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亚博登录地址注册采用百度引擎1(Baidu 7)而根据网络上的消息,目前的三个Ban位机制是暂时的,在英雄联盟手游英雄数量增多之后,比如达到100个。后期将会开放和端游同步的五位Ban选机制,这样其实就让排位赛的机制更加的科学了。

1. 亚博登录地址注册
(Photo by Universal Pictures)The current situation of social distancing has many of us thinking of ways to maximize the time we spend at home. We re also eating several times a day and annoying our pets, but being productive does cross our minds from time to time. Puzzles, long-abandoned books, craft projects, and New Year s resolutions have suddenly jumped to the top of our to-do lists. In the RT comments, many of you have shared how you re catching up on classic films, and we happen to agree that now is the perfect time to increase your classic film viewing.Concentrating on films released before 1980 (both well-known titles and hidden gems), we re producing new guides to essential classic films curated by theme, filmmaker, actor, genre, or style – all for your classic catch-up needs. Want to see our picks for the best French farces? How about a curated list of Fresh picks from Alfred Hitchcock, Peter Sellers, or Billy Wilder? As well as curating watchlists, we re breaking down the films, telling you where you can watch them, and giving you some more recent and/or well-known films the classics might remind you of so you can gauge which movies are right for you.This week in the Classic Film Catch-Up, we re breaking out with heist films. Long cons, strong-arm jobs, and bank heists from professionals and amateurs alike have a long history in film, and that history has given us some of our most celebrated performances and cinematic stories. From Melville and Friedkin to Kubrick and  Soderbergh, many beloved filmmakers have made a mark on the heist flick genre, which came of age in the late 60s and early 70s. In truth, we could make a list solely comprised of films from that time period, and it would still be quite spectacular, but we did include a few from decades prior.With hundreds of titles to choose from, iconic films like The Great Escape, Ocean s Eleven, and lesser-known gems like The Silent Partner failed to earn a spot on our list, but are still definitely worthy of a revisit. For our list below, though, we tried to find diversity within the genre, intermixing confidence schemes with bank jobs and heist comedies with gritty noirs. Each entry is unique, but they work within a shared formula: get a crew, plan the job, and do some nefarious things to take something without anyone finding out. Read below to see our list of classic heist films.Got another favorite heist classic you d add to our list? Have a suggestion for a future theme or classic film to feature in the column? Let us know in the comments. Dog Day Afternoon (1975) 96% What is it? The true-life tale of a man who storms a Brooklyn bank for a day-time robbery, and everything that can go wrong does.Why you need to see it: A frequent choice in our Five Favorite Film series, this dramatic and at times hilarious tale of a bank job gone awry from Sidney Lumet showcases one of Al Pacino s greatest performances. Trying to get enough money for his lover s sex-reassignment surgery, Sonny Wortzik (Pacino) tries to rob a bank, and everything after that goes from bad to worse in what many consider to be one of the best films from the 70s. One of the highest-grossing movies of its year and a critical hit, Dog Day Afternoon was nominated for six Academy Awards, including Best Actor, which Pacino didn t win. Twenty years later, he would finally take home a golden statuette for The Scent of Woman, but his turn here alongside his The Godfather co-star John Cazale gives us, according to critic Roger Ebert,  one of the most interesting modern movie characters. Check it out for the verbal sparring and Pacino s acting, and its re-watchability is unmatched – you ll find new favorite moments each time you see it.Watch it if you like: Before the Devil Knows You re Dead, A Simple Plan, Reservoir Dogs, Fargo.Where to watch: Rent or buy on FandangoNOW, Vudu, Amazon, Google Play, and iTunes.The Sting (1973) 94% What is it? A young conman attempts to pull off a large-scale confidence scheme against the man who killed his partner, aided by a veteran fraudster.Why you need to see it: It s a movie with Robert Redford and Paul Newman – do you really need anything else? If by chance you do, The Sting is a must-see con film and one of the best examples of a perfectly balanced heist comedy. Redford and Newman s undeniable chemistry is the main draw here, but the mini-course on the language of large-scale confidence schemes serves as a welcome bonus. The original Ocean s Eleven, The Italian Job, and Going in Style all have modern-day remakes that were received to varying critical and commercial success but, this Depression-era masterpiece from George Roy Hill is thought to be inimitable. (Check out the laughable The Sting II if you need further proof). A box-office smash which re-teamed Redford and Newman just four years after the iconic Butch Cassidy and The Sundance Kid, the film took home six more Oscars, including Best Picture.Watch it if you like: Ocean s Eleven, Matchstick Men, The Man From U.N.C.L.E., Logan Lucky, American Hustle, Now You See Me.Where to watch: Stream now on the Starz app. Rent or buy on FandangoNOW, Vudu, Amazon, Google Play, and iTunes.The French Connection (1971) 98% What is it? A group of narcotics detectives track and try to intercept a large supply of heroin.Why you need to see it: On a list of quintessential 70s cop films, The French Connection would invariably rank high, so we understand if you re surprised to see it here on a list of heist films. Yes, the film follows a group of detectives as they try to get the bad guys, but with the exception of the players (among them leads Gene Hackman and Roy Scheider) all the elements of a heist are there: A group of professionals come together and concoct an elaborate plan to steal something from someone without them knowing – that s a heist movie any way you slice it. Bonnie Clyde is thought to be the first film of the New Hollywood movement – a period in American cinema which ushered in a new crop of dynamic young filmmakers and during which the modern-day blockbuster was born – but The French Connection solidified this new shift in filmmaking and film marketing. Featuring one of the best car chases in the history of film, William Friedkin s cop thriller is gritty, fast-paced, and completely unlike any police drama that came before it. Hackman is electrifying as the short-tempered, boozy bigot Popeye Doyle, and was the rightful winner of the Best Actor prize in 1972, which came alongside four more wins for the film, including Best Picture.Watch it if you like: The Italian Job, Heat, L.A. Confidential, Bullitt, The Untouchables, The Taking of Pelham One Two Three.  Where to watch: Stream now on the Starz app. Rent or buy on FandangoNOW, Vudu, Amazon, Google Play, and  iTunes.The Italian Job (1969) 83% What is it? A group of seasoned criminals fresh out of prison races through Italy trying to hijack a shipment of gold.Why you need to see it: If you enjoyed the 2003 remake of The Italian Job, prepare yourself: where that film was serviceable fun, the original film with Michael Caine was a game-changer. Perhaps a bit too camp and brash for its time, the British heist comedy was not universally loved upon release. The New York Times critic Vincent Canby dubbed the film technically sophisticated and emotionally retarded. Putting aside the dated language, the film does lean into action over plot, but that does not diminish the enjoyment of watching Caine and his cockney band of thieves race around Italy in the iconic MINI Coopers. The film is worth a watch for those car chases alone.Watch it if you like: Lock Stock and Two Smoking Barrels, Bullitt, Gone in 60 Seconds, Fast Five, Inside Man. Where to watch: Stream now on Amazon Prime Video, The Criterion Channel. Rent or buy on FandangoNOW, Vudu, Google Play, and  iTunes.The Killing (1956) 95% What is it? A long-time crook has a simple plan: one last job before he settles down with his lady love. But what was supposed to be a simple job finds the two lovers caught up in a web of deception and murder.Why you need to see it: Though not the first to do it, The Killing married itself to non-linear storytelling in a way that was wholly unique at the time; and it was a commitment that would also turn out to be a bit too revolutionary and decades ahead audience s tastes. Stanley Kubrick s third feature – but his first with a professional crew – was a headache for Paramount from the moment it was shot. Hated by test audiences, the film barely received an American release and was a commercial flop. However, contemporary critics recognized Kubrick s audacious skill with dialogue and camera movement and heralded the film as a masterwork, and its director as one to watch. It has since earned cult-like status, and its influences can be seen in the work of Quentin Tarantino, Christopher Nolan, and the Coen brothers. A taut noir, the black-and-white drama commits to the realism of pulling off the perfect job. How the subsequent events unravel for our lead con-artist after the job is done is where we find the film s brilliance.Watch it if you like: Reservoir Dogs, The Killer, Chinatown, Thief, The Getaway, The Layer Cake.Where to watch: Rent or buy on Amazon, Google Play, and iTunes.Topkapi (1964) 90%(Photo by Everett Collection)What is it? A woman and her ex-lover plot to steal a priceless dagger in Istanbul with the help of a simple-minded small-time crook.Why you need to see it: Jules Dassin s Topkapi is one of the best cinematic clap-backs ever filmed. In 1955, Dassin s Rififi – which won him a Best Director prize at Cannes – set the blueprint for modern-day heist films and soon became the subject of several parodies, including Mario Monicelli s Big Deal on Madonna Street. Tired of being the butt of the joke, Dassin released Topkapi in 1964 and, in doing so, ultimately got the last laugh as his genre send-up dwarfed all previous attempts. The comedy of the bumbling thieves who might just be inept enough to pull off an intricate robbery is only second