Where to watch it: Amazon, FandangoNow, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 19 hours (for the first two seasons)Designated Survivor 71% (Netflix)What it is: David Guggenheim’s political thriller imagines what would happen if an entire presidential administration was killed in one fell swoop and the low-ranking cabinet member tapped as designated survivor (a true-life position here played by Kiefer Sutherland) was sworn in as leader of the free world.Why you should watch it: This network drama-turned-Netflix reboot marks a welcomed return to TV for Sutherland, who, as the titular survivor Tom Kirkman, holds no prisoners as a man between a rock and hard place. Paired with crackling scripts and an excellent ensemble, Designated Survivor is a mile-a-minute thrill-ride and a worthy follow-up to 24. Season 3 premieres on Netflix June 7.Where to watch it: NetflixCommitment: Approx. 30 hours (for the first two seasons)Big Little Lies 89% (HBO)What it is: From creator David E. Kelley and based on the novel of the same name by Liane Moriarty, Big Little Lies is an murder mystery of intertwined upper-class mothers living in Monterey, California.Why you should watch it: Big Little Lies is one of the buzziest ensemble dramas on TV today, and that’s thanks in large part to its stacked cast of A-list stars and producers: Reese Witherspoon, Nicole Kidman, Shailene Woodley, Laura Dern, Zoë Kravitz — and, in an twist that just about broke the internet, Meryl Streep is co-starring in the new episodes as a woman whose arrival in the rich seaside town of Monterrey causes trouble for the main women. Season 2 returns by popular demand on HBO June 9.Where to watch it: Amazon, FandangoNow, Google Play, HBO Now, VuduCommitment: Approx. 7 hours (for the first season)Claws 90% (TNT)What it is: Niecy Nash stars as Desna Simms, the takes-no-prisoners owner of a nail salon in the swampy town of Manatee County, Florida. She’s flanked by a scene-stealing assortment of coworkers and patrons. The drama flares, however, when she and her employees turn to organized crime and start laundering money.Why you should watch it: Full of camp, high-stakes crime drama, and firecracker scripts with performances to match, Claws is some of the most fun you’ll have with a TV series this summer. Plus we’ll take any excuse to see two-time Emmy nominee Nash execute her perfect blend of humor, brawn, and heart as the leading lady. Season 3 premieres June 9.Where to watch it: Amazon, FandangoNOW, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 15 hours (for the first two seasons)Pose 98% (FX)What it is: From creators Ryan Murphy, Brad Falchuk, and Steven Canals, Pose depicts New York City’s ballroom and voguing scene of the 1980s with sickening pageantry, tea-spilling drama, and high fashions for the gods. Why you should watch it: Pose made waves upon its premiere by being the largest ever ensemble cast of transgender actors playing trans characters on TV. But aside from its progressive stamp of approval for onscreen representation, it’s also just damn good TV, expertly acted, written, and directed, and unafraid to tackle LGBTQ+ issues that we’ve never seen explored in such a way before. Season 2 premieres on FX June 11.Where to watch it: Amazon, FandangoNOW, Google Play, Microsoft, Netflix, VuduCommitment: Approx. 