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亚博手机版官方采用百度引擎9(Baidu 6)erfell" 92% was kept secret right up to the premiere on Sunday night. It s not like that title is a spoiler — we knew from the season 7 finale and from the first trailers that this ride was Next stop: Winterfell. Did anyone really think we were going to sail to White Harbor with the characters and brunch with House Manderly?In any case, the television event hit like a freight train, with each major character’s name trending on Twitter in the U.S. at once.“He’s never been a bastard. He’s the heir to the Iron Throne. He needs to know. We need to tell him.” So said Bran Stark (Isaac Hempstead Wright) of his cousin Jon Snow (Kit Harington) at the end of season 7, and we were here for it.But those weren’t the final words of season 7. The final words were: “Run! Run!” Thank  Tormund Giantsbane (Kristofer Hivju) for that keen observation.Rewatching the final scene of the final episode of the season, I looked in the distance of the scene for the Umber family home in a morbid car-wreck-waiting-to-happen sort of way, and thought that after the dead decimate Last Hearth, they will run into the Last River. Since they can t swim, they’ll need to go around it, if the geography of the North in the series stays true to books here.The season 8 premiere settled some of those concerns with the new opening credits showing Last River and including a visit to Last Hearth to bear witness to the carnage.  That moment and more were among the highlights of the episode.Take our poll below to tell us what your favorite moment was. Don t agree with our eight? Tell us in the comments.1. New Opening CreditsWere you paying attention or were you making a cocktail in the kitchen and singing along with the theme song when the opening credits played? They took us inside Winterfell and the Red Keep to their depths. The credits have always been a foreshadowing to one degree or another. The season 8 credits first show the Wall destroyed, then a rolling motion to Last Hearth, a pause in that motion at the river between. The perspective then flows down to Winterfell, a journey down into the depths of the crypt, then an image of the astrolabe with a lion with a fish in its mouth (remembering that Lannisters are the lions, Tullys are the fish, and the only Tully left is Edmure, so what could that mean – Cersei will control Riverrun?), a hung hound (THE Hound?) — or wolf — riddled with arrows, and what looks like the Night King with a wolf’s head and a dagger in his hand (if that’s a metaphor for Arya, I’m out, but maybe it’s literally a wolf, as both Nymeria and Ghost are still somewhere about).Next, to King’s Landing. The Red Keep rises, as we descend into its basements, where Balerion the Black Dread’s huge skull faces down the ballista (or scorpion ) that Cersei shot at it. Up to the throne room, where a lion rises above the Iron Throne, then back to the astrolabe where a four dragons and a shooting star (with what appears to be a dragon’s head) fly over uncertain geography (or are those skinny horses?).The main title is still surrounded by dragon, a lion, a wolf and a stag (with only one antler – Gendry?). The credits then reveal that the episode was written by Dave Hill and directed by David Nutter.2. Battle of the Sass: Sansa vs. Mother of Dragons(Photo by HBO)A collection of moments, really. Whenever Sansa Stark (Sophie Turner) was near Daenerys Targaryen (Emilia Clarke), they each let the sass fly.Upon first introduction, Daenerys tries flattery on Sansa, who is not having it: “The North is as beautiful as your brother claimed – as are you.”Sansa (eyeballs Daenerys with a tight grin): “Winterfell is yours, Your Grace.”Bran: “We don’t have time for all this.” (Preach, brother!)(Photo by Helen Sloan/HBO)Then, the major characters convene with the North’s bannermen. Tyrion Lannister (Peter Dinklage) attempts to soothe the concerns of Lyanna Mormont (Bella Ramsey) and smooth over tensions in the room, but makes matters worse mentioning how many men and beasts came with Jon and Daenerys.Sansa: “May I ask, how are we meant to feed ‘the greatest army the world has ever seen’? While I assured our stores would last through winter, I did not account for Dothraki, Unsullied, and two full-grown dragons. What do dragons eat, anyway?” she asks the air.Daenerys, staring out into the same air: “Whatever they want.”Jon stares forward as the two women exchange a glance across him.3. Theon Rescues Yara(Photo by Helen Sloan/HBO)Just that. Wasn’t a particularly flashy rescue, but that he was there and killed people to get to her – it means something between siblings. She gives him an affectionate headbutt in thanks. Sometimes just showing up is all that matters.4. Jon Rides Rhaegal(Photo by HBO)Jon accompanies Daenerys (after she notes that his sister doesn’t like her), ostensibly to see what’s wrong with Drogon and Rhaegal, who aren’t eating as much as they should. She climbs up on Drogon and prompts Jon, “Go on,” after Rhaegal noses at him. “I don’t know how to ride a dragon,” he warns. She replies, “Nobody does – until they ride a dragon.” He: “What if he doesn’t want me to?” She: “Then I’ve enjoyed your company, Jon Snow.” He successfully mounts the dragon: “What do I hold onto?” Daenerys: “Whatever you can.” Varys, Tyrion, and Davos’s mouths drop to the ground when they see Jon do a flyby of Winterfell on Rhaegal, who does not make it easy on his rider.We d celebrate the birth of a dragonrider, but remember season 7, episode 6 Beyond the Wall ? The Hound, Berric Dondarrion, Jorah Mormont, and even a wight all rode a dragon before Jon, so there s that.(Photo by HBO)When they land, Jon tells Daenerys, “You’ve completely ruined horses for me.” Drogon growls at Jon when he kisses Daenerys. Despite her encouragement to have no fear, Jon opens an eye to see Drogon staring laser beams at him. We love this relationship already.5. Daenerys Sort of, Kind of Admits to Sam That She Killed His Father and Brother(Photo by Helen Sloan/HBO)Daenerys ventures into the Winterfell library escorted by Ser Jorah to thank Sam for saving her advisor. When he gets to the part where he mentions he’s a Tarly, Daenerys does the right thing and begins telling him that his father wouldn’t bend the knee. Before she can fully confess, Sam guesses the rest, but then stumbles again when she notes that his brother stood with his father.Viewers had to be grateful that Sam is a smart guy and guessed what happened before Daenerys had to get into specifics. It was awkward and really uncomfortable, but a highlight because it had to be done, and she accepted her role and began to confess it as soon as she made the connection.6. Sam, Bran, and Jon in the Winterfell Crypts: “Now’s the Time”(Photo by Helen Sloan/HBO)Coming away from a tragic meeting with Daenerys, Sam runs into Bran sitting in his chair near the Winterfell crypts. Sam’s bummed about his father and brother and doesn’t want to have to tell Jon about his birth parents