in hilarity to the scene-stealing performance of Peter Ustinov who plays Simpson, a low-level crook caught in the wake of the larger crime.Watch it if you like: Casino Royale, American Vandal, Dr. Strangelove, The Whole Nine Yards, The Man From U.N.C.L.E.Where to watch: Stream now on Amazon Prime Video. Rent or buy on FandangoNOW, Vudu, and Google Play.Second Breath (1966) 100% (Photo by The Criterion Channel)What is it? After breaking out of prison, a career criminal plans one last job to secure his retirement while a dogged police detective is in hot pursuit.Why you need to see it: The godfather of French New Wave, Jean-Pierre Melville was tenacious when it came to authenticity on screen. From props to accents to his documentary style of filmmaking, his attention to detail and reality is present in every frame of Le Deuxieme Souffle. Melville s commitment would inspire the neorealism of directors François Truffaut, Jean-Luc Godard, and Agnes Varda. Sporting a high body count for its time, Le Deuxieme Souffle was a film that let the gangsters be gangsters. Thrilling, and dripping with suspense and violence, the film gives the audience a constant sense of unease as the characters descend deeper into the French underworld. An intimate epic, according to Martin Scorsese, the film was a key inspiration for his Oscar-nominated Jimmy Hoffa epic The Irishman. Watch it if you like: The Irishman, Miller s Crossing, Road to Perdition, Hell or High Water. Where to watch: Stream now on The Criterion Channel app. Rent or buy on Vudu, Amazon, Google Play, and iTunes.High Sierra (1941) 91%What is it? A seasoned ex-con must lead a group of untried criminals in the robbery of a desert resort.Why you need to see it: The first pairing of several between Humphrey Bogart and director John Huston, High Sierra is a thoughtful bridge between the brash 40s gangster flicks and the minimalistic crime-noirs of the 50s. Huston and Bogart would go on to collaborate on The Maltese Falcon, Key Largo, The Treasure of the Sierra Madre, and The African Queen; never was the power of Bogart s appeal more on display than when framed by Huston s lens. High Sierra is a heist film that utilizes early noir elements before they were popularized in the 1950s, and it s distinguished by its smart twists as well as Bogart s complex turn as Roy Earle. He is also perfectly complemented by Ida Lupino s portrayal of the temptress gangster s moll.Watch it if you like: The Maltese Falcon, The Fugitive, White Heat, The Town, The Usual Suspects. Where to watch: Stream now on The Criterion Channel app. Rent or buy on FandangoNOW, Vudu, Amazon, Google Play, and iTunes. 对比几款女性最爱玩的手游可以发觉,全都是超休闲游戏,游戏的特点也很明显,就是在轻量级游戏的同时,可以迅速吸引玩家的注意和深度参与。
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

2. 公平游戏环境
All good things must come to an end, and with the season 6B premiere of Vikings hitting our television screens on December 30, the end of History’s beloved series is near.The first 10 episodes of the season served as the perfect setup to its final, killing off a few major characters — we still haven’t quite recovered from Lagertha’s (Katheryn Winnick) unceremonious stabbing — and setting in motion an epic conclusion for Ragnar’s sons, now seven years in the making.But before Vikings sets sail to Valhalla for good, we’ve got several lingering questions we’d like to see answered, especially considering the midseason finale that left our central hero’s fate in the balance.Is Bjorn Dead or Alive After Getting Stabbed by Ivar?(Photo by Jonathan Hession/History)No surprise here: The biggest burning question going into this final stretch of episodes is whether or not Bjorn (Alexander Ludwig) actually died by Ivar’s sword, as shown in a surreal and disorienting battle at the tail end of 6A. Is he gravely wounded? Was it all a dream? Or is this actually the last that we’ll see of Ludwig’s formidable warrior?Speaking with Rotten Tomatoes, creator Michael Hirst remained characteristically tight-lipped about what’s to come, but he did tease that dead or alive, Bjorn will continue to be a presence this season. Just as Ragnar (Travis Fimmel) continues to be a name on everyone’s lips, his first son also casts a long shadow in life and in death.“These are presences in the show right to the end, powerful presences, part of the pantheon and sort of mythic figures in the Vikings world,” Hirst said. “So they’re still alive in many different ways.”And for what it’s worth, Ludwig, without giving away his character’s fate, told us that there’s no other way he’d rather the show end  — what Hirst has crafted is exactly what it should be.“I’m really objective, and I hate watching myself because I’m always really hard on myself, but I will say that I do love this show as a fan, I really do, and as somebody who’s incredibly critical of everything I do, I believe that this show is ending exactly how it should,” Ludwig said. “The fans are going to be really happy with the ending.”Scanning the latest trailers for the final season, Ludwig’s Bjorn is shown to be bedridden and surrounded by loved ones and viking leaders, which likely dispels any online theories that the battle sequence that ended in Ivar stabbing his brother was all a surreal dream. So perhaps he’s wounded and will live to fight another day? There are also glimpses of Bjorn riding horseback, and the season’s promotional poster itself features a grizzled, sword-wielding Bjorn, all indicating that we haven’t seen the last of him in battle yet. (Thank the gods!) Anything less would leave us feeling a bit cheated, considering the pedigree of loss and hardship Bjorn has weathered along the way, most recently the death of Lagertha, his unborn child, and Hali, his son by Torvi, and the loss of the elected crown.What Is Ivar’s Endgame With Oleg, Igor, and Hvitserk?(Photo by Bernard Walsh/History)We all know at this point just how masterful a strategist Ivar (Alex Høgh Andersen) truly is. And now that it appears the Rus army wrapped season 6A with a clear upper hand over Bjorn and King Harald (Peter Franzén), one must wonder what will come of his alliance with the young King Igor (Oran Glynn O Donovan), the rightful heir to Kievian Rus, and his manipulative, calculating uncle, Prince Oleg (Danila Kozlovsky). Of course, Ivar has had his eyes on the throne for years and is currently promised to inherit the crown as Norway’s King. But what if Oleg betrays that promise? Audiences have been privy to the mounting gameplay Ivar’s been aligning against Oleg should a coup be deemed necessary, so we’re eager to see how their relationship develops in these last 10 episodes. Where Oleg’s wife, Katia (Alicia Agneson) — whom Ivar believes is his dead wife resurrected — fits into that scheme also remains to be seen. But for now, as indicated in the finale earlier this year, the mood is joyous, celebratory, and drunk.As for Hvitserk (Marco Ilsø), he and Ivar have always had a, let’s say, contentious relationship. The fact that they’re back in arms together after Hvitserk accidentally killed Lagertha, was spared execution, and under Bjorn’s orders was banished from Kattegat — and, let’s not forget, after Ivar killed Thora (Eve Connolly) at the end of season 5 — definitely reeks of trouble. Too much baggage, resentments, and habits of fratricide sit between them and a happy, brotherly ending. How it all plays out, though — will Hvitserk make good on his supposed fate to kill Ivar? — is at this point anyone’s guess.King Harald Is Assumed Dead on the Battlefield — What Will Become of Norway?(Photo by Jonathan Hession/History)If there was ever a moment to prove that he deserved to be crowned King of Norway, the battle with the Rus at the end of 6A was it. Unfortunately, King Harald wasn’t quite up to snuff. (Are we all that surprised?) When news arrives of the approaching Rus army, Harald is unable to bring Norway’s kingdoms together for battle and is ultimately left shorthanded and unprepared. Throw into the mix the fact that he raped Bjorn’s wife, Ingrid, before that battle, we can’t say we were all that sad to see him bleeding out on the field. But never speak too soon: We never got any confirmation that he died after Erik the Red (Eric Johnson) left him for such and took his crown, so his future on the series is still unclear. And speaking of Erik, we can’t help but wonder what he’s going to do with the crown, leaving Harald for dead and with the knowledge that Bjorn is gravely injured, it appears as if Norway may need to find a new head to rest its power upon.Will Torvi and Ubbe Finally Make it to the Golden Land?(Photo by Jonathan Hession/History)We also expect these final episodes to conclude the years-long setup of how the vikings will make their way from Iceland to the so-called Golden Land — widely anticipated to be North America. On that quest by way of Iceland is Torvi (Georgia Hirst) and Ubbe (Jordan Patrick Smith), and at the end of season 6A, they had invited the help of Othere (Ray Stevenson), a mysterious wanderer who’s claimed to have charted the western seas and in his travels came up this “golden land.” Soon after his appearance in Iceland, it’s learned that he is actually a converted Anglo-Saxon monk named Athelstan, and he is hoarding a violent past. After killing a viking and taking his name, he left the missionary life behind and is now infiltrating the voyage efforts of Torvi and Ubbe. As it stands, his intention is unclear, and given his history, we’re not immediately on board to trust him. But if he can lead our heroes to the Golden Land, then perhaps it’s worth it to keep him around. Plus, if anyone has the answers behind Floki’s true fate, it may well be Othere.Another note of interest: Let’s loop back to Erik the Red. In real-world vikings history, Leif Erikson was the first viking to set foot on North America and went on to settle Newfoundland. Erik the Red, as it so happens, is Leif Erikson’s father. So were Hirst to stick closely to the factual history of the matter (which, of course, is not always the case in Vikings), we may also see Erik somehow involving himself in the Iceland camp’s voyage west.What Characters From Vikings’ Past Will Return Before the Finale?