6 hours (for the first season)Queen Sugar 98% (OWN)What it is: After the unexpected death of their father, estranged siblings Ralph-Angel (a conman fresh out of prison), Nova Bordelon (a New Orleans–based journalist and activist), and Charley Bordelon (an upper-class Los Angeles mother to a teenage son) move to rural Louisiana to claim their inheritance: hundreds of acres of sugarcane farmland.Why you should watch it: Queen Sugar is the result of women both behind and in front of the camera joining their powers: executive producer Oprah Winfrey; executive producer, director, and writer Ava DuVernay; stars Rutina Wesley and Dawn-Lyen Gardner; and other female directors for each episode of its three seasons. And their work isn’t the only stunning aspect of the series — sprawling locations under the Louisiana sun and timely discussions of racial prejudice, mass incarceration, and more make it a thought-provoking family drama. Season 4 premieres on OWN June 12.Where to watch: Amazon, FandangoNOW, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 32.5 hours (for the first three seasons)Younger 98% (TV Land)What it is: Sex and the City helmer Darren Star strikes gold again for city-dwelling women of a certain age with Younger, starring theater vet and now small-screen charmer Sutton Foster as a single mother who lies about her age to pursue her dreams in publishing.Why you should watch it: Foster is absolutely pitch-perfect in this fun, sexy, metropolitan comedy, and she’s matched by a bevy of scene-stealing co-stars: Miriam Shor, Hilary Duff, Nico Tortorella, and Debi Mazar, who are all stellar. Season 6 premieres on TV Land June 12.Where to watch: Amazon, FandangoNow, Google Play, Hulu, Microsoft, VuduCommitment: About 25 hours (for the first five seasons)Marvel - Jessica Jones 82% (Netflix)What it is: Private detective/hard-drinking superhero Jessica Jones overcomes abuse and reluctantly helps save the residents of New York City in the final season of Netflix s Marvel propjects.Why you should watch it: Krysten Ritter is sublime as the jeans-and-leather jacket-wearing titular superhero, and her nuanced performance is vital to the portrayal of abuse on screen. Plus, the supporting cast — led by Rachael Taylor and Carrie-Ann Moss, plus David Tennant as the insidious first-season villain Kilgrave — is second to none. Season 3 premieres on Netflix June 14.Where to watch: NetflixCommitment: About 17.5 hours (for the first two seasons)The Detour 90% (TBS)What it is: The Detour follows the Parker family as they embark on a roadtrip from their Syracuse, New York home to Florida for a family vacation.Why you should watch it: As its title would indicate, not everything goes to plan in this well-meaning family road trip, and missteps and mishaps abound. Created by husband-wife duo Samantha Bee and Jason Jones (who stars as the central father with Natalie Zea, Ashley Gerasimovich, and Liam Carroll), the scripts are funny and heartfelt while still leaving room for some unexpected run-ins with the law and other twists. Season 4 premieres on TBS June 18.Where to watch: Amazon, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 11 hours (for the first three seasons)Dark 95% (Netflix)What it is: This foreign-language streaming series from creators Baran bo Odar and Jantje Friesehildren combines elements of time travel sci-fi, horror, and family drama to tell the story of the fictional German town of Winden; its children are inexplicably disappearing, leaving residents in varied states of emotional disarray.Why you should watch it: Netflix’s first German-language original series is a doozy: spine-tinglingly eerie, fantastical, and at times downright terrifying, it’s a must-watch for any fans of the genre. Season 2 premieres on Netflix June 21.Where to watch it: NetflixCommitment: Approx. 8.5 hours (for the first season)Legion 91% (FX)What it is: While Legion is among the most original—and undefinable—series on TV today, in the simplest of terms, it’s the story of psych-ward patient David Haller (Dan Stevens) and his sidekick-turned-nemesis Lenny (Aubrey Plaza) as David more fully becomes what he’s always known himself to be: a mutant.Why you should watch it: To anyone who says they’re tiring of the superhero genre overtaking film and TV, we say, “Have you seen Legion?” Noah Hawley’s absolutely singular X-Men–based vision is a mind-bending and engrossing head-scratcher that’s well worth committing to. And committing is exactly what Stevens and Plaza do with their no-holds-barred, fearless performances. Season 3, its final season, premieres on FX June 24.Where to watch it: Amazon, FandangoNow, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 15 hours (for the first two seasons)Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.Thumbnail image photo credit: David Giesbrecht/Netflix; Sarah Shatz/FX; Pari Dukovic/FX
