The first trailer for next summer’s Wonder Woman 1984 is finally here and, frankly, it’s about time. Originally scheduled for release last month, the movie was held to a summer 2020 release, indicating a great deal of confidence in the film. And judging from the trailer, we can see why. In the trailer we learn that Diana (Gal Gadot) comes to the United States in the early part of the 1980s, but that mogul Maxwell Lord (Pedro Pascal) and Barbara Minerva (Kristen Wiig) have other designs for Wonder Woman’s time there.And beyond the quality of filmmaking teased in the trailer – that moment with the bullet in the White House looks incredible! – we gleaned a few interesting takeaways from the trailer and what it means for the film. Let’s take a look at what we learned.1. Diana and Cheetah Begin As Friends But It Won t Last(Photo by © Warner Bros. )The pleasant conversation between Diana and Barbara overlooking the Washington D.C. skyline certainly sounds friendly. And it seems the film will open with Wonder Woman and her classic adversary, Cheetah, as friends. Although, it is possible this is a big ruse on Barbara’s part. In DC Comics’s lore, she was an archeologist pathologically obsessed with owning the Lasso of Truth. Her first attempt to obtain it was by becoming Diana’s friend. But the Lasso forced her to tell Diana the truth, which turned out to be a deeper wound than the Amazon had experienced before.At the same time, the glimpses of Wiig in the trailer recall earlier versions of the Cheetah, namely the Golden Age’s Priscilla Rich, a debutante with a split personality. She first became Cheetah after Diana upstaged her more self-important persona at a charity event. The Cheetah, a new person formed to process the rage, took control and vowed to end Diana’s life. Thanks to wacky comic-book hi-jinks, Barbara would end Rich’s life before Rich was completely eliminated from reality – the name remaining as one of Barbara’s aliases.From the dowdy Barbara glimpsed at the top of the tra 旁观者2内购破解版完整版(beholder2)是一款黑暗风格的剧情冒险手游，游戏继承上一部作品的经典玩法，全新的剧情故事，未知性和随机性非常高，喜欢就到绿色资源网下载玩耍吧！旁观者2破解版背景在政府部门工作，这是我们伟大国家的每一位市民的梦想！你相当幸运，实
(Photo by © A24)2019 has been such a strong year for wide-release horror films that the upcoming Black Christmas remake could receive a 0% Tomatometer score and the average for the 23 horror films released in 2019 would still be a Fresh 60%. This may not seem all that important, but this is big news for horror fans. Why? Because in the modern era of horror (which we’ll define as from 1980 forward), there hasn’t been a year with a Fresh overall Tomatometer score.This Fresh average shouldn’t come as a surprise to those paying attention to the genre this year – Certified Fresh hits like Us, Crawl, Ready or Not, and Midsommar have won over critics and audiences alike. Even remakes/adaptations are over-performing critically as Child’s Play (63%) and Pet Sematary (57%) are Fresh and very close to it, respectively, when historically horror remakes average a Rotten 44% Tomatometer average.In honor of this Fresh year of theatrically released horror, we pulled the Tomatometer data on the 644 horror movies that received wide releases (defined here as 600+ theaters) in the United States since 1980. We wanted to know how the preceding 40 years of horror films matched up against 2019, and if any year had a higher Tomatometer average.Quick Note: We chose 1980-2019 because there is greater consistency in Tomatometer data than in earlier years. The 1970s were the bomb though.THE OVERALL AVERAGE FOR HORROR FILMS RELEASED SINCE 1980 IS A ROTTEN 43.8%(Photo by Lions Gate / Everett Collection )The overall Tomatometer average for the 644 horror movies that received wide theatrical releases since 1980 is a Rotten 43.8%, and 438 of those movies (or 68%) have scores below 60%. The Rotten far outweigh the Fresh, and for every Green Room, The Descent, The Thing, and Scream 2 , there are movies like Jaws: The Revenge, House of the Dead, I, Frankenstein, Godsend, The Roommate, and Dream House bringing down their average.Another interesting fact (for data nerds and horror movie lovers who are also data nerds) is that since 1990, only five years have had more Fresh horror films than Rotten: 1982 (7 4), 1983 (8 7), 1987 (10 7), 2013 (7 6), and 2019 (12 10). This data makes 2019’s Fresh score even more impressive.On a side note, the years 1997-1999 have a seriously high number of Rotten horror movies that we at RT actually love. Between Anaconda, Halloween H20: 20 Years Later, The Faculty, Idle Hands, Blade, Deep Rising, The Relic, The Mummy, Lake Placid, and the king of all Rotten horror movies, Event Horizon (you can read more about Event Horizon as well as Blade in our book Rotten Movies We Love), the years are stacked with Rotten movies that are pretty awesome.THE BEST DECADE FOR