更精确的问法或许是：为什么改编手游总是难以令人满意？如果说“改编游戏”一定是难以令人满意的，这显然不符合事实。在主机平台，“蝙蝠侠”“蜘蛛侠”也是漫改游戏，它们的质量不仅算“好”，而且是直接达到了所处时代游戏工业的巅峰……而在移动平台上，改编手游们似乎还是有更大的潜力。 As we all gear up for what will undoubtedly be the most subdued Halloween most of us have ever experienced in our lifetimes, it s nice to know we can still kick back at home and have the living daylights scared out of us. The easiest way to do that, of course, is to watch a terrifying horror movie, but with so many offerings in the genre, which films are the most likely to pull us to the edge of our seat and shock us right back into the fetal position?With all of that in mind, we decided to conduct a highly scientific survey to figure out what exactly is the scariest movie ever made, and to that end, we came up with a basic list of well-regarded classics and asked our fans on social media to contribute their suggestions. See below for our final list of 40 frightening horror flicks and vote for the one you think deserves to be called the Scariest Movie Ever!Do you feel like something is missing from the list? Let us know in the comments!
英雄联盟的手游和终端游戏数据不交流，同样的皮肤也不交流，终端游戏的皮肤不能在手游中继承，而且手游中还增加了很多终端游戏中没有的皮肤，包括激斗峡谷在内的多种皮肤，在建模皮肤名称方面都不同。BOB全站app手机客户端Best Movies 2019: Wide Release December 30, 2019
As countless victims over more than three decades would tell you, scary things come in small packages, and this episode of Vs. pits two of the most iconic little baddies against each other. In one corner, we have the rampaging Ruxpin, Chucky from Child s Play, and he faces off against the bad luck of the Irish himself, the Leprechaun. These two tiny terrors have been wreaking havoc on both the big and small screen since the first time fanny packs were cool, but to determine who wins this showdown of diminutive proportions, Rotten Tomatoes Contributing Editor Mark Ellis dives into their box office earnings, Tomatometer and Audience Scores, and origin stories, as well as their most iconic moments. Watch for the final verdict, and if you don t agree, let us know in the comments.Thumbnail image: Everette Collection, ©Lions Gate FilmsOn an Apple device? Follow Rotten Tomatoes on Apple News.
4. 呼朋唤友 随心所欲
ers is now developing a sequel to the 2019 update of Pet Sematary, although it s unclear what the sequel will be about, such as whether it will attempt to adapt the second film directly, or spin off a new story. The new film will be directed by screenwriter Lindsey Beer, who has also worked on several (unproduced) high profile projects like M.A.S.K. (Mobile Armored Strike Kommand), a Teenage Mutant Ninja Turtles reboot, the Short Circuit remake, and Marvel s Silver Sable.On an Apple device? Follow Rotten Tomatoes on Apple News.
5. HD 画质与高品质音讯
3.32.0 5月喜迎The Dark Universe may be over, but there was a lot of light on Leigh Whannell and Elisabeth Moss this weekend. The Invisible Man achieved two things this weekend. For one it has already outgrossed every horror film so far in 2020, six wide releases in all, that have failed to draw interest in even their devoted base. Secondly and maybe even more impressive, it’s 90% on the Tomatometer makes it the best-reviewed wide release of 2020 to date by more than ten points. King of the Crop: Invisible Man Opens Strong, No SurpriseWhannell’s interpretation of the H.G. Wells novel and classic Lon Chaney film was right in line with expectations this weekend, if just a tad higher. The Invisible Man is far from one of Blumhouse’s bigger openings 13th place overall in fact. But a million opening on a million budget is easily another win for the production company and Universal. Add in another million overseas and it has already made seven times its production budget alone. Paul Verhoeven’s Hollow Man opened to .41 million in the late summer of 2000 and went on to gross .2 million even with an awful 27% rating from critics. Can word-of-mouth catch on to put The Invisible Man into that territory?Interesting factoid that among the Blumhouse productions to open to million or more (16 in all that include four Paranormal Activity films, three Insidious, three Purges and three Shyamalans) only four of them (Get Out, Paranormal Activity, Split and Glass) managed a 2.6 multiple or higher over their opening weekend. Whannell’s film is also only the second film on that list to score over 90% with critics. With an average multiple on that list of 2.67, we’ll set the first estimate on Invisible at million. Fresh Surprise: My Hero Academia Rises (Photo by Funimation)Funimation released the anime feature My Hero Academia: Heroes Rising on Wednesday where it opened to .52 million. Through its first five days in 1,275 theaters it is up to .5 million. This may not be quite as big as their release of last year’s Dragon Ball Super: Broly which started with a .23 million in its first five days (including a .81 million weekend), but that also was over the MLK holiday which boosted just a tad. When the anime studio released My Hero Academia: Two Heroes in September 2018, it opened on a Tuesday to 7,636 and had grossed .96 million through the weekend in six days, so this is certainly a step up and a growing trend that fans are here for it. Rotten Returns: Wendy Fails To Fly(Photo by Searchlight)Benh Zeitlin’s Peter Pan interpretation, Wendy, did not do much for Searchlight Pictures this weekend. Only grossing ,000, that is one of the worst showings in the studio’s history for a film released in four theaters, ahead of only Dom Hemingway (,276) and I, Origins (,652). Its 40% rating with critics is also less than half of Zeitlin s Oscar-nominated Beasts of the Southern Wild (87%).The Top 10 And Beyond: Sonic Still Spin Dashing For DollarsParamount’s Sonic the Hedgehog took second place this weekend with million. Its total of 8.3 million after 17 days is the 9th best ever for a February opener. Sonic is up to 5 million worldwide putting the film into profit this weekend and putting it on a path to join some of the successes the studio had last year such as Rocketman, Crawl and Pet Sematary.Disney’s 20th Century Studios’ The Call of the Wild was actually besting Sonic from Monday-to-Thursday but it drifted behind again. That is hardly the best news for this expensive project. million domestic plus another million internationally = a pretty gigantic bomb. It may ultimately pass Dolittle on the red chart in the books, but not by a whole lot. This latest adaptation of Jack London’s story currently sits around Bridge to Terabithia and Eight Below for February-based family films after ten days, but had a weaker second weekend than either of them which suggests a final gross in the million range. That would normally be pretty solid. Except this is a 5 million production that may not even gross much more than half of what the Robert Downey Jr. animal film has done worldwide (5 million). That will make it unavoidable when people look back on 2020 making the list of the biggest losers of the year.In better news, Sony’s Bad Boys for Life is poised to pass the 0 million mark by next weekend. It has reached 0 million worldwide. Universal’s 1917 is over 2 million worldwide, 5 million of that in the U.S. Then as we have reported for weeks the news for Birds of Prey is just not good, on pace as we suggested last week between -92 million final.Finally we have the last stands for two of this year’s horror entries. Fantasy Island is on its way out of the top ten and is going to settle for somewhere in the Happy Death Day 2U range of million. Brahms: The Boy II looks unlikely to reach million as it made as much as Impractical Jokers: The Movie did in their second week expansion to 1,705 theaters. .5 million for the practical joke TV series gone feature brings its total up to .6 million. Not exactly Jackass money, but still not too shabby.Neon can take pride in not only having a Best Picture winner under their belt in Parasite, but it is now just the fifth film not in the English language to gross over million in the U.S.