and that he’s heir to the Iron Throne. “He trusts you more than anyone,” Bran says. “Now’s the time.”Down in the crypts, Sam and Jon have a warm reunion. Sam informs Jon that his new girlfriend executed his father and brother. Then he gets to the real reason we’re gathered here today: “Your mother was Lyanna Stark. And your father – your real father – was Rhaegar Targaryen. You’ve never been a bastard. You’re Aegon Targaryen, true heir to the Iron Throne.” Wow. Let’s take a minute to let that settle in. “You’re the true king: Aegon Targaryen, Sixth of His Name, Protector of the Realm. All of it.”Excellent. But what s he going to do with that information?7. The Fate of the Umbers(Photo by HBO)A group of men march toward a snowy building. It’s Last Hearth, the Umbers’ castle. We see Tormund, Berric, and a small group of what must be Night’s Watch survivors from Eastwatch-by-the-Sea. It’s a slaughter in the central hall. They meet up with Edd Tollett and more Night’s Watch men. They go to a hall where the Night King has mounted young Lord Umber on the wall in the center of a swirl of human limbs. Stay classy, Night King!“It’s a message from the Night King,” Berric says. They propose heading down to Winterfell by doubling up on horses, which sounds like a terrible idea from the horses’ perspective. Just then, the Umber boy wights alive, screaming, and Berric sets him on fire with his flaming sword–torch combo. If someone in the scene has alcohol, now s the time to pass it around.8. Bran Stares Down Jaime Lannister(Photo by HBO)That look. Jaime looked like he d never faced a more fearsome foe. The reason it was so meaningful had more to do with what it promised for episode 2, than just the weight it carried as the attempted murderer faced his would-be victim.How Bran ended his staredown of Jamie approximately 2 hours after #GameofThrones ended. #focused pic.twitter.com/4tX4nFeThd Ava DuVernay (@ava) April 15, 2019And More (Photo by Helen Sloan/HBO)Some other stand-out moments: Tyrion’s reunion with Sansa, who promptly questions his smarts; Qyburn approaches Bronn to kill Jaime and Tyrion; Cersei awards Euron his prize, and he offers to put a prince in her belly; Arya’s exchanges with Jon and The Hound; and Arya flirting — flirting — with Gendry.Jon and Arya’s reunion is everything I needed to see today! #GameofThrones pic.twitter.com/cMlGfTOMeO Mimi △̶ (@Mimi_princess7) April 15, 2019Game of Thrones airs Sundays at 9 p.m. on HBOLike this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

1. 亚博手机版官方
不过手游虽然在中日两国蓬勃发展,但手机的游戏性却一直不如NS这样的掌机,毕竟手机现在的功能实在太多,不得不做出一些平衡和取舍,所以,当下的手机厂商,也是为了最好的用户游戏体验,有了些自己的动作,最近,我的关注点就被一款可能是最适合大众的游戏手机吸引—— On March 2, 1984, the world was blessed by the hilarious mocku-rockumentary This Is Spinal Tap (Certified Fresh at 95%). Utilizing largely improvisational dialogue, director Rob Reiner and writers and cast members Christopher Guest, Harry Shearer, and Michael McKean created a brilliant documentary about one of the world’s worst fake rock bands.While underappreciated at first (many early viewers thought the documentary was real and complained that it “wasn’t about a popular band like Led Zeppelin”), the film has gone on to become a comedy cult classic. Now, on its 35th anniversary, we look back on what makes This Is Spinal Tap one of the greatest and most influential music films, comedies, and mockumentaries of all time.It Was GroundbreakingMockumentaries have existed in some form before This Is Spinal Tap; The Beatles’ 1964 classic A Hard Day’s Night (98%) was filmed in a mockumentary style, and Woody Allen’s Zelig (100%) marked a significant step forward towards realism in the genre. But, it wasn’t until This Is Spinal Tap in 1984 that the genre was perfected.While not a huge box office hit, This Is Spinal Tap was critically acclaimed, landing on multiple Best of 1984 lists, and it boasts a Certified Fresh 96% on Rotten Tomatoes. Its status as a genre-defining piece of art has only solidified all the more in the decades since its release.The success of This Is Spinal Tap led to the celebrated filmmaking career of writer, director, and Spinal Tap lead guitarist Christopher Guest. With the same improvisational style and much of the same cast, Guest has since written and directed Certified Fresh mockumentaries like Waiting For Guffman, Best In Show, and A Mighty Wind.But the influence and acclaim extends far beyond the members of the band.(Photo by Universal Pictures)In recent years, we have seen an uptick in both the quality and the prevalence of mockumentary content. Sacha Baron Cohen s Borat was a cultural phenomenon that made nearly 0 million, scored a Certified Fresh 91% on the Tomatometer, and apparently will be quoted until the end of time; The Lonely Island s Popstar: Never Stop Never Stopping took This Is Spinal Tap from 80s rock into the Bieber-fied 21st century; and Taika Waititi s What We Do In The Shadows was a quirky Sundance hit that crossed over to the mainstream with critical acclaim and spawned a television spinoff, set to premiere later this month.These three films and a number of popular current mockumentary TV programs like Documentary Now! (94%) and American Vandal (98%) all owe a debt to This Is Spinal Tap for its influence on comedy. Sitcoms like The Office or Parks Recreation might never have been as successful without the groundwork laid by Spinal Tap. And if there were no Office or American Vandal, what would the millions of millennials mainline on Netflix before bed? Would they have no reason to subscribe? And if not, would Netflix streaming ever have taken off the way it did? And if there’s no streaming content, would we all still be getting our DVDs through the mail?Now, we re not saying that This Is Spinal Tap is the reason that Roma exists, but it’s definitely one of the reasons that Best In Show, Borat, and American Vandal all exist.Real Rock Stars Understand It(Photo by Sony Pictures Classics courtesy Everett Collection)It might come as a surprise, but despite the less than stellar picture of rock-and-rollers that This Is Spinal Tap paints, many of the bands and musicians it lampoons have seen it and feel strongly about it.Aerosmith guitarist Joe Perry said of the film, “When we watched Spinal Tap, my wife and I saw it, and we fell on the floor. It was great. Every bit is brilliant as it was supposed to be. So good.” On the other hand, frontman Steven Tyler didn’t find it so funny, saying, “That movie bummed me out, because I thought, ‘How dare they? That’s all real, and they’re mocking it.’”In the documentary It Might Get Loud, U2 guitarist The Edge said, “It s so hard to keep things fresh, and not to become a parody of yourself. And if you ve ever seen that movie Spinal Tap, you will know how easy it is to parody what we all do. The first time I ever saw it, I didn t laugh. I wept. I wept because I recognized so much and so many of those scenes.”The phrase “Spinal Tap Moment” has even entered the rock lexicon.It Made Rob Reiner into a Director(Photo by Columbia Pictures courtesy Everett Collection)Prior to directing This Is Spinal Tap, Rob Reiner was best known as Michael Stivic, the meathead son-in-law of Archie Bunker in the hit sitcom All In The Family. While he played this role to great s

