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亚博YABO官网登录XX采用百度引擎9(Baidu 0)Pride Month may be ending in a few days, but that doesn’t mean it’s time to stop celebrating. Rotten Tomatoes asked the cast and creatives of some of our favorite LGBTQ+-centered series — including The L Word creator Ilene Chaiken, Pose creator Steven Canals, Vida creator Tanya Saracho, activist/Pose director and writer Janet Mock, and Pose star Mj Rodriguez — to reveal what their personal favorite LGBTQ+ television shows are, and why. Here’s their curated list so you can keep celebrating LGBTQ+ contributions to pop culture all year long.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.Thumbnail image photo credit: Gareth Gatrell/BBCAmerica; Chris Haston/NBC; Sarah Shatz/FXKilling Eve 89%Ilene Chaiken: Killing Eve is everything. It’s the television game-changer of the moment. It’s spectacular in every way. Those two women both as actresses and characters are stunning. Jodie Comer is my new favorite sexy twisted hero villainess. And it’s just – what can I say? The added bonus is Fiona Shaw, who, on the show, is playing this wicked character but she is also just an icon in gay, elevated, acting royalty.Tanya Saracho: Killing Eve is inspired storytelling. I will continue to love it for its complicated, flawed and morally ambiguous protagonists. I choose to disregard [star Sandra] Oh s comments about this not being a lesbian story and will take it for what I think it is: A f ked-up queer tale of love and obsession.Noah’s ArcSteven Canals: Noah s Arc is a really great one. It s one of the few shows I can think of that centers queer black men.Mj Rodriguez: When Noah s Arc came out, that slayed for me. It was the validation. And also there were trans women on that show. Granted, they were featured, or they were guests, or they were background, but they were still there and that s what really made me feel good.American Horror Story 77%Ilene Chaiken: Ryan Murphy delivers for me in American Horror Story. In everything he does he delivers. Nobody tells our stories and portrays us and provokes us in the way he does, but American Horror Story is my favorite because he does genre, and genre gets at us in such a profound way.Vida 100%Janet Mock: I love Vida. I love what Tanya has done with that series. I love how much deeper they go in season 2 — I watched it in a day and a half. I love a half-hour drama. I think that she s doing such important work. I love those actors so much. I love the world that s there. That s literally right over here, right, a little east of us where we re at right now. And so yeah, I love that series and I hope that more people watch it and support it.Pose 98%Tanya Saracho: Pose is necessary television. And it s overdue. It s a beautiful thing to see all those brown and black faces on screen, living their truest lives.Will & Grace Mj Rodriguez: Now granted, there were no trans women on that show at all, but it was still representation of the LGBT community. And I can only relate to it somewhat because I mean, it was an all-white cast.Sense8 86%Ilene Chaiken: Maybe it never found the audience that it should have, although I know it has some very devoted fans. It’s a beautiful work of art, something we don’t often see on television. It works as story, but it works as just ethereal, ephemeral, profound art.Gentleman Jack 90%Tanya Saracho: I m crazy about Gentleman Jack (and that top hat!). I love everything about the show; the aesthetic, the tone, the story — but mainly, Ms. Suranne Jones. She took her character, Anne Lister, through the emotional paces from cheeky breaks of the fourth wall to stirring exploration of what it meant to be queer in a time when that was a viscerally dangerous thing.Orphan Black 93%Ilene Chaiken: Even if there hadn’t been gay and trans clones, I still would’ve said it was a gay show, but it’s just progressive, it’s subversive, it’s brilliant, and also, and really important for me, I have been looking for gay genre shows, or for genre shows that feature gay characters and gay themes forever and ever and Orphan Black finally delivered for me.Orange Is the New Black 90%Mj Rodriguez: Laverne Cox is like my sister, and she was the one who broke down that door and opened the space up for us to come on in and take our craft seriously.One Day at a Time 99%Tanya Saracho: I heart One Day at a Time so much. Elena and Syd s beautiful relationship is poignant and bold and so now. I love how they love.The Rachel Maddow ShowIlene Chaiken: And also Anderson Cooper, but Rachel Maddow in particular. Where else do we look for icons, for just a touchstone to our own rage and hope and truth?

