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亚博老虎机网页版采用百度引擎5(Baidu 6)ds an incredible cast, with the likes of Ben Schwartz (now of Sonic the Hedgehog fame) and Lisa Kudrow, and even the late Fred Willard contributing to its star-studded comedic roster. — Andrew Dex, Starburst(Photo by Aaron Epstein/Netflix)With a little finessing, Space Force could blossom into something greatThis is one show that is easy to binge-watch and should be renewed for a second season at a minimum, if not longer. Netflix and Carrell have another hit on their hands that is enjoyable and entertaining, especially if they keep Malkovich as part of the cast. —Allison Skornick-Rose, Flick DirectStill, Space Force comes at a time when audiences could use a bit of laughter and self-care. Mostly, the comedy is harmless and skates by on the charm of its ensemble cast (Don Lake deserves a shout-out for playing assistant Brad). Even if it doesn’t quite achieve the astronomical heights suggested by its wacky premise, there’s enough fuel in the tank to help the inaugural season coast on fumes. —Nate Adams, The Only CriticSpace Force maximizes the absurdity, turning this patently terrible situation into one in which laughter comes as a kind of release valve from a huge, churning sea of frustration.In other words, the series is rather well-suited to the current moment. —Sonia Saraiya, Vanity Fair

1. 亚博老虎机网页版
LOL手游作为国内最受期待的手游,在近日圆满的结束了第二次测试,虽然很多玩家都意犹未尽,但测试终归是测试,游戏正式版才应该是广大玩家最为期待的事情,从前期国际服跟两次测试的表现来看,LOL手游整体确实可圈可点,除了在细节上对端游进行了超高还原之外,本地化更改也是做得相当出色。 无非三种情况,一,性格极端,在游戏届混好多年无法接受新世代手游的登场,也就是所谓口口声声说手游不算游戏,对手机游戏的概念印象停留在2000年左右的坑钱小游戏,止步不前,无法接受新时代的进步。

2. 公平游戏环境
George R.R. Martin signs a reported eight-figure deal to develop more HBO and HBO Max programming, Indira Varma is among the new stars confirmed for Star Wars series Obi-Wan Kenobi, Colin Firth will lead an eight-episode drama adaptation of classic true-crime docuseries The Staircase, and more of the week s top TV and streaming news.TOP STORYThe Game of Thrones Broadway Production Will Be a Prequel Story Featuring Ned Stark and Jaime Lannister(Photo by HBO )George R. R. Martin’s Game Of Thrones universe looks to dominate TV land for years to come, and now he has his sights set on The Great White Way: Martin is developing a Thrones stage show that he’s planning for a Broadway debut in 2023, THR reports.The production, which is also planned for London and Australia, will revolve around a prequel storyline, with characters deceased in the TV GoT timeline, like Ned Stark and Jaime Lannister, alive and kicking in the stage show. Despite the many GOT prequel stories being developed for TV, the play would mark the first time beloved characters from the HBO series will be revived for a new project.The play will specifically revolve around a historical event from Westeros’ past: The Great Tourney at Harrenhal, “a landmark event that previously was shrouded in mystery … a story centered around love, vengeance, madness and the dangers of dealing in prophecy … revealing secrets and lies that have only been hinted at until now,” according to THR. Given that setting, characters like Prince Rhaegar Targaryen, legendary knight Arthur Dayne,  Robert Baratheon, Jaime Lannister, and Ned Stark would appear, likely as teenagers. Ned s sister Lyanna would also feature prominently, as her relationship with the prince — the spark that leads to Robert s Rebellion against the Mad King — is established publicly at the tournament.In other GOT news, George R.R. Martin just signed a five-year, eight-figure deal to create yet more programming for HBO and HBO Max.With half a dozen new projects in his A Song of Ice and Fire universe already in various states of development at HBO, Martin is also executive producing a pair of adaptations of other fantasy creators’ works for the network.The very busy author, producer, and entrepreneur also has a series in development at Peacock, a feature film to be directed by Paul W.S. Anderson, and, THR reports, even a theme park ride, via his experiential immersive entertainment company.Star Trek First Contact Day: Trekkies Gathering Online to Celebrate a Pivotal AnniversaryAs any devoted Trekkie – and anyone who saw the big-screen movie Star Trek: First Contact – knows, April 5, 2063, is the future date when humans first make contact with Vulcans, marking the historical beginning of collaboration, exploration, and acceptance in Trek history. Paramount and Paramount+ are celebrating the occasion with First Contact Day on April 5, a day of programming that will include panels with Trek celebrities, surprise announcements about new Trek programming, episode marathons, and the return of the #StarTrekUnitedGives initiative.Highlights of three hours of panels, hosted by Wil Wheaton and Mica Burton, include a First Contact movie anniversary reunion with Patrick Stewart, Jonathan Frakes, Brent Spiner, and Alice Krige; a “Women in Motion” panel featuring Star Trek: Discovery’s Sonequa Martin-Green, Star Trek: Picard’s Michelle Hurd and Isa Briones, and Star Trek: Lower Decks’ Dawnn Lewis, who look back at how original Trek star Nichelle Nichols helped pave the way for women of color on television and overall; and the Star Trek: Prodigy panel, with Prodigy executive producers Kevin and Dan Hageman joined by Captain Kathryn Janeway herself, Star Trek: Voyager star Kate Mulgrew, who is reprising her role in animated form in Prodigy, as they talk about the upcoming kids series from Nickelodeon.A complete list of First Contact Day events is available at StarTrek.com.亚博老虎机网页版除了动漫之外,游戏的审核也同样严谨,尤其是很多手游,由于目前手机的大众化使得很多未成年人都能够很早地接触到手机。所以有关部门对于手机游戏的审核更为严格!