(Photo by Jonathan Hession/History)Speaking of Floki (Gustaf Skarsgård), wouldn’t it be nice to get some definitive closure on our favorite ship builder before Vikings comes to an end? It also gets us thinking about who else may show up between now and the series finale. The first half of season 6 has largely zeroed in on Iceland, Scandinavia, and Rus; is a trip back to Wessex and our friend King Alfred (Ferdia Walsh-Peelo) in store? Rollo (Clive Standen) is already known for making an unannounced grand return to the series; should we be holding our breath for him? And as Hirst says himself, these characters never really die. Could Ragnar and Lagertha appear in flashbacks or dreams? Is there room for a full-on cast reunion onscreen? We hope so!Whoever comes back for this last round of action, Ludwig assures us that it’s happening: “Some of the fan-favorites may or may not make a return, and I’m really, really looking forward to the response,” he said. “I don’t think there’s a better way that it could’ve ended.”And about that ending, Hirst said that we should prepare to say goodbye to more major players than just Lagertha: “I had to kill off some of the characters I’ve loved the most, and that was never easy,” he said.But he promises that every shocking twist in the remainder of this journey is worth it and all feed the larger story he’s long had in the pipeline.“What I can say is that these episodes are literally full of surprises and unexpected visitations or appearances, and the thing to expect is the unexpected,” he said. “I’m not going to go into detail, but the show is rounded off in many respects, and I hope in a very satisfactory way. That was what I needed to do.”In the end, what if you’re not happy with the result? Well, Hirst rests easy with the knowledge that he is the only one to blame.“You know there are certain shows, and you probably could name them — very good shows that had very poor endings,” he teased. “And I suspect that that was because there were a number of people involved in the decision about how they should end and how they should be written, and people would disagree. But in this case, it was just me, and the only person I could argue with was myself. So I felt that if I was able to conclude these different storylines — there are three different storylines in these 10 episodes — if I could conclude them satisfactorily and with justice, then I was fairly sure that the audience would find the ending satisfying, too, because these are characters I love, these are characters I lived with for seven years. So I didn’t want to cheat anybody, and I worked very hard not to do that.”Vikings’ final episodes premiere December 30, 2020, on Amazon Prime Video.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.亚博登录地址注册1. A  Sudden PeaceBlood of Elves, the first long-form Witcher novel, begins with all of Ciri’s experiences in season 1 inhabiting the narrative’s past. In the two years between the fall of Cintra and the start of the novel, the northern kingdoms won a war against Nilfgaard and an uneasy peace rules the day.It is possible season 2 will start from this standpoint, with two years passed in the gap between the season 1 finale and the season 2 premiere. But then again, The Witcher plays fast and loose with what it considers important, so the conflict between Nilfgaard and the northern kingdoms may matter to the series as a source of constant conflict.Although, as it happens, the Northern Kings in the books want another war with Nilfgaard in the books, so perhaps a two-year time jump will be The Witcher’s opening salvo as season 2 begins.2. The Hunt For Yennefer(Photo by James Minchin/Netflix)Clearly, Yennefer’s well-being will be of the utmost importance when the show returns. As it stands, she seemingly used all of her chaos to halt the Nilfgaard army. But considering her easy way with portals throughout the season, we expect to find some self-preservation extinct kicked in and transported her far from Sodden Hill.But her disappearance from the battlefield means several interested parties will be searching for her. Fans will no doubt want to see her united with Geralt and Ciri – it is part of the show’s premise after all. And, as it happens, a series can only go so long separating its main characters before viewers get impatient (even if The Witcher saga excels at keeping its principle characters apart). At the same time, The Witcher’s short season orders (just eight episodes!) means it is possible Geralt and Ciri will search throughout the North for her and only succeed in season 2’s final moments.Hopefully, Yennefer will have an interesting story in the interim.Also, both the Nilfgaard mage Fringilla (Mimi Ndiweni) and any surviving members of the Chapter’s task force would likely want to find her as well. She has a legacy, after all, and people will be interested in seeing it serve their ends.3. Training Ciri(Photo by Netflix)Much as how the early short stories outlined the world before Ciri arrived on the scene, season 1 roamed the timeline and offered key pieces of backstory before the main Witcher saga begins. This suggest the real story begins in season 2 with Geralt not chasing after Yennefer – which Ciri’s question about her implies – but instead taking Ciri to Kaer Morhen. It is the home he referenced while dealing with the rotfiend bite and where his novel counterpart takes Ciri in Blood of Elves.At Kaer Morhen, she is trained by several older witchers, including Vesemir, who was mentioned briefly in the later episodes of season 1. Triss Merigold (Anna Shaffer) also becomes her teacher for a time before Ciri relocates to Ellander and, eventually, is taught by Yennefer herself.It’s all exciting material for a novel, but it is easy to think the series will eat a lot of this plot within two or three episodes. Although considering the way it plays with time, it is entirely possible the season will begin with Ciri and Yennefer leaving Ellander and Geralt nowhere to be found, setting up the format of the second season and allowing the flashback structure to highlight Ciri’s education.4. Geralt and Triss?(Photo by Katalin Vermes/Netflix)Back in the books, Triss finds herself drawn to Geralt as their paths cross more and more. In the video game series, players are given the option of perusing more serious and long-term ties with Triss. And considering how much time the games spend on that relationship, we think it is possible the television series will devote some plot to it as well.Granted, Triss was not in the best of shape when we last saw her; she was being cradled by another survivor of the Sodden Hill defense. But we’re inclined to assume anyone who did not die on screen will find a way to mend themselves in the interim between seasons. And should season 2 follow events of Blood of Elves, Triss will be needed at Kaer Morhen. That certainly leaves some time for Geralt to spark an interest in another mage. Or, at least, for her to develop an unrequited attraction.

3. 激战团竞模式
上面提到的几款手游只是“冰山一角”,还有很多作品没有提到,如果大家对于这个话题感兴趣,我们不妨在评论区继续聊。

4. 呼朋唤友 随心所欲
(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)If the footage from the Avengers: Endgame trailers is to be believed, the original Avengers will be reunited to avenge the loss of their friends, and well, half of the universe. To do this, they’ll need a clean shave (lookin’ at you Cap), new haircuts (Hello Hawkeye), and superheroes from every Phase of the Marvel Cinematic Universe (MCU) to help them. We don’t know what will happen after the dust settles (or reforms into our favorite superheroes), but we do know it will be a colossal conclusion to the successful 10-film third phase of the MCU.In honor of the grand finale to Phase 3, and in preparation for a new wave of heroes taking over, we’ve done a Tomatometer deep dive into the 21 films that make up the three phases of the MCU so far. The result? Eighteen fascinating – we hope! – stats about the MCU, covering every one of the Marvel Studios films released since 2008. Dig in below, and let us know in the comments whether you agree or disagree with the Tomatometer s findings.1. THE AVERAGE TOMATOMETER AND AUDIENCE SCORES FOR THE ENTIRE MCU ARE ALMOST IDENTICAL — JUST 1.7% APART.(Photo by Zade Rosenthal/©Walt Disney Studios Motion Pictures)Average Audience Score: 82.1% | Average Tomatometer Score: 83.8% The average Audience Score for every film in the MCU is 82.1%, while the average Tomatometer score is 83.8% — so much for pretentious critics! A 1.7% split is almost unheard of with single films at Rotten Tomatoes, let alone when averaging out scores across 21 movies. Critics and fans: Assemble!2. THE IRON MAN, THOR, AND CAPTAIN AMERICA TRILOGIES EACH HAD DIFFERENT TOMATOMETER TRAJECTORIESIron Man (93%) | Iron Man 3 (79%) | Iron Man 2 (73%)Thor: Ragnarok (92%) | Thor (77%) | Thor: The Dark World (67%)Captain America: Civil War (91%) | Captain America: Winter Soldier (90%) | Captain America: The First Avenger (80%)It’s fitting that franchises featuring playboy billionaires, Asgardian gods, and a clean-cut super soldier would have Tomatometer trajectories as distinct as their titular heroes. The Iron Man trilogy started super Fresh (93%) and its sequels couldn’t recapture the first installment s glory, whereas Thor and Captain America finished very strong (91%, 92%) with the highest Tomatometer-rated movies in their trilogies. Only Captain America avoided a sophomore slump with Captain America: Winter Soldier (90%), while Thor: Ragnarok (92%) totally redeemed its franchise by making a 25% improvement after the near-Rotten Thor: The Dark World (67%).3. BLACK PANTHER IS THE TOMATOMETER KING.