rding to Variety. There’s a catch, however: the series will focus on Clint Barton (Renner) passing the torch to Kate Bishop, the character who took over the Hawkeye role after Clint in the comics.Our first look at The Falcon and The Winter Solider logo, Jeff Goldblum s new series, and the live action Lady and the Tramp are featured in the UI demo for Disney+via @Disney #DisneyPlus pic.twitter.com/GZTgQ2dq2w Rotten Tomatoes (@RottenTomatoes) April 12, 2019Elsewhere on Disney+, the world’s first scripted live-action Star Wars series The Mandalorian will be available at launch, and Alan Tudyk will return to voice droid character K-2S0 from Rogue One: A Star Wars Story in the untitled Cassian Andor show that stars Diego Luna.Monsters, Inc. is coming back — in series form this time. The original voice cast from the Pixar film, including John Goodman (Sulley) and Billy Crystal (Mike Wazowski), returns for the series Monsters at Work. The animated spin-off is set to debut in 2020, according to The Hollywood Reporter, and will also star original cast members John Ratzenberger (Yeti), Jennifer Tilly (Celia), and Bob Peterson (Roz), along with newcomers Ben Feldman, Kelly Marie Tran, Henry Winkler, Lucas Neff, Alanna Ubach, Stephen Stanton, and Aisha Tyler. Per THR, “Monsters at Work picks up six months after the original movie with the power plant at its center now harvesting the laughter of children to fuel the city of Monstropolis. The series follows Tylor Tuskmon (Feldman), an eager and talented mechanic on the Monsters, Inc. Facilities Team who dreams of working on the Laugh Floor alongside Mike and Sulley.”Other scripted originals previously announced for Disney+ include the exclusive new season of Star Wars: The Clone Wars; High School Musical: The Musical: The Series; Diary of a Female President; and live-action films Lady and the Tramp, Noelle, Togo, Timmy Failure, and Stargirl. Nonfiction series also announced earlier this week include Be Our Chef, Cinema Relics: Iconic Art of the Movies (working title), Earthkeepers (working title), Encore!, the untitled Walt Disney Imagineering documentary series (though the demo showed a series with the title The Imagineering Story), Marvel’s 616, Marvel’s Hero Project, (Re)Connect, Rogue Trip, and Shop Class (working title).All 30 seasons of Fox s The Simpsons will be available for streaming exclusively through Disney+, starting at the platform s November launch.The news sent Disney shares soaring on Friday and on track for the stock s best day since May 2009. CNBC noted the value Disney+ s price point represents for families, given its boatload of kids content compared to Netflix, which recently raised the price of its standard plan again.RELATED: Everything We Know About Disney+, the Mouse House s Upcoming Streaming Monster An Incomplete Guide to Every Game of Thrones Tie-In(Photo by HBO)Game of Thrones is coming back this weekend, have you heard?We kid — of course you’ve heard. The only way you could’ve not heard is if you’ve been hiding out in a cave somewhere with Jon Snow (and honestly, we wouldn’t blame you if you were). If the constant HBO promos and approximately 8 billion articles on every single one of your favorite websites didn’t give it away (guilty), then the advertising for one of Game of Thrones’ 600 series-finale marketing tie-ins probably did.The HBO licensing team has opened the floodgates for the series final season. In addition to the usual toys, Ommegang beer, and Vintage Wine Estates vino that plenty of people have been buying for seasons now, there’s also:Oreo cookies (check out a commercial for them)John Varvatos luxury menswear capsule collectionlimited-edition ultraboost sneakers from AdidasUrban Decay makeup collectiona Johnnie Walker limited-edition whiskey called White Walker, which is honestly too perfect a tie-in to pass upan accessory collection from Danielle Nicolean interactive online game called Game of Thrones: Conquesta mobile game called Reigns: Game of ThronesMountain Dewthe American Red CrossBuffalo Wild Wings (a premiere day-only Dragon Fire sauce made of a mouth-searing ghost, chili, and jalapeño pepper combination)Southwest AirlinesKool-AidThe brand has also just now announced a limited-edition GoT-themed Dracarys Burger and Dragonglass Shake from Shake Shack — only available for a short amount of time from the chain’s restaurants in New York City, Los Angeles, Chicago, Dallas, Houston, Washington D.C., Miami, Las Vegas, Denver, Philadelphia, and Boston.Oh yeah — there s a special Game of Thrones–themed water show at the Bellagio fountains in Las Vegas through Saturday.FULL VIDEO: #GameofThrones @Djawadi_Ramin’s “Winter is Here” has debuted at the Fountains of @Bellagio, on view through 4.13.19. The final quest #ForTheThrone begins 4.14.19 on @HBO. pic.twitter.com/NxIlutcCYt MGM Resorts (@MGMResortsIntl) April 2, 2019American Horror Story Season 9 Gets a Theme and Veronica Mars Teaser ReleasedAmerican Horror Story is throwing it back for the show’s upcoming ninth season. FX announced via a creepy teaser video that the newest installment, which is set to premiere in the fall, will be titled “AHS 1984.” Judging from the clip, the genre this season will tackle is ’80s slasher movies.Plus, Hulu series Veronica Mars got a teaser and premiere date: July 26.
now I ve spoken to the white community or the community othering us, and now I m going to speak to my people because I really want this film to be about girls that look like me. And so I wanted it to have this full-circle moment where I start by pointing out the problem, pointing out all of the beauty that comes with being a Black woman, like your skin and your hair If your name is tied to your culture and your history, and it s a name that people want you to shorten, don’t let them unless you want them to, and let them know that it s okay to be exactly who you are without letting the media tell you.Williams: What was that pivotal moment when you no longer felt ashamed and were able to see your beauty? Dawson-Amoah: I don t know if it was a specific moment. It was, I mean, I m still learning it, I m still getting comfortable. But I guess the period of my life where I realized that it was a problem everywhere was when I came to school, because I came to school in New York specifically for the reason that I want to do film, but I also wanted to be in the melting pot. I wanted to be around like other people of color. And I got to New York, I got to my school specifically, and it was exactly the same. And I was, Okay, so this is just, this is a world issue, representation; it isn t just in my town. It wasn t different from my upbringing. It s a world issue. But also with that, I was able to meet people who had similar experiences. And I was like, Oh, okay. I can’t wait for the people around me to accept me for who I am, I just have to make that choice for myself. When I came to school, I kind of had this chance to start anew. So I remember I walked into class and the teacher was taking attendance and the teacher was like, What s your name? And I was like, Ewurakua, and she said, Oh, can I call you something else? I said, No. That was the very first time that I told someone, No. Up until that point, I d be like, Oh yeah, look, I guess you can call me this or this. But at that moment I said, No, you can t call me another name. And I started going by Ewurakua – I guess that was the moment.Williams: There s spoken-word in the background of your film, but then you see these beautiful visions of Black women, different ages, sizes, and shapes. I really want you to speak more about why you wanted to go that route instead of having someone on screen, actually speaking these words to the audience.Dawson-Amoah: Poetry has always been a huge part of my creative process and I had never thought to integrate it one of my films before. And so for this, I wanted to marry visuals – extreme visuals – with poetry. I wanted it to not be someone speaking, just like someone speaking at you; I wanted it to feel as open as possible so that someone could place themselves in any of those scenes. I felt like the best way to do that was to have this voice going over all of these scenes and the scenes explaining what it means to be a Black woman and celebrating that.(Photo by Saskia De Borchgrave and Alexander Stavila)Williams: Can you tell me about your experience of making this film?Dawson-Amoah: It was a journey and a half! I mean, if someone had told me how expensive filmmaking was when I got to school, I don t know if I would have had as much confidence coming up as I did trying to figure out how to make it work on such a small budget. I m actually really grateful that I didn t have the budget that would have been amazing to have, because it forced me to be really creative about how I told my story outside and also the people I met along the way. So I did something that I enjoy doing: for all of the locations, there was a place that I grew up in, like there was a hill that was next to the school, the church was my church, one of the studios was a studio that I used to dance in as a little girl. And so all of those places were really personal and I got to meet people in the new places, where I would go to that person to explain my story, explain who I was, and then I m making a connection. I would also host ticketed open mic nights. All the proceeds would go towards the film, these little ways to get really creative, to make it work and to make it both exciting for the people who were giving to the project and then also actually make the project happen. There were also things that that didn t end up making the cut, but there was one scene that I fought for. I was like, I need a spider for this one scene because it s important to my culture. There s this folklore tale in my dad s culture called Anansi the Spider, and I really wanted to incorporate it into the film. So, I looked for a spider and I got a spider, we shot the scene and then I went into the editing room and it didn t work. And