3. 激战团竞模式
This Week s Ketchup brings you more headlines from the world of film development news, covering such titles as Black Adam, Fletch, and Wishbone. This WEEK S TOP STORYCHRIS EVANS AND RYAN GOSLING TO STAR IN NETFLIX MOVIE BY THE RUSSO BROTHERS(Photo by Elizabeth Goodenough, Jef Hernandez/Everett Collection)It was just in 2017 that Netflix shocked many pundits with the news that they were investing over 0 million (which eventually became something more like 0 to 0 million) on Martin Scorsese s ambitious mob hitman biopic The Irishman (Certified Fresh at 96%). Perhaps even more surprisingly, The Irishman did not receive a wide release in theaters, but was still seen as a success. On the heels of that success, Netflix announced plans this week to break their own record with a spy action-thriller called The Gray Man, which will have a production budget north of 0 million. Chris Evans (Marvel s Captain America) and Ryan Gosling will star in The Gray Man, which will be adapted from the novel of the same name by screenwriter Joe Russo and directed by Russo and his brother Anthony Russo, who are best known for the Marvel movies Captain America: Civil War (Certified Fresh at 91%), Avengers: Infinity War (Certified Fresh aty 85%), and Avengers: Endgame (Certified Fresh at 94%). As the source novel is the first in a successful series, Netflix reportedly hopes to start a new action franchise comparable to James Bond. The Gray Man will tell the story of a deadly cat-and-mouse came as one assassin (Gosling) called The Gray Man is hunted down across the world by another agent (Chris Evans). It s worth noting, since the Russo Brothers are so tied to comic book movies, that Netflix s The Gray Man has no connection to the DC Comics character of the same name. It s also worth noting that Joe Russo is the writer of the Netflix original film Extraction, which starred the MCU s Chris Hemsworth and became the streaming service s most-watched movie of all time when it premiered in late April.Other Top Headlines1. TO ALL THE BOYS NOAH CENTINEO JOINS DWAYNE JOHNSON S BLACK ADAM(Photo by ©Netflix)DC Comics Justice Society of America is a super team that some fans are just now discovering because of Stargirl on The CW, but it actually has a history dating back to the early 1940s as the very first comic book superhero team ever. Some JSA members are tricky to comprehend because of those 80 years of continuity, but one of them is the original Atom (who was short but not to be confused with the Atoms who can shrink), who was then followed by his super-strong godson (now called Atom Smasher). There have been rumors before this week that Dwayne Johnson s upcoming Black Adam (12/22/2021) will, in addition to being a Shazam! spinoff, also feature some members of the Justice Society of America, and this week, Atom Smasher became the first to be confirmed. The actor joining Black Adam will be Noah Centineo, who is probably currently best known for his roles in a few different Netflix projects, including To All the Boys I ve Loved Before, Sierra Burgess is a Loser, and The Perfect Date. When production of Black Adam starts off in Georgia in early 2021, the film will be directed by Jaume Collet-Serra, who also directed Johnson in Disney s upcoming theme park attraction adaptation Jungle Cruise (6/20/2021).2. JON HAMM TO STAR IN REBOOT OF CHEVY CHASE COMEDY FLETCH (Photo by Elizabeth Goodenough/Everett Collection)Hollywood obviously has a decades-long obsession with remaking films of yesteryear (they ve actually been remaking movies since 1918), but the decade that has seemingly inspired the most remakes is the 1980s. Although he was quickly followed by stars like John Belushi, Dan Aykroyd, and Eddie Murphy, the first Saturday Night Live star to leave the show for a movie career was Chevy Chase, and in 1985, he starred in the journalist comedy Fletch (Fresh at 77%), which was then followed in 1989 by the sequel Fletch Lives (Rotten at 37%). Director Kevin Smith has long wanted to reboot the franchise with a project called Fletch Won, starring Jason Lee (TV s My Name is Earl), but that obviously never happened. Instead, the actor who is now attached to star in the Fletch reboot, based on the eleven original novels by Gregory McDonald, is Jon Hamm. The new Fletch will be directed by Greg Mottola (Superbad, Adventureland), who previously worked with Hamm on the made-for-HBO movie Clear History (Fresh at 61%). You can read more about Jon Hamm s other upcoming projects in this piece.3. PETER FARRELLY IS PRODUCING A WISHBONE MOVIE(Photo by ©Big Feats! Entertainment courtesy Everett Collection)Although some genres are still struggling in the movies compared to where they used to be (romantic comedies, westerns, etc), Hollywood appears to be content with the results they get from dog movies. (Harrison Ford s Call of the Wild has been described as a box office bomb, but it also had to deal with the early months of the COVID-19 pandemic.) One of the upcoming dog movies is the adaptation of the animated PBS series Clifford the Big Red Dog (11/13/2020 ), and this week, another canine PBS show is getting its own movie. Wishbone was a live-action show that ran on PBS from 1995 to 1997 in which Wishbone the dog taking on the personas of various literary characters each week, and now Green Book (Certified Fresh at 78%) director Peter Farrelly is attached to produce the Wishbone movie. As long as we re on the subject, another dog movie in active development that was announced earlier this year is Arthur the King, starring Mark Wahlberg.4. THE OLD GUARD DIRECTOR GINA PRINCE-BYTHEWOOD TEAMS UP WITH VIOLA DAVIS FOR THE WOMAN KING (Photo by 20th Century Fox courtesy Everett Collection, Jason Mendez/Everett Collection)You may recall that we almost got a Marvel Comics adaptation called Silver Black (about Silver Sable and Black Cat), which was once scheduled for February 8, 2019. That film was to have been directed by Gina Prince-Bythewood (Love and Basketball, The Secret Life of Bees), who instead moved to Netflix where she directed their recent action movie The Old Guard (Certified Fresh at 81%). It appears that the good will from The Old Guard has resulted in a pretty quick benefit for Prince-Bythewood, because she has already set up an ambitious period drama at TriStar Pictures called The Woman King. Viola Davis will star in The Woman King as Nanisca, a general of an all-female military unit in the Kingdom of Dahomey, an African nation that once existed in the area that is now Benin. The other lead role in The Woman King will be Nanisca s daughter, Nawi, who reportedly was almost played by Lupita Nyong o. In related news, Charlize Theron is already talking about possible sequel plans for The Old Guard.5. HENRY GOLDING TO VOICE LEAD IN CHINESE ZODIAC-INSPIRED THE TIGER S APPRENTICE(Photo by Sanja Bucko/©Warner Bros. Pictures)Some of this year s animated features ended up releasing (or will be released) on Video on Demand due to widespread theater closures (Trolls World Tour, Scoob!, The SpongeBob Movie: Sponge on the Run in 2021), but Hollywood appears to be otherwise committing to keeping other future animated movies in theaters (when the world goes back to having any movies released). One of those companies is Paramount Animation, who is continuing development on a project called The Tiger s Apprentice, which will be inspired by elements of the Chinse Zodiac. We can now report that the lead character, a talking tiger, will be voiced by Henry Golding, who first came to attention as the male lead in the 2018 romantic comedy Crazy Rich Asians. Golding s next big movie role will be as Snake Eyes (10/23/2020), in a spinoff movie for the popular G.I. Joe character.6. IS JENNIFER GREY MAKING A DIRTY DANCING SEQUEL SET IN THE 1990S?