2. 公平游戏环境
King of the Crop: Lego Movie Leads, But Joins List of Diminishing Sequels(Photo by Warner Bros.)Another early record of 2019 that was expected to fall was Glass’ top opening weekend of .3 million. Lowball projections on The Lego Movie 2: The Second Part (84% on the Tomatometer) were at million with an uptick to a potential million. That estimate was reasonable given the diminishing returns of the series: 2014’s The Lego Movie (95%) opened to million and finished with over 7 million; 2017 spin-off, The Lego Batman Movie (90%), also opening in February, began with million and ended with 5 million; and in the same year, the September release of The Lego Ninjago Movie (56%) grossed a total of just million, but had little connection to the other films. This is why the .4 million start for the sequel is such an eye-raiser.The million production has history on its side for at least cracking the 0 million mark. The only animated film to open with more than million and not reach the milestone was the R-rated Sausage Party. But anything less than 0 million total is going to feel like a real disappointment. The first two Lego movies were bigger successes in North America than internationally with totals that came in at 9 and 1 million, respectively. So if the law of diminishing returns is any indication, The Second Part is not going to reach the 0 million worldwide it is going to need to break even. Looking at sequels over the years, some of the biggest drops in opening weekends are as follows:Alice in Wonderland (2010) / Alice Through the Looking Glass (6.1 million to .8 million)Bruce Almighty / Evan Almighty (.9 million to .1 million)The Lego Movie / The Lego Movie 2: The Second Part ( million to .4 million)Clash of the Titans (2010) / Wrath of the Titans (.2 million to .4 million)Sex and the City / Sex and the City 2 ( million to million)Ghost Rider / Ghost Rider: Spirit of Vengeance (.3 million to .1 million)Happy Feet / Happy Feet 2 (.5 million to .2 million)Rotten Returns: The Prodigy Sinks to the Bottom of the Box Office Horror Class(Photo by Orion Pictures)This week, the resurfaced Orion Pictures dropped a trailer for the new Child’s Play reboot being released this summer. Hopefully, they will see better returns for their creepy-doll film than their creepy-kid film this weekend. The Prodigy opened to just million, which is weak even for February horror. Last year’s Winchester made .3 million over Super Bowl weekend. Hell Fest (.1 million opening) and The Possession of Hannah Grace (.4 million) each failed to reach million total. Even for a mere million price tag (before distribution and advertising costs), The Prodigy (45% on the Tomatometer) is not looking like much of a winner for Orion.Top 10 and Beyond: Men and Pursuit Don’t Live Up to Predecessors(Photo by Paramount Pictures)What Men Want (48% on the Tomatometer) is not the same story that Nancy Meyers’ What Women Want was back in 2000 when it opened to million and grossed over 2 million. But million is still a decent start for the million production from Paramount. The film should see a Valentine’s Day bump on Thursday even with competition from Rebel Wilson s Isn t It Romantic and finish with over million. The final new release of the week, the darkly comic revenge tale Cold Pursuit, an American remake of Norwegian film, In Order of Disappearance, made .8 million, which is less than recent Liam Neeson films, The Commuter (.7 million) and Run All Night ( million). The latest film’s 74% Tomatometer score is Neeson’s best starring vehicle with critics since 2012’s The Grey (79%), however — though the actor did appear in acclaimed films Widows (91%), The Ballad of Buster Scruggs (91%), Silence (83%), and A Monster Calls (86%).M. Night Shyamalan’s Glass, which had led the box office for the past three weeks, dropped to fifth place for a total gross of .4 million so far, which is nearly million behind the pace of The Village, but the film is well into the black for Universal and Blumhouse with over 1 million worldwide. The Upside jumped over Glass on the chart this week after just an 17% drop, and with nearly million, it will be taking a serious run at 0 million. Spider-Man: Into the Spider-Verse crossed 0 million worldwide while the fifth-highest grossing film of 2018, Aquaman, is just a bit more than million away from becoming the 20th highest-grossing film of all-time worldwide.This Time Last Year: Terrorists, Rabbits, and S M Led the Way at the Box Office(Photo by Universal Pictures)Five days before Valentine’s Day, audiences got the final chapter of Fifty Shades Freed which led the way with .5 million. While mom and dad were seeing that, their kids were in the next theater over watching Peter Rabbit. The bunny tale finished second with million, but ultimately outgrossed Christian and Anastasia 5.2 million to 0.4 million. Clint Eastwood’s first film of 2018, The 15:17 To Paris, made .5 million for third place, helping to knock the three-peating Jumanji: Welcome to Jungle back to fourth where it crossed 5 million. The top 10 films grossed 3.8 million and averaged just 51% on the Tomatometer. This week’s top 10 grossed an estimated .4 million and averaged 59.3% with critics here.On the Vine: Romance, Horror, and Cyberpunk Invade Valentine’s Day(Photo by 20th Century Fox)It is going to be a crowded Valentine’s Day week at the box office. Getting a jump on Wednesday is Rebel Wilson in Isn’t It Romantic, a Groundhog Day–like take on romantic comedies, as well as horror sequel Happy Death Day 2U. Then on Thursday comes Robert Rodriguez’s Alita: Battle Angel, which was pushed from its December release date and hopes to generate enough interest worldwide to cover its budget, reported to be as high as 0 million. The film grossed million this weekend outside of the United States.The Full Top 10: February 8-10The LEGO Movie 2: The Second Part (2019) 84% – .4 million (.4 million total)What Men Want (2019) 41% –  million ( million total)Cold Pursuit (2019) 68% – .8 million (.8 million total)The Upside (2017) 43% – .2 million (.8 million total)Glass (2019) 36% – .4 million (.4 million total)The Prodigy (2019) 43% –  million ( million total)Green Book (2018) 77% – .5 million (.5 million total)Aquaman (2018) 65% – .3 million (8.5 million total)Spider-Man: Into the Spider-Verse (2018) 97% – .0 million (9.8 million total)Miss Bala (2019) 21% – .7 million (.8 million total)亚博手机版官方The One and Only Ivan (2020) 71% Description: An adaptation of the award-winning book about one very special gorilla, Disney’s The One and Only Ivan is an unforgettable tale about the beauty of friendship, the power of visualization and the significance of the place one calls home. Ivan is a 400-pound silverback gorilla who shares a communal habitat in a suburban shopping mall with Stella the elephant, Bob the dog, and various other animals. He has few memories of the jungle where he was captured, but when a baby elephant named Ruby arrives, it touches something deep within him. Ruby is recently separated from her family in the wild, which causes him to question his life, where he comes from and where he ultimately wants to be. The heartwarming adventure, which comes to the screen in an impressive hybrid of live-action and CGI, is based on Katherine Applegate’s bestselling book, which won numerous awards upon its publication in 2013, including the Newbery Medal.Premiere Date: Aug. 14, 2020

