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亚博app链接采用百度引擎5(Baidu 0)(Photo by ©2021 Disney Enterprises Inc.)Cruella, which opens May 28 in theaters and on Disney+ Premier Access, is Disney’s latest attempt to raid its archives and create a backstory for one of its most notorious villains.But unlike, say, 2014’s Maleficent, which kept the medieval aesthetic as source material Sleeping Beauty, this film explores an era that makes Emma Stone’s eponymous lead narrator stand apart from versions of the black-and-white loving fashionista Cruella de Vil associated with Disney’s 1961 animated film, One Hundred and One Dalmatians, and its 1996 live-action version, 101 Dalmatians.How did they do this? By setting Cruella amid London’s 1970s punk scene.But since the word “Disney” doesn’t naturally conjure images of leather pants, spiked hair, and all the black eyeliner one could find at Boots, we asked the film’s production designer Fiona Crombie, costume designer Jenny Beavan, and hair and makeup designer Nadia Stacey to explain how to do a Mickey Mouse-approved version of punk rock.[Warning: Mild spoilers below.]Born for This Job(Photo by Laurie Sparham/©2021 Disney Enterprises)At the beginning of the film, a tween Cruella – originally known as Estella and played by Tipper Seifert-Cleveland – has a knack for clothing design. She even finds ways to add personality to her school uniform, be it accessorizing it with an oversized hat, bedazzling the blazer, or wearing the necktie as a bow – things that would match the personality of a girl born to get attention thanks to her half white and half black hair.Costume designer Beavan says that these designs weren’t meant to be perfect; Estella is just learning her craft, but it’s meant to be obvious that “she’s creative with clothing.” As Estella gets older and finds a job working for Emma Thompson’s well-regarded fashion designer, Baroness von Hellman, Beavan says the character “slowly hems and refines that look.”A Formidable Flat(Photo by ©2021 Disney Enterprises)Estella spends most of her childhood and young adulthood in a London squat with best friends and fellow con artists Jasper (Joel Fry) and Horace (Paul Walter Hauser). They also have two very cute dogs, neither of which are white with black spots.“There was a time when you had these enormous buildings that are quite derelict that were still the scars of the Second World War; there were big empty sections of now what s known as completely prime real estate,” production designer Fiona Crombie says of London during the film’s period.She says it was important to the story of three kids living without parental supervision that “there s an ingenuity to how they operate… This was their home that they were making; they knew how to survive and operate in this city.”Crombie says director Craig Gillespie also stressed how important it was “that the lair can’t be frightening” and that “it has to be a place that if you were a child, it has wonder.”The group’s squatter’s flat is made from two buildings mashed together after the wall that separates them was broken down. Horace and Jasper live in a more industrial section while Estella lives near the kitchen. Since Gillespie and cinematographer Nicolas Karakatsanis would be filming in what Crombie describes as a “very fluid” motion, she made sure that every inch of the space held something of interest.Her favorite part? “I love the fact that we have a big hole in the ground,” she laughs.Baroness Beauty(Photo by Laurie Sparham/©2021 Disney Enterprises)Hair and makeup artist Naomi Donne handled the designs for Thompson’s cutting, fame-obsessed Baroness von Hellman, developing the look off of hair and makeup designer Nadia Stacey’s inspiration of Elizabeth Taylor in the 1950s. There’s also some subtle white highlights in the Baroness’ hair, which Stacey says are a nod to just how similar she and Cruella are.Vintage Vantages(Photo by Laurie Sparham/©2021 Disney Enterprises)Estella also makes friend with Artie (John McCrea), the owner of an extremely well curated vintage clothing shop. This set was actually a gift shop on Portobello Road in London’s Notting Hill neighborhood, which Crombie and her crew emptied out and repurposed with new wallpaper and painting. They didn’t have to look far to fill the shelves though; they bought a lot of clothes from the real shops that are in the neighborhood.“With Artie’s shop, it was always going to be visually chaotic,” Crombie says, “because you have racks of clothes. And that s the intention: that you feel kind of all these possibility that in that space. It feels very authentic to what’s on that street.”The Scoop on the Ace Reporter(Photo by ©2021 Disney Enterprises)Estella’s former school chum Anita (Kirby Howell-Baptiste) grows up to be a society reporter with exclusive access to a certain up-and-coming designer. Beavan and her team found modern fabric that still gave Anita a ‘70s look and reminds that, back then, more people made their own clothes with patterns and that “we were all much cleverer at making things then.”Production designer Crombie says Anita’s drab, colorless newsroom is one of the few sets where she says “we are nailing this ‘70s vibe” with evenly spaced desks and little artwork on the walls “so that you’ve got this run of uniformity.”Making the Panther De Ville Purr(Photo by Walt Disney Studios)Cruella gets her hands on a Panther De Ville luxury car that’s similar to the one the character drives in the Disney’s live-action 101 Dalmatians. The one in the new movie looks slightly different, as Crombie says they made tweaks to make it better suit her film’s aesthetic. They even altered the plot of the movie to have Cruella and her friends change the color of the car to black because it originally arrived in such a unique tone that they had to make use of it.Although she wasn’t a car person before she worked on Cruella, Crombie says she grew to love this and other vehicles in the movie because “I think they have real wit … [T]hey have real personal personality and presence in the film.”Eye See You(Photo by ©2021 Disney Enterprises)Hair and makeup designer Stacey posted pictures of Siouxsie Sioux around her workspace as inspiration for Stone’s lead, saying now that she liked that the The Banshees lead singer’s “eye makeup had this very distinct, very square eyebrow shape.” However, her goal was to “bring in those punk elements and then blend it out, to soften it to give a beauty edge to it.”Stacey says she also “looked at any of those fashion shows that I feel do something different,” such as the ones by fashion houses Alexander McQueen, Vivienne Westwood, or John Galliano. Her goal, she says, was to “look at all these references from the past because we are a period film but then change it and to mix it up, to add something a bit more fresh and modern to it.”Pucker Up(Photo by Laurie Sparham/©2021 Disney Enterprises)Red is used a lot in Cruella, particularly in the clothing and makeup. However, it’s also a color that is notoriously hard to accurately capture on screen. Stacey says it was a lot of trial and error with MAC products, coupled with the fact that star Emma Stone’s skin can take heavy coloring. (Incidentally, MAC also launched a capsule makeup collection inspired by the looks in Cruella). Stacey says she knew it was essential to get it right because “we did want a kind of killer red.”Seeing Red(Photo by ©2021 Disney Enterprises Inc.)Although Beavan researched this period in fashion to gain inspiration, all of the gowns were bespoke and were not all direct replicas of vintage designs. An example of one that was the red gown Cruella wears to crash the Baroness’ ball, which is rooted in the Charles James Tree dress from the 1950s, famous for its corseted silhouette that’s encircled with winding tulle.(Photo by ©2021 Disney Enterprises)For the film’s take on the Tree dress, dress designer Ian Wallace had the dual task of making one version of the gown that the Baroness would have designed years ago but that, Beavan notes, “would have to have enough fabric to do something Cruella-ish,” because the younger designer reimagines the gown when she crashes the ball.Stacey says she also knew she had to make a statement with this scene because it signals the end of the era of Estella, the orphan and petty thief, to welcome in the not-to-be-deterred (and frequently criminal) mastermind, Cruella. She says she created Cruella’s mask of feathers and jewels to have a beauty element and serve the purpose of hiding her alter ego.Leather Rip(Photo by Laurie Sparham/©2021 Disney Enterprises)As Cruella continues to taunt the Baroness with more elaborate stunts and designs, she also brings in more of the street fashion and counter-culture of the 1970s. In one scene, she crashes a red carpet in leather pants with gold sequins, a fitted motorcycle jacket with pointed shoulder pads and the words “The Future” spray painted over her eyes.“It s the first red-carpet moment and it needed to be a real punch,” Stacey says. “I had the Sex Pistols album cover [Nevermind the Bollocks] on the wall near me, and the font of the writing for the Sex Pistols is the same font that I use on the on The Future, and I just thought maybe I ll just run it across the face but to airbrush it as well, almost like it s been spray painted across their face so it s harsh and graphic.”(Photo by Laurie Sparham/©2021 Disney Enterprises)Beavan says the exaggerated shoulders on the motorcycle jacket were because Cruella “wasn t about doing anything normal” and “by this time, she’s really learned to make [designs] well.”It’s here, Beavan says, that there begins to be a push toward the way costume designer Anthony Powell made the character look when Close played her in 1996’s 101 Dalmatians.Spotted on the Catwalk(Photo by ©2021 Disney Enterprises Inc.)No actual Dalmatians were harmed in the making of Cruella’s dresses – in fact, Beavan didn’t use fur of any kind. But the script did call for the nefarious lead to make her mentor-turned-enemy, the Baroness, worry that she’d murdered her dogs. So Wallace designed a black and white-patterned gown that Beavan’s textile team printed on a velvet-like fabric.“A lot of these things come out of the story; what you need and how it s got to work,” says Beavan. “She’s obviously going to dance in it and it needed movement. And it’s really got to be spectacular and obviously, very clearly Dalmatian, because the Baroness thinks she’s killed her Dalmatians to make it.”Since the Baroness now knows that Cruella and Estella are the same person, Stacey says there was no need to hide her antiheroine behind another mask or face paint. Instead, she says she wanted to return to the “very strong punk elements” of Estella’s original eye makeup look while adding “these silver hues inside that just punch up the light in certain moments.”Not As Simple As Black and White(Photo by ©2021 Disney Enterprises)Using so much black and white can be overbearing from a design perspective because the colors contrast each other. Crombie says the trick is balancing “how dense the color is.”She says filming at the Baroness’ home, Hellman Hall, meant creating a palette that was “quite muted” and where “the level of contrast is softened out … it’s cold, but it’s not stark. So then everything can sit on top of that.”Whereas, she says designing the film’s crucial set piece of a black and white ball required “the use of gold [to] sort of diffuse it and stop it from being too stark and hard.”No Joke(r)Ryan FujitaniThe designers know there are Internet pundits comparing Cruella’s designs to that of Batman villains The Joker and Harley Quinn. All enjoy making an entrance, sometimes while wearing white face makeup, dark eye makeup, and a menacing smirk.Stacey understands why there are the comparisons, but says those characters never came up in her research.“The whole thing about punk is that it s just such a mismatch of things,” says the hair and makeup designer. “There s no kind of fluidity to it. It s kind of crazy. The references are borrowed from so many different places that I didn t really think that I was ever going to cross into anything too much.”Beavan reminds that Cruella, in one iteration or another, has “always had half and half. You know, I would say The Joker followed Cruella.”Cruella is in theaters and available on Disney+ with Premium Access on May 28, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.