(Photo by (c)Vestron Pictures courtesy Everett Collection)For the most part, movie rumors don t get covered by major souces like Variety and Deadline, which is basically where we draw the line between rumors and confirmed news stories to begin with. This week, however, both of those sources ran with a story that is still firmly being described as a rumor. Reportedly, Dirty Dancing (Fresh at 69%) and Ferris Bueller s Day Off star Jennifer Grey is partnering with Lionsgate to produce an unique dance movie which she will star in and produce. The mystery project, which is also set in the 1990s, is rumored to possibly be a sequel to Dirty Dancing. If true, Grey would presumably be playing the 40-something older version of Baby from Dirty Dancing, but it s anyone s guess what that character might be doing 30 years later after that one memorable summer in the Catskills in 1963. We should also point out that Dirty Dancing already had a re-imagining in 2004 with Dirty Dancing: Havana Nights (Rotten at 23%), and a TV movie remake in 2017 (Rotten at 19%).7. RIVERDALE STAR KJ APA TO HEADLINE MICHAEL BAY S PANDEMIC THRILLER (Photo by Jack Rowand/©The CW)Amidst all of the speculation about how most Hollywood productions will get going again, we ve also been hearing about producer Michael Bay s project called Songbird, which is inspired by the COVID-19 pandemic we re all currently living in. Set two years in the future, Songbird will be told through the eyes of the characters, and we now know that the two leads will be KJ Apa (Archie on TV s Riverdale) and Sofia Carson, one of the stars of Pretty Little Liars: The Perfectionists. Filming of Songbird reportedly started on location in Los Angeles on Wednesday. Apa will play an essential worker who is able to deliver to people, including his girlfriend (Carson), due to his having a rare immunity to the disease. Demi Moore will also have a supporting role.8. JEAN SMART TO STAR IN LATEST FROM TATE TAYLOR(Photo by Jason Mendez/Everett Collection)Director Tate Taylor is probably best known for his frequent collaborations with actress Octavia Spencer (like The Help and the thriller Ma), but he s also done movies like The Girl on the Train with other lead actresses. For his next movie, Taylor has recruited veteran character actor Jean Smart, who s coming off her recent supporting role in HBO s Watchmen mini-series (playing the same Silk Spectre character depicted in the 2009 movie by Malin Akerman). Jean Smart will be starring in the movie, called Miss Macy, as an eccentric woman who becomes a mentor to a young girl. The screenplay was adapted by screnwriter Beth Henley (Crimes of the Heart, Nobody s Fool). Miss Macy will be produced by Amblin Partners, the production company that spun out from Steven Spielberg s DreamWorks Pictures, and which has recently produced 1917, Dark Waters, First Man, and Ready Player One.9. UNIVERSAL S CLASSIC MONSTERS FRANCHISE WILL INCLUDE A KIDS MOVIE (Photo by ©TriStar Pictures courtesy Everett Collection)Univeral Pictures previous plan for a Dark Universe built around reboots of their Universal Classic Monsters famously fell apart in 2017 following the disappointing box office for Tom Cruise s The Mummy, but the studio did not give up on the idea of reboots. Their new strategy paid off this year, just before the pandemic fully hit, with The Invisible Man (Certified Fresh at 91%), which was both a box office and critical hit. Other classic monsters projects Universal now has in the works include a remake of The Wolfman (starring Ryan Gosling) and a project called Dark Army from director Paul Feig (we don t yet know what that one s about). We can also add to the list a family-friendly movie called Little Monsters from the director of Toy Story 4, which will reportedly feature various characters from Universal s monster roster. That concept has sort of already been done a few times, including movies like The Monster Squad and Adam Sandler s animated Hotel Transylvania franchise, but the difference here is Universal Pictures official stamp of approval (Hotel Transylvania, for example, is a Sony Pictures franchise).

4. 呼朋唤友 随心所欲

5. HD 画质与高品质音讯

6. 团队合作

7. 官方资讯

Version 9.12.52022-01-17

1.14.3 3月喜迎Action superstar Jason Statham returns to the big screen this month in Guy Ritchie’s latest crime thriller, Wrath of Man, a revenge/heist mashup that sees the actor and director pairing up for the first time since 2005’s Revolver. Ahead of the movie’s release, Statham and Ritchie sat down with Rotten Tomatoes correspondent Erik Davis to talk about their long friendship and past collaborations, and why the crime genre endures. Plus, co-star Scott Eastwood shares his thoughts on Ritchie’s “impeccable taste” and why he’s so excited for this film to play on the biggest screens possible.Wrath of Man opens in theaters on May 7, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.
(Photo by Courtesy of Sundance Institute)Although the ongoing coronavirus pandemic continues have an impact on the film industry in 2021, the annual Sundance Film Festival remained determined to bring audiences the best new voices in indie cinema — and that extended to horror.Even from the comfort of your own home, you could experience a years-long tradition of great and unique horror and genre films from Sundance. In particular, the Sundance Midnight program has a bit of a reputation behind it; it s where we first saw films like His House, Hereditary, The Babadook, Get Out, and even The Blair Witch Project. This year, however, it was possible to find your favorite new genre film across the entire program, be it a documentary, an animated film, or a new Nicolas Cage extravaganza of weirdness.Let the fancy awards watchers worry about what movie from the festival will go on to win trophies. We re here to round up the weird, creepy, scary, bizarre genre movies from this year s program that are likely to make a big impression when they get released.

tar in the film as the central hero, Nathan Drake, and it officially went into production in early 2020. It lands here after several shifts in the release schedule; let s hope it stays here. Ambulance (2022) Directed by: Michael BayStarring: Jake Gyllenhaal, Yahya Abdul-Mateen II, Eiza Gonzalez, Garret DillahuntOpening on: February 18, 2022Michael Bay tones down his blockbuster tendencies just a bit (presumably) for this smaller-scale thriller about a pair of thieves who unknowingly rob an ambulance carrying a paramedic and a patient in critical condition. This remake of a Danish film has been in development since 2015, but filming finally got underway in January of 2021.