3. 激战团竞模式

4. 呼朋唤友 随心所欲

5. HD 画质与高品质音讯

6. 团队合作

7. 官方资讯

Version 6.90.32022-01-18

4.48.9 6月喜迎Disney+ announces price lower than Netflix, Hawkeye gets a series while previously announced series get titles, Game of Thrones goes licensing-mad for final season, The Walking Dead gets another spin-off, American Horror Story teaser trailer, Titans casts Bruce Wayne, and more.TOP STORYAvengers Assemble on Disney+(Photo by Marvel Studios)On Thursday evening, Disney CEO Bob Iger presented to investors, detailing the company s streaming plans: Disney+ launches November 12, 2019, and will cost .99 per month. Series titles announced so far include:Marvel Studios’ series Loki starring Tom Hiddleston, reprising his role as the mischief makerThe Falcon and The Winter Soldier, a live-action series with Anthony Mackie returning as Falcon and Sebastian Stan reprising his role as Winter SoldierWandaVision, a live-action series with Elizabeth Olsen returning as Wanda Maximoff and Paul Bettany reprising his role as The VisionHawkeye might not have gotten as much screen time as his fellow Avengers in the most recent Marvel superhero team-up movies, but that will be rectified with the archer s own series, in which Jeremy Renner will star, acco
Spider-Man is swinging back into theaters anew. No, we’re not getting another franchise reboot. Instead, Sony’s separate animated feature Spider-Man: Into the Spider-Verse is kicking off something completely different, and according to the first, all-rave reviews, it’s a fresh, funny, and groundbreaking start. Focused mostly on the Miles Morales version of Spider-Man, the movie sees him joined by other incarnations from different universes, and the result seems to be as hilariously irreverent as it is moving and sincere.Here’s what the critics are saying about Spider-Man: Into the Spider-Verse:Let’s dive right into the Positive-Verse:It’s pure dorky fun. Matt Singer, ScreenCrushIt’s terrific — a quick-witted entertainment, daring and familiar by turns, that also proves to be sweet, serious and irreverent in all the right doses. Justin Chang, Los Angeles TimesWait, so it s one of 2018 s highlights?Spider-Man: Into the Spider-Verse [is] the best animated movie of the year. Jason Guerrasio, Business InsiderThis year’s best animated movie…a great Spider-Man adventure for everybody. Susana Polo, Polygon(Photo by © Sony Pictures Animation)But did we really need another Spider-Man movie?Spider-Man: Into the Spider-Verse isn’t just the best Spider-Man movie to date, but it’s also better than most of the Spider-Man comics I’ve read. Edward Douglas, The Weekend Warrior[Spider-Verse] has one of the best Spider-Man movie stories ever. David Griffin, IGN MoviesIn a wide field of Spider-Mans to choose from, it is the strength of Miles Morales’ story that makes him a standout character. Susana Polo, PolygonSpider-Verse sounds like an evolution of comic-book movies. Tragic news for anyone who’s sick of superhero movies: Spider-Man: Into the Spider-Verse completely reinvigorates the genre. David Ehrlich, IndieWireInto the Spider-Verse translates the visual language of comics onto the big screen better than any movie since Ang Lee’s Hulk. Matt Singer, ScreenCrushFew recent films have embraced the comic book style and sensibility as wholeheartedly as Spider-Verse has, or enjoyed as fully the potential in combining the two mediums. Angie Han, MashableHow fresh is the animation style?The film’s wild and contradictory aesthetic — elements of which clash against each other like some kind of dissonant cartoon jazz — dazzlingly explodes the outmoded idea that superhero movies have to look a certain way. David Ehrlich, IndieWireThe unique and often brilliant 3D animation style is a fantastic aspect of the movie, though it does take some time to get used to. David Griffin, IGN MoviesWhile Spider-Verse is colorful, whip-fast and full of visual references to the four-color printing process and comic book sound effects, it never overwhelms. Susana Polo, Polygon(Photo by © Sony Pictures Animation)How are the multiple Spider-folk?What makes Spider-Verse an essential entry in the superhero canon is the richness of its good guys.  Brian Truitt, USA TodayI would optimistically describe [Spider-Gwen’s] role in Spider-Verse as ‘a great setup for a spin-off,’ which isn’t quite the same as saying she gets a lot of great stuff to do in this movie.  Darren Franich, Entertainment WeeklyOK, but what about the script?What distinguishes Spider-Man: Into the Spider-Verse in the end is that it takes its mission seriously, even when it’s being transparently silly. Justin Chang, Los Angeles Times[Phil Lord and Rodney Rothman[ have written a thoughtful, nuanced story that explores Morales’s uncertainty over whether he deserves the powers he has. Alex Abad-Santos, VoxIs there a ton of Easter Eggs and self-parody?In the same way that The LEGO Batman Movie paid homage to and even poked fun at previous portrayals, Into the Spider-Verse follows suit. David Griffin, IGN MoviesSpider-Verse often feels like a weightier, more ambitious version of The Lego Batman Movie, but it’s not all irreverent wisecracks and goofball voicework. Jesse Hassenger, AV ClubSpider-Verse is a spiritual sidequel to the Deadpool films, another holier-than-thou snarkfest inviting you to laugh at superhero tropes without ever once challenging those tropes.  Darren Franich, Entertainment Weekly

Ever wondered how Axel Foley would fare in a Saw movie? Your ponderings are about to be answered in Spiral: From the Book of Saw, a reboot of the terrifying franchise famous for its inventive murder traps. The movie’s star, Chris Rock, says that he wanted to bring humor – and a sharp look at social issues – to the series, which he’s loved for a long time, and see how an Eddie Murphy-style cop would operate in a horror film. Ahead of the movie’s release, Rotten Tomatoes correspondent Naz Perez sat down with Rock to talk about his move into more dramatic material, the mood on set, and just how scary the movie’s epic traps are in real-life. Plus, Perez spoke with co-stars Max Minghella and Marisol Nichols, and director Darren Lynn Bousman, who revealed just how the Saw team dreams up their brutal contraptions, builds them, and eventually tests them. (For real.)Spiral releases in theaters on May 14, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.