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如今手游市场上有很多种类的游戏,此时加盟手游就可以选择比较热门的游戏种类,例如角色扮演、休闲益智等等,在此不推荐过于复杂的游戏,因为大部分玩家玩游戏都是为了休闲和消磨时间,过于复杂的游戏反而不易激起玩家的游戏兴趣。 Critics are calling In the Heights, the Lin-Manuel Miranda-composed musical journey through the New York neighborhood of Washington Heights, the movie of the summer – and it arrives packed with songs that will be stuck in your head until next summer rolls around.Ahead of the film’s release in theaters and on HBO Max this June, Miranda sat down with Rotten Tomatoes for a deep dive on the most beloved songs from the film, an adaptation of his first musical, from show-stopping “96,000” to the poignant and moving “Breathe.”Plus, as he walks us through the inspiration behind the songs and his lyrical and compositional choices, Miranda celebrates the work of Jon M. Chu in staging sequences “as big as the characters’ dreams” and reveals the page-and-a-half he took from the Fiddler on the Roof book when writing the original show.In the Heights is in theaters and on HBO Max from Thursday June 10, 2021. On an Apple device? Follow Rotten Tomatoes on Apple News.
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1.62.8 9月喜迎洛克手游面对的是已经长大了的目标用户,从制作团队的表述中了解到,他们既要保留那种已经深深的融入了IP的核心价值,也要用新的技术表现和更完整自洽的内容叙事,来对长大了的玩家重新呈现感动,把IP延续下去。
hip.”“The relationship [between Ellie and Carl] was drawn largely from both Bob Peterson s relationship with his wife and my own relationship. There s high points and low points, difficulties and successes, and so we really wanted to portray the full wide breadth of that relationship. [There were] two relationships in particular that we focused on. Marc Davis was one of Disney s nine old men. He and Alice have a sort of fabled marriage and getting to know them was amazing. We got to visit their studio and talk about a little bit of their life together. And, actually, the two of them traveled to Papua, New Guinea. They went on these fantastic adventures as well as both being artists. So they were a great inspiration. [The other relationship was that of] Joe Grant, who was a guy that was head of story basically on Dumbo. He developed Fantasia, all these amazing films, was second in position down with Walt Disney in the 30s and 40s. And I got to know him late in his life as well and he had a wonderful relationship with his wife. So just looking around us at all these great role models and people, you realize, OK, nobody s perfect. Everybody has their bumps. I think that s what makes the sequence feel a little bit more real for people.”Pete Docter says he knew Carl had to have a reason to go on his adventure. (Photo by ©Walt Disney Co./courtesy Everett Collection)THE MOMENT: Carl and EllieOver the last three decades, the animator-tormenters at Pixar have been jerking the tears from our eyes with precision. Think of Jessie s When Somebody Loved Me sequence from Toy Story 2, or the moment Bing Bong fades away in Inside Out. Or the final moments of Toy Story 3. Or any of the other dozens of times the studio has turned on our waterworks. Chief among these moving moments is the opening sequence of Up, which sees Carl and Ellie meet cute as roughhousing kids, then court, marry, and persevere through some very dark times, ultimately living out a happy life until eventually Ellie dies, leaving Carl alone. It s beautiful and wrenching stuff, and goes to places few expect a family movie to go (at one point, we see the couple visit a doctor and learn that they cannot have children). Docter says the sequence underwent a number of changes before taking its final form. An original slapstick-style approach was ditched, as was most of the dialogue, and the filmmakers debated just how far they could push their audience when it came to the darker side of life.Ellie and Carl meet as kids at the beginning of the sequence. (Photo by ©Walt Disney Co./courtesy Everett Collection)“[Originally] Carl was, in the very first bit, trying to catch a bird and Ellie came to the bird s defense and punched him. Now Carl was out for revenge.”