HORROR IS THE 1980s. No Surprise there. (Photo by New Line Cinema)Despite having no single year with a Fresh Tomatometer score, the 1980s have the highest overall average with a groovy 52.5%. Buoyed by A Nightmare on Elm Street, Near Dark, The Fly, The Thing, and Fright Night, the 1980s slaughtered the 1990s (43.6%), 2000s (32.2%), and the 2010s (47.1%).Six of the top 10 years in our data set come from the 1980s, and 1987 came close to being Fresh, but the 0%-rated Jaws: The Revenge and the 9% House 2 kept it at a Rotten 57%. A big reason for the 1980s being the highest-rated decade is that it has only one year in the bottom 10 Rottenest years on the list (1989, with a Tomatometer average of 34.4%).2006 HAS THE LOWEST TOMATOMETER AVERAGE, AND THE MOST ROTTEN DECADE IS THE 2000s(Photo by © Warner Bros. )The worst year in our entire data set is 2006, which currently has a Rotten 31.1% average. The distinction is dubious, but at least 2006 kept it interesting with movies like Pan’s Labyrinth, The Descent, Slither, Hostel, Snakes on a Plane, The Hill Have Eyes, and The Wicker Man remake, an amazingly bonkers movie that features Nicolas Cage running all over the place while wearing a bear suit. Also, the first Black Christmas remake was released in 2006, and with a 14% Tomatometer score, the less said, the better.The 2000s as a whole weren’t much better, as the decade averaged a 32% Tomatometer score. Four of the five lowest Tomatometer years in the data set are from the 2000s, and only 33 of the 189 theatrically released movies in that decade have a Fresh Tomatometer score. The numbers may look bad, but on a positive note, the 2000s are responsible for bona fide classics like Shaun of the Dead, 28 Days Later, The Mist, and Zombieland. Plus, movies like Jennifer’s Body, 28 Weeks Later, 30 Days of Night, Constantine, Frailty, Eight Legged Freaks, and The Happening (it’s awesome, get over yourself), are starting to gain their due popularity.Random Tomatometer Fact: Imogen Poots, the star of the upcoming Black Christmas remake, made her horror debut in 2007, appearing in the Fresh 28 Weeks Later (the opening scene is awesome). Since then, she’s crushed it the underrated Fright Night remake and in Green Room, which is one of the best-reviewed horror films of recent memory.2019 HAS THE HIGHEST TOMATOMETER AVERAGE FOR HORROR MOVIES OF ANY YEAR SINCE 1980, AND IS THE ONLY FRESH YEAR,WITH A 63% AVERAGEWhat makes 2019 the only Fresh year in our data set might surprise you. While movies like Us, Doctor Sleep, The Lighthouse, and Scary Stories to Tell in the Dark helped greatly, it’s the remakes, prequels, sequels, and adaptations that greatly contributed to the overall Freshness. 2019 has been a lot of fun because of movies like Annabelle Comes Home, a sequel to a prequel (Annabelle: Creation) of a prequel (Annabelle), which has a Fresh 64% Tomatometer score. Normally, a horror movie so far removed from the original is almost always Rotten. Toss in the Certified Fresh Crawl (82%), a movie about rampaging alligators, and 3 From Hell, Rob Zombie s 50%-rated sequel to The Devil’s Rejects, and you have movies that are over-performing critically when compared the likes of Lake Placid (46%), Primeval (18%), 31 (47%), and Lords of Salem (46%) from past years.The 25% Tomatometer-rated Countdown, a movie about a ‘killer’ phone app, has the lowest score of any wide-release horror movie in 2019. Typically, a 25% score isn’t reason to celebrate – but when compared to the Rottenest horror movie of each year in our data set, it’s the least Rotten (the closest is 1984’s 23%-rated C.H.U.D.). In fact, the 10 Rotten horror movies released in 2019 have a 46.3% average, which is the highest average for the Rotten films of all the years in our data set. 2019 has the best of the worst, and that’s why it’s Fresh.What is your favorite year for horror? Let us know in the comments.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.bob电竞体育平台The first trailer for It: Chapter Two dropped on Thursday morning and well, thanks yet again for the nightmares, Pennywise, Warner Bros., Andy Muschietti and Co. Really, thanks a bunch.The bulk of the first trailer is made up of a 2 minute and 15 second scene featuring Jessica Chastain s adult Beverly coming back to Derry to visit her childhood home and meeting its current occupant – the schvitzing Mrs Kersh who, of course, is not quite as she seems. After some exchanges of pleasantries ( No one who dies here ever really dies ), we start to see that something is amiss. As in moves-around-in-the-background-like-a-dancing-clown amiss.