1. 亚博app链接
尽管小众市场意味着更少的流量,更少的关注,更少的用户,但是由朝夕光年发行的自由竞技街篮手游《热血街篮》却在过去一年中交出了一份令人满意的答卷,凭借在自身玩法上的不断创新,受到年轻玩家的欢迎,成功在体育竞技手游市场站稳脚跟。 手游产业在国内的发展不断扩大,市场份额增速快,手机用户基数不断增加,同时随着国家对游戏产业给予一定的政策优势,也将加速游戏产业的发展。互创手游也会随市场的趋势不断的改革开发,通过丰富多彩的游戏形式及多元化的游戏规则,满足用户的参与感。他们依旧秉承着不忘初心的使命,研发出更高,更优质的游戏来回馈于玩家。
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

2. 公平游戏环境
If season 2 of Riverdale was all about discovering the identity of the Black Hood, season 3 is all about the Gargoyle King.Since the beginning of the season, kids all over town have been playing Gryphons and Gargoyles, a role-playing game with decidedly deadly consequences. Its victims include Ben Button (Moses Theissen) and Dilton Doiley (Major Curda), who both hoped to “ascend” and meet the game s shadowy villain, the Gargoyle King — who is also a real person in Riverdale.During Rotten Tomatoes’ recent visit to the set, most cast members (including Cole Sprouse) were mum about their thoughts on the identity of the Gargoyle King. Only Casey Cott, Riverdale’s Kevin Keller, was kind enough to offer even a joking guess: Jughead’s (Sprouse) sister Jellybean (Trinity Linkins).“I think it s like an 8-year-old — insane — it s like Pinky and The Brain,” he quipped. “Jughead’s Pinky and Jellybean s the Brain.”Cott added that the actual Gargoyle King costume gives the set a very different mood as “it s freakin weird. It s this massive, very strange-looking thing.”Thanks to the season’s fourth episode, “The Midnight Club,” we know the Gargoyle King’s costume existed 30 years ago. And thanks to Betty’s detective work, we can also surmise whoever killed Principal Featherhead (Anthony Michael Hall) is involved in the current spate of ritualized murders and suicides — if not the same person.Below, we ve put together a current list of  Gargoyle Ki亚博app链接The 140 Essential 1970s MoviesWelcome to the days of disco and dirty deeds as we plunge into a new wave of movies: raw and renewed, unfiltered, while laying the groundwork for blockbuster era to come. Welcome to the 140 essential movies of the 70s.The two moods we aimed to capture in this countdown: The wilting of 60s flower power optimism under the harsh light of urban reality and decay; meanwhile the destruction of the musty Hays Code a musty ruleset that dictated what could be depicted on-screen for decades suddenly allowing directors to pursue more personal expressions in film, often violent and sexual. You ll find stories of lone men (Taxi Driver, Dog Day Afternoon) and women (Wanda, Norma Rae) against the system, and paranoid political thrillers (All the President s Men, Three Days of the Condor). There are the horror hallmarks (Alien, Halloween) including international (Suspiria, Deep Red), and box office game changers (Star Wars, Jaws). Low-budget exploitation (The Last House on the Left, Mad Max), and a few things a willing warped mind can get off on (The Man Who Fell to Earth, The Holy Mountain). All movies considered for this list needed to have a Tomatometer (after 5 reviews) and have been made during the decade, even if it didn t get a major release until later, e.g. Hausu or Killer of Sheep.Now, let s strut them mean streets, let s do the time warp again, let s have ourselves a close encounter with 140 essential 70s movies!More Essential Movies By Decade1980s | 1990s | 2000s #140

3. 激战团竞模式
Get an update on the streaming home of some favorite series (especially Friends), George Clooney s Catch-22 costume, Daniel Radcliffe s mortality, and more.TOP STORYUnlike the Batsuit, George Clooney’s Catch-22 Costume Doesn’t Have NipplesLike most Americans, George Clooney read Catch-22 in high school. But he didn’t fully consider novel’s importance until he re-read it after writer Luke Davies sent him the scripts for the project that became Hulu’s miniseries adaptation.“I loved the style of writing which was different than the kind of writing we had read. But I was pretty young, and so I just liked the character, and I thought it was fun, the actor and executive producer told reporters at the Television Critics Association winter press tour in Los Angeles on Monday. I reread it when we were sent the scripts to do, and I hadn’t read it in — you know, high school was 15 years ago — and I hadn’t read it in a long time. So it was really fun and exciting to go back and read and understand why this book lasted and stands the test of time.”Joseph Heller’s 1961 novel is told in a non-chronological way, but the series streamlines the narrative to flow in a way that might be easier for audiences to consume.“We really hope that we’ve retained the kaleidoscopic madness of the novel; but, no, the show really flows through [main character] Yossarian’s perspective,” Davies said. “The world is in chaos around him, but we honed in on Yossarian’s character. I mean, the novel does do that, too, but the novel jumps all over the place and spends a lot of time on other characters at different times. But there’s barely a single scene in the entire six hours in which Chris [Abbott, star] is not either in it or very close by implicitly.”Added Clooney, “It’s a lot more linear than the book, for sure.”The production flew two authentic B-25 bomber planes from the U.S. to where they filmed in Sardinia, which required lots of planning.“They can go about five hours in the air and they don’t have heating so they’re wearing parkas and they’ve got oxygen masks,  Clooney, who plays Scheisskopf, explained. And they flew — because you can’t fly over the whole ocean; they had to fly up past Greenland and bounce back all the way — seven stops to get there. So it’s pretty interesting, when they showed up, we were all standing out on the tarmac cheering.”It might’ve been a huge effort, but it also helped the stars get into character.“I didn’t actually fly in them because that would be extremely dangerous, Abbott said. But even just to ride it at about one mile an hour down a runway was scary enough. …Being in that nose cone [is] a vulnerable place. It gets really hot. It’s glass and it’s sunny. So it adds heat to the whole situation. It’s very small. It’s claustrophobic. …You’re reminded not how basic it is, but you feel like you’re driving an old Chevy in a weird way. It’s not as computerized as you would think it is. It’s very mechanical. Everything’s very tangible and beautiful also.”The military uniforms also helped establish the characters.“You feel an incredible sense of responsibility to generations, particularly that generation considered the Greatest Generation. I will say that as an actor in general — with the exception of the Batsuit — any time you put on a costume it does help you get into character considerably. I was sad there weren’t nipples,” Clooney quipped.Friends Could Leave Netflix for Good(Photo by ©Warner Bros/Everett Collection)Netflix made a deal reportedly worth 0 million to ensure it would be able to stream Friends throughout 2019, but it’s likely that the sitcom will have a new home in 2020.Kevin Reilly, the chief creative officer of the upcoming streaming service WarnerMedia (which will likely be the new streaming home of Warner Bros. expansive content library) told reporters on Monday that the studio’s biggest hits will likely move from their current homes to the new service, which is expected to launch in the last quarter of 2019.“You can expect the crown jewels of Warner [including Friends] will ultimately end up on the new service,” Reilly said, also clarifying that they won’t appear on other services. “For the most part, sharing destination assets is not a good model. My belief is they should be exclusive to the service.”That also means CW’s hits, including Riverdale and the Arrowverse shows, which currently hit Netflix a week after their season finales air on the network, would also eventually move to WarnerMedia’s service.“We’re very interested in putting that on our platform,” Reilly said.Why Is Daniel Radcliffe Questioning His Own Mortality?New TBS comedy Miracle Workers stars Steve Buscemi as a checked-out God and Daniel Radcliffe as a low-level angel tasked with forcing two humans to fall in love in order to prevent Earth’s destruction and save the human race. While it does put spirituality into the context of the modern world, it’s not a religious satire“I wouldn’t describe our show as religious satire. It’s more of an existential show. It’s closer to something like Hitchhikers Guide to the Galaxy,” creator Simon Rich said. “It is more about what it means to be a human being on Earth. It was always my hope to try to portray a vision of heaven that’s consistent with our experience of being on this planet, and if you walk around on this planet it sometimes feels like things happen randomly and irrationally and unfairly and horribly all of the time, and so I thought, well, maybe one explanation for that would be that the guy upstairs is in the midst of a full-on midlife crisis, and the people who work for him are in a system that is hopelessly mismanaged at every single level. So that was kind of the genesis of it.“In our show, God is the founder and CEO of Heaven, Inc. and he is very human, Rich continued. He has real flaws. He started Earth with a lot of good intentions and, unfortunately, the project just got way too hard for him to manage.”Rich described the series as “a cross between the Old Testament and Goonies,” but even with a fun, underdog bent, it is till serious subject matter. And that has inspired its stars to think a lot more about their own mortality.“I think about it constantly anyway,” Radcliffe said. “I think I’m quite morbid so I often do. And I think that this is such a fun world that Simon’s created. I don’t particularly believe in an afterlife, but if there was one and it was like this, I’d be very happy.”Added Buscemi, “If heaven is like [the one on the show], then I’m happy to go there because it seems like the technology in heaven has stopped, like, in the ’70s and that’s true with me. So I’d feel very comfortable there.”Read More: Exclusive interview with Radcliffe and his Miracle Workers costar Geraldine ViswanathanWhat Do Sarah Huckabee Sanders and Hulu’s Shrill Have in Common?The first season of Hulu’s comedy Shrill, starring Saturday Night Live’s Aidy Bryant and based on the novel of the same name by Lindy West, is a super-short six episodes. But that was the plan all along, considering Bryant’s day job.“I have a full-time job at SNL, and so we had this little window of my summer, basically, to write and shoot the whole thing. And there was truly no more time before I had to go back to New York,” Bryant explained. “So that’s why it’s six, but we really like it because it sort of became this tight, little character study of these six episodes.”The series deals with twentysomething Annie (Bryant) and her experiences as a fat woman living in Portland, Oregon. She’s not based on Bryant, nor is she based on West (though the show is based on some of West’s experiences), but she might be like one of Bryant’s SNL characters.“I think she’s a lot like Sarah Huckabee Sanders,” Bryant quipped. “No … I didn’t see a lot of fat women on television when I was growing up, and I always craved that. And so when I read Lindy’s book, there were so many things in there that I identified with, particularly the idea that the whole world is telling you you’re wrong for existing in the way that you are, even if you don’t feel that way, and you feel like, ‘I have something to offer this world, and why do I have to do it in a size 2 package?’ And I think that part of the book resonated with me so deeply that when I heard Elizabeth [Banks, executive producer] optioned it, I was like, ‘What are they making? I’ll do anything to get in there.’“I certainly think, in just the nature of a writers’ room, we all put ourselves into this character,  she continued. And I think some of Annie’s apologetic nature is certainly maybe more my deal than Lindy’s, and trying to just be overly sweet to hide. Some of those things that we put into the show, I think, are maybe some of my characterization. She’s not exactly me, she’s not exactly Lindy. She’s someone else, and I think that’s healthy.”Patricia Arquette’s Transformation in The Act Is Just as Big as Escape At DannemoraPatricia Arquette’s turn as a homely prison guard in Showtime’s Escape at Dannemora required an extreme physical transformation, but instead of taking a job that required a lot less time in the makeup chair, she went immediately to Hulu’s new anthology series The Act. The Dannemora Golden Globe winner plays a mother who suffers from Munchausen syndrome by proxy and poisons her daughter, another extremely emotionally and physically demanding role. The season is based on Michelle Dean’s Buzzfeed News article Dee Dee Wanted Her Daughter To Be Sick, Gypsy Wanted Her Mom To Be Murdered,” a case that was profiled in 2017’s HBO documentary Mommy Dead and Dearest.