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)When looking at the Tomatometer averages for superheroes who have been in at least three MCU movies, they don’t get any better than T’Challa’s 91% Tomatometer average. He has appeared in Captain America: Civil War (91%), Black Panther (97%), and Avengers: Infinity War (85%). Also, the 97% Tomatometer score for Black Panther is the best in the MCU.4. Iron Man has the highest Tomatometer and Audience Score combined average: 92%.Talk about strong beginnings: 2008’s Iron Man comes out on top when you average out each film’s Tomatometer and Audience Score. The Tomatometer score for Iron Man is 93% and the Audience Score is 91%, making for an average between the two of 92%. We know a certain “genius, billionaire, playboy philanthropist” who would be very happy to hear this.5. THE BEST TOMATOMETER STREAK HAPPENED BETWEEN 2017 and 2018. Phase 3’s Spider-Man: Homecoming (92%), Thor: Ragnarok (92%), Black Panther (97%), Avengers: Infinity War (85%), and Ant-Man and the Wasp (88%) all have above-average Tomatometer scores for the MCU (the MCU average being 83.8%) and average a stellar 90.8% on the Tomatometer. It’s a Pixar-level run that was capped off by Black Panther receiving an Academy Award nomination for Best Picture.6. THE WORST TOMATOMETER RUN HAPPENED BETWEEN 2008 and 2012.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)Nowadays, after all of the Tomatometer success the MCU has enjoyed, it’s hard to believe that The Incredible Hulk (67%), Iron Man 2 (73%), and Thor (77%) couldn t muster Tomatometer scores above 80%. Those scores aren’t bad at all, but by modern MCU standards, they’re a little lacking. We can’t be too rough on these films though, because the MCU was still in Phase 1, and the next films released were Captain American at 80% and the 92% Tomatometer-rated The Avengers.7. Guardians of the Galaxy is the most loved brand in the MCU, according to the average Audience Scores for their movies (89.5%).Other brands — heroes with one sequel or more — still don’t fare too badly: Captain America (85%), Ant-Man (81%), Iron Man (80%), and Thor (79.6%).Turns out people love A-holes who save the galaxy while listening to awesome music. The James Gunn-directed movies have a totally different vibe to their MCU counterparts (OK, Thor: Ragnarok gives us some GOTG feels), and audiences have latched onto it. You have to admire how Gunn,  the maestro behind Super and Slither, has managed to bring some of his trademark oddness — a severed toe, Jackson Pollock paintings, and a villain who named himself “Taserface” — into the mainstream superhero movie domain.8. Captain America is on the best roll: Tomatometer scores have improved for each successive Cap’ movie (80%, 90%, 91%). (Photo by @ Walt Disney Studios Motion Pictures, @ Marvel)It is the only series in the MCU (and among other superhero trilogies) to see this trend.The Captain America series reigns over all MCU trilogies (Iron Man, Thor) when it comes to Tomatometer scores — its three-film average of 87% bests the rest. Also, it is the only superhero trilogy ever to start Fresh and get better with each installment. This is something Thor, Iron Man, Batman, Spider-Man, Blade, Wolverine, and the X-Men can’t claim.9. THE TOMATOMETER AVERAGES DROP WHEN DIRECTORS COME BACK TO DIRECT A SECOND OR THIRD FILM (89% first 82.5% second or third)Joss Whedon (Marvel’s The Avengers, Avengers: Age of Ultron), James Gunn (Guardians of the Galaxy, Guardians of the Galaxy Vol. 2), Jon Favreau (Iron Man, Iron Man 2), Peyton Reed (Ant-Man, Ant-Man and the Wasp), and the Russo Brothers (Captain America: Winter Soldier, Captain America: Civil War, Avengers: Infinity War) have directed 11 of the 21 released MCU films. The average for their first features is an excellent 89%; however, the average for the second or third films is 82.5%. All of their follow-up films were Fresh, mind you. And we re excited to see if Black Panther director Ryan Coogler can give the 82.5% average a boost when he returns to direct the sequel.10. THIRD MOVIES IN FRANCHISES HAVE THE BEST TOMATOMETER AVERAGE.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)Captain America: Civil War (91%), Thor: Ragnarok (92%), Iron Man 3 (79%), and Avengers: Infinity War (85%) have an excellent 86.75% Tomatometer average. On its own, the 86.75% average would be impressive, but when compared to the 85% and 79% averages for first and second franchise films in the MCU, it proves that the third time s a charm — according to the Tomatometer.11. Critics and audiences prefer MCU films that are over two hours.More is more in the MCU: The 15 movies in the collection that run longer than 2 hours have a much higher Tomatometer average than their five under-120-minute counterparts (86.7% compared to 76.6%). It’s a coincidence, but it’s worth noting that The Incredible Hulk (67%) and Thor: The Dark World (67%) are the lowest Tomatometer-rated movies and both have 112-minute running times. Good omen: Avengers: Endgame is apparently 182 minutes.12. MCU movies featuring human villains have a higher Tomatometer average.(Photo by © Marvel / © Walt Disney Studios Motion Pictures)Human Villains: 88.75% | Enhanced Humans: 80.8% | Non-Humans: 80.8%Unlike MCU movies involving villainous gods or bad guys who turn themselves into wild creatures, Iron Man, Iron Man 2, Captain America: The Winter Soldier, Ant-Man, Captain America: Civil War, Spider-Man: Homecoming, and Black Panther all feature human villains who don’t have special powers (to begin with) and work on the fringes in order to implement their plans. Critics seem to like this approach. Perhaps these villains connect because of their relatable, human motivations — Erik Killmonger wants to right worldly wrongs, Zemo seeks revenge, Michael Keaton s Vulture is after his version of the American Dream, and no one is getting in his way. Hela, on the other hand, wants to rule the universe — something only a couple of critics we know could relate to.13. FEWER DEATHS = BETTER TOMATOMETER SCORES.Of the 21 films in the MCU, only Spider-Man: Homecoming (92%) and Ant-Man and the Wasp (88%) feature fewer than 10 deaths perpetrated by the heroes or villains, and their Tomatometer average is 90%. On the flip side, the Tomatometer average for the six most carnage-heavy MCU movies – among them, Avengers: Infinity War, Guardians of the Galaxy, and Thor: The Dark World – is 84.8%. That s dragged down by The Dark World, but still, maybe Thanos should’ve only killed an eighth of the population.14. PHASE 3 CURRENTLY HAS THE HIGHEST TOMATOMETER AVERAGE OF THE MCU PHASES, WITH AN AWESOME 88.3%.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)It’s kinda crazy that the first nine films of the eventual 10 films that will make up Phase Three of the MCU have an average Tomatometer score of 88.3%. The creative team at Marvel has been able to fine-tune its formula to the point where the lowest score of the Phase 3 movies belongs to the Certified  Fresh Captain Marvel, at 78%. The highest score belongs to the wildly popular Black Panther (97%). Phase 1 has an average Tomatometer of 80.3%, and Phase 2’s average is 80.6%. If the pattern of phase-on-phase growth were to continue, look for Phase 4 to pull off the near-impossible and collect an average of close to 100%. (Unless they break the Tomatometer, it ain’t gonna happen).15. COMEDY-HEAVY MCU MOVIES HAVE A HIGHER TOMATOMETER AVERAGE THAN MORE SERIOUS MCU FILMS (87.1% 82.2%).The main reason we wanted to drop this statistic is so we could discuss the greatness of Luis in the Ant-Man franchise. Sure, we love Korg (Thor: Ragnarok), Ned (Spider-Man: Homecoming), and Mantis (Guardians of the Galaxy Vol. 2), but they don’t have the storytelling chops that Luis has. Michael Peña’s portrayal of the ex-con who becomes a security consultant is pitch perfect and we can’t get enough of his truth-serum arguments and one-punch knockouts. It won’t happen, but we hope Luis pops up in Avengers: Endgame and saves the day — or at least drops some funny one-liners.16. MCU movies featuring female superheroes have higher Tomatometer (85%) and Audience Score averages (83.5%) than the MCU movies that don’t (80.8%, 78.6%).(Photo by © Walt Disney Studios Motion Pictures)Captain Marvel is the only female-led superhero film in the MCU and won’t have any company in that tier until Scarlett Johansson s Black Widow hits theaters in 2020. However, movies featuring Black Widow (Scarlett Johansson), the Ancient One (Tilda Swinton), Okoye (Danai Gurira), Valkyrie (Tessa Thompson), Scarlet Witch (Elizabeth Olsen), Hope Van Dyne (Evangeline Lilly), Lady Sif (Jaimie Alexander), and/or Gamora (Zoe Saldana) have higher Tomatometer and Audience Scores on average than their more male-dominated counterparts.17. MCU movies featuring at least five superheroes teaming up have a higher Tomatometer average (87.3%) than their lone-wolf counterparts (82.1%).MCU movies that feature at least five superheroes teaming up to form a supergroup have a solid 87.3% Tomatometer average. These films include The Avengers, Avengers: Age of Ultron, Guardians of the Galaxy, Guardians of the Galaxy: Vol. 2, Captain America: Civil War, Thor: Ragnarok (yep, we’re considering Heimdall in our count), and Avengers: Infinity War. It’s hardly a surprise these movies score so well. The best moments of the MCU often come from the camaraderie of super crews as they battle various hordes, or each other, and the universe’s big “wow” moments are usually big team-ups — think of the “gang’s all here” slow-motion shot at the beginning of Avengers: Age of Ultron, or seeing Ant-Man steal Captain America’s shield from Spider-Man in Captain America: Civil War.18. Tony Stark = Box office gold.(Photo by Industrial Light & Magic/©Paramount/Courtesy Everett Collection)So, this isn t a Tomatometer stat, but it s damn impressive. The Iron Man trilogy may not have the highest Tomatometer average, but it is the highest grossing trilogy with a massive .7 billion worldwide haul (counting inflation). Seems that audiences love Robert Downey Jr.’s take on Tony Stark, and his appearances in non-Iron Man specific movies always guarantee success. He appears in five of the six highest-grossing Marvel movies (The Avengers, Avengers: Age of Ultron, Iron Man 3, Captain America: Civil War, Spider-Man: Homecoming, Avengers: Infinity War), and, with Avengers: Endgame coming up, his worldwide tally will easily pass billion. If Avengers: Endgame is Robert Downey Jr.’s Marvel swan song, no one can say the team at the big M didn’t get their money’s worth from him.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.Note: Calculations based on Tomatometer and Audience Scores as of April 17, 2019.Avengers: Endgame is in theaters April 26. 2019.