“The first draft of this was showing how their relationship [started]. So we introduced the characters to each other. We saw them as kids when they first saw each other. And it became kind of a battle. In fact, Carl was, in the very first bit, trying to catch a bird and Ellie came to the bird s defense and punched him. So now Carl was out for revenge. It became a back-and-forth of punching contests in the most unlikely places; in the middle of a Christmas pageant or taking the trash out. These very innocent scenes – the characters would surprise each other and punch each other. We thought it was hilarious, but [then] we showed it to the audience – we do a screening here at Pixar as we re making the films, we screen them about every three months – and it just kind of went over like a lead balloon. Nobody really laughed. So we thought, Well, this has to be shorter anyway because it s taking too long to get to the main action of our film. As it turned out that sequence really reduced down to about four-and-a-half minutes. It’s really not too long but it also becomes the emotional bedrock on which the rest of the film relies to move forward.”“Ronnie del Carmen, who was our head of story, came to me and said, ‘I think this would work better with no dialogue.’”“That sequence started fully scripted. We wrote multiple short little scenes where they were finishing each other s sentences and discussing stuff. Then as we started to storyboard it, Ronnie del Carmen, who was our head of story, came to me and said, ‘I think this would work better with no dialogue.’ And I said, ‘No, I think you re wrong. I think we should continue with the direction we set.’ But he eventually talked me into it and boy, the further we went We initially had sound effects and we took those out. We basically stripped it down just to music. My theory is, and it’s a somewhat crackpot theory probably, but I grew up watching Super 8 films that my parents had taken of all of us, and there s something about stripping away some element that makes it more emotional. Similarly, I have some audio cassettes that my parents recorded of us when we were kids and you can t see but you can hear. Something about having something lacking makes the audience have to fill in. They have to be an active participant and get involved in a way.”Ellie and Carl as their relationship progresses in the opening sequence. (Photo by ©Walt Disney Co./courtesy Everett Collection)“The pain and loss of that situation bonded those characters together and made you empathize more with them.”“There s one moment in that montage where Ellie has to go to the doctor and it s sort of implied that they can t have children for whatever reason. We didn t spell it out because we didn t feel like that was necessary. That raised some eyebrows even here at work as we were developing the film. Someone – it was an anonymous person – it must have hit too close to home and [they] got very upset. So, we did experiment with taking it out. And we thought, Well, maybe [the sequence] could still work [without it] because there s some really charming stuff. But the strange thing was, not only did we not feel the emotion as strongly in that one little sequence, but as we watched the rest of the film the whole film lost a little bit. I can t really fully explain that other than to say it was a real dark, low moment for them that I think made that relationship feel more real. The sort of pain and loss of that situation bonded those characters together and made you empathize more with them.”THE IMPACT: Life s Complexities, DistilledThe accolades came quickly for Up. The movie became at the time only the second animated movie ever to be nominated for Best Picture at the Academy Awards (it would take home Best Animated Feature, as well as Best Original Score for Michael Giacchino, whose composition, Married Life, is so key to the success of the opening sequence). Just as quickly, it entered the canon of Pixar greats, right alongside Finding Nemo, Toy Story, Wall-E, and the rest. But for Docter, the real lasting legacy of Up is felt in the form of letters and fan interactions, not shiny awards, when he sees first-hand how the moving moment that he helped create has affected and helped others.“She said it was very cathartic and that she felt as though she got to spend some time with her husband in a weird way.”“When we start out making these films, we re just trying to make something funny and entertaining and hopefully with a bit of heart and emotion to it. But they sometimes really tap into people s own lives in ways that are completely unexpected. There was a woman who wrote to me who said her husband had just died and so she went to the film just needing a break from life to get away from the sorrow. As I m reading the letter I m thinking, ‘Oh no’ – the wife dies and so it s mirroring her own life experience. But in the long run she said it was very cathartic and that she kind of felt as though she got to spend some time with her husband in a weird way. Even though this is a bunch of pixels on the screen and none of it actually exists. Part of what I really love [about] making animated films is that none of it exists. It s all a big trick. And yet when done well we can really make the audience care about these characters, believe in them as though they re real people.”Pete Docter at the Los Angeles premiere of Up in 2009. (Photo by Michael Germana/Everett Collection)“These films are dress rehearsals for life for a lot of people.”