as Fresh news. Warner Bros. has scheduled Space Jam 2 for July 16, 2021 (the week after Indiana Jones 5).5. REGINA KING TO DIRECT THEATRE ADAPTATION ONE NIGHT IN MIAMI (Photo by Elizabeth Goodenough/Everett Collection)Actress Regina King won an Academy Award earlier this year for her role in If Beale Street Could Talk, but to paraphrase the old saying, maybe what she really wanted to do next was direct. King is now signed to make her feature film directorial debut with an adaptation of the play One Night in Miami The play s setting is the night of February 25th, 1964, when the young boxer Cassius Clay (A.K.A. Mohammad Ali) celebrated his win over Sonny Liston at a motel where he was joined by three other icons of the 1960s: civil rights leader Malcolm X, soul singer Sam Cooke, and Cleveland Browns star player Jim Brown. It should be interesting to see whom Regina King will cast as her four leads. Will Smith starred in Ali, and Denzel Washington starred in Malcolm X, but the long-planned Sam Cooke biopic is still in development.6. NETFLIX BETS BIG ON STAR-DRIVEN THRILLERS RED NOTICE AND KATE (Photo by Frank Masi/Columbia Pictures, Jack English/Summit Entertainment, Clay Enos/Warner Bros.)There was a story this week that reported Netflix may start being more budget conscious about their film and TV projects. That may be, in a big-picture sort of way, but it also came in the same week that news broke about two star-driven Netflix thrillers. Red Notice is the title of a heist thriller that Universal Pictures had previously scheduled for November 13, 2020, with both Dwayne Johnson and Gal Gadot attached to star. Reportedly, Universal had reservations after the screenplay was turned in, and so the project was picked up by Netflix instead, with Johnson and Gadot now to be joined by Ryan Reynolds. Woody Harrelson also signed on this week to co-star in the assassin thriller Kate, starring Mary Elizabeth Winstead (10 Cloverfield Lane). Red Notice will be directed by Rawson Marshall Thurber, who earned Rotten scores for We re the Miller and Skyscraper, while Kate will be directed by Cedric Nicolas-Troyan, who made his debut with The Huntsman: Winter s War (Rotten at 18%). Neither of the directors inspires much confidence, but we can t deny those casts are impressive.7. UNIVERSAL CASTS ITS INVISIBLE MAN (Photo by Steve Dietl/Netflix)Back when Universal Pictures had ambitious plans for a Dark Universe of reboots of their classic monsters, Johnny Depp had been expected to star in The Invisible Man, but those plans were dropped after the box office disappointment that was 2017 s The Mummy. For a while, there was some confusion over whether or not the movie might be called The Invisible Woman, because Elisabeth Moss (The Handmaid s Tale, The West Wing) was described as the film s star. The confusion was cleared up slightly this week as Blumhouse and Universal has cast relative newcomer Oliver Jackson-Cohen (of Netflix s The Haunting of Hill House) as the title character in The Invisible Man. Univesal has scheduled The Invisible Man for March 13, 2020, up against another monster movie, Godzilla vs Kong. One of the other co-stars in The Invisible Man will be 16-year-old Storm Reid (12 Years a Slave, A Wrinkle in Time), who this week also joined The Suicide Squad (8/6/2021) as the daughter of Idris Elba s character.Rotten