so things like that, where I would put all this energy into something and then realize it doesn t work and I would have to pivot and give away my babies through the process until I got to this piece There was a lot that went into it, budget and things like that scene – something that no one sees – but it s always an exciting story to tell.Williams: What was your inspiration to become a filmmaker?Dawson-Amoah: Well my dad loves movies. He would always have Friday night movie nights where we would go to the Redbox or Blockbuster Video and bring home a movie and we would watch. And my mom really liked to watch plays. So, when I wasn t watching a movie with my dad, I got really, really into plays with my mom and I would memorize the scripts and in my room I would re-enact all of these storylines. But as I got older, I realized I wasn t acting storylines with people that look like me. Like, none of my favorite films back then had Black people in them. And when they did have Black people in it, they were either a side character or they were put in a stereotypical role or a comical role. The only time a Black person was in the lead role was when they were the butt of the joke. There wasn t a serious three-dimensional character. So, I started to rewrite my favorite movies and plays to have people that were Black and people that look like me, like girls who had tight curly hair that were the lead female character and like fellow women in bonnets, that were making fufu in the kitchen – just things that made me think of the people around me. Like, they had kente cloth in their house. And so I got really into that. And that s what started the reading side of it. Because I was like, if there s no one on screen that looks like this, maybe there aren t people writing people that look like this. So, I was like, okay, my goal s to be able to write scripts that have people that look like me so that one day I can have people that look like me on the screen.That was really the initial jumping off point for me. From a young age, I knew that I wanted to be a director, no matter what. I didn t tell my parents; I was a senior in high school and up until then I told them I wanted to be a forensic pathologist. That was only because on one of my favorite shows I watched that was what the lead character s job was. So, I just kept that narrative up until I applied to NYU. Then I was like, I actually really like doing this and thankfully they were really supportive of it. My dad, he s been my rock in this entire process. It s kind of his fault because he started my love for movies. I feel like deep down he knows that.Williams: How has directing To the Girl That Looks Like Me changed you as a director?Dawson-Amoah: It taught me how beautiful you can make something when you don t compromise on people. And I don t mean don t compromise at all, because compromise is something that just comes with life and comes to making; but compromise in that I knew I wanted to make a film with Black women, I made a film with Black women, and was able to come out of that knowing that I didn t say I can t find the people I want, maybe I should change my story. Knowing that I didn t do that was rewarding and something that I m going to bring to all of my future projects. So, if it ever looks like it s going to be hard, but I know that the thing that I want for the film is so important to my vision and my story, I m just going to remember how good it felt to make this film and then keep doing that for my future work.Williams: How has your experience been so far being accepted into the Scene in Color Film Series and being mentored by Will Packer?Dawson-Amoah: I m so excited to be mentored by someone who has the same passions and who makes sure that our community is on the screen. Will has been someone who s been showing us in his films since when no one in Hollywood was really doing that until recently. The fact that he was able to be so strong and do the stories he wanted to tell with the cast that you wanted to use a lot of his casts, like, they laugh, which is a really nice thing. I m just really excited to learn from someone who is able to fail a lot, knowing what they wanted to get at the end. I m also scared. This came out of nowhere and so I have my path where, Oh, what if I don t write something good? What if I m too stressed and I’m in over my head? When I first met him he was just so warm. I can already see him as an amazing mentor figure. So, I m just really excited to get started on this with a mentor who looks like me; this is the first time that I m going to have a mentor who looks like me, which is wild and that alone is worth celebrating.Williams: Are there any specific films Will Packer has made that has inspired you?Dawson-Amoah: Well, for me Girls Trip was I mean everyone, every age, creed, went out to see that film, it sold out so many theaters and basically you see Black joy on screen. Because in a lot of films, they show us going through it, but to sit down and just laugh the whole time and laugh and laugh and laugh, that’s something that inspires me. I love watching comedy. I love romance movies with Black people in them because it s something that we don t see a lot. We don t see Black joy, or it s like Black joy for a little bit, but there has to be some trauma in there, like something has to go wrong. And so that inspires me. Because I just love seeing Black people happy on the big screen. Media really does speak to people. Because people don t have the opportunity to be in New York, they don’t have the opportunity to be in melting-pot areas where they re able to see everyone, and the only thing you re seeing of our community are these negative portrayals, like everyone s gonna think that. And so, when we re able to see us in happy roles and lead roles, when the character is a journalist and successful professions like that, that does a lot for young girls and the surrounding communities as well. Williams: How do you want to see the representation of Black Women in Film and Television evolve?Dawson-Amoah: I think it is important to have representation in front of and behind the camera. Something I saw when these initiatives started popping up that were talking about diversity, was that there d be commercials with people of color, smiling and giggling, but then you pull back the curtain and you look at who s holding the camera, who s saying action, who s yelling cut – who are the people who are on the crew? There s still those folks who have been in these positions for so long. I think representation has to be on both ends of the spectrum. You can t just have it for people on screen, if the people still calling the shots and still pulling the strings are the same people pulling the strings all this time. So I think representation in high seats is something that I want for the industry going forward. I want to walk into a job interview and my interviewer is Black. I want to be on set and the DP is a woman. I want to be able to see people all over the board, not just when it s convenient. It s not enough to just have us there as representation, but giving us the say in the writing room and in the roles that are actually going to be making the changes in the end.Williams: What advice would you give young up-and-coming filmmakers? Dawson-Amoah: Imposter syndrome is a scary thing. I think the biggest piece of advice I can give is to know that every single opportunity that happens to you happened to you for a reason – you belong in the room that you re sitting in, and you belong in the next room that you re going to be sitting in. All the doors that open for you were not opened for you by accident. So don t let anyone make that way and don t feel that way, especially our community. In this industry, a lot of my friends and myself, we get to these places – even this opportunity, I was like, Oh no, like maybe I don t deserve it, maybe people are gonna think this or that. I had to talk myself out of that space so many times. So I think the biggest piece of advice I can give is just to be so confident in yourself and in your successes, to take time to celebrate yourself and tell yourself that you deserve everything that s happening to you – because the world won t do that. It will tell you you don t deserve it. And it s not true.See more shorts and meet more filmmakers from the Scene in Color Film Series.
Joel MearesWhen Rotten Tomatoes first sat down with Chinese actress Zhao Shuzhen, who plays the sweet and stubborn Nai Nai in writer-director Lulu Wang s hit indie dramedy The Farewell, she confessed she was feeling a little tired. Her movie was finally being released in China a week from our meeting in mid-November, and friends and family had been texting and sending articles about the film from home all night. I was just so wired, said Shuzhen. The days during her U.S. trip were offering little reprieve from sleepless nights: long chats with journalists like us, full-house screenings, fancy parties, photo shoots.The 76-year-old actress, a veteran of China s stage and small screen who got her start with the prestigious Harbin Theatre of China when she was just 16, does not show any signs of fatigue if she s feeling it. Over an hour-long conversation, speaking to RT through a translator, she is, like her on-screen character, buzzing with energy – and charming as hell. Even before her stories are translated from Mandarin, you re swept up in them as Shuzhen joyfully mimics patting co-star Awkwafina on the butt (a friendly gesture her grandma character shares with granddaughter Billi, played by Awkwafina, in the film) or chuckles at the thought of meeting acting hero Al Pacino at an Oscars party.When she talks about the true story that inspired the movie – when Wang s grandmother was diagnosed with a fatal disease, her family chose not to tell her, instead convening in China to see her under the guise of a relative s wedding – she is visibly moved.A new face to American audiences, the Harbin-born, Beijing-based Shuzhen is