“I had always been fascinated by this story of Munchausen by proxy, and Michelle had done this in-depth reporting and had a lot of information about this. I like this distorted love affair, but I am a little exhausted of playing crazy women,” Arquette said.Like her Dannemora character, Arquette’s Dee Dee thinks that she’s doing the right thing. That’s just one commonality between the two characters.“I think in general the choices that people and characters make they do because they have a reason to do it, and they create a logic that makes sense for them,” she said. “Whether people think they’re good people or bad people, or their choices are good choices or bad choices, they have a whole story supporting the reason they make the choice.”Munchausen by proxy is something that has always fascinated Arquette, and it’s something that Dean, who co-created the series with Nick Antosca, learned a lot about in her research for her story.“In the [research] you’ll find mentions of the idea that there was a spike in Munchausen once the Internet came around and people could look up reams of medical information at home in front of the television. And I think we’ve all had that experience where you’re having an ache or a pain, and you go on WebMD and you think, ‘Oh, I have cancer,’” she said. “And I think that’s been a curse on doctors. I do think that there is that spike that happened around the Internet. In terms of is there more ambient paranoia in the culture about illness and about environmental factors that might cause illness in children? Yes. I do think that’s one thing that makes it hard for medical professionals to sort a mom with Munchausen out from a mom who really is genuinely just concerned about a symptom that their child has and that they’ve observed.”Ramy Youssef Wants His Show, Ramy, to Portray a Real-Life Muslim Experience(Photo by Matthias Clamer/Hulu)Stand-up comedian Ramy Youssef, star and creator of Hulu’s new comedy Ramy, never saw his life experience portrayed on screen. Most stories about first-generation Americans would feature children at odds with their parents’ cultures.“The tension is always, ‘I don’t want to be like you,’ or, ‘I wish I was my white friends,’ and I never really related to that. I always really felt this connection to my culture, to my faith, and the tension in my life has always been how do I hold on to both things? Where does it feel like when you want to go to Mecca, and you also want to go to Burning Man? I’ve never seen that played out,” he said. “It’s always just like either/or, you’re watching people try to erase their history.”Then there’s the fact that most portrayals of Muslims in Western media have not been the kindest — “because we’re so underrepresented when people see us, we’re constantly trying to apologize or over-prove and show that we’re good,” Youssef said — that has made it difficult for Muslim creators to portray a simple, real-life version of their own life experience.“I just want to show that we’re human,” he said. “I think that what this show does for me is it actually leads with showing Muslims who have flaws, and [are] sitting in our problems. I think what really shows that someone’s good is that they’re a human being, and they’re really dealing with real things, and that’s what I think this show is doing for the first time for Muslims. It’s just showing us not being afraid to show us in all of our problems, and it’s not an apology, and it’s just this, these are things we’re dealing with, and what we’re dealing with might also be what you’re dealing with, too.”While Youssef hopes his series can enlighten viewers about the Muslim-American experience, he is quick to note that his show does not speak for all Muslims.“There are Muslims who will watch this and [say] that’s not my experience, and I think that’s great because I think we all have a different way that we come at it. But I do think that everyone will relate to the struggles that the characters go through, and I think that’s what we really work hard to create.”This is the third series that executive producer Jerrod Carmichael (The Carmichael Show) has worked on starring a comedian and loosely based on his life (his own, his Carmichael costar Lil Rel Howery’s Rel, and now Ramy), and he said that working on his colleagues’ shows gives him the opportunity to help them refine their perspectives.“As a stand-up comedian, a lot of times your perspective is centered on yourself, and you see things through your worldview, and every story is told just through you, and it really is just finding other ways into that perspective and finding other perspectives to attack that,” he explained, later adding, “It’s just a little bit beyond your perspective — because it’s so singular, and while a show that has other characters in it inherently is going to have something that goes against the way you think or the way that you’ve approached things. So I think just getting past that barrier that is the biggest thing.”Youssef and Carmichael met in the Los Angeles stand-up comedy scene, but they didn’t initially bond over comedy. They bonded because they were both “people in L.A. and Hollywood who believed in God,” Youssef explained. That helped provide context for the show that eventually became Ramy. “The way we approach it and the way that it is a part of our lives is very much the way that we struggle with it in the show,” Youssef said.

4. 呼朋唤友 随心所欲
Ryan Murphy announced via his Instagram account that the upcoming tenth season of American Horror Story, which has been filming in Provincetown, Massachusetts, will tell two spooky stories — one by land, one by sea — in a theme he s dubbed Double Feature. Also new this year: cast members including Macaulay Culkin and the just-announced Kaia Gerber.Season 10 of the horror anthology, like so many other shows, was pushed from 2020 to 2021 due to the pandemic, but is on track to premiere ahead of the Halloween season later this year.What We Do in the Shadows Spinoff Finds U.S. Home(Photo by Paramount Pictures)Wellington Paranormal, the TV spinoff of cult-favorite Kiwi vampire movie What We Do in the Shadows, has found a U.S. home. The New Zealand-set series — not to be confused with the What We Do in the Shadows TV show, which is also a spinoff of sorts set in New York City — will air on The CW and HBO Max this summer. The series, which was created by WWDITS directors Jemaine Clement and Taika Waititi, follows the adventures of Officers O’Leary and Minogue, hard-working members of the Wellington constabulary’s paranormal unit who, under the supervision of Sergeant Maaka, investigate supernatural occurrences that arise in the capital of New Zealand on a surprisingly regular basis. National Treasure Is Becoming a TV Series(Photo by Touchstone courtesy Everett Collection)The long-rumored third National Treasure movie might still be up in the air, but the franchise is getting a new entry in the form of a TV series reimagined through the eyes of a 20-year-old DREAMer named Jess Morales.According to The Hollywood Reporter, Jerry Bruckheimer is on board as a producer, as are original screenwriters Cormac and Marianne Wibberley. Mira Nair will direct the series, which centers on a younger cast as they explore the ideas of identity, community, patriotism and who gets to write history as Jess and a diverse group of friends embark on an adventure to uncover her mysterious family history and recover lost treasure. Bruckheimer said in May 2020 that the series was being developed alongside a potential third film, which would star Nicolas Cage and the rest of the original cast.NEW TRAILERS: Cristin Milioti and Billy Magnussen star in Made for LoveAfter 10 years in a suffocating marriage to a tech billionaire, Hazel (Cristin Milioti) finally makes her escape — only to find that her controlling ex (Billy Magnussen) has implanted a monitoring device in her brain that allows him to track and observe her as well as mine her  emotional data as she tries to regain her independence. Made for Love premieres April 1 on HBO Max.More trailers and teasers released this week:• Big Shot follows a temperamental basketball coach (John Stamos) who takes a job as the head coach at an elite all-girls private high school. Premieres April 16 (Disney+).• Kung Fu follows a Chinese-American woman (Olivia Liang) who returns from a years-long stay at a monastery in China and uses her teachings to protect her hometown of San Francisco. Premieres April 7 (The CW).• The Nevers is a sci-fi series set in Victorian London that follows a group of women with newfound supernatural powers who are all in grave danger and must be protected. Premieres April 11 (HBO).• The first season of horror anthology Them follows a Black family who moves from North Carolina to an all-white Los Angeles neighborhood in 1953, where their idyllic home becomes ground zero for malevolent forces. Premieres April 9 (Amazon Prime Video).• Season 3 of Miracle Workers sees its characters hit the Oregon Trail. Premieres later in 2021 (TBS).• Christopher Meloni s Detective Elliot Stabler is back in action in Law Order: Organized Crime. Premieres April 1 (NBC).• Godfather of Harlem season 2 sees Forest Whitaker return as 1960s crime boss Bumpy Johnson. Premieres April 18 (Epix).• Dad Stop Embarrassing Me follows a single dad and cosmetics brand owner (Jamie Foxx) who figures out fatherhood on the fly when his strong-minded teen daughter moves in with him. Premieres April 14 (Netflix).For all the latest TV and streaming trailers, subscribe to the Rotten Tomatoes TV YouTube channel.CASTING: Jamie Foxx is Mike Tyson in Scorsese-Produced Series(Photo by © Warner Bros.)Jamie Foxx is set to play Mike Tyson in the authorized limited series Tyson, executive produced by Martin Scorsese, the boxer himself, and Antoine Fuqua, who will direct. Colin Preston is set to write the show, which currently does not have a home.Naomie Harris is set to star alongside Chiwetel Ejiofor in the Showtime series The Man Who Fell to Earth, based on the Walter Tevis novel of the same name (and, of course, the famous David Bowie-starring film). Ejiofor plays the titular alien, while Harris will play brilliant scientist Justin Falls.HBO s series about the Los Angeles Lakers has added super-tall actors Jason Segel as former Lakers head coach Paul Westhead and Bo Burnham as player Larry Bird.Stanley Tucci is an Inside Man — he ll star as the titular character alongside David Tennant, Dolly Wells, and Lydia West in the four-part Netflix/BBC miniseries that follows a U.S. prisoner on death row, a vicar in a quiet English town, and a math teacher trapped in a cellar whose paths unexpectedly cross.Ryan Murphy has recruited American Horror Story veteran Evan Peters to play serial killer Jeffrey Dahmer in his upcoming Netflix limited series Monster: The Jeffrey Dahmer Story.The most adorable part of 2021 s award season, Minari star Alan Kim, is joining Awkwafina is Nora From Queens for the comedy s second season. He ll play the younger version of BD Wong s character, Wally, in flashbacks.In a surprise move, The CW s Batwoman has recast Wallis Day in the recurring role of Kate Kane, the character previously played by former series star Ruby Rose.PRODUCTION DEVELOPMENT: Issa Rae is Sticking With WarnerMedia(Photo by Amy Sussman/Getty Images for Women In Film)Insecure might be ending, but Issa Rae is staying at her home of WarnerMedia. The writer and actor has signed a five-year overall deal with the company, which will include television and features created by Rae s company Hoorae. Upcoming projects include the fifth and final season of Insecure, which is filming now, plus HBO Originals including The Vanishing Half, Nice White Parents, and the documentary Seen and Heard, plus the HBO Max Original Rap Sh*t and a scripted series with Mark Phillips.A new Disney+ series starring Alaqua Cox as Marvel s Echo is in the early stages of development. Cox debuts as the deaf Native American hero in the upcoming Hawkeye Disney+ show, which stars Hailee Steinfeld.David Duchovny s latest novel Truly Like Lightning is headed to Showtime, with Duchovny writing and starring in a series adaptation. Tyler Nilson and Michael Schwartz will write the script alongside the star, whose book follows a former Hollywood stuntman living with his three wives and ten children outside of Joshua Tree who becomes embroiled in a deadly chain of events after being approached by an ambitious real estate developer.Girls Trip creator Tracy Oliver has signed a sweeping multi-year overall deal with Apple, which will see the creator developing original television series and feature films that emphasize telling diverse and meaningful stories.On an Apple device? Follow Rotten Tomatoes on Apple News.