Idea2. MOMO INTERNET HOAX TO GET ITS OWN MOVIE(Photo by DOUGBERRY/Getty Images)It seems longer ago than 2018, but last year, stories started appearing online about the Momo Challenge, which reportedly encouraged children and teeangers to put themselves in dangerous or injurious situations. The character called Momo was actually a Japanese sculpture called Mother Bird (but really, it most resembles Geena Davis in some scenes from Beetlejuice). Orion Pictures (of the recent Child s Play reboot) is now teaming up with producer Roy Lee (IT, The Ring) to develop a horror film based on the Momo challenge. The decision to adapt an Internet meme seems similar to Sony PIctures choice last year to release a film based on Slender Man, which ended up earning a very low Rotten score at just 7%.1. LOOK WHO S REMAKING LOOK WHO S TALKING(Photo by TriStar Pictures courtesy Everett Collection)Amy Heckerling s 1989 comedy Look Who s Talking (Rotten at 59%) was followed in 1990 by Look Who s Talking Too (Rotten at 14%), and in 1993 by Look Who s Talking Now (Rotten at 0%). John Travolta and Kirstie Alley starred in those movies about talking babies and, in the third movie, talking dogs. Despite those critical drubbings, Sony Pictures is now developing a Look Who s Talking reboot to be written and directed by Jeremy Garelick, whose 2015 comedy The Wedding Ringer earned a Rotten score at 27%. It s not yet known if Bruce Willis or any of the other voice actors might return for the reboot (but probably not).Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
沙巴体育开户 It s been a pretty weird year for us all, and Hollywood in particular has been disrupted in a very big, very public way, but that doesn t mean there wasn t still a whole lot of stuff to celebrate. With that in mind, the 2020 E! People s Choice Awards have finally opened up their polls for fans to vote on their favorite movies, TV series, music, and pop culture of the year. What s more, they ve actually made it super easy to vote this year you can do it directly in the widget below!So make sure your very knowledgeable voice is heard and cast your votes below. The polls will be open from Thursday, October 1 to Friday October 23, and the E! People s Choice Awards will be held on Sunday, November 25 at the Barker Hangar in Santa Monica, CA at 6pm PT / 9pm ET.Fans can vote in the E! People’s Choice Awards from Thursday, October 1, 2020 to Friday, October 23, 2020. The awards ceremony will be broadcast live on Sunday, Nov. 15.Full List of NomineesThe Movie of 20201. Bad Boys for Life2. Birds of Prey3. Extraction4. Hamilton5. Project Power6. The Invisible Man7. The Old GuardThe Comedy Movie of 20201. Bill Ted Face the Music2. Eurovision Song Contest: The Story of Fire Saga3. Like a Boss4. The King of Staten Island5. The Kissing Booth 26. The Lovebirds7. The Wrong Missy8. To All the Boys: P.S. I Still Love YouThe Action Movie of 20201. Bad Boys for Life2. Birds of Prey3. Bloodshot4. Extraction5. Mulan6. Project Power7. Tenet8. The Old GuardThe Drama Movie of 20201. Dangerous Lies2. Greyhound3. Hamilton4. I Still Believe5. The High Note6. The Invisible Man7. The Photograph8. The Way BackThe Family Movie of 20201. Dolittle2. My Spy3. Onward4. Scoob!5. Sonic the Hedgehog6. The Call of the Wild7. The Willoughbys8. Trolls World TourThe Male Movie Star of 20201. Chris Hemsworth Extraction2. Jamie Foxx Project Power3. Lin-Manuel Miranda Hamilton4. Mark Wahlberg Spenser Confidential5. Robert Downey Jr. Dolittle6. Tom Hanks Greyhound7. Vin Diesel Bloodshot8. Will Smith Bad Boys for LifeThe Female Movie Star of 20201. Camila Mendes Dangerous Lies2. Charlize Theron The Old Guard3. Elisabeth Moss The Invisible Man4. Issa Rae The Lovebirds5. Margot Robbie Birds of Prey6. Salma Hayek Like a Boss7. Tiffany Haddish Like a Boss8. Vanessa Hudgens Bad Boys for LifeThe Drama Movie