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亚博手机版官方 Englund acts as the narrative glue to the series. I bring a little bit of my Vincent Price attitude and with the little bits of the Rod Serling rhythms in the writing that I get to play with, we kind of echo Unsolved Mysteries, but for a 21st-century audience with 21st-century sensibilities, he told Rotten Tomatoes. What does that creepy, that underbelly, that dark side mean to a more contemporary audience as opposed to a more innocent audience back in the day? He may be known for portraying monsters and killers on the big screen, but much like contemporary audiences the world over, Englund is a fan of binge-watching. And of the many genres available at the click of a button, Nordic criminal dramas (like Bordertown) is one of his absolute favorites. I love Scandinavian serial killer shows, he said. Or as I call them, Blood and Snow with Volvos. They re always really dark and really good. Read on for Englund s bingeable list of recommended programming.

277游戏盒子破解版一款专门为热衷手机游戏用户量身定制的手游APP,其中拥有海量最新、最好玩、最热门的大型BT手游、破解游戏、GM游戏等供大家下载,还可享受无限刷元宝、任意转区等特权,是安卓手机用户必备的手游神器! Also in the crossover: the DC Comics character Harbinger, who will be played on screen by Arrow’s Audrey Marie Anderson. Check her super-suit out below.Years in the making, here’s the first look of Audrey Marie Anderson’s crossover character, Harbinger!Photo Credit: Jordon Nuttall pic.twitter.com/4kEv140vYj The CW PR (@TheCW_PR) October 2, 2019Another Star Wars Character Could Join Obi Wan in Disney+ SeriesCaught up with Joel Edgerton today (check out THE KING! I really enjoyed). I have almost no doubt based on his coy evasiveness that he will be in the Obi Wan Disney+ series. I’ve seen many an actor playfully evade. I’m placing a big bet that Owen will be back. Josh Horowitz (@joshuahorowitz) October 1, 2019The upcoming Obi Wan Kenobi Disney+ series could see another face familiar to the Star Wars universe: Joel Edgerton. When asked whether he could reprise his role as Owen Lars, the adoptive father of baby Luke Skywalker first introduced in Attack of the Clones and who was entrusted with baby Luke after Padme’s death in Revenge of the Sith, Egerton was “coy.”“Evasiveness definitely feels like a confirmation by default, or at least a hint that Edgerton has at least been in talks with Lucasfilm and Disney,” /Film speculated. But, as the site also reminded eager fans, the news is far from official: “Take all that with a grain of salt, of course.”DC Universe Wants Your Reality Show Ideas(Photo by DC Entertainment; Steve Wilkie / 2017 Warner Bros. Entertainment Inc.)The newest show on DC Universe could come from none other than — you! The streaming service’s DCYou Unscripted project is seeking entries from now until November 18. If you’re over 18 and a U.S. resident, apply to the Ideas Unlisted network to submit your unscripted or reality video series ideas — game shows, game play, hot food, and hot takes are all fair game, according to the official rules. The top 10 entrants will be flown to Los Angeles to “spend a day with industry professionals to refine their concepts and have the chance to pitch…in-person to a panel of DC executives and entertainment luminaries.”The top three ideas will be turned into unscripted pilots, and the winning idea will be turned into a DC Universe unscripted series.“The DC Universe mission is to create a place for fans to dive deeper and express their fandom and this is a continuation of that aim, DC Universe SVP and General Manager Sam Ades said in a statement. As we head into our second year we re excited about this new initiative – empowering fans to bring their unique and diverse voices to DC Universe in this very ambitious way.”How to Get to Sesame Street? On HBO Max(Photo by HBO)Beginning in 2020, Sesame Street will have another new home. The legendary children’s series will debut on HBO Max before eventually airing for free on PBS Kids. While the series will continue to air on HBO through its 50th season, five new 35-episode seasons, plus annual specials and spin-offs will debut on the yet-to-launch streaming service. HBO Max will also house selected episodes from Sesame Workshop’s historic 50-year library.RELATED: Everything We Know About HBO Max Streaming ServiceCasting News: National Geographic s Queen of Soul(Photo by Eli Winston/Everett Collection)Cynthia Erivo is headlining the third season of National Geographic’s anthology Genius. The Emmy-, Grammy-, and Tony-winning actress will play Queen of Soul Aretha Franklin in the series, which will begin filming this fall and premiere in the spring of 2020. The first two seasons focused on Albert Einstein and Pablo Picasso, respectively.Starring alongside Alexander Skarsgård in CBS All Access’ Stephen King adaptation The Stand is Nat Wolff, who will play petty criminal Lloyd Henreid, who “becomes fiercely loyal” to Skarsgård’s Dark Man, per Deadline.Winston Duke will star in the Apple TV+ basketball drama Swagger as a former star player and current youth basketball coach. It’s based on the youth basketball experiences of NBA champion Kevin Durant, who also serves as an executive producer on the series.Rachel Maddow let the bat out of the bag: She s DC Comics character Vesper Fairchild, a radio and TV commentator (and former Batman flame) in The CW s new series Batwoman, starring Ruby Rose. The role is voice only — for now.I know no one s going to believe this is true, but it s true.I m Vesper Fairchild in the new Batwoman TV show that starts this Sunday night on The CW.