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9.75.7 4月喜迎This week s Ketchup brings you more headlines from the world of film development news, covering such titles as Blacula, The Rose, The Toxic Avenger, and the Marvin Gaye biopic.This WEEK S TOP STORYCOLIN FARRELL AND RACHEL WEISZ TO REUNITE IN TODD SOLONDZ S LOVE CHILD(Photo by Karwai Tang/Getty Images)Director Yorgos Lanthimos gave us a strange take on romantic relationships in The Lobster (Certified Fresh at 87%), starring Colin Farrell and Rachel Weisz, and their next project together seems like it might be thematically similar. The project was announced this week during the Cannes (virtual) market, with Farrell and Weisz attached to star in Love Child, a dark comedy from director Todd Solondz (Happiness, Wiener Dog, Welcome to the Dollhouse), who describes it as my first movie with a plot and my first movie taking place in Texas. That plot is described as a dark and hilarious twist on the classic Oedipus story, with a precocious kid who schemes to rid himself of his brutish dad so he can have his mom all to himself. But things go awry when a handsome stranger appears. Weisz will presumably play the Mom, but it s unclear whether Colin Farrell will play the dad or the handsome stranger (or, since this is a Solondz movie, maybe he ll play both?).Other Top Headlines1. CYNTHIA ERIVO TO REMAKE BETTE MIDLER S THE ROSE (Photo by Eli Winston/Everett Collection)Hollywood has been trying to make a proper Janis Joplin biopic since the 1970s (and the legal struggles were such that 30 Rock spoofed it the Jackie Jormp-Jomp episode). In 1979, one such Joplin project was fictionalized and retitled as The Rose (Fresh at 78%) instead of The Pearl, with Bette Midler starring as a beloved singer struggling with substance addiction. Cynthia Erivo is now set to star in a remake of The Rose for Searchlight Pictures, although there is currently no director or writer. Erivo began her career on Broadway before expanding to film in movies like Widows, Bad Times at the El Royale, and as Harriet Tubman in Harriet. It s worth noting that she has won an Emmy, a Grammy, and a Tony Award (all for The Color Purple), which means that she s only an Academy Award win away from earning EGOT status. Cynthia Erivo is currently starring as Aretha Franklin in National Geographic s Genius: Aretha (not to be confused with Jennifer Hudson s upcoming Respect), and she will also co-star as the Blue Fairy in Pinocchio on Disney+ in 2022.2. KRISTEN WIIG TO STAR IN STEPFORD WIVES-ESQUE THRILLER THE HUSBANDS (Photo by Wilson Webb/20th Century Fox)We ll never really be able to know how much better some films that were released during the COVID-19 pandemic might have done at the box office otherwise. One of those films, which opted for a streaming release in February, was the vacation comedy Barb Star Go to Vista Del Mar (Certified Fresh at 79%), starring Kristen Wiig and her Bridesmaids (Certified Fresh at 90%) screenwriting partner Annie Mumolo. MGM is now partnering with Brad Pitt s Plan B production company on an adaptation of the novel The Husbands by author Chandler Baker, who will also adapt the screenplay from her own novel., and Wiig is signed on to star. Described as a Stepford Wives-esque thriller, The Husbands centers on an overworked mother who, while house-hunting in a nice suburban neighborhood, meets a group of high-powered women with enviably supportive husbands (and presuming the comparison to The Stepford Wives is accurate, you can probably guess where The Husbands goes from there).3. PAUL GIAMATTI TO REUNITE WITH SIDEWAYS DIRECTOR ALEXANDER PAYNE IN THE HOLDOVERS(Photo by Jeff Neumann/©Showtime)In 2004, director Alexander Payne had just directed three films (Citizen Ruth, Election, About Schmidt), but his fourth, Sideways, a seemingly unambitious buddy comedy about two wine enthusiasts, ended up being something of an arthouse blockbuster, earning over 0 million, five Academy Award nominations, and an Oscar for Best Adapted Screenplay. The stars of Sideways were Thomas Haden Church and Paul Giamatti, and now, Giamatti is set to reunite with Payne on another indie-flavored comedy called The Holdovers. Giamatti will play a universally disliked teacher at a prep school during Christmas, 1970, as he has to watch over the holdovers, who are students unable to go home. Filming of The Holdovers is scheduled to start in early 2022 on location in New England.4. DR. DRE PRODUCING MARVIN GAYE BIOPIC WHAT S GOING ON (Photo by Everett Collection)Musical biopics are all the rage, particularly with the box office success, critical and audience acclaim, and awards attention of several recent films; the most recent Oscars ceremony alone recognized Ma Rainey s Black Bottom (Certified Fresh at 98%), The United States vs Billie Holliday, and (partly) One Night in Miami (Certified Fresh at 98%). So it shouldn t surprise anyone particularly readers of this column that new ones are announced with great regularity, and the big new project his week involves 1960s and 1970s soul and R B star Marvin Gaye, whose story will be told in What s Going On, which takes its title from one of Gaye s most famous songs (and albums). What s Going On will be produced by Dr. Dre, Jimmy Iovine, and Andrew Lazar, and directed by Allen Hughes (Menace II Society, Dead Presidents, The Book of Eli). The budget of What s Going On will reportedly be the biggest ever for an African American music biopic, north of million, and it s expected to be released sometime in 2023. In related news, the long-in-development disco-era Spinning Gold, about Casablanca Records founder Neil Bogart (to be played by his son) is finally moving forward, with a supporting cast that includes Wiz Khalifa as George Clinton, Tayla Parx as Donna Summer, and Ledisi as Gladys Knight. Lastly, another musical biopic starting to cast up is I Wanna Dance with Somebody, starring Naomi Ackie as Whitney Houston, with Moses Ingram (of the upcoming Disney+ series Obi-Wan Kenobi) as Houston s longtime friend and assistant Robyn Crawford.5. EWAN MCGREGOR TO CLIMB EVEREST IN GEORGE MALLORY BIOPIC (Photo by Neil Davidson/IFC Films courtesy Everett Collection)Sometimes movies with similar premises or settings are released within a few years of each other. The 2015 action thriller Everest (Fresh at 73%), for example, was set on Mount Everest, but it was not about any of the famously historical attempts to first climb the mountain. That will be the premise of another movie called Everest, in which Ewan McGregor will star as English mountaineer George Mallory, along with Mark Strong as Arthur Hinks and Sam Heughan as George Finch. Jeffrey Archer s novel Paths of Glory (not to be confused with the Stanley Kubrick film) is described as inspiring Everest. Director Doug Liman (Edge of Tomorrow, The Bourne Identity) will direct Everest from a screenplay by Sheldon Turner (Up in the Air) when filming starts in the UK and Italy in January, 2022.6. ICE CUBE TO SAY OH HELL NO TO HIS MOM DATING JACK BLACK (Photo by Scott Garfield/©Columbia Pictures, Deana Newcomb/©Millennium Entertainment)Sometimes, we pretty much give you the entire story in the headline, and there it is. Jack Black is now in negotiations with Sony Pictures to star in the quickly-coming-together comedy Oh Hell No, starring Ice Cube and to be directed by Kitao Sakurai, who is fresh off the release of his COVID-delayed comedy Bad Trip (Certified Fresh at 76%). Ice Cube will play a man who becomes very upset when he discovers that his mom is dating Jack Black s character. Sony Pictures has scheduled Oh Hell No for release on June 17, 2022, which currently puts it up against Pixar and Disney s Lightyear origin story for their Toy Story character Buzz Lightyear, to be voiced by Chris Evans.7. SIX DEGREES OF THE TOXIC AVENGER: KEVIN BACON CAST AS THE REBOOT S VILLAIN (Photo by RCF/Everett Collection)Producer Lloyd Kaufman s ultra-low-budget production company Troma Entertainment has given us such schlocky titles as Sgt. Kabukiman N.Y.P.D., Tromeo Juliet, The Class of Nuke Em High (and its four sequels), and most infamously, The Toxic Avenger (and its three sequels). Big-time Hollywood production company Legendary Entertainment gives us super-expensive movies like Christopher Nolan s Batman trilogy, the Jurassic World franchise, and recently, Godzilla vs Kong. Surely, there is no project that could ever connect the two, right? That notion went out the window when Legendary decided to reboot Troma s The Toxic Avenger, with Game of Thrones star Peter Dinklage taking over as the toxic waste-powered superhero. We also now know that the slick villain of The Toxic Avenger will be played by Kevin Bacon. Elijah Wood also signed onto the film this week, as did prolific character actor Jonny Coyne, joining a growing ensemble that  includes Jacob Tremblay (as Toxie s son), Taylour Paige, Julia Davis, and Sarah Niles.
Deadly Class is an ambitious fiction for Syfy to risk airing now, one that asks a viewership shocked by multiple deadly school shootings in recent years to embrace a story about teens trained in the assassination arts – one is a sword wielder, another’s expertise is poison, and so on. It s one of the more twisted coming-of-age stories you ve ever read, filmmaker and producer Joe Russo has said of the graphic novel the series is based on. The Russo Brothers, Joe and Anthony, co-directors of Avengers: Infinity War and 2019’s upcoming Avengers: Endgame, are executive producers on the series.Lana Condor, who so recently charmed Netflix subscribers in high-school rom-com To All the Boys I’ve Loved Before, here plays Saya, master of the katana. Condor told Rotten Tomatoes that series creators Remender and Miles Orion Feldsott took pains to ensure that the violence wasn’t gratuitous and wasn’t gun-based.“It s definitely a conversation to have. I think one of the biggest things is, we don t have any guns in our school,” the 21-year-old actress said. “We absolutely do not and are not promoting any sort of gun violence in schools whatsoever … and it s very rare that you see violence between the children. A lot of the violence that comes out of our show is either outside of the school, where they genuinely — our villains are quite horrible people. And that part of the show, it s just a part of television, right?”True. Deadly Class is certainly not the first fiction to put children in peril: You can thank Charles Dickens for that trend. Or the Old Testament if you want to get Biblical about it (see “Binding of Isaac,” Genesis 22).On TV, we’ve seen The Gifted on Fox, Impulse on YouTube Premium, AMC’s The Walking Dead, FX anthology series American Horror Story, and another of this week’s releases, teen-vigilante series Wayne from Rhett Reese and Paul Wernick, the writer-producer duo behind the Deadpool films. (Speaking of movies, the X-Men films, The Hunger Games series, and virtually every horror film ever regularly threatened their youngest characters, and that’s just not going to change.)The difference may be that these kids are on the offense and many have very bad intentions. Self-defense is second-nature at King s Dominion, and its student body isn’t made up of fumbling innocents. They are well-trained and lethal, and takes “jaded” to new levels.(Photo by Katie Yu/SYFY)When Rotten Tomatoes recently visited the set, series co-creator Feldsott explained that Master Lin’s (Benedict Wong) great-grandfather founded King’s Dominion as a training ground to help the disenfranchised gain power over their oppressors.“For Master Lin, one of the big journeys that he has over the course of the season is that he is trying to figure out exactly what he stands for,” he said. “Originally, his great-grandfather had a very noble intention when they founded the school. He was going to give power to the oppressed, and now as time as gone on, that mission has been somewhat corrupted, and now these more powerful organizations are giving their kids training at the academy. So he is having a crisis of conscience in the first season. He s having this argument with the teacher that Henry Rollins plays, who s saying, ‘You were different when you were younger. What do you stand for now?’ And there s also a powerful organization that is above Master Lin that expects him to maintain order in this place.”Wong, whose recent role as Wong in Marvel blockbusters Doctor Strange and Avengers: Infinity War has put him in front of massive audiences, credits the Russo Brothers for bringing him to the new character.“I was fortunate to get a call from Joe Russo. He said, ‘Hey, I really want you to be in this, and I just immediately said yes, and then said, ‘What? Sorry, what do you want me to be in then?’ Because the brothers have got an incredible pedigree,” Wong told Rotten Tomatoes.Wong reveals that the influx of criminal organizations have fueled Master Lin s crisis. It’s also important to remember that it’s fiction.“We re in a world that is not like our own world, obviously,” Wong said. “It s a heightened world, and it s more about the repercussions of violence, really, and what would happen. We re in a make-believe world of what would we do if we threw [together] the cartel, the CIA, NASA, and they send their kids to this school, and this man is now having to uphold it all and watch every lid before it flips.”(Photo by Allen Fraser/Syfy)The young Deadly Class cast members are also clearly thrilled with their roles, even if some of the main characters are described as “rats,” including new student Marcus (Benjamin Wadsworth), who is also an orphan. His lack of connections puts him at a disadvantage; he has no formal fight training like his schoolmates, for one, though his life has been hard.“We re gonna see how violence has affected Marcus,” Wadsworth promised. “He experiences some forms of psychosis. Trauma does weird things to human beings. They find unhealthy coping strategies like alcoholism, chain-smoking, drug-addiction. So I think it would show that, ‘Hey, you probably don t wanna do this or you re gonna get messed up.’”