5. HD 画质与高品质音讯
使用強大的百度引擎7建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

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3.50.9 6月喜迎(Photo by Gene Page/AMC)Rick Grimes is gone from one part of The Walking Dead TV world, but his departure in Sunday’s “What Comes After” sparked the announcement that we’ll continue to follow his story — with Andrew Lincoln returning to his iconic role — in a trio of made-for-AMC movies that will begin production in 2019.The movies are the first specific projects that former TWD showrunner/now chief content officer Scott Gimple has clued fans in on, but the growing TWD TV universe will also include new projects with new characters, and old characters — even some dead ones — returning in new ways. Gimple talked to Rotten Tomatoes about plans for the future, shared how Robert Kirkman’s comic-book backstories might be getting movie or limited-series treatments, confirmed we will find out more about Jadis and the helicopter people (on the series and in the Rick Grimes movies), and teased the “brand new show” The Walking Dead becomes with Sunday’s episode.Kimberly Potts for Rotten Tomatoes: It’s sad to think about The Walking Dead without Rick Grimes, but that teaser of the next three episodes that aired immediately after Sunday’s episode was exciting. We re going to see these other characters we’re invested in find out what they re capable of, see who they will become, who the new leadership will be, without Rick. Did that inspire the writers and the cast after Andy Lincoln’s departure?There s a couple of things. The end of the episode, we saw the helicopter fly off, and we held on that frame, and the trees grew and one of the trees fell down, and the exciting scene of these people being saved … and we see that it s Not-So-Little Asskicker, Judith Grimes. To me, that was … it’s like it almost fulfilled the previous eight years and five episodes, and yet also launched everything into this brand new world. It’s starting with [issue] 127 of the comics and The Whisperers, and we have these new characters. And even more importantly, there s these beloved characters we have who have evolved. And they ve evolved without us over these six years [of the time jump], and we get to find out where they re at, meet them again, see what s happening, see the relationships of it. I think the audience is in for, yet again, a brand new show that they will have to kind of learn all over again in an exciting way.At the same time, that opportunity exists now for Rick in these upcoming movies. He has a freedom that he hasn t really had in the time that we ve gotten to know him on the series, and that he probably didn t really have when he was a sheriff and he had this young family. How much will that be the driving force of the Rick movies?(Laughing) You make it sound like he s going off to party. Rick Grimes is at the center of them, and we ve seen him evolve through these eight years and five episodes from a man with a very strict moral code living in … it took him a while to sort of leave the world he had lost, enter the world of after everything. And through that time he built himself up and he broke down and he had incredible losses and he lost his mind at points. He became incredibly pragmatic and even brutal at some points. And in the end, Carl was able to bring all those pieces of him together and get back some of what he had lost from that very first Rick Grimes that we saw, and I think that made for a beautiful ending of a chapter.But now that he understands this world, that he has both the capacity for humanity and brutality, of pragmatism and idealism, it puts him in a very interesting place for yet another evolution. To find himself in a place, in a situation, that challenges him in ways that we haven t seen, and that all of these experiences have been trying to set him up for. So, it s going to be a brand-new story. It ll be very much unlike what we ve seen, and it s very scary in some ways, but I think it s doing right by the character by challenging him in ways that are completely different than how he has been challenged before.One of my favorite things about “What Comes After” is that Rick literally got back on the horse. The man fell on rebar! He pulled himself off of rebar, and literally got back on the horse.And then he got back on the horse.You’re working now on the script for the first movie. What can you say about the logistics of Rick s story continuing? It s tough to imagine a Rick Grimes who survives and gets well physically and then doesn t immediately go back to his people.I can t get into much of it, but what you bring up is an incredibly big part of it. You re right, the connection with what he has back at home is a critical part of who he is. It is a critical part of his story moving forward. But it won t be so easy as even the most difficult thing of just getting back. He s going to find himself in the center of a situation that s very complicated and different and unusual to what we ve seen, but his love of his family — and really that last episode was all about his family and what his family is and what it means to him — that s such a huge part of this.(Photo by Jackson Lee Davis/AMC)Jadis and the helicopter people are out of the picture, too, now that they’ve flown off with Rick. Will we eventually find out more about their backstory?Yes. There ll be some explanation of what that s all about. We re going to find out more about the relationship of Jadis and the helicopter and all that. That stuff is part of the movies. People shouldn t expect to see a lot more of that on The Walking Dead, but I will say that we re going to tell the story of what happened in these years that have passed on The Walking Dead. It is possible that people might see some other stories that have to do with that group on the helicopters within the TV show. But not a ton of it.Do you have the arc of all three Rick movies planned out?Oh, yeah. The arc is planned. They re not finished, but absolutely, we know the arc.This expansion of the TV universe will include a lot of other characters —characters who are no longer part of the original series, characters who maybe are no longer alive. Could that mean, for instance, a movie or limited series about The Governor, based on the novels by Robert Kirkman and Jay Bonansinga, or Negan’s backstory, from the series Kirkman did within the comics last year, that things like that could be explored in movies or limited series?Yeah, that s exactly it. Those aren t going to be the whole of it. We want to have new characters, we want to have stuff that is completely unattached to anything we ve seen before, too. Potentially just not even anything more than a great story within this universe that doesn t necessarily have to be, you know, Eugene s cousin. We will have stuff that connects, and we ll have stuff that just sits completely on its own and it s just a great story. We really want to pursue variety and we really want to have stories that are very distinct from one another. We want to have new voices telling them. I m excited to be doing a lot of stuff within this, but we re going to be having a lot of other people doing things. I look forward to working with them, as I worked with Angela [Kang, TWD showrunner], as I worked with [Fear the Walking Dead showrunners] Andrew [Chambliss] and Ian [Goldberg] to get their stories going.New voices are incredibly important to this, because we want the variety. We want to see things that we haven t seen before, explore tones that we haven t seen before, in different corners of the world; see situations that are completely different than what we ve seen before on the show. So these specials, and these series of varying length, these movies of varying scope, are going to give us really, really different expressions of the what The Walking Dead is and what The Walking Dead can be.Will Fear the Walking Dead be included in this expansion of the TV universe?Absolutely. We re going to see characters from Fear in other expressions. We might see characters from Fear who are no longer there. We might explore incidents and histories that have been discussed. Yeah, it s all on the table. A lot of this is driven by, we ve been doing this for going on nine years now, and the audience has had questions all along. What about this? What about that? What about this character with that character? We re going to see some of those questions answered.Like, maybe we’ll finally find out what happened to Tobias, the apocalypse-savvy teen from the first season of FTWD?Oh my God, yes. So many questions about that. Anything is possible. I will say, other sort of unexpected crossovers are possible. It really is energizing. You feel like a kid in a candy store to be able to look at all of these characters in a different way and to look at their histories. I really can t wait to dive into it.It worked incredibly well with Morgan, sending him over to the FTWD storyline. The last season of Fear was so good. I know Morgan is a very special character to you and you’ve written so many of his best moments. Is there a chance maybe Rick and Morgan, the first great friendship of TWD, could meet up again?An annoying answer, but anything is possible. This is all a very long-range plan. But it’s the feeling of those fantasy meetings and those kinds of pair-ups that get us excited. We want to get back to those, too.(Photo by Jackson Lee Davis/AMC)In terms of The Walking Dead, and the rest of season 9, what was most important when thinking about the post-Rick world?I guess the words that come to mind are to seize upon the moment of the new. With both shows, they reinvent themselves every eight episodes, but this, of course, is the biggest reinvention of the series. We had flirted with it happening at the end of season 8. Andy knew about my new position. Pretty much everybody on Walking Dead knew about it to a degree, and we were just trying, as I elevated Angela to showrunner, to figure it out. I was excited for Angela to be the embodiment of that reinvention, to be that new voice, even though she’s a vet on the show. With Angela coming in at this point when Rick is leaving, it was just like, wow, let’s seize upon these circumstances to tell something brand new. And it goes back to Robert Kirkman again. Robert shocked all of us who are into the [comic] with issue 127 [and the big time jump]. Robert is a genius, and he knows when to shift gears and when to surprise the audience, and he did that with 127. Knowing that we were moving towards that — Angela moving into the showrunner role, Andy going — assembling all of these parts in the right order and the right way and to seize upon this change to hopefully light the audience s brains on fire with possibility, instead of “this thing is ending.” It s like, no, things are just changing.This season is so new and exciting, sophisticated and surprising, it really is an evolution of the show. And with a show that is in its ninth season, having these kinds of changes, they aren t problems. They re opportunities. Angela and the writers have just killed it, and the crew is just as great as they were. I see the same sort of motivations, the producers and the cast and the new cast coming in. I love this group of people. Cailey [Fleming, the new actress playing Judith] is amazing. And Magna (Nadia Hilker) and Yumiko (Eleanor Matsuura), the rest of the new group is just remarkable, and some really new and interesting actors. I can t wait for people to see Lauren [Ridloff as Connie] and Angel [Theory as Kelly], next week. Their characters are amazing, but they are just charming and brilliant. It s really something special. To be able to say that after losing Rick — and yes, we have stuff coming up of course with the movies and all that … I m really excited for people to get excited about that — but they should be getting excited about The Walking Dead, too, because it really is a brand-new show.The Walking Dead airs Sundays at 9 p.m. on AMC.