“These films in a way are dress rehearsals for life for a lot of people. I know when kids play house or cars or whatever, they re kind of acting out what they re looking [at] around them. They re kind of trying this suit on, and I think films are a little bit the same way. It s a way of understanding the world. We’ve had a lot of people respond, both on Up and especially on Inside Out, talking about how their autistic children really use these films in very significant ways to understand emotion, to understand interaction, relationships. I think because you can watch it over and over. This is something animation does; we try to distill down all the complexity and nuance and messiness into something clean and easy to see. It s like a caricature. In three lines, Al Hirschfeld would do these amazing caricatures of people that looked more like them than their own face did. That’s what we re striving to do with animation: to take all the messiness of life and make it more pure and easy to understand.”Up was released on May 29, 2009. Buy or rent it at FandangNOW.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
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History was made Tuesday morning, with Black Panther becoming the first ever superhero movie to earn a Best Picture Oscar nomination. But that wasn t the only big/shocking/delightful news of the morning, depending on your perspective. Academy voters proved once again they still have the capacity to deliver a bombshell or two, serving out snubs and surprises in nearly every category – bestowing love on some films we never saw coming (hello, Buster Scruggs) while ignoring other movies that were considered sure things as late in the game as Monday afternoon. Here s our breakdown of the biggest snubs and surprises of the 2019 Oscar Nominations.SNUB: A Star Is Born (2018) 90% Nominated for Eight Awards, But Bradley Cooper Misses Out for Director(Photo by @ Warner Bros. Pictures)A Star Is Born earned plenty of love from the Academy on Tuesday, but Bradley Cooper missed out on a nomination for Best Director. That category was one of the morning s most surprising, with Yorgos Lanthimos (The Favourite) and Pawel Pawlikowski (Cold War) getting in ahead of Cooper and Ryan Coogler. (More on Pawlikowski below.) Don t cry too hard for Cooper, though: He is individually nominated for Best Actor, Best Adapted Screenplay, and for Best Song.SURPRISE: Black Panther (2018) 96% Becomes First Superhero Movie Ever to be Nominated for Best Picture(Photo by © Marvel / © Walt Disney Studios Motion Pictures)It was not totally unexpected, but it was never a sure thing either: This morning, Marvel Studios’ Black Panther became the first ever superhero movie to be nominated for Best Picture. The timing is auspicious, with the announcement coming 10 years after The Dark Knight was snubbed in the category, a move that prompted the Academy to widen its Best Picture nominations pool to a potential 10 movies. The movie scored a total of seven nominations, but failed to land a nomination for Best Director for Ryan Coogler. The film also failed to score a nomination for Best Visual Effects, where Christopher Robin scored a surprise nod.SURPRISE AND SNUB: Willem Dafoe Beats Out Ethan Hawke for Best Actor Nomination(Photo by @ A24)For those of us at RT HQ, this one hurt. Ethan Hawke was never a lock for a Best Actor nomination for his incredible portrayal of a priest in crisis in First Reformed, but there was always a chance. He had done well with critics’ groups, and his performance was that good. But our hopes were dashed Tuesday morning when his name wasn’t called. His snub did allow for one of the bigger surprises of the nominations: Willem Dafoe picking up a nomination for his role as artist Vincent van Gogh in Julian Schnabel’s At Eternity’s Gate. (If there was going to be a surprise, we thought it might come in the form of BlacKkKlansman s John David Washington, whose co-star Adam Driver did get a nomination for Best Supporting actor.)SNUB: Eighth Grade (2018) 99% And Crazy Rich Asians (2018) 90% Land Zero