(Photo by @ Warner Bros. Pictures)Turns out Kersh is Pennywise s daughter or so she says.The rest of the trailer features a series of quick cuts that reveal the Losers Club is back together, Pennywise is back up to his old tricks (the red balloon budget has increased sizably), romance is in the air, and we will definitely get to see the original film s younger cast in multiple flashbacks. The flavor of the original, and of Stephen King s 1986 novel, all looks in place.There are hints this could be an origin story for Pennywise – there s Kersh, saying she s his daughter (though King fans will know Kersh is a form of IT); images of an un-made-up Pennywise with his traveling circus; and, a harrowing little shot of the clown seemingly tearing off his makeup.(Photo by @ Warner Bros. Pictures)The first It trailer back in March of 2017 was an event, and broke the record for most-watched trailer online in a day with 197 million views across the world. That figure smashed the previous record held by The Fate of the Furious (but has since itself been beaten by The Lion King, Infinity War, and two trailers for Endgame). The 2017 trailer s set of creepy images – red balloons floating through libraries, clowns appearing suddenly in drains – and that terrifying tagline ( You ll float too! ) got horror fans hyped for the movie, which would go on to become the highest-grossing horror movie ever, making more than 0 million worldwide.Will the first trailer for It: Chapter Two have the same impact? The goosebumps on our necks point to yes. But what did you think of the first trailer? Let us know in the comments. In the meantime, check out our picks for the five freakiest moments from the trailer. I was always daddy s little girl. (Photo by @ Warner Bros. Pictures)Holy hell. The extended sequence of Beverly in her childhood home ends with a bang, with Mrs. Kersh running jaggedly out of the dark towards her prey. The two minutes are a study in slow-building suspense – if this is the direction director Andy Muschietti is taking us in, we re definitely here for it.Pennywise Goes Full Carl from Up(Photo by @ Warner Bros. Pictures)Seems that Richie (Bill Hader) has an encounter with our dancing clown at a carnival, and Pennywise has taken that famous sequel directive bigger is better to heart, absolutely piling on the balloons. So he can fly now. Great.A Carrie Homage?(Photo by @ Warner Bros. Pictures)
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8.73.0 5月喜迎contributing editor for Rotten Tomatoes. He currently hosts the Rotten Tomatoes series Versus, among others, and can be seen co-hosting the sports entertainment phenomenon Movie Trivia Schmoedown. His favorite Star Wars movie is Jedi (guess which one!), his favorite person is actually a dog (his beloved stepdaughter Mollie), and – thanks to this podcast – he s about to watch Burlesque for the first time in his life. Follow Mark on Twitter: @markellislive.On an Apple device? Follow Rotten Tomatoes on Apple News.
Alice Eve is a portrait of a lady playing with fire as married Susan Trenchard flirting with duplicitous bachelor John Bellasis (Adam James) in this exclusive look at the third episode of Belgravia. Julian Fellowes’ TV follow-up to Downton Abbey is based on his book of the same name about 19th century London society confronting the upward mobility of the nouveau riche.In episode 3, Reverend Stephen Bellasis (James Fleet) is forced to reveal the depths of his financial problems, causing his son John to set his manipulative sights on Charles Pope (newcomer Jack Bardoe) and Caroline, , Countess of Brockenhurst (Harriet Walter) as a way to make money; meanwhile, Susan isn’t shy about exploiting the Trenchards’ new social circle.About the show: Belgravia is a story of secrets and scandals amongst the upper echelon of London society in the 19th century. When the Trenchards accept an invitation to the now legendary ball hosted by the Duchess of Richmond on the fateful eve of the Battle of Waterloo, it sets in motion a series of events that will have consequences for decades to come as secrets unravel behind the porticoed doors of London s grandest neighborhoods.The limited series reunites Downton Abbey’s award-winning creative team; with Fellowes adapting his bestselling novel for the screen and Carnival’s Gareth Neame and Nigel Marchant executive producing alongside Liz Trubridge and Fellowes. John Alexander (Sense Sensibility, Trust Me) will direct all episodes with Colin Wratten (Killing Eve) producing.In addition to Eve (She’s Out Of My League), Walter (The Crown), Fleet (Four Weddings and a Funeral), James (Band of Brothers), and Bardoe (in his television debut), Belgravia’s cast includes Tamsin Greig (Episodes), Philip Glenister (Mad Dogs), Tara Fitzgerald (Game of Thrones), Ella Purnell (Miss Peregrine’s Home For Peculiar Children), Richard Goulding (The Windsors), Tom Wilkinson (Michael Clayton), Diana Hardcastle (Best Exotic Marigold Hotel), Paul Ritter (Chernobyl), and Saskia Reeves (Luther).Belgravia airs Sundays at 9/8c on Epix.