A Quiet Place Part II may have fallen to second place (barely), but these are all fairly solid numbers in its favor. The first film dropped just 34.3% during its second weekend to .97 million and was bested by Rampage by less than million; Part II fell 59% this weekend to .5 million, which is a much steeper drop than fellow million Memorial Day weekend films (Madagascar, Kung Fu Panda 2, 2005’s The Longest Yard), which fell between 40.5-49.9%, but it is in the vicinity of Godzilla vs. Kong, which fell 56.9% off its opening weekend after a front-loaded Wednesday-Thursday start and million less in its Friday-Sunday weekend than the Quiet Place sequel.Krasinski’s film is becoming the new standard to beat in this period, taking in over million in its first 10 days, and is hoping to pass GvK to become the first film since Sonic the Hedgehog on February 23, 2020 to gross 0 million. After 3,000 this weekend, GvK stands at .1 million; if Quiet falls off just 55% or less from last week s weekdays haul, it could reach 0 million by Thursday. A Quiet Place Part II is currently on pace somewhere between Mad Max: Fury Road and Terminator Salvation, which would put it on the path for somewhere between 0 million and 140 million when all is said and done. It’s nice to be able to consider first estimates again as theaters begin to make their comeback.Meanwhile, Cruella – which, like A Quiet Place II this weekend, made news when it was announced a sequel was on the way – took in .2 million this weekend, which is the third-best second weekend of the pandemic era. But the .6 million it has made to date puts it in the territory of After Earth and Battleship, two notorious failures for their studios that finished with million and million domestically. Even aided by international grosses of 3 million and 7 million, they were expensive failures. Cruella’s costs have been widely disparate in reports, but the answer is likely somewhere between the 0 million and 9 million budgets of those summertime busts, and Disney’s film has only made million internationally so far, less than the premium streaming total of -plus million it made last weekend. They must be feeling optimistic given the sequel announcement.On These Dates In Box Office History
With its fourth episode, Loki pivots beyond its initial conflict and introduces a handful of new shocking ideas. But just what is a nexus event so powerful that it threatens the Sacred Timeline by itself? And, for that matter, what was Sylvie s (Sophia Di Martino) great crime against the timeline? In an episode full of unmasking, introspection, loss, and a very special cameo, our own assumptions about the Marvel Cinematic Universe s reality are also once again in doubt. So let s start delving into variants, beings behind the curtain, and the nature of choice.Spoiler Alert: The following reveals details of the fourth episode of Loki season 1. Stop here if you have not watched The Nexus Event. Speculation includes information from Marvel comic books and may also be considered spoilers to some.Is Ravonna a Variant?(Photo by Chuck Zlotnick. ©Marvel Studios 2021. All Rights Reserved.)Perhaps a strange question to ask, but it feels pertinent going forward — is Ravonna Renslayer (Gugu Mbatha-Raw) a variant? Everyone else in the TVA is one, as both Hunter B-15 (Wunmi Mosaku) and Hunter C-20 (Sasha Lane) have now confirmed for us. And then there s the discovery that she was the hunter who brought Sylvie in when she was a child. Upward mobility is seemingly possible at the TVA, which seems strange if they are all mind-wiped variants.The early scene in which she encounters the Time-Keepers suggests she is a variant. Although, anything could have happen in the cutaway and her uncomfortable meeting could have been with the real power behind the TVA (more on that in a bit). See also how hard she worked to keep C-20 s discovery under wraps. Then there s her seemingly genuine affection for Mobius (Owen Wilson) and her sadness in pruning him. And while that would appear to make her an accomplice to whatever is really going on, there is still a modicum of doubt there. All of her actions could be those of a variant compelled to keep the secrets of the TVA at any cost without understanding their true implications.So, if she is a variant, what is the real Ravonna Renslayer up to in the Sacred Timeline?Of course, the answer to that depends on whatever info Sylvie obtains from Ravonna next week. Presumably, it will reorder everything.What Is Sylvie s Crime?(Photo by Chuck Zlotnick. ©Marvel Studios 2021. All Rights Reserved.)The episode s opening moments seemingly answers, once and for all, that Sylvie is Loki and not another character — like either of the Enchantresses — but it also brings up a new question: what crime against the Sacred Timeline could a 9- to 12-year-old Frost Giant commit? We think we have an answer: she presented as female.As we saw in episode 2 — and subsequently saw again here at the end of episode 4 — Loki variants tend to be present as male even if Loki (Tom Hiddleston) is technically genderfluid. As it happens, we ve really yet to see a Loki slip between genders, so it is possible female-presenting Lokis are pruned early on. Or, perhaps, Laufey himself deals with the problem back in Jotunheim shortly after their birth. No matter why female-presenting Lokis are a rarity, it leads to the new question: Why does the Sacred Timeline need a male Loki?Presumably, this goes back to one of the show s central themes: whether or not Loki (or anyone in the MCU) has free will. If we accept that the Sacred Timeline is preventing Multiversal chaos, then there is no free will as every wrong choice is clipped to ensure one outcome. Loki, for example, has been pruned to serve the exact purpose he serves in Thor, The Avengers, Thor: The Dark World, Thor: Ragnarok, and Avengers: Infinity War. His glorious purpose was to, ultimately, hand the Space Stone to Thanos and leave Thor with warm memories about his deceased brother.Well, provided that Loki actually died. Notice how often our Loki boasts of cheating death in this episode?But to bring it back to Sylvie, a female-presenting Loki is, seemingly, the ultimate expression of the chaos the Sacred Timeline strives to avoid. Sylvie says as much herself toward the beginning of the episode. Well, she frames it more as the universe attempting to break free of some stricture, but it still feels like part of her crime. Also, there is a fantastic meta-commentary buried in the narrative if her crime really was choosing her own gender expression. And it ties back into our belief that the show is ultimately about Loki s right to choose his/her/their role in the MCU.Is Love the Nexus Event?(Photo by Chuck Zlotnick. ©Marvel Studios 2021. All Rights Reserved.)Loki and Sylvie s heart-to-heart on Lamentis seemingly triggers a nexus event the likes of which no one in the TVA has ever seen before and, in all likelihood, made Sylvie s audience with the Time-Keepers possible. But what was it, really? Mobius seems to think it was a romantic bond between the two variant Lokis. As we would still like to see Loki become an aromantic character going forward, we are going to suggest something different: The nexus event is Loki caring about someone other than himself — even if the other person is still Loki.That change is key as Loki s selfless acts in the Sacred Timeline are meant to serve a different purpose. A Loki who discovers any sort of empathy years before the destruction of Asgard is a danger to the proscribed flow of time.And though we re weighing most of this toward Loki, a seismic change also occurs within Sylvie as simple survival is, for once, not her main thought. Those key changes to who they are meant to be could trigger an unprecedented nexus event just as easily as two Loki variants falling for each other.Then again, Mobius s description of the nexus event leads back to the joke about Loki only being capable of loving him/her/themself. Mobius almost even gets to that punchline.All that said, a power of love solution may draw the comparisons between Loki and Doctor Who even closer, but we hope the show is using that as another dodge before revealing the true nature of the TVA and the Sacred Timeline.Oh, also, it seems Sylvie s time bomb had no effect on the Sacred Timeline. We suppose the TVA had enough Hunters around to undo that damage.The Being Behind the Curtain(Photo by Marvel Studios)OK, we re ready to accept the Time-Keepers are just The Great and Powerful Oz. Their existence was always in doubt. But that leaves someone behind the curtains pulling the strings and securing the Sacred Timeline for an unknown purpose.Thankfully, the comics give us one key suspect — He Who Remains — who will serve as this week s candidate for a comics character the series might introduce. In Marvel Comics lore, He Who Remains was the final director of the TVA in the previous universe. Continuing on to the next cycle of creation, he created both the Time-Twisters and the Time-Keepers in the hopes of instructing the new multiverse in the correct path. His attempts lead to adversaries for Thor.Yeah, it s the heady, cosmic stuff you d expect from mid-to-late 1970s Thor comics (courtesy of Len Wein, John Buscema, and Joe Sinnott), but it is also a way forward for the MCU if He Who Remains is the man behind the curtain. For one thing, the notion of a previous Marvel Film Universe is fascinating. Galactus is also said to originate from an earlier multiversal cycle and that could matter when he finally appears in a Fantastic Four film. A previous universe could also be a nice way to include all of the Marvel films made before Iron Man while still giving Marvel Studios breathing room to recast the Fantastic Four and, eventually, Wolverine.But then there s also the apparent truth within the TVA: the Sacred Timeline. If He Who Remains is behind the curtain, then maintaining a complex sequences of decisions from the beginning of time to the end has to have some value beyond his own continued existence — he s already the ultimate survivor. Miss Minutes (Tara Strong) mention of that war in the Multiverse is a good place to start looking for clues. Although it could easily be another lie, there may be some more truth there, as He Who Remains could be the last survivor of that conflict. Forcing the MCU into a certain path may be preventing an number of sorrows and cataclysms beyond the things we ve seen in Marvel Studios pictures and shows thus far.Or it s just about control and cruelty. In which case, we ll add Kang (Jonathan Majors) and Mephisto to the list of suspects. And if we need a few other impossibly powerful to add as potential powers behind the TVA, there are Those Who Sit Above in Shadow — the beings who allegedly created the Asgardians and literally feed off the Ragnarok cycles — the Beyonder (an entity with a habit of kidnapping Marvel superheroes and villains), and One-Above-All, the apparent creator of the Multiverse itself. Loki taking on the ultimate authority does have a certain appeal.A Multitude of Lokis Invade the Stinger Scene(Photo by Marvel Studios)Then there s that whopper of a mid-credit stinger: An apparently pruned Loki wakes up to encounter Classic Loki (Richard E. Grant), Boastful Loki (Deobia Oparei), Kid Loki (Jack Veal), and Alligator Loki (an alligator) in the destroyed remains of New York. Presumably, they are also pruned variants, but their appearances suggest direct ties to Marvel history and possible story threads.Kid Loki, for example, seems to be a tip of the horns to the Marvel Comics Kid Loki — a manifestation of Loki who sought to be different, but was murdered by the older Loki to obtain a new body. A shred of Kid Loki remained to haunt Loki by shouting he is the crime that cannot be forgiven. He also, in the long run, symbolizes the way Loki cannot go against his nature.The Classic Loki, meanwhile, is a brave attempt to make Jack Kirby s design for the character work in a MCU context. Presumably, he will revel in being the villain — if he isn t the Old Loki we talked about last week — and is not to be trusted simply via the virtue of wearing Grant s face. Also, since we mentioned Doctor Who once already this week, Grant is also the face of a Doctor pruned from the show s canon and the face of one of the Doctor s long-standing foes.Oh, and what is he carrying in that bag?By virtue of holding a hammer and being called Boastful Loki in the credits, we re going to assume this is the variant who was deemed worthy of the power of Thor. Such an event has occurred in Marvel Comics history, but under wildly different circumstances and only for a brief moment. Taking a closer look at Boastful Loki s hammer, though, it is always possible the weapon is meant to mock the God of Thunder.And Alligator Loki feels like a reference to the time he manifested as Cat Thor in the pages of The Unbeatable Squirrel Girl or the time he turned Thor into a frog.But the quartet s purpose is a complete mystery. Are they the true power behind the TVA or are they just more refugee Loki variants because the power behind the agency needs Loki to be a certain person? Or, perhaps, they are remnants of the Multiverse trying to get their realities back.It remains to be seen, of course, but it at least gives us hope that Mobius will somehow be saved despite his apparent pruning.Loki episodes debut each Wednesday on Disney+.