Nominations(Photo by @ A24)No original screenplay nomination for Eighth Grade writer-director Bo Burnham. No Best Actress nomination for Elsie Fisher. Nada. Many probably saw this coming, though. The film is high up on our Awards Leaderboard, but many of its awards have been for first-time directing or breakthrough performance, categories that have no equivalents at the Oscars. Still, it was a surprise to see the 99% Certified Fresh film get zero love on Tuesday morning. Meanwhile, Crazy Rich Asians, an outside chance at Best Supporting Actress and Best Adapted Screenplay, also failed to make the grade.SURPRISE: Marina de Tavira Is Nominated for Best Supporting Actress for Roma (2018) 96%(Photo by Carlos Somonte / © Netflix / courtesy Everett Collection)The open fifth slot in the Best Supporting Actress category – Amy Adams, Regina King, Emma Stone, and Rachel Weisz were all considered locks – always had the potential to surprise. Many were expecting Emily Blunt to squeeze in for A Quiet Place or Claire Foy to be recognized for First Man; few were expecting Roma’s Marina de Tavira to edge both actresses out. In the film, De Tavira plays Señora Sofia, whose complex relationship with her house keeper centers the film – and who has some memorable scrapes in the family car.SNUB: Timothée Chalamet Gets No Love for Beautiful Boy (2018) 67%(Photo by @ Amazon Studios)Though the film didn’t exactly light up the Tomatometer, critics agreed that Timothée Chalamet’s performance as a young man struggling with addiction in Beautiful Boy was something of a revelation; for the “diner scene” alone many thought he was a shoe-in for a Best Supporting Actor nomination. In the end, Academy voters went with Sam Rockwell and his portrayal of former president George W. Bush in Adam McKay’s Vice. Rockwell won the category last year for Three Billboards Outside Ebbing, Missouri.SURPRISE: Coen Bros.’ The Ballad of Buster Scruggs (2018) 89% Lands Three Nominations(Photo by © Netflix / courtesy Everett Collection)We’ll be honest, we had not predicted a single nomination for the Coen Bros.’ episodic Netflix Western. And yet the film managed to score noms for Best Original Screenplay, Best Costume Design, and for Best Song for perhaps the most Western-sounding ditty ever written, “When a Cowboy Trades His Spurs for Wings.” The film sits Certified Fresh at 92% on the Tomatometer.SNUB: Justin Hurwitz Loses Out on Best Score Nomination for First Man (2018) 87%(Photo by @ Universal Pictures)Frequent Damien Chazelle collaborator Justin Hurwitz may have won the Golden Globe for Best Original score just weeks ago, but his work went unrecognized by the Academy Tuesday morning. Marco Beltrami, who was also up for a Golden Globe for his score for A Quiet Place, also failed to make the Oscar cut. Instead, If Beale Street Could Talk composer Nicholas Britell and BlacKkKlansman’s Terence Blanchard joined Golden Globe nominees Alexandre Desplat (Isle of Dogs), Ludwig Goransson (Black Panther), and Marc Shaiman (Mary Poppins Returns) in the Oscars category.SURPRISE: Germany’s Never Look Away (2018) 77% Beats Out South Korea’s Burning (2018) 95% for a Foreign Language Slot(Photo by Caleb Deschanel / © Sony Picture Classes )Director Chang-Dong Lee’s Burning is one of 2018’s most acclaimed films, Certified Fresh at 95%, and has been generating buzz on the festival circuit for months (many even hoped for a surprise Best Supporting Actor nomination for Steven Yeun). On Tuesday morning, though, Lee’s film missed out on a slot in the Best Foreign Language Film category, with director Florian Henckel von Donnersmark’s Never Look Away, representing Germany, sneaking in as a surprise contender. Never Look Away, which sits at 81% on the Tomatometer, is a sweeping epic that tracks 30 years of the life of a great artist who is loosely based on German abstract artist Gerhard Richter; the movie also surprised in the Best Cinematography category, picking up a nomination for Caleb Deschanel’s work.SURPRISE: First-time actress Yalitza Aparicio Becomes Second Mexican Woman to be Nominated for Best Actress(Photo by @ Netflix)The Cinderella story continues for Roma star Yalitza Aparicio, who this morning became just the second Mexican woman ever to be nominated for Best Actress (Selma Hayek was the first, nominated for 2002 s Frida). Aparicio got the coveted fifth slot in the Best Actress category over some tough competition, including Emily Blunt and Nicole Kidman, who were both snubbed for their work in Mary Poppins Returns and Destroyer respectively.