(My character is soooo not me; turns out playing her is one of the most fun things I ve ever done).https://t.co/LP8PauXvUL Rachel Maddow MSNBC (@maddow) October 4, 2019Jesse Williams will play a wealthy Wall Street businessman in Hulu’s upcoming adaptation Little Fires Everywhere, starring Reese Witherspoon and Kerry Washington.Sonoya Mizuno, who will next be seen in FX’s Alex Garland drama Devs, has booked another TV role: She’ll star opposite Kaley Cuoco in the HBO Max thriller series The Flight Attendant. When Cuoco’s Cassie wakes up win the wrong hotel in bed with a dead man, she has to figure out what’s happening to her. Mizuno will play “savvy and potentially dangerous businesswoman” Miranda, whom Cassie meets in Bangkok.Netflix unveiled the cast of upcoming fantasy series Shadow and Bone, based on Leigh Bardugo’s Grishaverse novels and companion works: Westworld s Ben Barnes as General Kirigan — aka the Darkling — newcomer Jessie Mei Li as protagonist Alina Starkov, and Archie Renaux as Aline’s childhood friend Malyen Oretsev. Freddy Carter, Amita Suman, and Kit Young will play characters from the Shadow and Bone spin-off series Six of Crows: Kaz Brekker, Inej, and Jesper Fahey, respectively. Additionally, Sujaya Dasguptato will recur as Zoya Nazyalensky, as will Danielle Galligan as Nina Zenik, Daisy Head as Genya Safin, and Simon Sears as Ivan.#ShadowAndBone — based on @LBardugo s Shadow and Bone and Six of Crow novels — has found its cast: Ben Barnes as General Kirigan, Freddy Carter as Kaz Brekker, Jessie Mei Li as Alina Starkov, Archie Renaux as Malyen Oretsev, Amita Suman as Inej, and Kit Young as Jesper Fahey. pic.twitter.com/4Y79wWleMl See What s Next (@seewhatsnext) October 2, 2019RELATED: Upcoming TV Fantasy Series That Could Be the Next Game of ThronesJoel McHale is joining the final season of Will Grace as Phil, a “handsome and charming” potential love interest for Karen when the series premieres in 2020.The Affair star Julia Goldani Telles will lead the upcoming third season of Starz’ anthology series The Girlfriend Experience. According to The Hollywood Reporter, she’ll play a young neuroscientist in the London tech scene who gets wrapped up in the relationships she creates.Short-form streaming service Quibi’s new horror anthology series, 50 States of Fright, will star Rachel Brosnahan, Travis Fimmel, Christina Ricci, Ming-Na Wen, Taissa Farmiga, Asa Butterfield, Jacob Batalon, John Marshall Jones, and Ron Livingston. The series explores stories based on urban legends.Broadway veteran Bernadette Peters will play the mother figure to one of the main characters in Riverdale spin-off Katy Keene. Set to debut at midseason, the CW drama will follow the titular character, an aspiring fashion designer played by Lucy Hale, and her friends (including Riverdale’s Josie) as they try to make it in New York City. Peters will play Ms. Freesia, the “eccentrically elegant surrogate mother and mentor” of Katy’s pal Pepper Smith (Julia Chan).Development Update: Starz Adapts an Indie, Cobra Kai Creators New ShowShowtime’s Rita pilot has attached another big name: Lisa Cholodenko is set to executive produce and direct the first installment of the hour-long dramedy, which is an adaptation of the Danish series of the same name and will star Game of Thrones’ Lena Headey in her first post-Thrones project. The potential series follows a messy, unfiltered single mother and teacher.Starz is working on an adaptation of the 2018 indie movie Blindspotting, written by original screenwriters and stars Daveed Diggs and Rafael Casal, and set to star original star Jasmine Cephas Jones. According to The Hollywood Reporter, “the potential series would a half-hour dramedy centered on Ashley (Jones), who was nipping at the heels of a middle-class life in Oakland, California, when Miles (Casal), her longtime partner and father of their son, was suddenly put in jail. The show would pick up with her navigating a chaotic and humorous existential crisis after moving in with Miles mother and half-sister.”TBS has ordered Obliterated, a new one-hour show from the creators of Cobra Kai, straight to series. The 10-episode action dramedy focuses on “an elite special forces team who is tracking a deadly terrorist network” targeting Las Vegas. They deactivate a bomb and a debaucherous end-of-mission party ensues — only to then discover that the bomb was a decoy and their mission is far from over.Schitt’s Creek has a new home: on Fox-owned television stations around the country — the half-hour sitcom will debut its sixth and final season on Pop TV in the spring, but starting in the fall, it’ll air in syndication in U.S. broadcast markets.Netflix has ordered a six-episode sketch series from comedian Iliza Shlesinger called The Iliza Shlesinger Sketch Show, which will feature “absurd characters, insight into the female experience, and irreverent yet poignant social commentary,” according to The Hollywood Reporter. It’s scheduled to premiere in 2020.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.