King of the Crop: Aquaman Leaps To The Surface And Pursues The Clouds(Photo by Warner Bros)Aquaman led the way this weekend, grossing more than the next three films combined. It’s .4 million start was the 9th best ever in December (it made another .7 million with Amazon previews last weekend) and yet was still the weakest opening in the DC Universe to date by some margin. That should be expected given the rejection of Justice League which introduced Jason Momoa’s superhero. That film opened to .4 million and finished with 9 million – itself the weakest gross of the Universe. Aquaman would really have to fail with audiences going forward not to reach that amount. The film’s support with critics dropped as the Tomatometer has fallen to 64% after some initial robust reviews from the junket crowd. Aquaman’s worldwide total has risen to over 2 million.Fresh Surprise: Bumblebee Shocks, But Not At Box Office(Photo by Paramount)There is only one number that earns Bumblebee its slot here and it s certainly not its opening weekend. Bumblebee s million start is less than half of what Transformers: The Last Knight opened to. No, the real impressive number is the Tomatometer score: 94%. The total score of the four Michael Bay Transformers sequels combined is just 88%. That’s four films. (The original received a 57%.) Whether or not Bumblebee can continue to draw family audiences in such a crowded season remains to be seen, but even catching The Last Knight’s 0 million means the 5 million production will be relying on its international draw to turn a profit. None of the live-action Transformers films have grossed less than 0 million worldwide.Rotten Returns: Welcome To Marwen! Hello? Seriously, You Can Come In.(Photo by Universal)In a sad turn of events Robert Zemeckis’ current box office status is looking a lot like the beginning of his career, marked by I Wanna Hold Your Hand and Used Cars, before Romancing the Stone and Back to the Future saved him. Countless masterpieces later, the director has fallen on hard times again in ticket sales. Sony opened The Walk wide a week after The Martian. It grossed .7 million and finished with just .1m. Allied was an million production that Brad Pitt did no press for as he was in the middle of his domestic issues with Angelina Jolie. It ended up making just million domestic.This weekend, Universal opened Welcome to Marwen and it, unfortunately, reached new lows for Zemeckis. The film opened in just 1,911 theaters but a ,234 per-theater-average is weak for any release. Critically it is the worst-reviewed film of his career by a margin; What Lies Beneath received a 46%. That is just the fifth rotten score ever for Zemeckis, but the opening was even worse than The Walk with just a .3 million tally.
#秦霄贤小浣熊童年回忆杀#提起80后90后的童年,统一集团的小浣熊水浒卡可以说是浓墨重彩的一笔,当年红遍大街小巷的水浒卡在当时的孩子们心中留下了难以磨灭的印象,甚至一直到如今还有很多卡友仍在收集着水浒卡现在统一水浒卡正版授权的《小浣熊百将传》手游已经上线,并找到了德云社青年相声演员秦霄贤代言并拍摄了这样一则广告片,怀旧IP在新时代重新焕发光彩的尝试与传统相声艺术的新生代青年演员可谓是天作之合,来看一看二者之间碰撞出了怎样的火花点击链接即可下载:
Kings of the New Crop: Ralph and The Grinch In Neck-and-Neck Fight For No. 1(Photo by © Walt Disney Studios Motion Pictures)While typically there can be only one, we are going with a two-fer here. Not only was the race for the top spot neck-and-neck this weekend, but each is proving a definite winner for the long haul. Ralph Breaks the Internet is already documented as one of the biggest (if not the biggest) Thanksgiving opening for a new release. At 0.8 million on its 19th day, it is wedged between Big Hero 6 and Madagascar: Escape 2 Africa in terms of its cume at this stage in its run, which could put its final gross somewhere between 0 and 2 million, likely making it a top 5 grosser for the holiday season. At this point, The Grinch is saying hold my beer. With over 3 million after a full month in release, The Grinch is just a couple million off the pace of The Incredibles, which dropped 61% in its fifth weekend to make million; The Grinch dropped just 15% and made million in its fifth weekend. The Incredibles finished with over 1 million, meaning that The Grinch is headed for the Sing territory of 0 million.
这样高品质高福利的手游,不论是老英雄联盟玩家,还是想尝试英雄联盟的新玩家,相信都可以玩得开心!英雄联盟手游9月15日就要开启不删档测试了,小编已经通过官方组队活动抢注了自己心仪的ID,错过了前两轮测试的小伙伴千万不要再错过了!
评分 & 评价
6.7
9.3 万 个评价
游戏时长 1.0小时

Ghcxuf insight into Hanna s inner life and her origins.Rotten Tomatoes spoke to stars Esme Creed-Miles, who plays the titular character; Joel Kinnaman, who plays Erik, her father and trainer; Mireille Enos, who plays Marissa, the CIA agent tracking Hanna and her father; along with the film s writer and series creator David Farr and show director Sarah Adina Smith about the best and worst parts of adapting the film for television.The Star(Photo by Amazon Prime Video)The key player in the series is newcomer Creed-Miles, who isn t as green as other actors her age — her parents are actors Samantha Morton and Charlie Creed-Miles. My parents are really, really talented and really good at what they do, so I ve always learned from watching them. But their style is something that you can t really learn. They never went to drama school and neither did I, she told Rotten Tomatoes and several other reporters. I think the best privilege that I have in terms of having them as my parents was not just the doors that opened, but, I think, the stability to be graceful in the face of rejection, which is something that actors get every single day, and knowing it s not personal and not having that be part of your psyche. While pilot director Adina Smith said she and the producers had a feeling Creed-Miles was their star after watching her audition tape, she still went through five rounds of auditions and screen tests, including submitting a tape training with her father. My dad s been doing Wing Chun martial arts for 20 years, so he kind of helped me prepare for the screen test, and we did a bunch of cool stuff in preparation, Creed-Miles explained.The AdaptationFarr s script for the film did not include two major elements of Hanna s story that he had always envisioned: her back story and the political themes relating to Hanna and her father. There is a much bigger story, [and] the film really only touches into one slice. It was in my head, both the back story of Hanna, where she came from, the whole thing of who she is Where does she really come from? What is she part of? What were they doing?, he told Rotten Tomatoes and other reporters. The series is a more down-to-Earth version of the story with less of film director Joe Wright s heightened visuals. The show has a coming-of-age narrative, he said, and I ve also touched into the political thriller, which wasn t really in the film at all. Said Adina Smith, “The character of Hanna in the movie has this wonderful alien quality, and it’s more like a fairy tale. We decided to make the series to do a more grounded, real, gritty Hanna. We wanted to make her fully human. The TV show s story is more emotional, because “Hanna is discovering her morality for the very first time, Creed-Miles said. So it’s this juxtaposition of coming from this wilderness where killing is kind of the nature of survival, but it’s beautiful as well, and coming to the modern world where she’s discovering her morality for the very first time and discovering the consequences of that and the emotional trauma that comes as a result of killing things.”The Relationship(Photo by Amazon Prime Video)While the film featured more of the Dorothy–Wicked Witch relationship between Hanna and Marissa (played by Cate Blanchett in the film), the show focuses on the father-daughter relationship. I think my favorite part of the film was the relationship between the father and daughter, and that ends pretty quickly in the film and the girl goes on her won journey, Kinnaman told Rotten Tomatoes. Whereas in the series, the father-daughter story is sort of the arc of the first season. Kinnaman tried to build that relationship off-screen as well, and ended up both mentoring and training with his on-screen daughter. It s a very tough endeavor for a young actor. It s a big responsibility to take on. I have shouldered the lead in big action series myself, so I sort of know it really [well], he said. It s very intense. It takes a lot out of you because you re not only the lead of all the dramatic scenes, you also have all these action sequences and these stunt things you have to do. While that meant a lot of pressure for Creed-Miles, Kinnaman was there to help. I was trying to do my best to motivate her and to try to teach her what I ve come to understand over the course of my career, he said, including training together in jiu-jitsu for a fight scene in the first episode. We designed it so she does this jiu-jitsu move where you take the other person s back and then she performs a rear naked choke, and there s this special technique to doing that, he said. It was pretty cool. I think that turned out really well. I don t think you ve ever seen a daughter choke her father unconscious in training before. The WorldDebbie DayProduction was based primarily in Hungary, but the cast and crew filmed scenes all over the world —  in Slovakia, in Poland, in Morocco, in Spain, in Germany, in London, said Kinnaman, so all over. In real life, Kinnaman is American and Swedish. But in Hanna, he plays a native German, which is not one of the four languages he speaks. I only speak Swedish, English, and Norwegian, and Danish, he said, modestly, when I speak Danish, a Danish person would not think that I m speaking Danish. They might understand what I m saying, but yeah. While four languages (or three and a half, even) is no small feat, learning German dialogue made him nervous. The first version of the script that I got we were doing what the film did, and we were doing the Schindler s List, where everyone is speaking English but in different dialects. And I really thought that it would be much better if everyone spoke in their real languages, and the decision later was made that we were going do that. So you have to be careful what you ask for, because all of a sudden now I have 20 scenes in German, and not just a character speaking German, but actually being German speaking German, and with a bunch of other German actors. So the bar was really high. With help from a German dialect coach, however, his confidence grew. I was pretty intimidated at first, but then after a while, I [realized I could say] the trickiest German sounds. And I think the combination of growing up in Sweden but being bilingual in English, it prepared me to do those sounds. And personally, I like dialects. I work with dialects in almost every role that I do, so I m used to working with my voice in that way. But actually the praise that I got from the German actors, that meant a lot, because I just don t want the Germans to hate me after this. The Killing ReunionEnos and Kinnaman became real-life friends throughout the course of their AMC-turned-Netflix series The Killing, and they stayed friends after; in fact, Enos had reached out to Kinnaman for help compiling a list of 40-something European actors to play the role of Hanna s father. While I was putting it together, I then got the call that, No, actually they want to go out to you. I was like, OK. So I m gonna tear up this list with Mads Mikkelsen on top,' Kinnaman said. Of course her being in it was a huge incentive. Even though we re playing completely different characters with a completely different dynamic, it s just easy playing with her. She s so good, and we had such good chemistry, so it flows. The plan all along was to work together again, it just had to be a project that felt unique and worthwhile. We’ve always been playing with the idea of finding something to work on again because it went so well the first time around, he said. But I think the criteria was to find something that was very different from The Killing, just to not get an audience confused or taken out of it. Said Enos, It s so rare that two people happen to be on the lists of the creators, and happen to be available, and happen to love working with one another as much as we do. Hanna season 1 is now available to stream on Amazon Prime Video. 😈😈