Despite having the lowest Tomatometer score (74%) of the Wizarding World (aka Harry Potter) franchise, spinoff prequel Fantastic Beasts and Where to Find Them is still Certified Fresh and the brand has maintained a positive 83% average. Unfortunately, that’s about to take a dip if the first reviews of the sequel Fantastic Beasts: The Crimes of Grindelwald are any indication.With a mixed 55% score out of the gate, the new movie is said to be too convoluted, with too many characters, and all in service of the next movie rather than the installment at hand. Still, if you’re a fan of the franchise, you should be satisfied with all the usual magic, as well as the return of a Professor Dumbledore in younger form.Here’s what critics are saying about the movie:How does it compare to the previous film?A huge step up from the middling Fantastic Beasts and Where to Find Them. Caryn James, Hollywood ReporterRowling has improved upon the first Fantastic Beasts film by fleshing out her characters in a way that’s engaging. David Griffin, IGNThe Crimes of Grindelwald takes the first installment and improves upon it tenfold. Ashley Menzel, We Live EntertainmentSo far, so good but there’s a counterpoint?It’s less a necessary new chapter in this ongoing story than… an affordable multiplex alternative to whisking the whole family off to the Wizarding World area of Universal Studios. A.A. Dowd, AV ClubAs it turns out, the true crime of Grindelwald was wasting the audience’s time. Karen Han, Polygon[It’s] the noisiest, most rhythmless, and least coherent entry in the Wizarding World saga since Alfonso Cuarón first gave the franchise its sea legs in 2004. Andrew Barker, VarietyWhat always made the Harry Potter films so entrancing was its wonder. But that wonder, once portrayed through the eyes of children, is nowhere to be found. Robert Daniels, 812filmreviews(Photo by Warner Bros. Pictures)How is the magical spectacle?There s nothing particularly impressive about the CGI feats in the film run-of-the-mill where modern blockbusters are concerned. Karen Han, PolygonMore so than even the last film…The Crimes of Grindelwald has tons of incredible magic effects, dazzling new sets, and adorable (and terrifying) new beasts. Germain Lussier, io9So the beasts are still fantastic?The beasts are the best thing about the movie. Karen Han, PolygonMostly, I got the sense that the creators regretted saddling themselves with the animal theme. Angie Han, MashableBut is there too much going on?The Crimes of Grindelwald throws an awful lot at the screen during this clotted two-hour-plus diversion. Manohla Dargis, New York TimesThere are a lot of moving parts in this film, and too many of them are moving without purpose. Tasha Robinson, The VerveRowling has included so many different characters and sub-plots that the narrative momentum is sometimes lost. Geoffrey Macnab, The IndependentThe Crimes of Grindelwald probably had enough plot to drive a four-hour mini-series. William Bibbiani, The Wrap(Photo by Warner Bros. Pictures)Does it move the franchise forward? At almost every turn, it weaves in broad strokes created only to set up the next movie… The Crimes of Grindelwald doesn’t care about the movie you are watching. Germain Lussier, io9Just like the first one, it still feels like set-up for bigger pay-offs down the line, without the satisfying cliffhanger qualities of, say, The Empire Strikes Back. Ian Freer, Empire MagazineWill we enjoy the familiar characters?Our returning heroes feel less familiar than they did when they were introduced in the last film, thanks to a rash of baffling decisions. Angie Han, MashableWhen [Newt] is allowed to lead this second story, it’s as whimsical and good-hearted as any in the franchise. Kate Erbland, IndieWireNewt remains one of the most distinctive heroes in blockbuster cinema. William Bibbiani, The WrapThe best of the bunch, once again, is the illicit muggle-mage coupling of Jacob and Queenie, who burst into the film’s early stages like an enchanted Tim Curry and Bernadette Peters. Andrew Barker, VarietyQueenie and Jacob often seem to be starring in a different, potentially more interesting movie. Justin Chang, Los Angeles Times(Photo by Warner Bros. Pictures)Are there any great newcomers?Of the newer characters, the only real standout is Leta Lestrange, played by the effortlessly compelling Zoe Kravitz. Angie Han, MashableZoë Kravitz as Leta is pretty fantastic and I love where they go with her character in the