(Photo by Courtesy of A24)Rotten Tomatoes’ “Essentials series will provide an in-depth look at one nominee or potential nominee from each of the major awards categories – the four acting categories, and directing – diving into their highest-rated work from both fans and critics, essential titles from their filmography, and featuring thoughts on their nominated film drawn from an extended interview. THE ACTOR: YOUN YUH-JUNG Unbothered might be the best word to describe Korean actress Youn Yuh-jung s attitude towards her first major American awards campaign. When we chatted with the veteran star, who is Oscar-nominated for her turn as an unconventional and hilarious grandmother in writer/director Lee Issac Chung s Minari, she seemed pleased but mostly unaffected by the Hollywood hype around the film her recent accolades, which total more than 50 awards for her supporting performance.  To tell you the truth, it s not that [different], she said during an extended Zoom chat, periodically pulling on an electric vape pen that would put Leonardo DiCaprio s to shame.  I approached it simply, I am myself a grandmother. It s nothing special. She certainly never saw the awards-season hoopla coming when she signed on to the film.  One of my dearest friends brought me the script – it was so very touching and authentic. After I read it, I called her back and asked, Is this based on a real-life story? She said, Yes. And I said, Okay, I ll do it.' And so it was that she joined the quiet immigrant tale, loosely based on Chung s formative years growing up on a farm in rural Arkansas, about the Yi family, led by father Jacob (Steven Yeun), which journeys from California to the South to pursue the dream of building their own farm. Of her decision to play Soonja – who is not the type of grandma the family s young son (Alan Kim) was expecting – Youn says, The people are what is important to me, not the script, not the fame, and not the money. Then she adds with a laugh: Well, not anymore. THE YOUN YUH-JUNG ESSENTIALS: HOW A CHANCE ENCOUNTER MADE A KOREAN MEGA STAR(Photo by Courtesy of IFC Films)If you ve seen her work in Minari, it s hard to believe that Youn never intended to act; her career began out of a chance encounter. Searching for a part-time job at a train station while studying at Seoul s Hanyang University, she was approached and asked to stand beside someone. He was a famous MC,  Youn recalls.  He asked if I could sit by him and hand presents to the audience. I did, and then they gave me a check for it! So that was great! She was surprised to learn how much could be made as a performer, and the next thing she knew she was going out for auditions. Then, in 1971, she was approached by director Kim Ki-young to star in what would become the second feature of his Housemaid trilogy, which had begun with 1960 s The Housemaid. The film, Woman of Fire, was, like its predecessor, a hit at home and abroad and catapulted Youn into stardom. We never expected anything like what happened. We never expected to have this world reception from the audience. When I took the job, I didn t even know he was a famous director in Korea.    She quickly followed up Woman of Fire with the title role in Jang Hui-bin, playing the infamous concubine for a Korean television mini-series that became a national phenomenon.With such a debut and streak of stellar work over 50 years, she s been dubbed The Korean Meryl Streep, a comparison she humbly rejects as unworthy praise. I wouldn t dare, Youn says. No, no, no. I mean, she s everything! Her art? Her work? No, no, no. But like the chameleon Streep, Youn has also found ways to re-invent herself over several decades, even while revisiting her older work, as she did in the 2010 Housemaid remake, a feat she quickly brushed aside with another joke: I thought that s very nice, me being in [the reboot] – and still being alive. THE COMEBACK: RECORD-BREAKING SERIES AND A DARING FILM ROLEThere was a period when Youn could not be seen on screens – when she immigrated to America in 1975, she took a 10-year hiatus from filmmaking. When she returned to full-time acting in 1985, she quickly racked up an impressive streak of television work, including Hur Jun, about 15th-century royal physician that broke viewership records with nearly 65% of the nation tuning in.Later, in 2002, she got the script for the film that would restart her silver screen work. Her role in Im Sang-soo s award-winning A Good Lawyer s Wife – full of sex and affairs and dysfunction – is the type of part actor s dream to play. Still, the then 50-ish mother of two hesitated at the time because, I wouldn t be dressed most of the film, I thought, I don t want to be half-naked with a bra. She added: But that s why most of the Korean actresses of that age turned down the role. But, to tell you the truth, I was remodeling my house, and I needed to work. Pragmatic and plain-spoken, Youn is practical about her career and its progression. I don t [map it out] ahead of time because planning things is when you know it s not going to be like that. So now I don t plan anything. If something happens, it happens, I will enjoy it; or, if I fail, that s my fault. (Photo by Courtesy of GEM Entertainment)By the time she starred in Actresses in 2009, Youn was once again one of the most recognizable faces in Korean entertainment, and the unscripted dramedy teamed her up with other premiere names of Korean stage and screen, including Kim Min-hee, who starred in Oldboy director Park Chan-wook Park’s period romantic thriller The Handmaiden. In the primarily improvised Actresses, each of the six actresses plays a fictionalized version of themselves as they prepare for a Korean Vogue photo shoot at a studio on Christmas Eve. Despite the pedigree and talent surrounding her, Youn says many of the actors felt uncomfortable with that level of improvisation and self-revelation. That was the first time we d done something like that in Korea, because we were all very famous. Some didn t want to talk about their private life but, as the oldest one, [I have] nothing to lose – so, I talked about my divorce and my private life. It is no wonder she felt okay with the mockumentary premise: A gathering over cocktails between director E J-yong, Youn, and actress Go Hyun-jung – the two actors have been friends for years – had inspired the idea for the movie, with the director wanting to show the public how charming the actresses were in real life. Spending an hour with Youn – even over Zoom and with not a cocktail in sight – we can see where the filmmaker was coming from.FAN FAVORITES: SENSE8, REALITY SHOW YOUN S KITCHEN, AND A SEXY THRILLERThe role that American audiences were most likely to know Youn for, pre-Minari, was in the Netflix series Sense8, which marked her first foray into American television. In the show, created by the Wachowski siblings, Youn played an inmate who helps one of the telepathic sensates escape from prison. She told us she was surprised to learn about the series global cult-like status and the massive internet fan campaign that prompted the streaming giant to approve one final episode to tie up loose ends when it was canceled after just two seasons. I didn t know that it was such a [big deal] until you mentioned it, Youn says. I m not good at the internet, as you could guess.”It was a small part with some big challenges: the very conceit of the show – where certain people on screen are seen in the minds of some characters, but are invisible to others – made the acting very difficult. They were supposed to be invisible to me. It was very distracting while also trying to concentrate on my lines. You wouldn t know that to watch her in the series; Youn s performance as the wise prisoner made a significant impression on fans, even within her limited screen time.Scripted television is not the only place that Youn has made an impression on the small screen; she is also somewhat of a reality TV star with two shows under her belt. A chance meeting with a famed reality show producer allowed her to join the travel show Sisters Over Flowers before she later did Youn s Kitchen, which featured different twists on traditional Korean dishes.