famous in China for her work in soap operas. After a lengthy career on stage playing the likes of Antigone and Ilsa Lund in a staged Casablanca, she has since the 1980s perfected the role of the Chinese grandma on TV, something she says may have put her on Wang s radar when the director was casting the role of her real-life Nai Nai (grandmother). But early discussions about the role didn t go anywhere; Shuzhen was busy with TV work and the money wasn t quite right. I just decided to put the film in the back of my mind and not really think about it, she said. I thought we had all moved on. It was only when Wang called her directly and shared her story that she decided she was onboard, fully, pay cut and all.It was the right decision. The film, still Certified Fresh at 99% on the Tomatometer, has been something of an indie phenomenon since it premiered at Sundance. Days after we met Shuzhen, the movie would be nominated for Best Feature at the Independent Spirit Awards and Shuzhen nominated for Best Supporting Female. As we move further into awards season, she can expect many more exciting late nights and tired mornings. Here, the actress and grandmother of two talks with Rotten Tomatoes about working with Awkwafina, meeting Nai Nai, growing Oscar buzz, the movie s central deceit – and the complicated feelings she had about keeping it – and how a phone call changed her world.Note: The following interview contains minor spoilers for The Farewell. “PEOPLE ARE COMING UP AND SAYING THINGS LIKE, ‘BECAUSE OF YOU, I CALLED MY GRANDMA.’ IT’S OVERWHELMING.”(Photo by Casi Moss, courtesy of A24)Joel Meares for Rotten Tomatoes: You just saw The Farewell for the first time three days ago. Which is kinda wild given how big the film has been here. What surprised you most about the final film you saw?There was a big difference between what I had expected and what I ended up seeing. When I first read the script, when I was preparing for the film, my impression was this movie is going to be very even-keel. It s not a movie that s heavy on melodrama or theatrics or conflict or incidence. That s what I thought it was going to be, but then after seeing the film, I was just really impressed by the result and what came out. Especially in the last few days, having been able to interact with fans and audiences, people coming up to me and saying things like, You reminded me of my real grandma. You reminded me of my family, and because of this film, because of you, I called my grandma. You remind me of how I was brought up and how my grandmother and family members and parents poured so much love and effort into raising me. People have been telling me things like that and that s just been so moving and inspiring and was just completely unexpected. Frankly, it’s overwhelming.Did you expect the movie to have that kind of impact? You’ve become a bit of a star in the U.S. Initially, I really didn t expect this film to have such a big impact. Because my impression of Americans is that they re less family-centered or family-oriented than the Chinese. In China, grandparents, parents, they raise multiple generations of their descendants; grandparents would help take care of their grandson, great-grandparents will take care of their great-grandsons. Whereas I know in the U.S., it s more common for children, for example, once they reach the age of 18 to go off to college, they move somewhere else, there s more distance between family members. Now I can see that the movie clearly has also resonated strongly with the American audience. I’ve come to appreciate that there s also this emphasis on family within American society.“WE BOTH GOT VERY EMOTIONAL ON THIS CALL… I COULD TELL WHEN TALKING TO LULU THAT SHE HAD JUST A GENUINE SENSE OF AFFECTION AND LOVE FOR HER FAMILY.”(Photo by Courtesy of A24)How did you first come across the role of Nai Nai, Billi s (Awkwafina) grandmother in The Farewell?Initially, I actually got in contact with the crew and the team of The Farewell through a friend. Very early on, we were discussing the film, but usually in China, one of the first things you talk about is compensation, and at the time, my understanding was that the compensation wasn t very high. I basically decided that maybe this is not the film for me; I just decided to put the film in the back of my mind and not really think about it. I thought we had all moved on. But then I think Diana Lin [who stars as Billi s mother Lu Jian] must have sent my files or my headshot or the relevant materials to Lulu, because what ended up happening later was that I just got a phone call from Lulu directly out of the blue. She reached out to me and told me the true story of what happened with her family, with her grandma. And she also made a point to tell me, This really is a very low-budget movie. We have very limited funding. I know this is below your usual rate, but would you consider doing this? I was so moved by the story that Lulu was telling me, I basically just told her, Say no more. Don t worry about it. I will do this movie without precondition. I m going to be part of this.”Lulu has said that her initial phone call with you was very emotional. Can you talk about that call?We both got very emotional on this call, particularly at the point when Lulu started telling me about her grandma s illness and how they all had to travel back to China and use the wedding as a pretense in order to bid farewell to her. I think that particular story, when she told me that, she got very emotional. The fact that she did end up leading a happy and healthy life… I think that all these things were very striking, moving for me. Also, I could tell when talking to Lulu that she had just a genuine sense of affection and love for her family, that this is someone who places a lot of importance on family. And to me as a Chinese person, we Chinese, we really value that. Once that conversation got going, I started crying listening to her story and then she got very emotional as well.“LULU TOLD ME, ‘MAKE SURE YOU DON’T EXPOSE ANYTHING. MAKE SURE YOU DON’T TELL NAI NAI WHAT’S ACTUALLY HAPPENING.’”(Photo by Courtesy of A24)When did you first meet the real Nai Nai? And what was that like, knowing the story and that she didn’t know about her illness, and having been so moved by what you’d heard?I met Nai Nai because Lulu really wanted me to do this job well and to really act well and be like the real Nai Nai, the real grandma. Lulu had repeatedly told me, Make sure you don t expose anything. Make sure you don t tell Nai Nai what s actually happening. I went and paid her a visit in Changchun, which was where the film was shot, and also where Nai Nai actually lives. It was very striking because it didn t even seem like she was sick in any way, shape, or form. She seemed very healthy, very vital. She was very optimistic, very warm, and also she s a very strong and fierce person at the same time. And she was just so hospitable and nice to me. She gave me gifts. She treated me like a family member.At the time, I actually felt quite emotional. Seeing her, how healthy she looked, but also knowing that she has this illness that she doesn t know about, and also how her family had done so much in order to help her, also to make sure that she doesn t know… I was emotional, but it was also a very complicated feeling that I had interacting with her.Were there specific things that you took from your time with her and put into your performance?After that initial meeting, she made such a strong impression on me. I grew confident that I could do this, but also what was important was that it instilled in me a conviction that I must do this job well. I think for me in terms of my style, my look, my appearance, there s some resemblance between me and the grandma. But in terms of personality there s a big difference, because Lulu s grandma in real life is a very strong and very confident person, very self-reliant. She s very kind, very generous, very warm, but there is a fierce side to her. She can be very assertive, very opinionated. Whereas me in real life, both in terms of my real personality but also in terms of the grandmas I had portrayed in the past in TV or on the stage, they tend to be softer, more tender, more mild-mannered.I observed her behavior very closely when I was with her, I observed her gestures and ticks. I really tried to do my best to mimic her, to imitate her in ways that would make sense for the movie. Even while we were shooting, Lulu would constantly remind me, Hey, remember to really think of my real grandma and act like her. Whenever Lulu told me that, that s when I realized, OK, there s still a little bit of distance between me and the real grandma. My acting s still not quite there yet. I really had to force myself to be stronger and fiercer.“SHE REALLY IS THE ARCHETYPAL CHINESE GRANDMA, SOMEONE WHO’S JUST SO LOVING AND SELF-GIVING, SHE DOESN’T EVEN KNOW WHAT’S GOING ON WITH HERSELF.”