Disney’s live-action remakes have made collective billions at the box office. Although it’s early, the latest entry, Tim Burton’s dark take on Dumbo, could be the first failure among the recent films. Meanwhile, Harmony Korine s latest film fails to make a Spring Breakers-level splash, and Us and Captain Marvel continue to impress.King of the Crop: Dumbo Leads But Is Still Very Far Behind(Photo by Disney)While Jon Favreau’s The Jungle Book and Bill Condon’s Beauty and the Beast made a collective billion-plus worldwide, it was Burton’s Alice In Wonderland that really began the live-action remake trend back in 2010. That film remains Burton’s biggest success, a billion-dollar spring hit that was also the second-biggest opening in Disney’s history at the time. (It is now the 17th.) Though Dumbo was not expected to challenge that 6.1 million start, it was also expected to do a lot better than million this weekend.With a 0 million production budget, Dumbo is clearly counting on the international dollar to save it. Even with optimistic projections domestically, no live-action film opening between -49 million stateside has ever reached 0 million. (Disney’s Wild Hogs came closest with 8 million.)Don’t blame critics on this one, as Dumbo’s 50% score on the Tomatometer is not much lower than Alice in Wonderland’s 51%. But that film was also able to market a very bankable (at the time) Johnny Depp, putting him front and center on every poster. Meanwhile, the trailers for Dumbo almost went out of their way to reveal more of the circus than the film’s high-flying star. We’ll update its progress next week.Rotten Returns: The Beach Bum(Photo by NEON / VICE)Neon had a great little story this year with the documentary Apollo 11. With .65 million in the bank, it is the company’s third-highest-grossing title after I, Tonya ( million) and the documentary Three Identical Strangers (.3 million). Harmony Korine s The Beach Bum (51% on the Tomatometer) is likely to become the fourth-highest-grossing film in its catalog, but the 1,005-theater launch only produced .8 million this weekend. That’s the fourth-worst per-theater average for Neon ahead of just Borg vs. McEnroe, Revenge, and the million Sundance pickup Assassination Nation, which had the studio’s widest launch (1,403 theaters) and opened to just .05 million for a per-theater average of 3. In March 2013, A24 released Korine’s last film, Spring Breakers, into 1,104 theaters in its second weekend, where it grossed .85 million on its way to .1 million total.The Top Ten And Beyond: Captain Marvel and Us Continue to Impress(Photo by @ Universal)Last October, Blumhouse released David Gordon Green’s Halloween, which grossed 6 million in its first ten days. Last week, the company released Jordan Peele’s Us, which has now grossed 8 million in its first ten days. Halloween finished its run with just 9.3 million even as it grossed .4 million in its second weekend. However, Us second weekend made .6 million — a smaller drop (52.7 percent) than Michael Myers’ (58.8 percent). Of the 21 films to have grossed between 3-133 million in their first ten days, only six have failed to reach 0 million. Halloween was one of them. Us is forging a path to another incredible milestone, and it has already grossed 4 million worldwide.Captain Marvel maintained its impressive pace with another million this weekend, the 27th-best fourth weekend ever for a wide release. With more than 3 million, it is the 21st best-performing film of all time after 24 days and well on its way to 0 million. Every film to have grossed 0 million in 24 days has reached 0 million, and Captain Marvel’s fourth weekend was higher than six of them (The Dark Knight Rises, Captain America: Civil War, Iron Man 3, Jurassic World: Fallen Kingdom, The Hunger Games: Catching Fire, and Transformers: Revenge of the Fallen.) In other milestone news, How To Train Your Dragon: The Hidden World passed 0 million worldwide this weekend.PureFlix’s abortion film Unplanned made the top five with .1 million, the second-largest opening in the Christian-based company’s history after God’s Not Dead 2. Five Feet Apart continues to enjoy a rather healthy stay in the top five, dropping just another 26.9 percent to .2 million for a running total of nearly million — not bad for a million production. Tyler Perry’s A Madea Family Funeral passed million and may just have enough in the tank to surpass Boo! A Madea Halloween