(Photo by Courtesy of IFC films. ) The producer very sincerely chased me, but I told him I m not the right person to be in a reality show, Youn says. I m a very frank person. I would be terrible. However, recognizing that the actress s undeniable charisma is the stuff reality shows are made of, he did not take no for an answer. “We kept meeting each other, and then he kept saying You re going to do the show.’ I didn t realize that at the time, but if he wanted somebody, he could get them – and that s a skill. Youn s Kitchen was another success, with the cinema icon peeling back the layers of her life a bit to celebrate with friends and good food.2012 s The Taste of Money, in which she gives a deliciously evil performance as the matriarch of an über-rich family, peeled back the layers even further. A gender-bent twist on the Housemaid story, Money placed Youn s Baek Geum-ok as the domineering leader of the house and the usual female servant character reset as a handsome young male secretary. Dismissed by critics after its premiere at the Cannes Film Festival, the steamy thriller raised more than a few eyebrows with its depictions of sex, greed, and corruption, and has gone on to enjoy a cult-like status.Regardless of how critics judged Money, Youn marks it as another memorable moment for different reasons – it again allowed her to be very vulnerable on screen while playing a part typically given to male characters. Yeah, I was getting naked over 60, my goodness, she says. Usually, it is the men who get power and use that for sex, but this time it was me, a woman, and I have to say I liked that. FRESHEST WORK: STEALING SCENES IN CELEBRATED IMMIGRANT TALE, MINARI(Photo by Courtesy of a24)How does Youn feel about the current spotlight on Korean cinema, Korean stories, and – during this awards season – her work and Oscar chances? It s all Bong Joon-ho s fault! she says, laughing as she casts the Oscar-winning Parasite director as the villain who has brought global attention to Korean cinema. I am glad I m not in Korea talking to reporters there, [they] like to count the chickens before they ve hatched. There s pressure on me because people are expecting me to win something. We used to watch the Oscars like they were in another world, but because of him everyone in Korea thinks they are in Hollywood now.” I know things have happened, she went on to say, but this [holding up her Rotten Tomatoes Certified Fresh trophy with a sly smile] is the only actor award that came to me in the mail. (We re glad to know our shipping folks are on it.) When we point out that more hardware is likely coming, she gives a slight shoulder shrug and explains that nothing could ever diminish or amplify her love and connection to the film and those that collaborated with her make it.(Photo by Courtesy of a24)This bond and family-like dynamic carried over to everyone on the Minari crew, but particularly the main cast who, due to the sweltering heat, would often congregate in the set that stood in for the interior of the characters trailer home. The conditions of the shoot were a crucible – this is not a cushy trailer shoot, she says, laughing. You re in the middle of Oklahoma heat. And after one day, I thought I need to go back home. I don t think I should be shooting in America. Luckily, she stayed, in part due to an extended visit from the very friend who handed her the script in the first place – a visit that was something of a mea culpa.When Youn learned Plan B, a company co-founded by Brad Pitt, was producing the project, she figured it could be a lucrative role and inquired about the budget. Her friend relayed the rate in Korean currency, quickly calculating 200 million South Korean won (roughly 5,000), but when she learned her fee would be nowhere near that, she briefly had second thoughts. However, after the friend promised to come visit the set for an extended period of time, the idea of suffering through it seemed more palatable.In thinking back on the shoot now, she is reverential about the experience. I think of my friend sacrificing her vacation to come along with me, about hiding out in the set trailer with Alan, Steven, and Yeri [Han, who plays her daughter] – one of the few locations with ample AC. My friend is an exceptional cook, so every night we gathered at my Airbnb – everyone did – because the food was incredible, and that s how we became a family. With such a foundation behind it, it s no wonder the world – and awards voters – fallen a little bit in love with film and everyone involved, especially the unconventional grandmother at its center.Minari is in theaters and available On Demand now.Download Rotten Tomatoes printable Oscar Ballot; cast your vote in our digital Oscar ballot. On an Apple device? Follow Rotten Tomatoes on Apple News.
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Ghcxuf A collection of muted victories is the best way to describe the box office over the Presidents’ Day weekend. Alita: Battle Angel might have won the top spot, but a surprising showing for Rebel Wilson rom-com Isn’t It Romantic? could be a victory in and of itself. Queen of the Crop: Alita Wins The Battle, But Could Lose The War (Photo by 20th Century Fox)The Robert Rodriguez/James Cameron collaboration Alita: Battle Angel (59% on the Tomatometer) had been gestating since the early 2000s and was in post-production for nearly two years before its release this weekend. Alita’s .3 million is good enough for 12th all-time over Presidents’ Day weekend, but with its Valentine’s Day opening it stands at million.The film wisely avoided the battle against Aquaman and Mary Poppins Returns over the end-of-2018 holiday, though a meager start is not going to calm the waters in the spending department. Clocking in at a reported 0 million budget (not counting distribution costs) means that eyes will be focused on its international output, where it currently stands with an additional million.That’s not a terrible start if its goal was 0 million domestic. It has already surpassed the final grosses of 2017’s Ghost in the Shell (.5 million) and Valerian and the City of a Thousand Planets. It would take 2.7 million for Alita to be Rodriguez’s highest-grossing film ever, but it could be at the cost of being