(Photo by Courtesy of A24)I had a sense at times when watching the movie that she surely must know what’s happening – she seems too smart and savvy a person not to. But perhaps that’s just me coming at it as a Westerner. Did you ever play her as knowing, or was she always ignorant of the big plot in your characterization? My sense, and the way I portrayed the grandma, [is that] I think she really doesn t know any of this. As you saw in the film, early on in the movie, whenever she had to go to the hospital or take medication or antibiotics, it was all under the pretext that, Oh, this is just a minor illness. It s a cold. I think that s how it really was. The fact that everyone is coming home at the same time, they all look depressed and blue, the way I played the grandmother, the way I think she acted in real life, [is that] she probably just thought, Oh, they look so depressed and blue was because there was a lot going on at work, at home. There are even scenes in which my character tells Awkwafina s [character’s] dad, Oh, you re drinking too much. Don t drink. And then when I see people not eating, I would tell them, Oh, why aren t you eating? Just eat, eat, eat. I was just more preoccupied with their well-being, rather than my own well-being, and I was just happy to see all of them coming to China and celebrating this wedding, which is a very big deal to my character.She was so concerned with other people that the thing that was going on with her, she didn t really focus on or think about too much, yeah?I think you can really say that. She gives so much. In this regard, she really is the archetypal Chinese grandma, someone who s just so loving and self-giving, she doesn t even know what s going on with herself. That one scene when she got sick or was not feeling comfortable – she even went to the hospital by herself. She didn t want to bother other people. This kind of occurrence is very commonplace in China, this idea of family deceiving their family members and not telling them their diseases and illness… The movie really does a great job interrogating that impulse. The movie is about to open in China, and it’s getting a lot of interest. Do you think Chinese audiences will connect with it in the same way as Americans and other Western audiences have? The central deceit is presumably less surprising to Chinese filmgoers? I think at the outset when the Chinese audience watches this film, they initially may not be able to relate to Billi. When they see that, Oh, she really wants to tell the grandma what s actually happened, the knee-jerk response from the Chinese audience is, Why would you do that? Don t do that. That s a very silly idea. This kind of occurrence is very commonplace in China, this idea of family deceiving their family members and not telling them their diseases and illness. Traditionally, I think the Chinese mindset and our mindset is that older people… you should just leave them be. Let them enjoy the remainder of their years; don t give them any psychological and emotional burden. But the movie really does a great job interrogating that impulse, interrogating also the parents’ impulses. The movie also does a good job presenting the conflicting values between the East and the West, the conflicting perspectives and the worldview, and does an even-handed job of presenting and interrogating those things. I think ultimately Chinese audiences will be able to appreciate the journey and understand that tension and be able to look at it from a very compassionate and objective perspective. AWKWAFINA AND I ACTED LIKE REAL GRANDDAUGHTER AND GRANDMOTHER BECAUSE WE WERE ABLE TO DRAW FROM OUR REAL-LIFE EXPERIENCE WITH OUR FAMILY. THE DYNAMIC IS ROOTED IN REAL EMOTIONS AND REAL LOVE. IT DIDN’T EVEN FEEL LIKE ACTING. (Photo by Courtesy of A24)The relationship between Nai Nai and Billi is beautiful, and funny, and feels really genuine. Did you know much about Awkwafina before the movie – and what were your first impressions of working with her?I actually didn t know who she was at all.You didn’t go and look at her online rap videos?[Laughs] No… Even when we first met in person, I didn t know who she was. All I really knew was that she s done a lot of funny stuff and is primarily a comedic performer. But one thing about Awkwafina that was striking to me was, while we were filming, you can tell she is someone who is also very close to her own grandma in real life. Whenever we were on break, she would just constantly be doing video chats with her grandma. She even put me on video chat with her grandma a few times. Awkwafina is just someone who is very lovely, who s a great actress, and who s funny and charming, and who also in real life is very close to family, especially her grandma.The bond between you feels so real and unforced. Did you spend lots of time before shooting to establish that connection or was that something that happened naturally?That rapport and chemistry organically developed as the filming went along. It s not something we had rehearsed or planned or practiced in advance. Awkwafina in real life, she s someone who s really concerned with her grandma. The way that her relationship with her grandma manifests itself in real life is very similar to how her character is in the film. And for me too, I have a grandson who s also a very similar age as Awkwafina, and I say to my grandson the same things as Billi s grandma does in the movie. I would ask him, Do you have a girlfriend yet? Do you have a special friend yet? Is everything going okay? Drive safely. Make sure you wear enough clothes. I m very concerned with my grandchildren like that. We acted like real granddaughter and grandmother because we were able to draw from our real-life experience, our relationships with our own family and relatives. The dynamic is rooted in real emotions and real love. It didn t even feel like acting. As for talking about the actual Academy Awards, the actual Oscars, all I can say is I sort of long for it. I sort of hope for it. I could just dream about it, that s where I m at right now. (Photo by Presley Ann/Getty Images for The Hollywood Reporter)In America, the movie has been out for quite a while, and even all these months later it’s being touted as a major awards contender. And people are talking about you as a potential Best Supporting Actress contender. Has that sunk in?Before this trip, I really had no idea that was even remotely a possibility. It just never even occurred to me that this would even be talked about. Because for me, the Academy Awards, that s just something that s beyond my reach, that s something that s just so far away. It was honestly only in the last few days, interacting with journalists and media people telling me this, that I really found out. Obviously, now people have asked me that a lot. That s really when I started to get a sense of how beloved this movie is and how beloved my character is. I m just very grateful, frankly, for the attention from the media and from the audiences. Last night after our screening, there was an audience member that came up to me and she just starts tearing up as she was talking to me, telling me how grateful she was for my performance. Things like that, it s just so moving for me and it s so gratifying. I feel like the audience s approval, their positive response, that s gratifying to me enough. As for talking about the actual Academy Awards, the actual Oscars, all I can say is I sort of long for it. I sort of hope for it. I could just dream about it. That s where I m at right now. I watch it every year, and in fact, the way I would describe it is, to be very honest, it s true: When you watch the awards like that, my attitude is, “Wow, I fantasize about it. Maybe one day I can be on the stage. I do think about that from time to time.Have you seen many recent American movies – the kinds of films that might
This Week s Ketchup brings you more headlines from the world of film development news, covering such titles as Deadpool 3, The Suicide Squad, a Spike Lee Viagra musical (yes, really), and a pair of ensemble thrillers.This WEEK S TOP STORYDEADPOOL 3 MOVES FORWARD AT MARVEL STUDIOSRyan FujitaniIt s now been over a year and a half since Disney officially acquired the film and TV properties of the former 20th Century Fox, which included the various Marvel titles that had previously been at Fox, like Fantastic Four and everything-X-Men-related. Although there have been the expected rumors and mentions at San Diego Comic-Con, we hadn t officially heard of any of the Fox/Marvel titles moving forward through the usual development process at Marvel Studios, but we now know which movie has that distinction first. Marvel Studios has officially hired the screenwriting sisters team of Wendy Molyneux and Lizzie Molyneux-Loeglin (Bob s Burgers, The Great North) to start work on the Deadpool 3 screenplay, with Ryan Reynolds attached to reprise his role as the merc with a mouth. Reportedly, Marvel has been meeting with writers pitching their Deadpool 3 ideas for about a month, with the Molyneux sisters eventually pitching the perfect fit [Marvel] wanted. Although no premise has been announced yet, the character might be the best choice of all the Fox titles to join the Marvel Cinematic Universe first because of his frequent ability to break the fourth wall, both in the comics and in the movies (as in, he might be the character most aware of possible alternate realities, a la Spider-Man: Into the Spider-Verse). It s not yet known if other Deadpool 2 co-stars like Zazie Beetz as Domino or Josh Brolin as Cable might also appear in Deadpool 3, or whether, for example, anyone in the MCU might notice how much Cable looks like Thanos. There is no release date for Deadpool 3, but given the various COVID-19-related delays, it probably won t be until sometime in 2023 or 2024 at the earliest.Other Top Headlines1. LADY GAGA WILL BOOK A SEAT ON BRAD PITT S BULLET TRAIN(Photo by Axelle/Bauer-Griffin/Getty Images)Brad Pitt has been attached for a while now to star in the action thriller Bullet Train (based on the 2010 Japanese novel Maria Beetle) for Sony Pictures, but this week, the film s cast expanded quite a bit, revealing it might be similar in style to 1970s ensemble disaster movies like Airport and The Towering Inferno. The latest addition to Bullet Train is singer-turned-actress Lady Gaga, who is probably the biggest star of the group added this week, but she s expected to have a smaller supporting role. Deadpool 2 star Zazie Beetz also joined the cast, but likewise, her role isn t known. Another superhero movie co-star, Michael Shannon (Man of Steel), also joined Bullet Train this week. Finally, there s also TV s Masi Oka (Heroes, Hawaii-Five-0), likewise in an unknown role. Other members of the Bullet Train ensemble will include Logan Lerman, Joey King, Aaron Taylor-Johnson (Marvel s Quicksilver), Brian Tyree Henry (from Atlanta, as is Zazie Beetz), and Andrew Koji (Storm Shadow in the upcoming Snake Eyes movie). Bullet Train will be directed by David Leitch, who s coming off a hot streak that includes Atomic Blonde (Certified