亚博手机版官方 k that way. So finally, because I had been successful for a long time with comedies, I had enough influence in the Mexican industry and enough respect as a director and as a writer to get into serious subject matter. And I was developing a very ambitious movie about the origins of the cartels during World War II, between Mexico and the US. And I was going to write and direct.Issa López s Tigers Are Not Afraid. And that, of course, fell apart horribly. Back then, I felt that it was the end of the world. I had invested five years [into the project]. It was my one hope to get away from only comedies. And I didn t know yet that you can t have one project or even two or three, you have to have more because they will stumble. So when these fell apart, I had nothing, and I was going through a horrendous breakup and my father had died recently. And I had to put my dog down. It was a mess. And the one thing that kept me sane was writing every day, because I didn t have time for more in trying to resuscitate this giant. I would have squeezed writing one scene of a movie for my sanity, and that was Tigers. And eventually it came together and I looked at it and I realized I really had to make it. And I knew that it was going to be a very strange little animal – part horror, part political drama, part thriller, part fantasy, and investors and distributors hate movies that are part, part, part, part, part. They hate them. But I knew I had to bring it into the world.What were some of your favorite moments on set?López: There were so many of them. I was having a conversation a couple of days ago with my first AD, who is now a director in her own right and makes me incredibly happy. Her name is Hiromi Kamata, and she s the director of Selena: The Series. I have to say that many of the best moments in that movie didn t come from my mind. They came from the mind of my team. I love to create an environment where you trust the people you ve called to this battle with you, and they come to you and they say, I have an idea of how this can work. And sometimes it doesn t, and sometimes, it s so much better than what you had in mind. So there s a lot of her mind in that movie, but we were talking about experience, and it s kind of extraordinary how in telling such a dark painful, scary story, we had such a great time. The kids were loving. It s incredible, because you see them suffering throughout the movie, and they were having a blast. They loved it so much that at the day’s end, they came to me to pitch an idea for the sequel, because they just didn t want to stop making the movie. And I know they were enjoying it. One of my producers was saying that they had Stockholm Syndrome.How did you pool all those ideas about how the world of the movie would look like to create an immersive experience for your audience?López: For me, it was the clash between horror and hope. It s pretty much a war zone. These cities that have been abandoned by its inhabitants, either because they left or because they vanished or because they died. Entire sections of cities have become ghost towns. And these kids have taken them over and made them their own. They had decorated them with their totems and their warriors and their war paint to defend this turf. Eventually, in the movie, they move away because they are on the run into parts of town that had been taken over slowly by nature. You have rooms in which grass is growing inside and it becomes this dreamscape. I wanted to have ruin next to beauty, and that encounter gave me images like a flooded room, that idea of a broken chandelier in a pool where there s wild koi fish is what created this landscape slowly.What was it like to finally bring Tigers Are Not Afraid to audiences?López: It was a complicated journey. I thought when I started production that the complicated part was going to be getting it made, and it was not. Once it was made and finished, me and my accomplices, my team, we looked at the movie and we were like, this doesn t feel bad, and it doesn t feel similar to other things. It feels pretty unique. We felt very cocky that we could get the movie into the festivals. We were at the beginning like, should we submit to Toronto or Sundance? And eventually we got rejected from all of them, all of them – Toronto, Sundance, Berlin, Venice, Tribeca, South by Southwest, all of the festivals. It was kind of shocking because we didn t feel that necessarily we had a masterpiece, but we felt that we had something unique enough and decent enough to get in that. No.It got really painful because after getting a number of rejections, you have to question yourself. Eventually, it became funny, and I was ready to give up and make more comedies, which I will always go back to. And then I thought about the genre festivals, because it is a ghost story. And I sent it to Fantastic Fest. The first time that I saw the movie with an audience in my life was at Fantastic Fest, and I was hopeful, but I was not expecting what happened. The raw emotions I saw in the audience and the way people would stop me at the end in tears to talk to me about it, it was a beautiful shock, and it especially felt great after the journey of rejection that we had, and it snowballed from there. That long journey of trying to make a huge movie that failed, resulting in this strange tiny movie, making it, getting all the rejections, and then getting this reaction so many years later, just makes you feel that maybe karma exists, that if you never lose hope and vision of your ideals, you get there. It s a dangerous thing to believe, but I m starting to accept it.(Photo by Issa López's Tigers Are Not Afraid.)What was your experience like before taking on Tigers Are Not Afraid?López: I think that filmmakers can make a career in two very different ways. One is seizing the opportunities that you find along the path and taking whatever opportunity to try to say your own thing. The other one is the anarchist warrior that decides to make the movie that they came into the world to make. I admire those strange unicorns. I m not that. And especially, it s hard because you re a woman, and it s a lot harder to push those walls. Now, it s easier – well, it s less difficult, which is different. But when I started, that space didn t exist. Very few movies were made in Mexico. When I went into film school, eight movies were made in Mexico and those eight movies were made by the same four guys. It was unthinkable to break into that. I had to build my own way and my way of going there was through the cracks. Telenovelas shaped half of the planet. That s the truth. The only way for me to go into visual storytelling was telenovelas. And the only way to go into telenovelas was by ghost writing for other writers. I had to first ghost write then become a proper telenovela writer, then become a film writer.And at that point, Mexican cinema had a revival, but it was through comedy – romantic-comedy specifically. So I had to write rom-coms, which has never been my genre. And then I was like, okay, I can direct too. Eventually, I got a lot of respect as a comedy director. I love comedy, but the truth is that little girl that watched horror movies and genre, and a little bit of Bergman and perhaps too much of Tarkovsky wanted to make a movie for me, for that little girl. And that s how Tigers happened.López cites Poltergeist as an early influence. (Photo by © MGM/courtesy Everett Collection)Jumping back in time, who were some of the first directors that influenced you?López: It was a very strange mix because I was, on one hand, a regular kid who just loved movies. And on the other hand, I was raised by my dad because my mom died when I was very young. My dad was obsessed with European cinema, art house cinema, and the big film masters. At the time, Tarkovsky was at the height of his  popularity, everybody was discovering the next Tarkovsky movie and we would go when I was six, eight, 10-years-old, and I would sit and watch Solaris. Because your taste is not completely gelled at that age, I could completely enjoy Solaris without questions about