Star of 20201. Ben Affleck The Way Back2. Elisabeth Moss The Invisible Man3. Issa Rae The Photograph4. KJ Apa I Still Believe5. Lin-Manuel Miranda Hamilton6. Russell Crowe Unhinged7. Tom Hanks Greyhound8. Tracee Ellis Ross The High NoteThe Comedy Movie Star of 20201. David Spade The Wrong Missy2. Issa Rae The Lovebirds3. Joe King The Kissing Booth 24. Keanu Reeves Bill Ted Face the Music5. Noah Centineo To All the Boys: P.S. I Still Love You6. Pete Davidson The King of Staten Island7. Salma Hayek Like a Boss8. Will Ferrell Eurovision Song Contest: The Story of Fire SagaThe Action Movie Star of 20201. Charlize Theron The Old Guard2. Chris Hemsworth Extraction3. Jamie Foxx Project Power4. John David Washington Tenet5. Margot Robbie Birds of Prey6. Vanessa Hudgens Bad Boys for Life7. Vin Diesel Bloodshot8. Will Smith Bad Boys for LifeThe Show of 20201. Grey s Anatomy2. Never Have I Ever3. Outer Banks4. The Bachelor5. The Last Dance6. The Masked Singer7. This Is Us8. Tiger KingThe Drama Show of 20201. Grey s Anatomy2. Law Order: SVU3. Outer Banks4. Ozark5. Power6. Riverdale7. The Walking Dead8. This Is UsThe Comedy Show of 20201. Dead to Me2. Grown-ish3. Insecure4. Modern Family5. Never Have I Ever6. Saturday Night Live7. Schitt s Creek8. The Good PlaceThe Reality Show of 20201. 90 Day Fiance: Happily Ever After?2. Below Deck Mediterranean3. Keeping Up with the Kardashians4. Love Hip Hop: New York5. Love Is Blind6. Queer Eye7. The Real Housewives of Atlanta8. The Real Housewives of Beverly HillsThe Competition Show of 20201. America s Got Talent2. American Idol3. RuPaul s Drag Race4. The Bachelor5. The Challenge: Total Madness6. The Masked Singer7. The Voice8. Top ChefThe Male TV Star of 20201. Chase Stokes Outer Banks2. Cole Sprouse Riverdale3. Dan Levy Schitt s Creek4. Jason Bateman Ozark5. Jesse Williams Grey s Anatomy6. Norman Reedus The Walking Dead7. Sterling K. Brown This Is Us8. Steve Carell Space ForceThe Female TV Star of 20201. Christina Applegate Dead to Me2. Danai Gurira The Walking Dead3. Ellen Pompeo Grey s Anatomy4. Lili Reinhart Riverdale5. Mandy Moore This Is Us6. Mariska Hargitay Law Order: SVU7. Sandra Oh Killing Eve8. Sofia Vergara Modern FamilyThe Drama TV Star of 20201. Chase Stokes Outer Banks2. Cole Sprouse Riverdale3. Danai Gurira The Walking Dead4. Ellen Pompeo Grey s Anatomy5. Mandy Moore This Is Us6. Mariska Hargitay Law Order: SVU7. Sandra Oh Killing Eve8. Sterling K. Brown This Is UsThe Comedy TV Star of 20201. Christina Applegate Dead to Me2. Dan Levy Schitt s Creek3. Issa Rae Insecure4. Jameela Jamil The Good Place5. Kate McKinnon Saturday Night Live6. Kristen Bell The Good Place7. Sofia Vergara Modern Family8. Yara Shahidi Grown-ishThe Daytime Talk Show of 20201. Good Morning America2. Live with Kelly and Ryan3. Red Table Talk4. The Elleen DeGeneres Show5. The Kelly Clarkson Show6. The View7. The Wendy Williams Show8. TodayThe Nighttime Talk Show of 20201. Full Frontal with Samantha Bee2. Jimmy Kimmel Live!3. Last Week Tonight with John Oliver4. The Daily Show with Trevor Noah5. The Late Late Show with James Corden6. The Late Show with Stephen Colbert7. The Tonight Show starring Jimmy Fallon8. Watch What Happens Live with Andy CohenThe Competition Contestant of 20201. Gigi Goode RuPaul s Drag Race2. Hannah Ann Sluss The Bachelor3. Jaida Essence Hall RuPaul s Drag Race4. Kandi Burruss The Masked Singer5. Madison Prewett The Bachelor6. Rob Gronkowski The Masked Singer7. Samantha Diaz (Just Sam) American Idol8. Sammie Cimarelli The CircleThe Reality TV Star of 20201. Antoni Porowski Queer Eye2. Darcey Stacey Silva Darcey Stacey3. Jonathan Van Ness Queer Eye4. Kandi Burruss The Real Housewives of Atlanta5. Khloe Kardashian Keeping Up with the Kardashians6. Kim Kardashian West Keeping Up with the Kardashians7. Lisa Rinna The Real Housewives of Beverly Hills8. Porsha