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亚博app链接 相信在众多的答案中,率土和三战的比例应该是比较高的。其实这两个游戏有很多类似之处,并不是说谁抄袭谁,游戏玩法没有专利,好的玩法谁都可以拿来用,又不是抄代码。比如说地块玩法,几乎全天下的slg自由沙盘手游都是这个模式,三国志战略版好歹也是变了一下,从田字格变成品字格。这里不得不提下后来出的鸿图之下也学会了,把地块搞成六边形。

5G时代到来,互联网市场愈加升温,其中手游市场的扩大是比较快的,手游代理是手游市场的重要一环,但其凭借投入少、门槛低成为了创业者进入手游行业的偏爱项目,有些代理商想做海外游戏代理,那么是国内代理好还是海外代理好呢,接下来小编来给大家分析一下。 Join us weekly as Rotten Tomatoes reports on what s opening, expanding, and coming to the specialty box office. From promising releases from new voices to experimental efforts from storied filmmakers – or perhaps the next indie darling to go the distance for end-of-year accolades – we will break it all down for you here each week in Fresh Indie Finds. This week at the specialty box office, we have new offerings from Thor: Ragnorok Director Taika Waititi and from The Witch director Robert Eggers, who s teamed up with Willem Dafoe and Robert Pattinson (soon to be known as Battinson for director Matt Reeves s The Batman). Waititi s Jojo Rabbit follows a Hitler-obsessed 10-year-old boy in World War II Germany who discovers a monster in the attic; while in The Lighthouse Pattinson and Dafoe battle each other and the elements while trapped in an eerie 19th-century lighthouse that may do more than act as a beacon for vessels on the open sea. In our indie trailer section this week we have new clips from a trio of Oscar hopefuls featuring the likes of Adam Driver, Scarlett Johansson, Margot Robbie, Nicole Kidman, and Charlize Theron.Opening This Weekend

2022-01-18

Much like the DC Comics Multiverse itself, WarnerMedia’s plans for a film Multiverse are always changing. Projects are announced, but then seemingly go into hibernation. The stalwart of the line, Batman, always gets its movies made while Wonder Woman seems poised to join the Dark Knight as a reliable franchise. Superman, sadly, is caught between the worlds of reboots and rival ideas.Nevertheless, DC Films chief Walter Hamada recently revealed a plan to release six DC-related films a year in the coming decade – four will arrive in theaters while two will be made exclusively for HBO Max. The library is certainly deep enough to support such an endeavor. And thanks to Hamada embracing the multiverse concept, it seems plans are in place for a second Batman saga to coincide with Matt Reeves’ upcoming The Batman. It all means DC fans will get a lot of content in the next 10 years.Listen to our Podcast: Rotten Tomatoes Is Wrong About Batman v SupermanListen to our Podcast: Rotten Tomatoes Is Wrong About Wonder Woman 1984Listen to our Podcast: Rotten Tomatoes Is Wrong About AquamanThe change is the latest shockwave in the often incredible story of Warner Bros.’ attempts to bring the DC Multiverse to the screen. So before we take a look at the latest changes, let’s go back to the beginning of WB’s ambitious plans for its extended universe…In 2014, Warner Bros. Pictures and DC Entertainment announced a series of movies based on DC Comics characters. The original schedule included a two-part Justice League project and at least two films a year through 2020. Things did not go according to plan, with Justice League compressing its story into one film and projects like Flash experiencing constant delays. Despite projects shifting around the slate – and the critical backlash against Batman v Superman: Dawn of Justice and Justice League – the original 2014 master plan has been executed for the most part, with only 2018 missing a second DC-derived film and Cyborg disappearing entirely. And even as features like Aquaman and Shazam! went into production, the studio never stopped trying to get new projects off the ground utilizing the comic book characters and the universe initiated by 2013’s Man of Steel. The next several years will deliver a number of projects from that original slate and some surprises in the form of Aquaman 2 and The New Gods. On the TV/streaming front, Zack Snyder’s cut of Justice League is finally available on HBO Max.For now, the following represents everything we know about those projects and their place in the DC Films universe, as well as a few DC adaptations that will exist separate from the universe. (Want to see what the other camp has in store? Check out our breakdown of upcoming Marvel movies.)SEE: Most Anticipated 2021 Movies | Most Anticipated 2022 MoviesComing SoonThere is a lot that is uncertain about which DC Comics characters are coming to the big screen, who s bringing them there, and in what order — but nothing is uncertain about these first movies. They re in production, or in pre- or post-production, and we know exactly when they will be hitting theaters. (At least, we know the latest dates, and will update as those change with COVID-19 leaving the landscape a little uncertain.)The BatmanRelease Date: March 4, 2022What We Know: War for the Planet of the Apes’ Matt Reeves took over directing duties on The Batman following the departure of Ben Affleck, who intended to star, co-write, and direct. Creative differences saw his role reduced to star even as his personal problems overshadowed the ongoing question about his continued involvement. Late in January of 2019, Warner Bros. announced a release date while Affleck definitively stated he was leaving the cape and cowl behind. (Though not so definitively, if you skip down to our latest update on Flash). A new man behind the mask emerged that May when Robert Pattinson took over the role. That casting choice confirmed the story would revolve around a younger Batman, and Reeves has confirmed that, telling DC FanDome it will be set during Year Two when a serial killer is stalking Gotham. Across late summer and early Fall, the cast began to round out with Jeffrey Wright joining up as Commissioner Gordon, Paul Dano taking on The Riddler, and Zoe Kravitz signing on as Catwoman. In November, word broke indicating Colin Farrell would play The Penguin and Andy Serkis would be the new face of Alfred Pennyworth. Other cast members include Peter Sarsgaard as District Attorney Gil Colson, Alex Ferns as Commissioner Pete Savage, John Turturro as Falcone, and Jayme Lawson as Bella Reál. Rumors also suggest a new Two-Face will also emerge. Stacking the film with almost all of the notable Batman villains is something of a change for modern Batman movies, which generally only use two at a time – although Batman Begins featured a whopping five when you count lesser known characters like Carmine Falcone, Joe Chill, and Victor Zsasz alongside The Scarecrow and Ra’s Al Ghul. Despite a member of the crew – allegedly star Robert Pattinson himself – coming down with the coronavirus, the film seemed poised to hold its October 2021 release date until Dune took its slot during a subsequent change to the calendar. The film is now scheduled for March of 2022. During DC FanDome in October of 2021, Warner Bros. released a second trailer for the film, featuring a greater emphasis on Catwoman and the Riddler. Additionally, Reeves, Pattinson, and Kravitz offered some comments about the film, with Kravitz calling her Catwoman someone who “wants to fight for those who don’t have someone.” Reeves added that the film will feature a number of “iconic” moments with the character even if she doesn’t map 1:1 to comic book Catwoman.Recommended: Everything We Know About The Batman How It Fits in the DC Multiverse: The project s ties to the established film continuity are questionable. Late in 2018, rumors began to emerge that Reeves’ vision for the film set it outside the Man of Steel universe as a “standalone” story, like Joker. The studio moved quickly to quash the rumors, but it now seems clear the film will exist in its own universe with a HBO Max spin-off series already in development.Black Adam(Photo by © Warner Bros. Pictures)Release Date: July 29, 2022What We Know: After listening to fans when he was initially interested in Shazam!, Johnson signed on to star in a film featuring that character’s greatest nemesis, Black Adam. Jaume Collet-Serra will direct from a script by Adam Sztykiel, with Noah Centineo on board as well to play Albert Rothstein/Atom Smasher, whose superpower is his super strength and ability to grow  huge. At DC FanDome, Johnson showed two clips. One, produced by Jim Lee and Boss Logic which gave fans a quick rundown of the character s origins – formerly enslaved, he s in the pursuit of Justice the Black Adam way. The other introduced the idea of the Justice Society of America, and revealed that Hawkman, Doctor Fate, Cyclone, and Atom Smasher would feature in the film. In late September 2020, Aldis Hodge emerged as Hawkman, but the news was soon tempered as the film lost its December 22, 2021 release date entirely during the shuffling of Warner Bros. release slate 10 days later. As for most of the project’s existence, it is once again unclear when it will be released. But with members of the cast already assembled, it is possible the film will arrive in 2023. Aiding this possibility: Sarah Shahi joined the cast in October with a role described as both a professor and freedom fighter. In the months following, Quintessa Swindell joined the cast as JSAer Cyclone and Marwan Kenzari signed up for an as-yet undisclosed role; Pierce Brosnan will star as Dr. Fate. Additional cast members include Bodhi Sabongui and James Cusati-Moyer. In March 2021, a release date was finally announced, with Johnson taking over billboards in Times Square to reveal the movie will release July 29, 2022. In early June, Shahi finally confirmed her character is Adrianna Tomaz – or some version of the DC character. The next month, Johnson released a photo teasing his Black Adam body suit and, later in July, announced he wrapped filming via his Instagram. A brief clip featuring the resurrection of Black Adam was released during the 2021 DC FanDome in October, suggesting the character may not be much of a morning person. A behind-the-scenes reel also offered a few glimpses of Dr. Fate’s helmet and Adam’s costume.(Photo by © Warner Bros. Pictures)How It Fits in the DC Multiverse: Black Adam is the archenemy of Shazam, so their film worlds are definitely connected. But he is also a fairly complicated anti-hero when dealing with anyone else. Heroic one moment and brutal the next, Adam could emerge as the powerful leader of his own country – an idea straight from the comic books. At DC FanDome, Johnson hinted that the movie could feature an appearance from Superman, and sent a warning to all those in the Justice League: The hierarchy of power in the DC Universe is about to change. The Flash(Photo by DC)Release Date: November 4, 2022What We Know: A Flash film starring Ezra Miller as the Barry Allen featured in Justice League is finally getting made. After losing multiple directors – among them, Seth Grahame-Smith and Rick Famuyiwa – and undergoing a title change from The Flash to Flashpoint and back again, the nature of the film is finally coming into focus as we ve learned that Allen will crash through multiple dimensions to change his mother s fate in an adaptation of DC s ambitious 2011 Flashpoint event comic book series, and meet various versions of some of DC s biggest heroes along the way. It helmer Andy Muschietti signed on as the project s fifth director in July, and at DC FanDome revealed a first look at concept art for Allen s new suit, which features embedded light and was made by Bruce Wayne. And someone else has signed on, too. Ben Affleck will return in a small, cameo-style role as the version of Batman we ve seen in Justice League, while Michael Keaton returns, too, as the Batman we met in 1989 s Batman; Muschietti told Vanity Fair that Keaton s role is substantial. Rudy Mancuso will also appear in an as-yet undisclosed role. In March of 2021, Kiersey Clemons, who signed on to play Iris West back when Famuyiwa was going to direct, recommitted to project. Additionally, word broke soon after indicating Maribel Verdú will play Barry’s mother Nora, but