pacing, because everything is new for you. At the same time, I was obsessed with Spielberg s movies and I was completely captured by the idea of Poltergeist or The Goonies.I never thought I could make cinema by watching Bergman, but when I watched E.T., I was so completely floored and transported by that experience. I grew up in Mexico City, and I had this feeling that someone needs to do this [movie], but in Mexico. It hasn t been done. Briefly, I entertained the idea that I was going to abandon my dream of becoming an archeologist to become a filmmaker. Then I decided I was going to be serious, be an archeologist. That was not serious though, and I went back to cinema. I discovered down the line that it was more about Raiders of the Lost Ark than what it was about archeology.You’ve alluded to it already a little, but this industry is not always welcoming to women. Has that changed at all in your experience?López: I believe that this year has been crucial. I think we re seeing it in the awards season, and you can take it seriously or not, but it is a signal of something. It s a sign of something. It s signaling something. If you look at the hopefuls, you re going to see a lot of women filmmakers in a way that you didn t see even a couple of years ago. And I think that part of it is the awareness that started in 2017, which is the year I opened Tigers. And the awareness of how an entire industry had been brutally, not only unfair, but punishing for the entire female part of it.Tarkovsky s Solaris. (Photo by Courtesy the Everett Collection)Genre film has a macho reputation – it’s dominated by male filmmakers targeting male audiences. What has that side of the industry been like for women recently?López: Well, that was a particularly complicated landscape. First of all, the perception of genre has changed. Thank the gods on this one. When I first moved to LA to try to pursue making movies here, I had the first meetings with the studios and with reps and whatnot, I would mention that I loved horror and I had some horror ideas. Inevitably, the room would cool down, and they would be like, Oh. And eventually someone spelled it out to me, which is: Horror is great, but it was like the B-movies at that point, and I m talking 10 years ago, not that long ago; if you have a chance of making anything non-horror, do that, because once you re a horror director, that s it, you re a horror directorBecause it was perceived like a gritty B-movie universe, women really didn t have a place there. It s funny because if you look at the numbers of audiences that appreciate horror, so many of them are women. It s funny that the vocal ones were guys, but so many women love a good ghost story. I m not a huge fan of slasher films, but I know so many women are obsessed with the slasher movies. It s this misconception about gender roles, it s just not feminine to like movies with ax-wielding maniacs. Well, turns out it is. It is pretty f king feminine, and we have this incredibly violent genre of movies being made by women.Could you tell us about some of the projects on the horizon for you?López: It s a lot of things, too many. I did learn my lesson of, in Spanish we say, Don t put all your eggs in one basket, honey. I don t do that anymore, so I have a lot of baskets and a lot of eggs. I have a movie produced by Noah Hawley, who I didn t know before. Noah is the writer and producer, creator of Fargo, the series, and of Legion. We have a project called The Book of Souls about how humanity runs out of souls to put in newborns and we can only get the souls of people who die and the mechanics that awakens in the world. It s a meditation on privilege, too. All of these languages, all of those themes, resonated with me. So, that s one thing.I have a thing with Jason Blum that is an adaptation of an amazing article that Epic Magazine published. The article is written by Daniel Hernandez, a really great journalist, and it s about a Catholic school – this is a real case outside of Mexico City in a very, very poor area, a massive boarding school that recruits girls from all over Mexico, from the poorest areas, to give them an opportunity to study high school and advance in life. It s a Catholic boarding school. In 2007, there was an epidemic of hysteric attacks where the girls became paralyzed and they couldn t move. They would have extreme pain and seizures, and they were convinced they were cursed. It was a huge scandal in Mexico, and eventually it vanished, but what really happened with these 600 girls that felt they were cursed? At the same time, it’s about faith and the strange images Catholicism and ideas Catholicism puts in our heads. It s about access, how you come from areas where you have no privileges, you have to accept whatever life puts in front of you. It s about being a woman that is always at risk, be it in the fringes of society or even when you re put under protection, you re actually still at risk.One of López s upcoming project will see her collaborate with Guillermo del Toro. (Photo by Kerry Hayes/Universal Pictures)I have a werewolf western with Guillermo del Toro, and that s completely different. That s a completely male story. It s about male revenge, pain, and old, old debts that characters have to pay and the journey they go through that. In the end, it s about the beast that we all try to keep controlled, but we really can t control. I also have a project of my own. I think it s very important as a filmmaker to always have one movie that nobody asked for, which was what Tigers was for me. That is called A Girl with a Thousand Names, and it s all children. I m super excited about that one.Who are some of the up-and-coming women directors people should keep an eye out for?López: Well, what Chloé Zhao is doing is insane, and as I was saying a moment ago, awards season is here and she s going to take everything that she hasn t taken yet. Here she already took everything and it s fascinating, these contemplative, melancholic, incredibly lyrical movies. It s not only about female characters. What she did last year was amazing, too. I m very curious where she s going to go with that. There’s Ana Lily Amirpour: A Girl Walks Home Alone At Night is so aesthetic and so badass and so absolutely unique and its own animal that I m very curious about what she s going to do. I personally know Coralie Fargeat (Revenge), who also can direct action and gore and violence like nobody s business. She can make ugliness beautiful. I don t know what Coralie is doing, I m just so curious. She s amazing.Mati Diop! Atlantics is, I m pretty sure, is my favorite 2019 movie, and I was kind of disappointed that it didn t get the attention I felt it deserved. That movie s at the same time a whodunit, a ghost story, a love story, the political reality of what s happening in the Arabian states where you have extreme riches and extreme poverty, and it s beautiful to look at. It has everything. I think I ve watched it like five times.And finally, who are some of the women directors that inspire you?López: First of all, and foremost, I m going to go with St. Kathryn Bigelow, because I feel that she s been doing this for a while. Another thing that I admire about Bigelow enormously is her ability to move between genres. She doesn t care much about genre, but she cares about character and story. She started with horror, with vampires no less, and it s very hard to make a vampire story that is not silly. She s done heist movies, some of the best in the world, classics really at this point. And she s done sci-fi and she s done the most serious political thrillers that we ve seen. Hurt Locker, for me, is really one of the best movies that I ve seen. It s, for me, top 10, that movie. It s at the same time a character study, it s a study of political conflict, of imperialism, of the seduction of violence, and it keeps you on the edge of your seat. It s just amazing.Issa López s Tigers Are Not Afraid is available now on Vudu and FandangoNOW. Issa López s 10 Films for Women’s History Month

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