Fresh at 78%), Deadpool 2 (Certified Fresh at 84%), and Fast Furious Presents: Hobbs Shaw (Fresh at 67%).2. HE GOT GAME: SPIKE LEE TO DIRECT VIAGRA MUSICAL(Photo by Kristin Callahan/Everett Collection)First discovered in 1989 as a possible treatment for chest pain, Pfizer introduced the prescription drug sildenafil under the brand name Viagra in 1998 as a medication to treat erectile dysfunction in men. It may have been inevitable that we would eventually get a movie about the invention of Viagra, but few could have guessed that when we did, it would be a musical co-written and directed by Spike Lee. Lee will adapt the screenplay with screenwriter Kwame Kwei-Armah (TV s Walter s War, Elmina s Kitchen) from the 2018 Esquire article All Rise: The Untold Story of The Guys Who Launched Viagra (which you can read right here). (One reason the musical might currently be untitled is that the title All Rise was recently taken by a CBS courtroom drama.) The original songs and music will be written by the team of Stew Stewart and Heidi Rodewald, the creators of the rock musical Passing Strange. In a statement too long to fully quote here, Lee addressed his excitement about this project by frequently using his Shift key: So Finally Going Into My 4th Decade As A Filmmaker I Will Be Directing A DANCIN’,ALL SINGIN’ MUSICAL Spike Lee Joint And I Can’t Wait. My Moms Has Been Waiting TOO!!! And Dats Da Rodgers And Hammerstein Truth, Ruth. 3. THE MYSTERY GENRE REVIVAL CONTINUES WITH NEW SAOIRSE RONAN MOVIE (Photo by RCF/Everett Collection)Two of 2017 s Best Picture nominees (amid other nominations) at the 90th Annual Academy Awards were Lady Bird and Three Billboards Outside Ebbing, Missouri, and this week, two of the stars of those films were announced to star in a new film together. Saoirse Ronan, Sam Rockwell, and David Oyelowo (Selma) have all signed on to star in an untitled murder mystery thriller from Searchlight Pictures to be directed by British TV director Tom George. The movie will be set in 1950s London, where a Hollywood film producer is trying to adapt a popular play until members of the crew start getting murdered, with Rockwell and Ronan playing the cops investigating the crimes. Whatever this movie ends up being titled, it seems easily grouped together with other recent movies like Knives Out and Murder on the Orient Express as part of a whodunit revival, to which we will soon be able to add the Death on the Nile remake, starring Gal Gadot, Armie Hammer, and Letitia Wright (Black Panther).4. SYLVESTER STALLONE CONFIRMED FOR THE SUICIDE SQUAD(Photo by Marvel Studios)Although they were only shown together briefly in the film, Guardians of the Galaxy Vol 2 featured Sylvester Stallone, Michelle Yeoh, Ving Rhames, and the voice of Miley Cyrus as a team representative of the original 1970s Guardians of the Galaxy team.(It s a long story, but the team we know from the movies with Star-Lord, Gamora, Drax, Groot, Rocket, et al. wasn t introduced in the comics until 2008.) At the time, it was teased that director James Gunn hoped that Stallone and crew would appear again in a future Marvel Studios movie, but as it turns out, we won t have to wait for that movie to see Stallone in a James Gunn movie. Gunn confirmed on Instagram over the weekend that Sylvester Stallone has joined the cast of the DC Comics soft reboot of The Suicide Squad (8/6/2021), although the nature of his role, which might be fairly minor, wasn t revealed. Stallone is joining a massive ensemble cast that includes John Cena, Jai Courtney, Viola Davis, Idris Elba, Nathan Fillion, Michael Rooker, and of course, Margot Robbie as Harley Quinn. It s not yet known when James Gunn will be able to start filming Guardians of the Galaxy Vol 3 for Marvel, but with the COVID-19 pandemic delays, it s unlikely the film could be released before 2023.On an Apple device? Follow Rotten Tomatoes on Apple News.
BOB全站app手机客户端 Fox s family comedy The Moodys was never intended to be an ongoing series. When it premiered in 2019, it was dubbed a holiday event series: six episodes about a Chicago couple, played by Denis Leary and Elizabeth Perkins, whose three adult children all come home for Christmas. But then, ya know, 2020 happened.With productions halted around the globe and the traditional pilot season — where TV networks make single episodes of new shows before deciding which ones to turn into full series — out the window, an already-established series with a solid cast sounded like a pretty good idea for the network. Denis and I just went, Oh, this will be a fun thing to do for six episodes, and we had a ball, Perkins told Rotten Tomatoes ahead of the second season premiere. It was great; we shot it really quickly; it was fun; and then when they came back to us and said, Hey, how would you guys feel about doing this as a regular TV show? We were like, Hey, this could work. (Photo by Kharen Hill/FOX)A few months later, they were back on set as Ann and Sean alongside their TV children (Jay Baruchel, Chelsea Frei, and François Arnaud). While season 2 of The Moodys ditches the Christmastime premise, it s still a snowy winter in Chicago when the series returns — and the family is still under the same roof months later thanks to Sean Jr. s (Baruchel) house arrest, middle daughter Bridget s (Frei) divorce, and youngest son Dan s (Arnaud) cross-country move.Below, Perkins shares five more things to know about the family comedy, which premieres Thursday, April 1 at 9 p.m. on Fox and airs Thursdays at 9:30 after that.1. Ann Moody is no sitcom wife.(Photo by Philippe Bosse/FOX)Just because Perkins is playing the matriarch of a TV comedy doesn t mean her character falls into easy sitcom tropes. In fact, that s something she and the creators worked hard to avoid. After 30 years as a stay-at-home mom, Ann decided to pursue her own dreams and go back to school. It was completely based on my own mother s experience, Perkins said. When she and her sisters finally left the house, her mother went back to school and got her master s and became an alcohol and drug rehabilitation counselor. I pitched this idea to the creators and they were like, We love it. It s nice to see a 60-year-old woman on television who s still pursuing a dream and still putting herself out there to new experiences that take her outside of the home. 2. Ann and Sean are not a frigid sitcom couple.(Photo by Philippe Bosse/FOX)Forget the punchlines about a sexless marriage, because it was also important to Perkins that Ann was a well-rounded, fully realized woman. That includes a healthy professional life, a healthy emotional life, and a healthy sex life. Even though [Sean and Ann] are in our 60s, we re still very sexually active, Perkins said. So often, particularly with women my age, that whole part of our life has somehow disappeared in film and television. It was really important to me to portray her as a realistic woman in her 60s who s still very active in her marriage and active in her love life. I think that s a really positive thing and a very realistic thing to put out there. It s not necessarily subversive for your long-married main characters to have a loving marriage, but it s also not something typically seen on screen. If you can see it, you can be it, Perkins said. That s what the Geena Davis Institute tells us all the time, and it s nice to be able to work with creators who are willing to explore the facets of a 60-year-old woman and not just cast her to the side. I m really grateful to them for that. 3. The Moodys COVID safety protocols were legit.Thanks to the diligence of the cast, crew, and their COVID safety officers, they finished the season with precisely zero outbreaks on set. We made it through an entire season without one person getting COVID, Perkins said. It s really challenging and it s expensive. There s extra time, there s extra resources that are needed and a lot of shows didn t make it. One of those shows is GLOW, which Perkins had just joined before it was canceled altogether due to pandemic-related complications. I feel so grateful to even be working during all of this. I have so many actor friends and producers, so many people in this industry who are just in limbo. I have friends whose shows started up and then were shut down. I have camera assistant friends whose shows started up and then COVID shut them down, Perkins said. But, you know, a lot of people didn t make it. I m just grateful that I got this far. 4. The Moodys is an antidote to the darkness of the past year.(Photo by Philippe Bosse/FOX)One of Perkins most recent TV credits is the dark, Golden Globe– and Emmy-nominated miniseries Sharp Objects, where she played a boozy, vaping busybody with a seriously impressive collection of kaftans. (They re from Australian brand Camilla, for those wondering — and Perkins said she partially modeled her character on the show after Patricia Altschul from Bravo s Southern Charm.)Her character was a bright spot in a very dark show. Similarly, for Perkins, The Moodys is a bright spot in a very dark time. It s been a really strenuous, difficult time, and it s nice to be able to work on something that was light and fun and spreading joy around. I hope that the people watching it can take away a little bit of that because I think it s pretty needed right now, she said.5. Perkins herself turned to sitcoms during the pandemic.(Photo by Philippe Bosse/FOX) I watched Mary Tyler Moore, she said. Full on Mary Tyler Moore, and then it was Everybody Loves Raymond. I did Cheers; I did Golden Girls. I got into this French series called Call My Agent. I was just looking for anything lighthearted and humorous. I watched all the really dark stuff too, but after a while I just wanted something that was fun and made me feel good. I really feel like that s The Moodys. I m really proud that we re putting it out there. The Moodys season 2 premieres with two back-to-back episodes at 9 p.m. and 9:30 p.m. on Thursday, April 1 on Fox.On an Apple device? Follow Rotten Tomatoes on Apple News.