film. Ashley Menzel, We Live EntertainmentHow is Jude Law as Dumbledore?Jude Law captures the quick wit, easy charm and cloying inscrutability of the character. William Bibbiani, The WrapWisely, Law doesn’t try to channel Michael Gambon or Richard Harris… he gives the character the calm, warmth and understanding that has made him such a beloved figure. Caryn James, Hollywood ReporterIs Johnny Depp a problem?For all of the controversy surrounding Johnny Depp s casting, it s strange just how underutilized he is. Eric Eisenberg, Cinema BlendDepp is also supremely average as Grindewald. He simply mails it in. Robert Daniels, 812filmreviewsJohnny Depp is instantly captivating as the titular villain and damn creepy, too. David Griffin, IGNHis portrayal of Grindelwald rekindles memories of his old mentor, Vincent Price. Geoffrey Macnab, The IndependentJohnny Depp is fine, if you can forget about his ugly personal life. Angie Han, MashableRyan FujitaniIs this movie just for the fans?It s a movie built special for aficionados of the Wizarding World. Eric Eisenberg, Cinema BlendIt’s hard to imagine anyone but hardcore Potterheads getting emotionally involved in this film’s convoluted plotting and ancestral reveals. Tasha Robinson, The VerveRowling seems to be playing to the fans in the thinnest way possible, building in stories that require foreknowledge to appreciate them fully. Kate Erbland, IndieWireThe Crimes of Grindelwald is enough to make J.K. Rowling fans weep in frustration, provided they can even keep their eyes open. Justin Chang, Los Angeles TimesWill we walk out anticipating part three?The twisty plot leads to an explosive climax…including a jaw-dropper for the Potter faithful that’ll have them clamoring for the threequel. Brian Truitt, USA TodayThe Crimes of Grindelwald is rich and intriguing fare that will leave viewers impatient for the next sequel. Geoffrey Macnab, The IndependentIt’s hard not to worry about the franchise heading in a similar direction. Andrew Barker, VarietyFantastic Beasts: The Crimes of Grindelwald opens everywhere on Friday, November 16. Read all the reviews for it here.
(Photo by Courtesy of Warner Bros. Pictures and Legendary Pictures)The immediate good news on Godzilla vs. Kong is that it has easily become the highest-grossing film since the pandemic began last March, passing Christopher Nolan’s Tenet. That much was inevitable after grossing over million in its first five days of release. The next milestone it hopes to reach – other than surpassing Godzilla, King of the Monsters’ worldwide gross of 6 million (it currently stands at 7 million) is that of the once-fabled 0 million domestic plateau. The baby steps to the milestone after that will come much quicker for the next blockbuster, but does this film at this time have a real shot? So, let’s examine.Holding a film now to the standards of the great normal is not ideal, but we can try to make it correlate as best we can to current times. Godzilla vs. Kong dropped 58 percent in its second weekend. The higher the start, the higher the drop in these times. Wonder Woman 1984 dropped 67.1 percent in December after a .7 million start. More theaters plus vaccinations puts GvK with a 92.8 percent increase in its three-day weekend and a drop 9.1 percent better. That is fair progress. Now in the history of March releases that had grossed between million– million in their first 12 days, only two of the nine (2017’s Power Rangers and 10,000 B.C.) failed to reach 0 million, except even those films grossed .2 million and .7 million in their second weekend (and were the only two of the lot to not gross at least million). Godzilla vs. Kong grossed .3 million. With theaters still at limited capacity.Now, GvK has a slight edge on those films gross-wise to date with million estimated through Sunday. And currently we are seeing much smaller drops in third weekends amongst the pandemic films. Raya and the Last Dragon dropped just 10.2 percent and The Little Things fell only 2.6 percent. Even Chaos Walking fell just 14.5 percent. One thing they all have in common is the ability to last in a mar