to become the second-highest-grossing film of his directorial career.Finally, Bleecker Street expanded its harrowing true-life terrorist drama Hotel Mumbai to 924 theaters, and it grossed .1 millon. Where does that rank among the company’s wide launches in more than 650 theaters?A solid fifth, following Logan Lucky (.6 million, 3,031 theaters), Eye in the Sky (.9 million, 1,029 theaters), Megan Leavey (.8 million, 1,956 theaters) and Unsane (.7 million, 2,023 theaters). Hotel Mumbai (.1 million, 924 theaters) finishes ahead of The Lost City of Z (.8 million, 866 theaters), Beirut (.7 million, 755 theaters), Danny Collins (.4 million, 739 theaters), Pawn Sacrifice ( million, 781 theaters), and Trumbo (1,068, 660 theaters).This Time Last Year: Audiences Were Ready For Player One(Photo by Warner Bros)Steven Spielberg’s Ready Player One had the second-highest opening of 2018 to date with .7 million. Tyler Perry’s Acrimony placed second with .1 million. Black Panther passed 0 million, and Isle of Dogs for the second straight week had the top per-theater-average (,839), grossing .9 million in just 165 theaters. The top ten films grossed 5.25 million and averaged 55.2% on the Tomatometer. This year’s top ten grossed an estimated 8.30 million and averaged 58.7% with critics.On the Vine: Shazam! To Lead, But Pet Semetary Could Surprise(Photo by Warner Bros. Pictures)The latest offering from the DC side of the aisle opens with some glorious reviews so far. Shazam has 93% to date on the Tomatometer just three weeks before Avengers: Endgame opens. That’s certainly enough to take the top spot at the box office — and audiences can take it from there. Also blessed with strong early reviews is the new adaptation of Stephen King’s Pet Sematary. It boasts a 91% thanks to reviews from closing night of SXSW, and with a solid opening weekend could end up becoming the third-highest-grossing King adaptation to date. Finally, STX releases the educational drama The Best of Enemies with Taraji P. Henson and Sam Rockwell, but in fewer than 2,000 screens.The Full Top 10: March 29-31Dumbo (2019) 46% – million ( million total)Us (2019) 93% – .60 million (8.22 million total)Captain Marvel (2019) 79% – .50 million (3.80 million total)Five Feet Apart (2019) 53% – .25 million (.87 million total)Unplanned (2019) 42% – .11 million (.11 million total)Wonder Park (2019) 34% – .94 million (.88 million total)How to Train Your Dragon: The Hidden World (2019) 90% – .23 million (2.96 million total)Hotel Mumbai (2018) 76% – .16 million (.27 million total)Tyler Perry's A Madea Family Funeral (2019) 11% – .70 million (.03 million total)The Beach Bum (2019) 57% – .80 million (.80 million total)
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Amazing Grace (2018) , a concert documentary of Aretha Franklin s 1972 Los Angeles performance of the titular gospel album, is at 100%. The Charmer (2017) , about an Iranian ex-pat in Denmark whose quest to marry into citizenship takes an unexpected turn, is at 88%. Ben Is Back (2018) , starring Julia Roberts and Lucas Hedges in a drama about a mother reconnecting with her newly returned drug-addict son, is Certified Fresh at 83%. Divide and Conquer: The Story of Roger Ailes (2018) , a documentary about the controversial Fox News founder s political influence, is at 83%. Back Roads (2018) , a drama about the relationship between a married woman and a younger man caring for his three younger sisters, is at 82%. Asher (2018) , starring Ron Perlman and Famke Janssen in a drama about an aging hitman who begins an unexpected romance, is at 75%. Vox Lux (2018) , starring Natalie Portman as a pop superstar attempting a comeback whose rise to fame is marked by tragedy, is at 74%. Clara's Ghost (2018) , a comedy-drama about the non-acting matriarch of a showbiz family and the spirit she may or may not be seeing, is at 67%. Tyrel (2018) , about a black man who accompanies a friend to a weekend party and begins to feel uneasy about being the only minority present, is at 60%. Great Great Great (2017) , about a bored woman who cheats on her boyfriend out of fear that they re heading for a mediocre life, is at 60%. Dumplin' (2018) , about the plus-sized daughter of a beauty queen who upends her mom s pageant by entering it, is at 50%. Swimming With Men (2018) , about a frustrated accountant who finds brotherhood in the other men like him in a synchronized swimming group, is at 45%.