his most expensive flop to date as well. Rotten Returns: Happy Death Day Sequel Well Behind Original’s Numbers (Photo by Universal Pictures)Coming in at a shocking low this weekend was Happy Death Day 2U. Blumhouse’s sequel to its million 2017 hit made just million over the four-day weekend, and .7 million since its opening on Wednesday. That is considerably less than the original’s three-day opening weekend of million. Critics were still generally on board with the franchise, as it stands at 67% on the Tomatometer (down from 71% the first time around) and the notoriously cost-efficient Blumhouse is not going to lose too much sleep even after ballooning the budget from .7 million to a whopping million. However, expectations ranging from -30 million for 2U’s first six days amounts to a bummer. The Top Ten And Beyond: Glass Reaches 0 Million, But The Upside Gains (Photo by Universal Pictures)The other new wide release of the week, Isn’t It Romantic?, has managed .8 million since its opening on Valentine’s Day. That’s nearly halfway to the total of star Rebel Wilson’s 2016 rom-com How To Be Single, which finished with .8 million after opening two days before the card-and-flowers holiday. Still, Isn’t It Romantic’s million production is going to need some help to turn a profit for Warner Bros.The studio’s Lego Movie 2: The Second Part grossed .3 million over the four-day weekend. Of films to open between -35 million, its three-day weekend of .2 million was less than Identity Thief, Ransom, and Lethal Weapon 4 — all R-rated films. Those three made between million and million after ten days, while Lego 2 sat at .6 million. The good news is that the animated sequel is not far behind the 0-137 million grosses of that adult fare, but it is still significantly less than both the original film and The Lego Batman Movie.It took 28 days, but M. Night Shyamalan’s Glass finally passed the 0 million mark — on Valentine’s Day. It will soon be joined by The Upside, the first big surprise hit of 2019, which could hit the benchmark by the end of next weekend. For the fifth straight weekend the Kevin Hart/Bryan Cranston remake has dropped less than 30 percent from the previous week, and that’s even with the film dropping 591 theaters this weekend. It’s a feat that Oscar nominee Green Book has pulled off for the ninth straight weekend, with that film’s total box office haul now standing at more than million. Meanwhile, Paramount’s What Men Want is in a position where million would be the lowball for its final gross. This Time Last Year: Black Panther Began Its Run At History (Photo by © Marvel Studios)Black Panther had the fifth-highest opening weekend of all time, with 2 million over the Presidents’ Day weekend. Including the Monday holiday, the Oscar-nominated comic book movie posted a grand total of 2.1 million and was well on its way to becoming the third-highest-grossing domestic title ever. On the lower end that weekend, Aardman Animation suffered a dud with Early Man making just .19 million. PureFlix’s biblical effort, Samson, did not have much strength either with just a .9 million start, but The Greatest Showman continued to flex its muscles by crossing the 0 million mark. Thanks to Ryan Coogler and Marvel the Top Ten films grossed 7.3 million over the weekend and more than 3 million during the four-day holiday. The films averaged 55.2% on the Tomatometer. This year’s Top Ten grossed 5.1 Million over the three-day weekend, 7 million over the four-day, and averaged 60.1% on the Tomatometer. On the Vine: Training Dragons and Wrestlers (Photo by Universal Pictures)Nearly nine years after the How to Train Your Dragon trilogy began, audiences get to see the story’s conclusion with How To Train Your Dragon: The Hidden World. Expect it to top the box office next weekend and add to an international total that currently sits at million. The first two films have grossed a worldwide total of .116 billion. Also expanding into wide release is Stephen Merchant’s Fighting with My Family, the story of WWE’s Paige that stars Florence Pugh. The film opened in just four theaters this weekend to 1,625, giving it the highest per-screen-average of the week (.906). Dwayne Johnson produced the film and has a two-scene cameo in the comedy/drama that stands at 88% on the Tomatometer after its “surprise screening” at Sundance in January.The Full Top 10: February 15-18Alita: Battle Angel (2019) 61% – .3 million ( million total)The LEGO Movie 2: The Second Part (2019) 84% – .3 million (.8 million total)Isn't It Romantic (2019) 70% – .6 million (.8 million total)What Men Want (2019) 41% – .3 million (.6 million total)Happy Death Day 2U (2019) 71% – million (.7 million total)Cold Pursuit (2019) 68% – million (.1 million total)The Upside (2017) 43% – .5 million (.1 million total)Glass (2019) 36% – .6 million (5.2 million total)The Prodigy (2019) 43% – .6 million (.5 million total)Green Book (2018) 77% – .5 million (.4 million total) 😈😈


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(Photo by Caitlin Cronenberg, © Entertainment One/courtesy Everett Collection)All Robert Pattinson Movies, Ranked By TomatometerRobert Pattinson on the Twilight series press circuits would occasionally mock the movies he was out there supposedly promoting, suggesting two things: (1) maybe this new on the scene IT boy was actually a genuine person, and (2) he had made enough money by New Moon to never work in this town again. Many young actors careers have been crushed under the weight of the very things that made them famous. And unemployment post-Twilight was a very real threat for Pattinson: Would he only be remembered as that pasty sparkling vegetarian vampire?As Twilight wound down, Pattinson threw himself before the arthouse gods, who guided him to challenging directors like David Cronenberg (Cosmopolis, Maps to the Stars), Anton Corbijn (Life), Werner Herzog (Queen of the Desert), and David Michôd (The Rover). And though none of those movies represented their respective director s best work, and in the case of Herzog it was actually his worst, they showcased Pattinson as a dedicated performer and, especially in dystopian western The Rover, a sometimes unpredictable and savage one.And then in 2017 he put out Good Time, just to show you sometimes all you need is that one movie to turn your image around. As with the Safdie brothers later Uncut Gems, Good Time assaults the senses while building a central emphatic and engaging character defined by constant frantic action. Pattinson came out as the indie hero of that year, and having James Gray s The Lost City of Z release around the same time didn t hurt, either. A strong 2019 continued that trend with Claire Denis High Life and Robert Eggers The Lighthouse.His latest film was Netflix thriller The Devil All the Time, opposite Tom Holland. And currently a dark night falls upon Pattinson s career as he takes on the mantle of Bruce Wayne in Matt Reeves The Batman, which is scheduled for an October 21, 2021 release. Before that swings into theaters, take a look at all Robert Pattinson movies, ranked by Tomatometer! 十大必玩手游合集2021年十大必玩手游推荐、动作、战斗、策略、塔防、生存逃亡等。,可以满足不同玩家的喜好,无论是注重游戏体验还是剧情。拥有今年最受欢迎的手游。同时也将不断更新最新最热门游戏资讯,最好玩最热门游戏,喜欢的小伙伴可以点击下载体验!