If you have a suggestion for a movie or show you think we should do an episode on, let us know in the comments, or email us at email@example.com.Meet the hostsJacqueline Coley is an editor at Rotten Tomatoes, with a focus on awards and indie coverage but with a passion for everything, from the MCU to musicals and period pieces. Coley is a regular moderator at conventions and other events, can be seen on Access Hollywood and other shows, and will not stand Constantine slander of any kind. Follow Jacqueline on Twitter: @THATjacqueline.Mark Ellis is a comedian and contributing editor for Rotten Tomatoes. He currently hosts the Rotten Tomatoes series Versus, among others, and can be seen co-hosting the sports entertainment phenomenon Movie Trivia Schmoedown. His favorite Star Wars movie is Jedi (guess which one!), his favorite person is actually a dog (his beloved stepdaughter Mollie), and – thanks to this podcast – he s about to watch Burlesque for the first time in his life. Follow Mark on Twitter: @markellislive.On an Apple device? Follow Rotten Tomatoes on Apple News. This may be the month of Christmas specials galore, but for those looking for less holiday-related fare, a bunch of beloved shows are coming back – and there is plenty to catch up on before these series return. The fan-favorite Vikings are back on History, for one, along with the equally fearsome Midge Maisel of The Marvelous Mrs. Maisel on Amazon Prime. Or if the Great Unknown is more your speed, you’ll be set with Lost in Space on Netflix and The Expanse on Syfy. For more, you’ll have to keep reading for this month’s full offering of binge-worthy returnees. Vikings 93% (History)What it is: In the mood for a meaty, generations-spanning period drama that has violence, politics, sex, and true-to-history recreations to spare? Look no further than Vikings, Michael Hirst’s brilliant follow-up to The Tudors. The heart of the series begins with the rags-to-riches tale of legendary Viking Ragnar Lothbrok (Travis Fimmel) and his rise to power before passing the narrative baton to his children.Why you should watch it: Vikings is complex, calculated storytelling. Gorgeous, lush sets and production design, committed and gritty performances all around — it is a wonder that the program doesn’t garner awards acclaim on par with Game of Thrones (though it certainly has drawn comparisons). Season 6 premieres Dec. 4 on History.Where to watch: Amazon, FandangoNOW, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 58 hours (for the first five seasons)The Marvelous Mrs. Maisel 88% (Amazon Prime)What it is: In 1950s New York City, Midge Maisel’s (Rachel Brosnahan) husband, Joel (Michael Zegen), admits to having an affair and leaves her. Rather than getting back, she gets even, and decides to pursue his dream of becoming a stand-up comedian— which makes sense, because she was the funny one writing his jokes all along.Why you should watch it: A runaway comedy hit upon its debut, Maisel won top honors at both the Emmys and Golden Globes for its first season — and only bowed this year to Amazon’s other awards-sweeper, Fleabag. But Brosnahan’s star-making performance (and her scene-stealing costars like Tony Shalhoub and Alex Borstein) continue to anchor a series that is smart, funny, and full of heart while also being absolutely timely. Season 3 premieres Dec. 6 on Amazon Prime.Where to watch: AmazonCommitment: Approx. 18 hours (for the first two seasons)The L Word 57% (Showtime)What it is: From creators Michele Abbott, Ilene Chaiken, and Kathy Greenberg, this Emmy-nominated series (decorated elsewhere by GLAAD for its landmark lesbian, bisexual, and transgender characters) charts the intersecting friendships and love lives of a group of queer women living in Los Angeles. Why you should watch it: As heralded today as it is maligned, there’s no denying that The L Word made leaps for LGBTQ representation onscreen upon its 2004 premiere, even if it didn’t always hit its mark. While its first season was Certified Fresh for all its bombastic soapiness and memorable characters, critics didn’t follow it into its subsequent seasons, resulting in years without Tomatometer scores — and its sixth and final season was ravaged with a measly 8%. But the show still has its fans and its merits. Plus, its reboot is sure to revisit the components that first made us fall in love with these ladies while expanding and bettering itself where there is room to grow. Season 7, retitled The L Word: Generation Q, premieres Dec. 8 with returning stars Katherine Moennig and Jennifer Beals on Showtime.Where to watch: Amazon, Google Play, Hulu, Microsoft, Netflix, VuduCommitment: Approx. 70 hours (for the first six seasons)The Expanse 94% (Amazon Prime)What it is: Based on the series of novels by James S. A. Corey (the pen name of collaborators Daniel Abraham and T Franck), this space-hopping science-fiction series follows Earth-bound United Nations executive Chrisjen Avasarala (Shohreh Aghdashloo), asteroid belt-dwelling police detective Josephus Miller (Thomas Jane), and officer of an ice freighter Jim Holden (Steven Strait) as they uncover a conspiracy that risks intergalactic peace within disparate colonies and the survival of humanity as they know it. Why you should watch it: We see enough social and political turmoil here on Earth to know that if and when we expand our humanly horizons to other planets in the solar system, tension is likely to continue. Here, it just makes for great TV with timely allegorical themes to spare. Season 4 premieres Dec 13 on Amazon Prime.Where to watch: Amazon, Google Play, Microsoft, VuduCommitment: Approx. 26.5 hours (for the first three seasons)Marvel's Runaways 84% (Hulu)What it is: Creators Josh Schwartz and Stephanie Savage leave their mark on the Marvel Cinematic Universe with this hit Hulu series based on the comic of the same name, which follows a motley group of super-powered teens who unite to stop their supervillian parents.Why you should watch it: By this point, you know what you’re getting with an MCU project, but Runaways still manages to have a few surprises up its sleeve. Led by a cast of a excellent young actors and featuring a unique spin on the hero-villain narrative (and exploring relationships between friends and family in the process), the streaming series is a welcome addition to the already well-trod Marvel empire. Its third and final season premieres Dec. 13 on Hulu.Where to watch: Amazon, FandangoNow, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 20 hours (for the first two seasons)Lost in Space 76% (Netflix)What it is: A classic story of the sci-fi genre, 2018’s Lost in Space reboot finds new ways to tell the tale of the Robinson family, a clan of space colonists who must adapt to survive after their ship gets flung off course (living up to the series’ title) and crash lands on an alien planet.Why you should watch it: The original Lost in Space is one of those series that every sci-fi lover should watch simply because of the influence it wielded over future series in the genre. But this new reboot — bolstered by state-of-the-art visuals, new characters, and uncharted territories — is an upgraded entrant to the canon that deserves a binge all its own. Part Swiss Family Robinson, part Star Trek, Lost in Space has something for everyone. We vote you make it your unlikely family binge this holiday season. Season 2 returns Dec. 24 on Netflix.Where to watch: Amazon, FandangoNow, Google Play, Microsoft, NetflixCommitment: Approx. 8.5 hours (for the first season)You 91% (Netflix)What it is: You’ll find yourself yelling at your television in equal parts frustration and enchantment with this Penn Badgley–starring hit. The former Gossip Girl actor plays Joe Goldberg, an unassuming (albeit attractive) bookseller who moonlights as the psychotically obsessive stalker of NYU student and aspiring writer Guinevere Beck (Elizabeth Lail). Why you should watch it: You is just the latest example of a cancelled series finding second life on Netflix. While the thriller series cornered a niche audience upon its premiere on Lifetime, it was cancelled after one season. Then it hit Netflix late last year, became a word-of-mouth water-cooler hit, and was picked up for a second round, which should be intriguing enough to get you to at least hate-binge this soap-drenched stalker drama. Season 2 premieres Dec. 26 on Netflix.Where to watch: Amazon, FandangoNOW, Google Play, Netflix, VuduCommitment: Approx. 8.5 hours (for the first season)Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.Thumbnail image courtesy of © Netflix, © Amazon Prime Video