Williams The Real Housewives of AtlantaThe Bingeworthy Show of 20201. Cheer2. Love Is Blind3. Never Have I Ever4. Normal People5. Outer Banks6. Ozark7. Schitt s Creek8. Tiger KingThe Sci-Fi/Fantasy Show of 20201. DC s Legends of Tomorrow2. Legacies3. Locke Key4. Supergirl5. Supernatural6. The Flash7. The Umbrella Academy8. Wynonna EarpThe Male Artist of 20201. Bad Bunny2. Blake Shelton3. DaBaby4. Drake5. J Balvin6. Justin Bieber7. Lil Baby8. The WeekndThe Female Artist of 20201. Ariana Grande2. Billie Eilish3. Cardi B4. Dua Lipa5. Lady Gaga6. Megan Thee Stallion7. Miley Cyrus8. Taylor SwiftThe Group of 20201. 5 Seconds of Summer2. Blackpink3. BTS4. Chloe x Halle5. CNCO6. Dan + Shay7. Jonas Brothers8. Twenty One PilotsThe Song of 20201. Break My Heart Dua Lipa2. Dynamite BTS3. Intentions Justin Bieber4. Rain on Me Lady Gaga, Ariana Grande5. Rockstar DaBaby feat. Roddy Ricch6. Savage Megan Thee Stallion7. Stuck With U Ariana Grande and Justin Bieber8. WAP Cardi B feat. Megan Thee StallionThe Album of 20201. After Hours The Weeknd2. Changes Justin Bieber3. Chromatica Lady Gaga4. Folklore Taylor Swift5. Future Nostalgia Dua Lipa6. High Off Life Future7. Map of the Soul: 7 BTS8. YHLQMDLG Bad BunnyThe Country Artist of 20201. Blake Shelton2. Kane Brown3. Keith Urban4. Kelsea Ballerini5. Luke Bryan6. Luke Combs7. Miranda Lambert8. Thomas RhettThe Latin Artist of 20201. Bad Bunny2. Becky G3. Daddy Yankee4. J Balvin5. Karol G6. Maluma7. Nicky Jam8. OzunaThe New Artist of 20201. Ava Max2. Benee3. Conan Gray4. Doja Cat5. Jack Harlow6. Roddy Ricch7. Saweetie8. Trevor DanielThe Music Video of 20201. Blinding Lights The Weeknd2. Dynamite BTS3. Holy Justin Bieber feat. Chance the Rapper4. Ice Cream Blackpink with Selena Gomez5. Life Is Good Future feat. Drake6. Rain on Me Lady Gaga, Ariana Grande7. Un Dia (One Day) J Balvin, Dua Lipa, Bad Bunny feat. Tainy8. WAP Cardi B feat. Megan Thee StallionThe Collaboration Song of 20201. Be Kind Marshmello, Halsey2. Holy Justin Bieber feat. Chance the Rapper3. Life Is Good Future feat. Drake4. Rain on Me Lady Gaga, Ariana Grande5. Rockstar DaBaby feat. Roddy Ricch6. Savage Remix Megan Thee Stallion feat. Beyoncé7. WAP Cardi B feat. Megan Thee Stallion8. Whats Poppin Remix Jack Harlow feat. DaBaby, Tory Lanez, Lil WayneThe Soundrack Song of 20201. About Love Marina, To All the Boys: P.S. I Still Love You2. Alexander Hamilton Original Broadway Cast of Hamilton3. Boss Bitch Doja Cat, Birds of Prey4. Loyal Brave True Christina Aguilera, Mulan5. On Me Thomas Rhett, Kane Brown feat. Ava Max Scoob!6. Only the Young Taylor Swift, Miss Americana7. Rare Selena Gomez, Normal People8. The Other Side SZA feat. Justin Timberlake, Trolls World TourThumbnail image by Claudette Barius/©Warner Bros.On an Apple device? Follow Rotten Tomatoes on Apple News.
最近玩了一款的新的合击版本传奇手游，下载的时候显示是冰雪合击，但是选区界面显示的是热血合击之暮影战神，名字这么多，游戏肯定是加了很多玩法在里面，进游戏之后发现确实如此 The One and Only Ivan (2020) 71% Description: An adaptation of the award-winning book about one very special gorilla, Disney’s The One and Only Ivan is an unforgettable tale about the beauty of friendship, the power of visualization and the significance of the place one calls home. Ivan is a 400-pound silverback gorilla who shares a communal habitat in a suburban shopping mall with Stella the elephant, Bob the dog, and various other animals. He has few memories of the jungle where he was captured, but when a baby elephant named Ruby arrives, it touches something deep within him. Ruby is recently separated from her family in the wild, which causes him to question his life, where he comes from and where he ultimately wants to be. The heartwarming adventure, which comes to the screen in an impressive hybrid of live-action and CGI, is based on Katherine Applegate’s bestselling book, which won numerous awards upon its publication in 2013, including the Newbery Medal.Premiere Date: Aug. 14, 2020