(Photo by 20th Century Fox)When we last saw the final images of James Cameron’s blockbuster 2009 film Avatar, all humans, with the exceptions of Jake Sully (Sam Worthington) and a select few others, had been expelled from the Na’vi planet of Pandora and sent back to Earth. Lucky Jake was then transferred permanently into his avatar with the aid of the Tree of Souls.In the decade since, children have grown up and parents have welcomed grandchildren waiting for sequels that never arrived. Snapchat launched. The Cubs won a World Series. Why the interminable delay? Cameron, a renowned perfectionist, had to wait until the technologies for underwater CGI caught up to his ambitious visions of a world completely submerged in H2O. Now that it finally has, Cameron’s master plan is in place: he’s shooting four sequels back to back, two at a time.To say this is the longest anticipated wait for a sequel in movie history would not be an understatement: Avatar remains the highest-grossing movie of all time with .8 billion worldwide at the box office.Speaking at a Vivid event in Sydney, Cameron told vfxblog,  I guarantee one thing: Avatar 2, 3, 4, and 5 are all going to be in 3-D and they will look sumptuous… they will be, to the best of my ability, the best 3-D that’s possible to make.”Who’s In Them?(Photo by 20th Century Fox)Sam Worthington, Zoe Saldana, and CCH Pounder will reprise their original roles, with Sigourney Weaver, who played Dr. Grace Augustine in Avatar, expected to return in a different role. Notable newcomers include Titanic star Kate Winslet, Game Of Thrones’ Oona Chaplin (granddaughter of Charlie Chaplin), David Thewlis (the Harry Potter films), and Cliff Curtis (Fear The Walking Dead).If your favorite character died in the first film, not to worry. Cameron is bringing back Stephen Lang as Col. Quartich, last seen expiring from two arrows embedded in his chest, for all four films.  The director sounds pretty excited about it, as he told Empire Online: The interesting conceit of the Avatar sequels is it’s pretty much the same characters…. There are new characters and a lot of new settings and creatures, so I’m taking characters you know and putting them in unfamiliar places and moving them on this greater journey. But it’s not a whole bunch of new characters every time. There’s not a new villain every time, which is interesting. Same guy. Same motherf ker through all four movies. He is so good and he just gets better. I know Stephen Lang is gonna knock this out of the park. What Are They About?(Photo by 20th Century Fox)Plotlines are being kept under wraps, but we know the films will be set on Pandora. A year ago, Cameron gave a thematic overview to Gizmodo: “I found myself as a father of five starting to think about what would an Avatar story be like if it was a family drama, if it was The Godfather… So, that’s really what it is. It’s a generational family saga. And that’s very different from the first film.”And way back in 2010, Vulture quoted Cameron discussing his plans for Avatar 2. “Part of my focus in the second film is in creating a different environment — a different setting within Pandora. And I’m going to be focusing on the ocean on Pandora, which will be equally rich and diverse and crazy and imaginative, but it just won’t be a rain forest. I’m not saying we won’t see what we’ve already seen; we’ll see more of that as well.”What Were The Technical Challenges?(Photo by Mark Fellman/20th Century Fox)Shooting with complicated underwater motion-capture technology is, as you might expect, difficult. Cameron told Collider, “The problem with water is not the underwater part, but the interface between the air and the water, which forms a moving mirror… Basically, whenever you add water to any problem, it just gets ten times harder.”While Cameron says that water will be a part of Avatar 4 and 5, the real emphasis will be on 2 and 3.When Will They Come Out?(Photo by 20th Century Fox)As reported in May of 2019, Avatar 2 is currently still set to premiere on December 17, 2021, almost 12 years to the day after the original’s premiere, although production in New Zealand was put on hold in March of 2020 due to coronavirus concerns. Sequels 3, 4, and 5 will roll out December 2023, December 2025, and December 2027 respectively.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

亚博老虎机网页版 Jacqueline Coley for Rotten Tomatoes: Tell us about #blackAF. Is this black-ish unleashed?Kenya Barris: Yes, and no. It s a family show about my family, so in that, it is like black-ish, but those were archetypes. This is more accurate — well, except for the mother of my children; she s very different from what Rashida is doing. Rashida is a little bit more of a revolutionist. I ve been doing family shows for a long time, but felt like they needed a reboot. With Netflix, it feels like we re in this new era, in this new dawn, and what better place to try to reboot black-ish into a more authentic family. I made them functionally dysfunctional. And the notion behind it was to take out of my point of view, give the point of view of my daughter, and try and do it in a much more honest way.At ABC, I love those guys, but they were terrified of talking about having any kind of success. They thought it could be ostracizing. I always felt the opposite. I felt like, in the time of Jay-Z and Beyoncé, Barack and Michelle [Obama], or Swizz Beatz and Alicia [Keys], the idea of wish fulfillment and aspirational things really resonates. At the core of it, it s a human story; that was what I m tapping into, or that was what we hoped. But it s also so much scarier, because this was me and much closer to my real family — a rejection of this is a rejection of me in a much bigger way.(Photo by Netflix)You ve mostly worked in linear television. How was the switch to streaming?Barris: It was terrifying. It honestly was. No ad breaks? Just streaming? I m a fan of telling stories where in Act 1, you set the problem up, really explore it in the second, and resolve it in the third. And this was a completely different way of telling those stories. I really enjoyed it, to be honest with you. I enjoyed not having to focus on act breaks and commercials.But at the same time, one of the things that I missed was, Netflix is an unbelievably free, creative environment. As much s t as I used to talk about getting notes, there s something to having a partner give you notes, even if you disagree with them. The freedom to make what you want is a place you want to be as creative person. But if it bombs, you can t blame anybody else. [Laughs] I was like, Be careful what you wish for. But, it was a really, really good experience. I don t know what s going to happen with the show, but we re proud of what we did. They let me do something that I ve never done before. I m so proud of the actors and the family that we put together and the kids and Rashida. But it was terrifying.As your first show on a new deal with Netflix, this is a big swing as far as subject matter and tone. Was that a choice? Barris: I wanted to be noisy. [Netflix] is doing 400 series this year. Not 400 episodes of television, 400 series. To stand out in that crowd was really important to me. I would like to say I don t care what people think, but I care about the critics. In network television, you have your morning-after scorecard. You have ratings that was like basically getting your grade on your test.Netflix doesn t really have that. All you really have is critics, and they ll tell you if you make it or not. So for that, I knew I wanted to be loud. I wanted to try to be noisy and let it be authentic and personal. And know your lane — this is as close to my lane as I possibly can get. I let myself hang out there, but it makes it a lot scarier.