All good things must come to an end, and with the season 6B premiere of Vikings hitting our television screens on December 30, the end of History’s beloved series is near.The first 10 episodes of the season served as the perfect setup to its final, killing off a few major characters — we still haven’t quite recovered from Lagertha’s (Katheryn Winnick) unceremonious stabbing — and setting in motion an epic conclusion for Ragnar’s sons, now seven years in the making.But before Vikings sets sail to Valhalla for good, we’ve got several lingering questions we’d like to see answered, especially considering the midseason finale that left our central hero’s fate in the balance.Is Bjorn Dead or Alive After Getting Stabbed by Ivar?(Photo by Jonathan Hession/History)No surprise here: The biggest burning question going into this final stretch of episodes is whether or not Bjorn (Alexander Ludwig) actually died by Ivar’s sword, as shown in a surreal and disorienting battle at the tail end of 6A. Is he gravely wounded? Was it all a dream? Or is this actually the last that we’ll see of Ludwig’s formidable warrior?Speaking with Rotten Tomatoes, creator Michael Hirst remained characteristically tight-lipped about what’s to come, but he did tease that dead or alive, Bjorn will continue to be a presence this season. Just as Ragnar (Travis Fimmel) continues to be a name on everyone’s lips, his first son also casts a long shadow in life and in death.“These are presences in the show right to the end, powerful presences, part of the pantheon and sort of mythic figures in the Vikings world,” Hirst said. “So they’re still alive in many different ways.”And for what it’s worth, Ludwig, without giving away his character’s fate, told us that there’s no other way he’d rather the show end — what Hirst has crafted is exactly what it should be.“I’m really objective, and I hate watching myself because I’m always really hard on myself, but I will say that I do love this show as a fan, I really do, and as somebody who’s incredibly critical of everything I do, I believe that this show is ending exactly how it should,” Ludwig said. “The fans are going to be really happy with the ending.”Scanning the latest trailers for the final season, Ludwig’s Bjorn is shown to be bedridden and surrounded by loved ones and viking leaders, which likely dispels any online theories that the battle sequence that ended in Ivar stabbing his brother was all a surreal dream. So perhaps he’s wounded and will live to fight another day? There are also glimpses of Bjorn riding horseback, and the season’s promotional poster itself features a grizzled, sword-wielding Bjorn, all indicating that we haven’t seen the last of him in battle yet. (Thank the gods!) Anything less would leave us feeling a bit cheated, considering the pedigree of loss and hardship Bjorn has weathered along the way, most recently the death of Lagertha, his unborn child, and Hali, his son by Torvi, and the loss of the elected crown.What Is Ivar’s Endgame With Oleg, Igor, and Hvitserk?(Photo by Bernard Walsh/History)We all know at this point just how masterful a strategist Ivar (Alex Høgh Andersen) truly is. And now that it appears the Rus army wrapped season 6A with a clear upper hand over Bjorn and King Harald (Peter Franzén), one must wonder what will come of his alliance with the young King Igor (Oran Glynn O Donovan), the rightful heir to Kievian Rus, and his manipulative, calculating uncle, Prince Oleg (Danila Kozlovsky). Of course, Ivar has had his eyes on the throne for years and is currently promised to inherit the crown as Norway’s King. But what if Oleg betrays that promise? Audiences have been privy to the mounting gameplay Ivar’s been aligning against Oleg should a coup be deemed necessary, so we’re eager to see how their relationship develops in these last 10 episodes. Where Oleg’s wife, Katia (Alicia Agneson) — whom Ivar believes is his dead wife resurrected — fits into that scheme also remains to be seen. But for now, as indicated in the finale earlier this year, the mood is joyous, celebratory, and drunk.As for Hvitserk (Marco Ilsø), he and Ivar have always had a, let’s say, contentious relationship. The fact that they’re back in arms together after Hvitserk accidentally killed Lagertha, was spared execution, and under Bjorn’s orders was banished from Kattegat — and, let’s not forget, after Ivar killed Thora (Eve Connolly) at the end of season 5 — definitely reeks of trouble. Too much baggage, resentments, and habits of fratricide sit between them and a happy, brotherly ending. How it all plays out, though — will Hvitserk make good on his supposed fate to kill Ivar? — is at this point anyone’s guess.King Harald Is Assumed Dead on the Battlefield — What Will Become of Norway?(Photo by Jonathan Hession/History)If there was ever a moment to prove that he deserved to be crowned King of Norway, the battle with the Rus at the end of 6A was it. Unfortunately, King Harald wasn’t quite up to snuff. (Are we all that surprised?) When news arrives of the approaching Rus army, Harald is unable to bring Norway’s kingdoms together for battle and is ultimately left shorthanded and unprepared. Throw into the mix the fact that he raped Bjorn’s wife, Ingrid, before that battle, we can’t say we were all that sad to see him bleeding out on the field. But never speak too soon: We never got any confirmation that he died after Erik the Red (Eric Johnson) left him for such and took his crown, so his future on the series is still unclear. And speaking of Erik, we can’t help but wonder what he’s going to do with the crown, leaving Harald for dead and with the knowledge that Bjorn is gravely injured, it appears as if Norway may need to find a new head to rest its power upon.Will Torvi and Ubbe Finally Make it to the Golden Land?(Photo by Jonathan Hession/History)We also expect these final episodes to conclude the years-long setup of how the vikings will make their way from Iceland to the so-called Golden Land — widely anticipated to be North America. On that quest by way of Iceland is Torvi (Georgia Hirst) and Ubbe (Jordan Patrick Smith), and at the end of season 6A, they had invited the help of Othere (Ray Stevenson), a mysterious wanderer who’s claimed to have charted the western seas and in his travels came up this “golden land.” Soon after his appearance in Iceland, it’s learned that he is actually a converted Anglo-Saxon monk named Athelstan, and he is hoarding a violent past. After killing a viking and taking his name, he left the missionary life behind and is now infiltrating the voyage efforts of Torvi and Ubbe. As it stands, his intention is unclear, and given his history, we’re not immediately on board to trust him. But if he can lead our heroes to the Golden Land, then perhaps it’s worth it to keep him around. Plus, if anyone has the answers behind Floki’s true fate, it may well be Othere.Another note of interest: Let’s loop back to Erik the Red. In real-world vikings history, Leif Erikson was the first viking to set foot on North America and went on to settle Newfoundland. Erik the Red, as it so happens, is Leif Erikson’s father. So were Hirst to stick closely to the factual history of the matter (which, of course, is not always the case in Vikings), we may also see Erik somehow involving himself in the Iceland camp’s voyage west.What Characters From Vikings’ Past Will Return Before the Finale?(Photo by Jonathan Hession/History)Speaking of Floki (Gustaf Skarsgård), wouldn’t it be nice to get some definitive closure on our favorite ship builder before Vikings comes to an end? It also gets us thinking about who else may show up between now and the series finale. The first half of season 6 has largely zeroed in on Iceland, Scandinavia, and Rus; is a trip back to Wessex and our friend King Alfred (Ferdia Walsh-Peelo) in store? Rollo (Clive Standen) is already known for making an unannounced grand return to the series; should we be holding our breath for him? And as Hirst says himself, these characters never really die. Could Ragnar and Lagertha appear in flashbacks or dreams? Is there room for a full-on cast reunion onscreen? We hope so!Whoever comes back for this last round of action, Ludwig assures us that it’s happening: “Some of the fan-favorites may or may not make a return, and I’m really, really looking forward to the response,” he said. “I don’t think there’s a better way that it could’ve ended.”And about that ending, Hirst said that we should prepare to say goodbye to more major players than just Lagertha: “I had to kill off some of the characters I’ve loved the most, and that was never easy,” he said.But he promises that every shocking twist in the remainder of this journey is worth it and all feed the larger story he’s long had in the pipeline.“What I can say is that these episodes are literally full of surprises and unexpected visitations or appearances, and the thing to expect is the unexpected,” he said. “I’m not going to go into detail, but the show is rounded off in many respects, and I hope in a very satisfactory way. That was what I needed to do.”In the end, what if you’re not happy with the result? Well, Hirst rests easy with the knowledge that he is the only one to blame.“You know there are certain shows, and you probably could name them — very good shows that had very poor endings,” he teased. “And I suspect that that was because there were a number of people involved in the decision about how they should end and how they should be written, and people would disagree. But in this case, it was just me, and the only person I could argue with was myself. So I felt that if I was able to conclude these different storylines — there are three different storylines in these 10 episodes — if I could conclude them satisfactorily and with justice, then I was fairly sure that the audience would find the ending satisfying, too, because these are characters I love, these are characters I lived with for seven years. So I didn’t want to cheat anybody, and I worked very hard not to do that.”Vikings’ final episodes premiere December 30, 2020, on Amazon Prime Video.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.