From the creator of the John Wick franchise comes Ilya Naishuller’s Nobody, a similar action movie about a retired family man with a particular set of skills who goes up against the Russian mob. This one gives us comedic actor and Better Call Saul star Bob Odenkirk as the unlikely lead, and according to most of the early reviews of the movie, it’s worth seeing for him alone. That and a ton of brutal action and a tone that doesn’t take itself too seriously.Here’s what critics are saying about Nobody:Is Nobody a good time at the movies?Nobody doesn’t take itself seriously and just wants the viewer to have fun and have a moment to tune out from the real world for a couple of hours. Jamie Broadnax, Black Girl NerdsIs it a good movie? Not exactly. But its 90 minutes fly by, and it’s a canny vehicle for Odenkirk. Owen Gleiberman, VarietyNaishuller and Odenkirk prove to be a winning duo of entertaining chaos. Preston Barta, Fresh FictionAn immensely entertaining experience… You’re in for a wild ride that never lets up. Meagan Navarro, Bloody DisgustingWill it satisfy action junkies?Action-movie lovers get plenty to love, from an appearance from 1980s tough-guy actor Michael Ironside to well-crafted two-fisted affairs. Brian Truitt, USA TodayIts approach to methodically crafted action will leave you cheering in your seat… This is an action film crafted by action fans with style, love, and the slyest of winks. Rob Hunter, Film School RejectsNobody doesn’t just exist in the action genre but adds to it. Kate Sánchez, But Why Tho? A Geek CommunityThe combat, while not as flashily shot as the work of [John Wick directors Chad Stahelski and David Leitch], is utilitarian enough to get the job done. Kyle Pinion, ScreenRex(Photo by Allen Fraser/©Universal Pictures)How violent is it?[The bus scene is] one of those movie fights that just goes on and on, the violence moving from brutal to funny through sheer, absurd duration. It’s amazing. A.A. Dowd, AV ClubThe hyper-stylization and blood-letting are grounded by the gallows humor. Meagan Navarro, Bloody DisgustingNobody simply doubles down on the genre’s most immoral implication, for unquestioningly equating manliness with brute violence. Chuck Bowen, Slant MagazineHow is Ilya Naishuller s work as director?With his second feature, Ilya Naishuller has grown as a filmmaker and truly has the potential to be one of the most exciting action directors working. Sean Mulvihill, FanboyNation[He] may be as far as you can get from a psychological realist… but he’s a born filmmaker. Owen Gleiberman, VarietyNaishuller stages the action effectively (that bus sequence stands out), delivering visceral thrills even for those of us who are keeping our distance. John DeFore, Hollywood ReporterNaishuller is quite good at directing action. Chris Evangelista, SlashfilmHow does it look?Pawel Pogorzelski’s cinematography is just fabulous in the film… Violence has never looked this beautiful. Dewey Singleton, AwardsWatchMidsommar and Hereditary cinematographer Pawel Pogorzelski brings the same slick camera maneuvers that elevated those movies to dreamlike planes in service of pure entertainment. Eric Kohn, IndieWireShout out to cinematographer Pawel Pogorzelski, because stylistic flair becomes that much more important as narrative throughlines are straighter than arrows. Matt Donato, What to Watch(Photo by Allen Fraser/©Universal Pictures)How is Bob Odenkirk as an action hero?He’s simply awesome and owns this movie. Don Shanahan, Every Movie Has a LessonA credible Jekyll and Hyde act… It’s a blast seeing the actor in this kind of role, even if Nobody does vaguely play like the nihilistic cartoon version of a Vince Gilligan arc. A.A. Dowd, AV ClubThe Odenkirk-ness is really all there is… which is enough to keep things interesting, if not make them all that