bob电竞体育平台 There s not supposed to be a sequel. That was the first thought director Chad Stahelski had when approached to make a second film about the stylish, vengeful assassin, John Wick. But both he and star and collaborator Keanu Reeves were up for the challenge. The two set to work immediately on continuing the story and expanding both the universe of the film and the character at its center. Wick can use sign language, they decided, and he could speak Italian, and, they were going to take the story to Rome. Because, why not? There would be blood oaths and shifting allegiances and an epic fight between Keanu Reeves and Common because why not? It was that attitude, that almost anything was possible with this world and this character, that drove the evolution of the John Wick series from Chapter 2 and right into Chapter 3 Parabellum, releaseing this month. In this exclusive extended interview, Reeves and Stahelski – who directed the Wick sequels solo after co-directing the first film with David Leitch – reveal how they developed the sequel ideas, upped the action ante, and convinced their old friend Laurence Fishburne, with whom both had worked on The Matrix, to join them for the ride. (In the process, they doubled the box office of the original film.) Plus, the pair offer new insights into Chapter 3, detailing Halle Berry s arrival in the John Wick universe and sharing which new action scene they love the most.WATCH AN ORAL HISTORY OF THE FIRST JOHN WICK WITH REEVES AND STAHELSKIJohn Wick: Chapter 3 Parabellum opens in theaters on May 17.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
Our first look at Jim Carrey and Maya Rudolph as Joe Biden and Kamala Harris in this weekend s #SNLPremiere. pic.twitter.com/vNYMj4uhG7 Rotten Tomatoes (@RottenTomatoes) October 2, 2020Saturday Night Live Writer Sam Jay Starring in Late-Night Show on HBO(Photo by courtesy of HBO)SNL funny woman Sam Jay, part of the sketch comedy series’ writing staff, is getting her own weekly series on HBO’s late night. The untitled half-hour show will find Jay getting deep on topics like race, politics, science, sexual identity, religion, and celebrity, and will be produced by Jay and Insecure showrunner Prentice Pe What Men Want (2019) 41% Generally speaking, romantic comedies are so formulaic that it usually takes something really out of the ordinary to stand out. Back in 2001, Nancy Meyers achieved great box office success less so with critics with the high-concept comedy What Women Want, which explored what would happen if an egocentric man were suddenly gifted with the ability to read the minds of women. That movie also benefited from a talented cast that included Helent Hunt, Marisa Tomei, Alan Alda, and a pre-controversy Mel Gibson. Fast forward to 2019, and we now have a gender-swapped version of the tale starring Taraji P. Henson as a female sports agent who, suddenly able to read men s thoughts, uses her newfound power to rise in her career and learn a few lessons about the opposite sex. Critics so far have responded to What Men Want about the same as they did to the original film, saying that its leads and lighthearted story are l
Join us weekly as Rotten Tomatoes reports on what s indie features are streaming. From promising releases by new voices to experimental efforts from storied filmmakers – or perhaps the next indie darling to go the distance for end-of-year accolades – we will break it all down for you here each week.For the foreseeable future, the specialty box office and all theatrical releases will be on hold as we all make efforts to socially distance ourselves and reduce the spread of the COVID-19 coronavirus. With that in mind, we have reshaped our Indie Fresh List. This week for our fresh picks we have an atmospheric biopic about the author behind The Haunting of Hill House, a gory home invasion horror flick, and a dancer romance. In our Spotlight section, we call back to the recent Certified Fresh first feature from director Tayarisha Poe.Streaming This Weekend
bob电竞体育平台 Best-Reviewed Returning TV Shows 2019They say that sophomore seasons are often when the greatest shows hit their strides, and in 2019 second seasons dominated our list of the best-reviewed returning TV shows of the year. Fleabag, Mindhunter, Barry, Succession, and Dark all just got better for their second outings, according to the critics, and crowded out our top 10. Elsewhere, Brooklyn Nine-Nine, returning not just from another season but from the brink of extinction having been saved by NBC, showed that it could still draw quality laughs in its sixth season, while other beloved series in our list – Broad City, Fleabag – sadly won’t be returning again.The order of the rank below reflects the Adjusted Score as of December 31, 2019. Scores might change over time.« Previous Category Next Category »