就像”小说改编电影”一样,LOL手游经过几轮内测的打磨,很多忠实的端游玩家都在担心英雄联盟的手游化能否还原端游上原汁原味的体验,不过随着手游不删档测试的开启,大家不难发现,英雄联盟手游的竞技性依旧很强,各种团队战术和策略基本都可以在手游端实现,并且不同于键鼠的操作方式,手机上优化后的操作方式也能给玩家带来另一种全新的体验。

This week in TV news includes a major Star Wars story, new trailers, a Hemingway adaptation, and plenty of casting news.Ewan McGregor is in talks to reprise his role as a younger version of Obi-Wan Kenobi in a potential event series for Disney+. The limited series could consist of up to six episodes, according to original source StarWarsNews.net. The story was subsequently confirmed by The Hollywood Reporter and other trade publications, which also reported that a film centered on the Jedi Master was originally planned in 2017, but scrapped following the poor box office performance for Solo: A Star Wars Story.The Obi-Wan series is the third Star Wars series for Disney+, after the upcoming The Mandalorian and an as-yet-untitled prequel to Rogue One, starring Diego Luna. McGregor took over the role of Ben Kenobi in the Star Wars prequels from Alec Guinness, who played Luke Skywalker s Jedi mentor in the original trilogy.Related: Everything We Know About Disney+ Revisit the Bourne Trilogy With Treadstone TrailerThe first trailer for USA’s upcoming TV series set in the Bourne universe, Treadstone, introduces the new characters and timelines that the drama will cover. The series is a thriller “set amidst the CIA black ops program Operation: Treadstone,” according to the official description. “Exploring both the origin of the infamous covert program, as well as connecting to present-day special ops, Treadstone follows the action across the globe — from D.C. to Berlin to Paris and beyond. Using a mysterious behavior-modification protocol, Treadstone turns its recruits around the world into nearly-superhuman assassins, following sleeper agents as they’re mysteriously “awakened” to resume their dangerous missions.”Meanwhile, the final trailer for the upcoming third season of Netflix’s 13 Reasons Why centers on the discovery of the body of a pivotal character (no spoilers here, though you’ll find out who just seconds into the trailer). The season will focus on the hunt for the person responsible for the death, and it appears nearly everyone at Liberty High could be a suspect.You can also check out the following new trailers: A teaser for the second season of FX’s Sons of Anarchy spinoff Mayans M.C. The announcement for the highly anticipated third season of The Crown, which stars Olivia Colman as a slightly older version of Queen Elizabeth II A teaser for the upcoming 1984 slasher-themed season of American Horror Story The first promo for the Jennifer Aniston, Reese Witherspoon, and Steve Carell-fronted AppleTV+ drama The Morning Show A teaser for the third and final season of HBO’s porn drama The Deuce-Promos for the upcoming Invader Zim: Enter the Florpus, Fox’s new fall drama Almost Family, and the Netflix rom-com Falling Inn Love.Drew Barrymore: Talk Show Host?(Photo by Steven Ferdman/Everett Collection)According to Variety, Drew Barrymore has spent the week filming a pilot for a potential daytime talk show in New York City. Barrymore is reportedly an executive producer on the project, which is being made through CBS Television Distribution. The actress, who is also the author of two memoirs and has launched makeup, perfume, and eyewear lines, previously “circled” a talk show deal in 2016.National Geographic Is Searching for Amelia EarhartA new expedition helmed by Bob Ballard, the man who found the wreckage of the Titanic, is currently underway in an attempt to solve the mystery of the disappearance of famed aviator Amelia Earhart. The month-long journey departed from Samoa to a remote Pacific atoll called Nikumaroro in the Republic of Kiribati on Aug. 7. The results of the expedition, along with the clues gathered by Ric Gillespie and The International Group for Historic Aircraft Recovery (TIGHAR) that pointed Ballard in the direction of Nikumaroro, will air in a two-hour special on Sunday, Oct. 20 called Expedition Amelia.Friends Is Heading to the Movies(Photo by Warner Bros. / Courtesy: Everett Collection)If watching Friends on Netflix every night before bed is starting to feel a little old, then you’ll want to check out your favorite New York City twentysomethings on the big screen. In celebration of the 25th anniversary of the sitcom’s premiere, 12 fan-favorite episodes are headed to a theater near you. Over the course of three nights — Sept. 23, Sept. 28, Oct. 2 — Friends 25th: The One With the Anniversary will bring four newly remastered episodes to more than 1,000 movie theaters across the country via Fathom Events. The episodes have all been remastered in 4k from the original 35mm camera negatives. All showings will begin at 7 p.m. local time, and tickets are available at www.FathomEvents.com.Taylor Swift Is Hosting a Livestream the Day Before Her Album Comes OutNew song “Lover” is out tonight at midnight eastern! 💘 The music video will premiere after a very exciting @YouTube Live situation on August 22 at 5pm eastern! pic.twitter.com/QynoYgkqQ7 Taylor Swift (@taylorswift13) August 15, 2019The day before Taylor Swift’s latest album, Lover, comes out, the singer will sit down for a YouTube livestream event featuring a fan Q A and performance of a new song from the album. “Taylor Swift – Lover’s Lounge (Live)” will premiere at 5 p.m. ET and also feature the singer revealing new details about her Lover-themed fashion collaboration with Stella McCartney, and the world premiere of her music video for the album’s title track. Leave your questions for Swift in this post, and tune in to Swift’s YouTube channel for the event.NBCUniversal’s Streaming Service Should Arrive in April 2020(Photo by NBC)The upcoming streaming service from NBCUniversal, which is set to be the new home of The Office and many more series, is scheduled to launch in April 2020 according to CEO Steven Burke. The NBCU bigwig said in the company’s second-quarter earnings call that The Office will be a “tentpole” program, and the streaming service has set its target launch date. According to The Hollywood Reporter, the as-yet-unnamed service will also be the home of two series originally developed for cable: a Queer as Folk reboot meant for Bravo and a YA drama based on a novel, One of Us Is Lying, meant for E!. (Rotten Tomatoes is owned by NBCUniversal.)The Latest Film-to-TV Adaptation: St. Elmo’s FireSt. Elmo’s Fire is the next film that might make its way to the small screen. NBC is currently working on an adaptation of the 1985 Brat Pack classic that will put a modern spin on the story, which follows a group of close friends struggling with their careers, love lives, friendships, and the responsibilities of adulthood. Drop Dead Diva’s Josh Berman will write and executive produce.The Latest Book-to-TV Adaptation: A Moveable FeastErnest Hemingway’s A Moveable Feast could make its way to TV: Actress Mariel Hemingway, the author’s granddaughter, has teamed up with a pair of producers for a “Hemingway origin story,” according to The Hollywood Reporter. The TV version of the memoir will focus on Hemingway’s years as a struggling journalist in Paris in the 1920s. A Moveable Feast has been my favorite book since I was 11 years old when my father took me to Paris, Mariel Hemingway said in a statement. While reading the book together, he showed me where Papa lived (and daddy was raised), ate, wrote and dreamed of becoming a great writer. His deep love of my grandmother Hadley and his growing passion for art is an inspiring time at the beginning of his iconic career. I want to reveal on film the coming-of-age story that has captivated readers and burgeoning writers for several decades. Casting Updates(Photo by Priscilla Grant/Everett Collection)Jamie Dornan will star in the upcoming limited series Dr. Death, based on the podcast of the same name about a Dallas neurosurgeon whose patients came in for routine spinal surgeries and frequently left maimed or dead. Rachel Dratch will star as Ian’s corrupt parole officer in season 10 of Showtime’s Shameless. Bryan Greenberg and Charles Michael Davis will vie for Lea Michele’s heart in the actress’ upcoming ABC Christmas movie Same Time, Next Christmas. Empire has added Lethal Weapon veteran Keesha Sharp as a no-nonsense, compassionate doctor named Paula Wick. Cicely Tyson will play a stage and screen luminary (sound familiar?) in Ava DuVernay’s upcoming OWN anthology, Cherish the Day.Piper Perabo has joined the cast of Showtime’s Penny Dreadful spinoff, City of Angels, as a woman “disappointed with her husband and bored with her constrained suburban life.” Spectrum Originals’ Mad About You has cast Abby Quinn as Helen Hunt and Paul Reiser’s daughter, Mabel, in the rebooted version of the series. You’re the Worst’s Kether Donohue will star alongside Darren Criss in the actor’s upcoming musical comedy for short-form streaming service Quibi.(Photo by Mindy Tucker/HBO)Phoebe Robinson, a.k.a. one half of HBO’s Two Dope Queens (pictured: right), will star in her own 10-episode half-hour comedy series. The as-yet-untitled unscripted show will feature Robinson interviewing and sharing one-on-one “experiences” with her celebrity guests “that take us into their world and out of her comfort zone.” Denis Leary and Elizabeth Perkins are set to star in Fox’s adaptation of the Australian holiday-themed comedy A Moody Christmas. They’ll play the heads of a slightly dysfunctional family of five whose three children return home to Chicago for the holidays and hide secrets from one another. Scoot McNairy, Peter Vack, Zoe Chao, and Sasha Compere have joined the cast of Anna Kendrick’s upcoming HBO Max rom-com series Love Life. Martha Plimpton will play the late mother of Anna Paquin’s character on the Pop dramedy Flack, about a ruthless celebrity PR exec living in London. Jennifer Esposito will recur on Awkwafina’s upcoming Comedy Central sitcom as an art teacher who catches the eye of BD Wong’s character at a support group for single parents.Arrow vet Katrina Law is joining Hawaii Five-0 as a series regular in the CBS procedural’s upcoming tenth season. She’ll play polyglot former Army Staff Sergeant Quinn Liu, who, according to TVLine, was recently demoted for insubordination and “has a deep understanding of military culture, a mysterious past and a deft ability to match wits with McGarrett.” Lifetime’s upcoming College Admissions Scandal movie will star Penelope Ann Miller and Mia Kirshner not as the big-name celebrity defendants in the real-life case on which it was based, but rather as two wealthy mothers who share an