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亚博YABO官网登录XX This Week s Ketchup brings you more headlines from the world of film development news, covering such titles as Star Trek, Swan Lake, and TRON: Ares. This WEEK S TOP STORYJARED LETO TO STAR IN TRON: ARES(Photo by Derek Storm/Everett Collection)It s now been ten years since the release of the long-in-development sequel TRON: Legacy (Rotten at 51%), which was perceived by some as a box office disappointment, despite actually earning over 0 million worldwide. That sequel came about 28 years after the first TRON, but it looks like the gap between 2 and 3 will be a lot shorter. That s because Disney is moving ahead with a third TRON movie, which will be directed by Garth Davis (Lion, Mary Magdalene). Original TRON star Jeff Bridges returned for TRON: Legacy, along with newcomer Garrett Hedlund, but it appears that the star of this third TRON movie will be Jared Leto (though it s also possible others will return as well). Although plenty of what Disney makes these days is for Disney+, it sounds like this new TRON is indeed planned for a theatrical release (presuming the pandemic ends soon). We also learned this week, via Jared Leto s Twitter, that the title will be TRON: Ares, which is a reference to the Greek god of war  maybe this is the name of Jared Leto s character, or maybe it s a God of War or Assassin s Creed-style game that is the new film s in-game setting. In related news, Jared Leto also confirmed on his Instagram this week that he is attached to star in an upcoming movie as famous pop art superstar Andy Warhol, although it s unclear what movie that might be (an Andy Warhol biopic was announced in 2016, but not much has been heard of it since).Other Top Headlines1. ELISABETH MOSS AND BLUMHOUSE REUNITE FOR MRS. MARCH (Photo by Mark Rogers/©Universal Pictures)Most of 2020 is completely borked when it comes to box office numbers because of the COVID-19 pandemic, but one of the year s (relative) successes happened just before theaters shut down. Universal Pictures and Blumhouse Productions released their reimagining of the classic monster movie The Invisible Man (Certified Fresh at 91%), starring Elisabeth Moss, on February 28, earning 0 million worldwide (a number impacted by the shutdowns in March) before pivoting to a premium VOD release. Elisabeth Moss and her Love and Squalor Pictures production company are partnering again with Blumhouse on a psychological thriller called Mrs. March, in which Moss will also star. Mrs. March will be an adaptation of an upcoming novel by Virginia Feito about an a polished Upper East Side housewife who unravels when she begins to suspect the detestable protagonist of her husband’s latest bestselling novel is based on her. Moss said in a s

Warning: Major spoilers for Avengers: Endgame follow.Since Avengers: Endgame opened in theaters this April, questions about the movie and its making have been burning in fans minds and setting comments sections on fire. Questions like: How did the filmmakers decide who was going to live and who was going to die? Why did they decide to go the Bro Thor route? Is it true that the Russo Brothers pretended they were shooting a wedding when they were really shooting a funeral? And, of course, how in the hell did they get all those actors together for the epic climactic battle? At this year s San Diego Comic-Con, Rotten Tomatoes sat down with directors Joe and Anthony Russo for an extended conversation about everything Endgame to get the answers to those questions and more. We learned what really went down behind the scenes, what might have been, and why the brothers think Robert Downey Jr. should be in this year s awards conversation.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week. 小编点评:8979游戏盒子是由8979手机游戏平台推出的一款专门提供下载破解游戏,手游公益服,手游私服,变态手游,上线送满Vip手游的下载软件平台,是喜爱手游的安卓用户不可缺少的一款游戏盒子。8979游戏盒子是由8979手机游戏平台推出的一款专门提供下载破解游戏,手游公益服,手游私服,变态手游,上线送满Vip手游的下载软件平台,是喜爱手游的安卓用户不可缺少的一款游戏盒子。

2022-01-24
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