good. Bill Goodykoontz, Arizona Republic[This] may leave you longing to watch Better Call Saul and Odenkirk’s thorny performance as Saul Goodman, a truly piercing dramatization of frustration and failure. Chuck Bowen, Slant MagazineOdenkirk deserves way better. Kyle Pinion, ScreenRexDoes anyone in the supporting cast stand out?Christopher Lloyd is a special delight as Hutch s shotgun-toting father. Rob Hunter, Film School RejectsChristopher Lloyd renews his classic mad-science energy with a devious twist. Eric Kohn, IndieWireAn appearance by RZA as Hutch’s brother, whose own hidden talents aid Hutch in his quest for vengeance, also adds some comedic flair to this story. Jamie Broadnax, Black Girl NerdsOther than Odenkirk, they have little to work with and don t leave an impression. Chris Agar, ScreenRant(Photo by Allen Fraser/©Universal Pictures)How is the villain?With a fearsome magnetism that’s at once authentic and operatic… He’s like the Frankenstein’s monster of hard-partying hooligans. Owen Gleiberman, VarietyIt all goes downhill once the villain, Yulian, is dropped into play. Kyle Pinion, ScreenRexOne of the blandest movie villains in recent memory. Chris Evangelista, SlashfilmThat Yulian fails to be compelling or intimidating contributes to the film’s overall low stakes. Meagan Navarro, Bloody DisgustingWhat about the writing?The plot of Nobody is, in a word, preposterous… It’s just a cardboard fable. But when the ultraviolence erupts, the movie pops. Owen Gleiberman, VarietyThe plot is absurd and could fall apart easily when looking back on it… Is it trying to say anything? Not really. This is as slight as it gets. Aaron Neuwirth, We Live EntertainmentThere s some unwise and unnecessary narration early on, but the already slim exposition is tidily delivered in oft-comedic ways. Rob Hunter, Film School RejectsNobody seems to think that if it follows a paint-by-numbers Wick formula, that’ll be enough. It’s not. Chris Evangelista, SlashfilmThe story lacks the emotional impact for the film to truly connect with viewers. Chris Agar, ScreenRant(Photo by Allen Fraser/©Universal Pictures)Is the movie funny?The film also happens to be a masterclass in sardonic humor. Sean Mulvihill, FanboyNationThis isn t a parody, but it offers sly humor on many levels…[and] a couple of well-timed visual gags. Brian Truitt, USA TodayI was hoping for more comic relief lines. Danielle Solzman, Solzy at the MoviesIs it trying too hard to be John Wick?Kolstad’s script takes a similar idea but finds the different wrinkles to… create a unique film in the similar mold. Sean Mulvihill, FanboyNationLike Kolstad’s John Wick, but it makes its own way with more humor and charisma than the more silent and gritty counterparts. Kate Sánchez, But Why Tho? A Geek CommunityYou could call Nobody Wickian… In philosophy, however, we’re stuck in Death Wish territory. A.A. Dowd, AV ClubIf John Wick is Buster Keaton, Hutch is Harold Lloyd. Aaron Neuwirth, We Live EntertainmentThe influence is unmistakable to the point where it keeps Nobody from fully creating its own identity. Joshua Starnes, VitalThrills.com(Photo by Allen Fraser/©Universal Pictures)Should it get its own franchise?Move over John Wick and make way for Hutch Mansell. Dewey Singleton, AwardsWatch[It] leaves you eager to follow the Mansells on any blood splatter-filled journey. Meagan Navarro, Bloody DisgustingNobody features an instantly iconic action trio that I’d never imagine in a million a years. Now I want spinoffs and sequels with these characters. Sean Mulvihill, FanboyNationThe worst thing you can say about it is this: It s satisfying enough that it could spawn sequels, possibly distracting its star from the plum dramatic roles he deserves. John DeFore, Hollywood ReporterNobody releases in theaters on March 26, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.