obsession with getting their teenagers into prestigious colleges. Tiffany Lonsdale joins the third season of Freeform’s Siren as Tia, an “extremely intelligent mermaid with a highly evolved knowledge of the human condition. She speaks several languages, understands advanced science and technology and was trained as a high level warrior.”Development Updates: Disney+, HBO Max, More(Photo by Ben Rothstein/Twentieth Century Fox Film Corp./Courtesy Everett Collection)Production has begun on the Disney+ series Love, Simon, based on the film (and novel) of the same name. The TV series, from This Is Us showrunners Elizabeth Berger and Isaac Aptaker, who wrote the Greg Berlanti-directed film, will follow Victor, a new student at Creekwood High School “on his own journey of self-discovery, facing challenges at home, adjusting to a new city, and struggling with his sexual orientation. When it all seems too much, he reaches out to Simon to help him navigate the ups and downs of high school,” per the official series description. Michael Cimino will star as Victor alongside Ana Ortiz (Victor’s mother, Isabel), James Martinez (Victor’s father, Armando), Isabella Ferreira (Victor’s sister, Pilar), Mateo Fernandez (Victor’s little brother, Adrian), Johnny Sequoyah (Victor’s pal Mia), Bebe Wood (Mia’s BFF Lake), George Sear (Victor’s classmate Benji), Anthony Turpel (new neighbor Felix), and Mason Gooding (classmate Andrew).HBO Max and BBC Three have ordered a comedy from Rose Matafeo that will follow a twentysomething millennial in London (Matafeo) who accidentally sleeps with a movie star and must deal with the fallout.The true story at the heart of HBO’s Certified Fresh docuseries I Love You, Now Die: The Commonwealth V. Michelle Carter could become a scripted TV series: According to Deadline, Universal Cable Productions has optioned the GQ story The Girl from Plainville, about a Massachusetts teenager convicted of involuntary manslaughter for encouraging her boyfriend to commit suicide. Author Jesse Baron and I Love You, Now Die director Erin Lee Carr will both serve as executive producers on the new series.AMC has commissioned a three-part drama based on the 2001 Who Wants to Be a Millionaire? cheating scandal. Quiz will be directed by Stephen Frears. Major Charles Ingram, his wife Diana, and accomplice Tecwen Whittock were accused of cheating their way to a million pounds by coughing in the audience at the correct answers. Matthew Macfadyen will star as Major Charles Ingram, Michael Sheen as TV presenter Chris Tarrant, and Sian Clifford as Diana Ingram. The drama is written by playwright, James Graham, (Brexit: An Uncivil War, Ink, This House, Labour of Love) and will be produced by Left Bank Pictures for AMC and ITV.
我认为手游市场还没有达到顶峰。虽然现在手游市场如火如荼,但随着科技的飞速发展,手机的性能会越来越好。直到端游与手游融合,手游市场才会达到一个水平。新高峰。
The Last Kingdom 91% (Netflix)Berserker Vikings fans will likely have already tasted The Last Kingdom, in which Uhtred, the eldest son of the Saxon Lord of Bebbanburg, is taken as a slave by the Viking raiders that killed his father and later returns to his homeland claim his birthright. Alexander Dreymon (American Horror Story) plays the swaggering hero, and season 4 of the one-time BBC America series just premiered on Netflix in April. The cast includes David Dawson as King Alfred the Great, to whom Uhtred pledges his sword as part of a peace treaty and later in return for land and to become an Ealdorman. Ian Hart appears as Uhtred’s priest-confidante Beocca, while Emily McKenna Cox and Tobias Santelmann are the warrior’s adopted siblings Brida and Ragnar. The Last Kingdom, with series Tomatometer score of 91%, makes a fine binge if you miss Vikings and need a jolt of Danish raids, flashing swords, and 9th-century English politics. – Debbie Day, Sr. TV EditorWhere to watch: NetflixCommitment: 31.5 hours (across four seasons)Dave: Season 1 (2020) 76% (FXX)Dave is a grower. The raunchy FXX comedy, starring Dave “Lil Dicky” Burd as a fictionalized version of himself, does not make the most inviting of first impressions. Rambling with the fretful patter of an adult baby, Burd spends the early going oversharing about his malformed anatomy whenever he isn’t talking up his rapping prowess. Viewers who aren’t charmed by genitalia jokes may dismiss the first few episodes as a successful musician delivering an edgy valentine to himself. Gradually, however, Dave blossoms into something meaningful: It s about how every success story takes a village. The series makes excellent use of Lil Dicky s inner circle, each of his friends harboring relatable aspirations and foibles. We come to appreciate this oddball community and the inexplicably talented man-child who binds them all together. By the end of the first season, we truly believe that Licky Dicky has the goods. So does his show. – Rob Fowler, Review CuratorWhere to watch: Stream on FX Networks app or Hulu; buy or rent on FandangoNOW, Vudu, Amazon, or Google Play.Commitment: 5 hours (one season)This Country 96% (BBC)This British mockumentary comedy series had completely escaped my attention until I heard Phoebe Waller-Bridge recommending it on a podcast earlier this year, and it turns out – shocking, I know – that Waller-Bridge has good taste. This Country is brilliant, the kind of seemingly out-of-nowhere gem that you know is going to do big things for everyone involved. (Seriously, it has the feel of Spaced or the U.K. version of The Office.) The “everyone involved” here mostly happen to be from the same family; the series was created by siblings Daisy May and Charlie Cooper, who also star in it as Kerry and Kurtan, two cousins from a village in Southwestern England who are the main subjects of a BBC documentary series about disaffected youth in the rural U.K. The duo’s real-life father plays Kerry’s dad, while their uncle plays a local grouch. The cousins wander the village doing s—t-all, dreaming up small schemes and games to pass the time, and it’s all extremely funny. But what makes This Country truly special – and a multiple British Academy Television Awards winner for two years straight – is its heart. The bond between the cousins and the tenderness and empathy with which every character around them is handled make This Country as moving as it is hilarious. – Joel Meares, Editor-in-ChiefWhere to watch: HuluCommitment: Approx. 5 hours (for two seasons; season 3 is not available in the U.S.)Dispatches From Elsewhere: Season 1 (2020) 87% (AMC)Full disclosure: I didn’t actually binge Dispatches from Elsewhere. I watched in real time, as it was happening (by which I mean the next day on the AMC app). That said, Dispatches from Elsewhere is a show you will want to binge. It’s cliché to say, but here I am, typing this sentence: Dispatches From Elsewhere is like no other TV show I have ever seen. It’s like a mysteriously philosophical scavenger hunt full of art and wonder and. The show begins in one place and ends somewhere you would never expect and I can t say anything else at risk of ruining the joy of the journey. Jason Segel, Sally Field, André 3000, and the wonderful Eve Lindley are a dream team, and Richard E. Grant’s particular brand of charming intensity is put to great use. It’s a fairly introspective show, and while that might not seem appealing when we’re stuck inside with only our thoughts to keep us company, I promise it’s more comforting than existential dread–inducing. – Haña Lucero-Colin, TV Curation ManagerWhere to watch: AMC, YouTube TV (with subscription), Sling TV; buy on YouTube, iTunes, or AmazonCommitment: 10 hours (one season)Upload: Season 1 (2020) 88% (Amazon Prime)Upload is a charming romantic comedy-mystery drizzled in existential horror. On the verge of death after an accident, Nathan Brown (Robbie Amell) is coerced by his clingy, controlling girlfriend (Allegra Edwards) into forgoing surgery, and having his consciousness uploaded to an idyllic, vacation-like simulation, where a digital version of himself (and, eventually, his girlfriend) will live for eternity. It’s like heaven… if heaven exists in a trillion-dollar conglomerate’s computer servers, you have no privacy, and the wealthy sponsor paying your bills in the living world chooses how comfortably you get to live. With the help of his “Angel, Nora (Andy Allo), Nathan navigates what it means to die, and whether a perfect afterlife can ever be as satisfying and meaningful as an imperfect regular life. Oh, and someone may have had him killed, so he’s trying to figure that whole thing out, too! If you are looking to explore the meaning of life but need a heavy dose of laughter to do it, Upload just might be for you. – Tyler Lorenz, Media CoordinatorWhere to watch: Amazon PrimeCommitment: 4 hours (one season)Outlander 89% (Stars)Based on Diana Gabaldon s best-selling novels, Outlander is a historical fantasy romance that stars Sam Heughan and Caitriona Balfe as Jaime and Claire Fraser, and the show follows along their passionate and loving journey. It s a little bit of Pride and Prejudice with some Game of Thrones in there. However, what makes Outlander stand out above its peers is that it s confident and committed to the stories it wants to tell for both its male and female characters and does so in a uniquely thoughtful and gripping manner. Above all, it is unapologetically entertaining – which is welcome right now. Keep a special eye on Tobias Menzies and Maria Doyle Kennedy, who stand out even among the fantastic ensemble cast. After one episode, you will most certainly be swept off your feet by Jaime and Claire. After two, you ll never get the gorgeous theme song out of your head.  – Daisy Gonzalez, Theatrical Review CuratorWhere to watch: Netflix (seasons 1-3), Starz (seasons 1-5); buy or rent on FandangoNOW, Amazon, or iTunesCommitment: Approx. 100 hours (five seasons)Better Things 97% (FX)It s totally understandable if the last thing you want to watch  is a show about the entertainment industry, especially an actor. But Better Things is less of a Stars: They re Just Like Us and more like a Stars: I Empathize With and Sometimes Feel Sorry for Them. Plus, it s the perfect Mother s Day binge watch. Pamela Adlon is Sam Fox, an actress who is always hustling from one gig to the next. She s also a single mother of three daughters, cares for her elderly mother who lives across the street, and doles out alimony to her ex-husband (the only issue I have with the show is that she married this loser in the first place). The show is interspersed with cozy moments of Sam cooking, cuddling on the couch with her family, drinking and trash-talking with friends, and unexpected plot detours. Stars may never be just like us, but you d be lucky if Sam was just like someone you know. – Sara Ataiiyan, Review CuratorWhere to watch: FXNow, Hulu; rent or buy on FandangoNOW, Vudu, iTunes, or Google PlayCommitment: 17.5 hours (four seasons)Check out our regular May Binge Guide. Thumbnail image: Jessica Kourkounis/AMC, Adrienn Szabo/Netflix, BBC