(Photo by Netflix)Let s talk about episode 5. It talks about criticism and Rotten Tomatoes in general, but the first thing we have to know is, are you surprised by anything else besides Space Jam, which is discussed in the episode, being rated Rotten on the Tomatometer?Barris: [Laughs] Not to be controversial, but — f k it — I m just gonna say it: I m a huge Boots Riley fan. I think Sorry To Bother You got a 90-something percent. I m like, Really? I m with you until horse people. [Laughs] But my daughter argues with me about it, because she was like, That s the beauty of it. We don t get to do that often in our business We [Black creatives] are not allowed to be open and fluid, have weird endings, and get those kinds of ratings. But still, I check the score.At RT, we argue about scores all the time if that makes you feel any better. Will you be checking the score for #blackAF when it drops? Do you still care?Barris: Absolutely. I care. Tyler thinks I m crazy for caring, but I care. I care what white people are saying. I care what gay people think. I care what Black people think. I care what Rotten Tomatoes thinks. I care. Steven Spielberg put this article out, and he said if you believe any of it, you have to believe all of it, so he doesn t read reviews. Good for him. I m neurotic. I want to be liked, probably too much, but I definitely care. I think we need commercial success. There s room for If Beale Street Could Talk and Moonlight, but there was also something special about Cosby. We have learned the whole story about the man now, but at the time it was special that he became what he did. The Cosby Show changed the trajectory of what we were in this world. That was the first time I ever saw my white friends want the same father that I had.It s one of the things that I was really always happy about with black-ish is that when we first came on, we beat or came close to beating Modern Family. And, that was a huge statement to the powers that be. A lot of things that came after were because of black-ish in some aspect. Not to toot my own horn, but they were kind of derivative of what we did. Other creators said, Oh, why can t I talk about my family? I could talk about my family, and I can be more specific. People started seeing themselves reflected in things and that became the mainstream.(Photo by Emily V. Aragones/Netflix)You brought in Tyler Perry for this episode to talk about the Rotten Tomatoes, and he doesn t share your opinion.Barris: I love that Tyler was like, Oh, I don t f k with them Tomatoes. I have people in my family, they enjoy his films, particularly my mom, my aunt, and some of my relatives. They get so much enjoyment from his movies — honest enjoyment, not just ironic or so-bad-it s-good, just honest enjoyment. He opens up at box offices and does business, too. So why are those people s opinion not as important as someone else s opinion. Their opinion counts, too. Tyler puts a movie out that people enjoy. And because people or certain critics might not feel like it s the most elevated form of comedy, he s destroyed Black culture. There are people who really enjoy him, just as there are people who love Adam Sandler.Tyler Perry opens up doors for Shonda [Rhimes] and me, for Barry Jenkins, and so many others. The only color Hollywood really cares about is green. And, he has the greenest story in Hollywood. He deserves to do his movies and be celebrated just as much as Adam Sandler. He knows his audience. He entertains them, and he s opened so many doors for people of color. Why take away his success? Why marginalize his success because it s not for you. That s where Rotten Tomatoes and those other aggregators have a hard time accurately evaluating our work. It s hard because I feel like many white male reviewers are afraid. They feel like if a female-driven movie or an LGBTQ movie or a Black movie comes out, they can t rip on it. They think, I m not going to be the guy who says something bad about this. Then at the same time, because Tyler Perry s the whipping boy, he s the one guy that they re comfortable taking a swipe at, and I have a problem with that.(Photo by Netflix)In that same episode, you had a Zoom call with a fictional Ava DuVernay, Tim Story, Lena Waithe, Will Packer, and Issa Rae — a.k.a. some of the biggest names in Black Hollywood. How did that come about? Did they have input in their characters ?Barris: I wrote it, and I gave them a little bit of a pitch when I sent it. My pitch was Michael Bay and Jerry Bruckheimer could be on a show together. And, Jerry could joke,  Sorry I didn t blow something up, Michael. No one would think any less of Michael Bay or Jerry Bruckheimer for that. They d say, They re bosses and that s how they talk in real life. They can be self-deprecating with their work and never think less about each other. Why can t we do that? Here s the exact group of people responsible for a lot of entertainment on television right now. Especially, in a cultural sense. Why do all our calls have to be something that s like, Between you and me Why can t people see us actually have the conversations that we have and know that we re critiquing our work, too, just the same way everyone else is critiquing our work.How honest do you think creatives are with each other, publicly or privately, if you could give them a grade?Barris: I think it s probably a B. The one thing that I really appreciate about us is that we show up for each other. Black Panther is a great example of us showing up for each other. Black Panther was an amazing movie. Ryan Coogler is going to go down as one of the best filmmakers in the history of cinema. But, one of the things that helped that movie is that we showed up for him. In addition to everyone else showing up, because it was a great movie, we showed up for him. And it was the same thing with Girls Trip. That first weekend, in droves, and our people showed up with their girlfriends. And then boom, next thing we see is white girlfriends showing up doing the same thing. When things cross over and become mainstream, and it allows everyone else to be a part of it. It doesn t feel so niche.That s something that we do, and it s important that we continue to do it. As far as celebrating sort of publicly, actually, I think we get an A. I think that privately the conversations are always a little bit scarier. You can have them with your close peers, and sometimes it s a little bit harder to sit through, because you don t want to have say something that makes someone feel like you re not being supportive. But we re getting better. The calls, that episode, the willingness of people who have active careers to do things like this shows that we re getting better. I m a huge Jordan [Peele], but after Jordan did Us, I was seeing articles saying like, He s Hitchcock. And I was like, I think even Jordan would be like, That s a little bit quick. There s a positiveness to us being embraced like that, but we have to put in the work. We have to be respected in terms of the general notion of what it takes to really put those 10,000 hours in.I just watched Unorthodox on Netflix, and I m like, Why can t we [Black people] have this? Black people get, like, four stories to tell. White people have like a million options. With [Unorthodox], that story was such a niche story, but it was told so well, someone bought it and people support it. I m like, Why can t we tell more of those stories? Why can t we get stories that feel outside of what people are used to hearing from us?, because that s how we actually grow culturally and within the industry.Since you do read reviews, do you have a favorite critic? Barris: Emily Nussbaum did a great New Yorker article on me, and she kind of changed my career. She embedded with us for a few days and she really got it. She s also like a TV fanatic. I am always interested in what people like her have to say. I get it. Some people don t like what I do, and I am OK with that, but I am also not going to pretend it doesn t bother me. I get it: I m not for them. But that s that needy part of me, because I want so badly for them to like my stuff.Many creatives feel that way. Quentin Tarantino was awarded Best Original Screenplay last year by New York Film Critics Circle, and he spent half his acceptance speech talking about one of the members who has hated every movie he s made, but Tarantino loves his writing. And this is a man with multiple Oscars and nothing to prove. Barris: And, that s part of why Tarantino s a good writer. How do you say that you don t care? How could you not care? It s you. You ve put years of your time, energy, and life-blood into this thing, to say you don t care? It s like you re either a sociopath or a liar.#blackAF premieres April 17 on Netflix.

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