(Photo by Nickelodeon)Before How To Train Your Dragon, before Adventure Time and Gravity Falls, there was Avatar: The Last Airbender. Nickelodeon premiered a show 15 years ago that was unlike anything they (or audiences) had seen before. Taking the serialized storytelling of anime shows as well as epic world-building and lore from big film franchises of the time like Harry Potter and Lord of the Rings, the result was a show with epic action, a rich mythology, and a story that still resonates to this day.Now that Netflix and Nickelodeon have announced a live-action remake of the show, and to celebrate its 15th anniversary on February 21, Rotten Tomatoes spoke with animator and director Giancarlo Volpe about his work on Avatar: The Last Airbender. The director reflected on what made the show so special, and what advice he’d give show creators Michael Dante DiMartino and Bryan Konietzko on their new adaptation.1. AVATAR FEATURES RICH WORLD-BUILDING“Water. Earth. Fire. Air. My grandmother used to tell me stories about the old days…” so begins the first episode of the show, with an opening monologue that sets up the world of the show and its different cultures, as well as the conflict and the stakes at hand. Though the show only lasted three seasons, Avatar introduced us to a world full of history and lore, all without the need for overt exposition.“You’d be surprised how little can set people off in the right direction,” Volpe told Rotten Tomatoes. “Just contrasting the air nomads, who have elaborate temples that are difficult to reach unless you can almost fly, with the water tribes that are primarily at the Northern and Southern poles of the planet surrounded by water and ice. Just the little things already make people’s imaginations soar.”Indeed, the show feels more in line with something like Star Wars, which introduced us to alien creatures, technology, and history either visually or in passing conversation (like Luke name-dropping the Clone Wars without further explanation). In the first episode, we instantly feel that this is a world both familiar and completely different than our own. When we meet two of our main characters, siblings Sokka and Katara are out fishing. Katara uses some magical abilities that her brother refers to as “an ancient art unique to our culture.”Their village closely resembles traditional Inuit culture, just like the other nations resemble real cultures like ancient China, imperial Japan, and Tibetan Buddhists, yet we also see things like a “tiger seal” or a group of “otter penguins” which are exactly what you imagine. The show introduces us to past wars, kings, kingdoms and legends all via conversation or subtle visual cues, making its world feel lived-in. Even if you probably won’t be able to write a history book about the world of Avatar like you would Middle-Earth, you get a sense that a lot more is happening on the world than what our characters are going through.2. THE LAST AIRBENDER’S STORY FOR KIDS GETS DARK(Photo by Nickelodeon)Even though it was primarily aimed at kids, played with juvenile humor, and had a Y-7 rating, Avatar wasn’t afraid to explore some dark subjects. From the opening monologue we know that the world of the show has been involved in a war for 100 years, but by episode 3 we learn the serious consequence of that war.“The air benders were wiped out while Aang was frozen for a hundred years,” Volpe explained. “We basically dealt with a Holocaust in our third episode. And we always had to do it in a way that made it appropriate for the Nickelodeon channel and brand. We saw how they handled that kind of subject matter in anime and figured out how to tell those stories in an accessible way. It became more about how the characters react to it, more than the thing itself. We don’t explicitly say the word genocide, but we see Aang’s pain at seeing his old friend dead, and we can imagine the rest.”Avatar does deal with heavy themes such as war crimes, class division and corporal punishment, but it’s always through the eyes of its young cast. With this, the show doesn’t have to explicitly tell us anything, but show enough of a hint that older audiences know the gravitas of what’s going on, while younger audiences understand how the characters feel about what’s going on. They may not be able to express that there is a puppet government in the Earth Kingdom, but they know the King isn’t the one in power, because our characters seem confused when the king isn’t aware of the war outside his walls. They may not know what executions are, but they know that the water benders the Fire Nation captured never returned home.3. AVATAR FEATURES ACTION WORTHY OF A BLOCKBUSTER FILMEven if we had seen action cartoons before Avatar, none had its eye for action or sense of scope. In just 3 seasons we got hand-to-hand combat that rivaled classic kung-fu movies, and large-scale battles that rivaled big-budget Hollywood blockbusters. Each of the four nations had their own unique style of bending, inspired by real martial arts, making the fight scenes look fluid and grounded in reality. The show creators also insisted on animating the show as if it was live action.“I was not used to drawing stuff in all these crazy angles,” Volpe told us. “But Bryan [Konietzko] would ask us to use a wide-angle lens to make it feel cinematic.”By season 3 the show included full-scale invasions with dozens of war balloons, tanks and fighters that brought audiences to the middle of a battleground. The production team took some lessons from watching anime in learning how to do big battle scenes. We had ways we could cheat it so that it implies Lord of the Rings–style battling, but you’re not killing yourself doing that,” Volpe said. “But what works in your favor is that you care about who wins, so as long as we point the camera at that person the show feels more satisfying that simply watching 800 tiny fire benders from above.”4. THE SHOW S CHARACTERS GROW UP WITH THE AUDIENCEJust like live-action shows, the vast majority of cartoons were episodic, meaning each episode could stand on its own so that if you missed an episode you could still understand everything. Though Avatar still has fairly standalone episodes, the writers still had a clear path in mind, and all the actions taken by the characters have dire consequences.This is done mostly through character arcs, as we see Aang, Katara, and Sokka grow up and mature through the show’s run, as does the villain, Zuko. As they travel the world to find a way to end their war, Aang finally accepts his responsibility as Avatar, Katara learns to cope with her trauma and forgive the Fire Nation for taking her mother away from her, and even Sokka takes more of a leadership role.The show’s greatest feat, however, was its treatment of Prince Zuko of the Fire Nation, and how he went from villain to hero. During the span of its three seasons, we saw Zuko struggle with his legacy and what he thought was his duty. We learned of his complicated past and the events that led to him becoming a reluctant villain, and even see him confront the sins of his past and his nation by meeting those who were victimized by the war. This all serves to make Zuko’s struggle to become good all the more poignant, as audiences see him consider and even attempt at turning sides several times, so that when he finally follows through and decides to help the Avatar, the audience knows he earned forgiveness.“I remember there was a debate when we made season 2,” Volpe explained. “The writers considered turning Zuko at the end of that season, but then it felt like it was too early, and it would actually hurt more if he messed up and took longer.”5. AVATAR: THE LAST AIRBENDER HAD A PERFECT ENDING(Photo by Nickelodeon)Because of its serialization, there had to come a point when Avatar would end. Where most other contemporary cartoons would simply run its course with an episode that resembled any other, Avatar was building up to an epic finale since its first handful of episodes. We knew Aang would have to face and defeat the Fire Lord because otherwise he would take over the world and enslave everyone, we knew the show couldn’t end before and it couldn’t really continue past it, so the audience knew they’d have to prepare to say goodbye.And what a finale it was, structured as a two-hour movie, Avatar tied up loose ends, paid off character arcs and relationships, and deepened the mythology, culminating in Aang fulfilling his destiny and bringing balance back to the world in one of the most epic fights ever produced in any medium.It also proved to be a very influential finale, as Avatar: The Last Airbender continues to inspire changes in what wee think of as children’s animation.“What I saw after Avatar was a number of shows that were recruiting me that wanted more of what we did on the show, usually when it came to the fighting styles of that show,” Volpe said. “Likewise, our approach to serialization, doing standalone episodes that still build a coherent and linear story, is a request I hear to this day. Streaming works incredibly well with this, because you’re much more likely to want to watch the next episode if the story is serialized. There definitely seems to be a demand for something more like Avatar, it changed the type of jobs I was getting after it wrapped up, going from King of the Hill–style comedies to things like Star Wars.”Of course, though the story of Avatar: The Last Airbender may be over, Netflix decided it wasn’t done with Aang and his friends and announced last year that original creators Michael Dante DiMartino and Bryan Konietzko will return to make a live-action adaptation of the show.Volpe had a piece of advice for the remake: “I think what’s interesting is figuring out who the target demographic is for the live-action show. Are they catering to the next wave of children or the 30-year-olds who watched the show when they were 15 or 20? If so, it could give them some artistic license to age it up. It’s an intriguing question to ponder.”
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2.7
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1860
详细资讯
Google Play
游戏官网 官网
語言
英文
目前版本 9.71.2
游戏大小 933 MB
更新时间 2022-01-18
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