due to scheduling conflicts, Billy Crudup will not reprise his Justice League role as Barry’s father Henry. Ron Livingston will play the part instead. Michael Keaton, after suggesting he might leave the project, recommitted late in the summer. His appearance in the film was also teased during a sizzle reel for the film at DC FanDome 2021, which also featured a great look at Barry’s new suit and a first glimpse at Sasha Calle’s Supergirl.How It Fits in the DC Multiverse: With the story focusing on the Flashpoint storyline – in which Barry’s attempt to save his mother wrecks the universe – the film will feature Ben Affleck as the Batman, as well as Michael Keaton, and may include other familiar faces. A promo package at DC FanDome also suggested Allen may encounter DC heroes from TV and streaming, with multiple clips of Watchmen playing as the panel discussed the Flashpoint possibilities. And considering how the original Flashpoint comic book radically altered the DC Comics universe, the film may bring about the end of the DCEU as we knew it.Aquaman and the Lost Kingdom(Photo by @ Warner Bros. )Release Date: December 16, 2022What We Know: James Wan returns to direct the sequel. According to reports following the first film s stunning box office debut in December of 2018, the studio wanted Wan to develop the project while he decided whether or not to direct. David Leslie Johnson-McGoldrick, a co-writer on the first film, soon emerged to write the follow-up, and Warner Bros. set it for a 2022 release at the end of February last year. Presumably, any sequel storyline will feature the return of Black Manta (Yahya Abdul-Mateen II) and his thirst for revenge. We’re also going to presume a wedding between Arthur (Jason Momoa) and Mera (Amber Heard) will occur. Wan will direct the sequel after completing work on the horror film Malignant, due out later this year, and told DC FanDome that the movie will have a more serious tone compared with the original, and that new worlds will be explored. At the same panel, he was joined by Patrick Wilson, and the pair confirmed that Ocean Master will return for the sequel. For the moment, the film is still expected to be the DC holiday release of 2022 – a year now packed full of films based on comic book characters from Warner Bros. and other studios. And considering The Flash is expected in theaters a month earlier, Aquaman 2 may switch to a 2023 release. In early June 2021, director James Wan revealed the title of the film. A behind-the-scenes video showcased during October 2021’s DC FanDome unveiled a new look at Black Manta’s updated costume and a black version of Arthur’s armor.How It Fits in the DC Multiverse: Aquaman’s seas presumably now exist in a universe all their own. That said, it is always possible for one of the characters to seek his help in a stinger scene.Shazam: Fury of the Gods(Photo by DC)Release Date: June 2, 2023What We Know: Well, as of DC FanDome, we know that the title of the movie will be Fury of the Gods, and that Sinbad – who through the Mandela Effect will always be associated with the franchise – may be in it. Other than that, not much. What we do know is that director David F. Sandberg is back, along with star Zachary Levy and co-stars Asher Angel and Jack Dylan Grazer. The credits stinger at the end of Shazam! revealed our hero could be about to face Mister Mind – one of the tiniest but most powerful villains in the DC canon. We also know the film will be the first of Warner Bros.’ DC offerings in 2023 – for the moment – thanks to the October 2020 scheduling shift. In February of 2021, Rachel Zegler joined the production in a reportedly key role, while it s also been announced Helen Mirren will play villain Hespera, daughter of the god Atlas. In April, Lucy Liu signed on to play Kalypso, one of Hespera’s sisters. In May, Mark Strong confirmed he would not return as Dr. Sivana, saying the film is going in a “different direction” than the one suggested in the first film’s stinger. That change of direction was also signaled during DC FanDome, thanks to a behind-the-scenes video featuring Mirren and Liu’s characters and a number of action scenes.How It Fits in the DC Multiverse: Black Adam, anyone? Although that film is not on Warner Bros. release schedule at the moment, the title character’s connection to Shazam means a crossover – and a confrontation – is inevitable.In DevelopmentWith its plans for a Justice League-centric film universe abandoned in favor of more standalone productions like Aquaman and Shazam!, Warner Bros. calendar during the first few years of the 2020s reveals a number of re-thought ideas and, to borrow a term from comics, new #1 issues. At one time, the studio planned to release as many as three films per year, a target it will hit in 2022. But it remains to be seen if the projects listed below will ramp up to maintain the pace.Batgirl(Photo by © Warner Bros. )Release Date: TBDWhat We Know: Originally intended as Joss Whedon’s writing and directing debut in the DC Extended Universe, the project is now being written by Birds of Prey scribe Christina Hodson while the studio looks for a director. Presumably, the film will establish Barbara Gordon as the Batgirl of Gotham. Her relationship to the Birds of Prey will likely be established in a subsequent sequel to either film, if at all. But considering Hodson’s involvement in both films, she probably has a plan for Babs. In May of 2021, the project became active again with Ms. Marvel directors Adil El Arbi and Bilall Fallah signing on to helm the film, which is now set to be one of the first DC-related direct-to-HBO Max features. In July, the casting process seemingly narrowed in on Isabella Merced, Zoey Deutch, Leslie Grace, and Haley Lu Richardson. Grace won the role later than month with J.K. Simmons entering negotiations to return as Commissioner Jim Gordan, a role he first took on in Justice League. During DC FanDome in October 2021, Grace described the character as a “girly girl, but she’s capable and strong and determined.” Co-director El Arbi added that the film will feature “realistic fights.” A piece of production art glimpsed during the presentation also suggests Batgirl will utilize a costume similar to her New 52 look in the comics.How It Fits in the DC Multiverse: Considering the project comes from developments outside of the original Justice League plan, it is difficult to guess how it will fit in. Perhaps Batgirl will be set sometime in the past or see Barbara taking up the cape and cowl after the Batman appears to quit.Blue Beetle(Photo by DC)What We Know: In February of 2021, word broke revealing Charm City Kings director Angel Manuel Soto will helm a film based on the Jaime Reyes version of Blue Beetle. The character is a Mexican-American teenager living in Texas who discovers a scarab that turns out to be an alien battle suit. It gives him fantastic powers, but makes his life much more complicated. In August, Cobra Kai’s Xolo Maridueña entered talks to play the lead role. The film joins Batgirl as one of two DC productions for HBO Max. Maridueña, Soto, and screenwriter Gareth Dunnet-Alcocer made an appearance at the October 2021 DC FanDome. All expressed enthusiasm for the project, with Dunnet-Alcocer saying the chance to showcase a Mexican-American superhero is a key part of the appeal. “That closeness of family is part of what sets him apart,” he said. An accompanying production painting also suggests the Blue Beetle costume will be surprisingly faithful to its comic book counterpart.How It Fits Into The DC Multiverse: Like Static Shock and some of the other projects, we’re going to assume the film takes place on the same Earth Barry establishes in The Flash. If so, it gives Jaime a chance to join whatever Justice League we might see in the future.Wonder Woman 3Release Date: TBAWhat We Know: Hot on the heels of Wonder Woman 1984’s box office success – well, at least in 2020 metrics – Warner Bros. announced a third film was being fast tracked. Both director Patty Jenkins and star Gal Gadot are set to return. Jenkins also said the film will finally bring Diana s film series to the present day. Of course, with Jenkins heading off to a galaxy far, far away to direct Star Wars: Rogue Squadron, it may be another four years (at least) before Wonder Woman returns.How It Fits in the DC Multiverse: Presuming Diana’s world still aligns to the DC Extended Universe continuity, Diana will finally be a public superhero and, perhaps, serving as an Amazonian ambassador to the world of men. In fact, reuniting her with her people after a century has a very dramatic appeal following the events of Wonder Woman 1984, Batman v Superman, and Justice League. Of course, if the Wonder Woman films are retroactive placed elsewhere in the Multiverse, the story could go in just about any direction.The Other BatmanRelease Date: TBAWhat We Know: In a New York Times profile of Hamada, the DC Films chief made a curious reference to the Multiverse making two Batman feature film sagas possible. One will likely continue the story of The Batman while the other will … well, it’s anyone’s guess right now. The events of Flash may give Ben Affleck’s Batman a new face in the DCEU. Or, perhaps, Hamada has convinced him to keep the cowl on for subsequent appearances. Then again, maybe HBO Max will get its own Batman.How It Fits in the DC Multiverse: Again, this all depends on the DCEU as we knew it existing after The Flash. But presuming this Batman is meant to interact with the other DC heroes in the established film universe, it is easy to see that aspect of his career invade any solo movies he may star in. Or perhaps, he will finally take on allies in Gotham to support spinoffs like Nightwing and Batgirl.Green Lantern CorpsRelease Date: TBDWhat We Know: Announced back with Cyborg in the 2014 masterplan, Green Lantern Corps continues to slowly move forward. In June of 2018, former DC Entertainment president and chief creative officer Geoff Johns took over writing and producing the project through his production company, Mad Ghost Productions. According to the company website, the film will feature both the Silver Age Green Lantern, Hal Jordan (played by Ryan Reynolds in the 2011 film), and John Stewart, the Green Lantern voiced by Phil LaMarr in various Justice League animated series. An earlier concept developed by Man of Steel’s David S. Goyer and Justin Rhodes was said to be a sort of “Lethal Weapon in space” – a description which may still hold true for Johns’ concept as he worked with Lethal Weapon director Richard Donner for a number of years. With Johns participating in a Green Lantern television series for HBO Max, the project would seem to be postponed again though it is said to still be a priority for Warner Bros. Pictures.How It Fits in the DC Multiverse: Teased in a Justice League flashback, the lack of an Earthbound Green Lantern is part of the reason Steppenwolf (Ciarán Hinds) chose the planet for conquest. But the film would presumably see the Corps correcting that mistake by revealing the brave humans involved in that organization. No doubt the fans of Jordan and Stewart – to say nothing of characters like Guy Gardner, Simon Baz, Jessica Cruz, and G’Nort, who could potentially appear in the film – will be excited to see them in an ensemble. Additionally, the film would provide a perfect platform with which to introduce DC’s space-faring characters to a larger audience. At one time, the film was slotted for a 2020 release, but with the announcement of a HBO Max Green Lantern series, it is unclear if the film will ever surface.SupergirlRelease Date: TBDWhat We Know: The Cloverfield Paradox’s Oren Uziel is reportedly writing a script based on the Girl of Steel. Like The Flash feature film, it will presumably ignore the successful television series on The CW and tell its own version of Kara Zor-El’s first few days as a superhero on Earth. With Man of Steel star Henry Cavill s DC future in doubt, it is unlikely that Superman will show up and help greet the cinematic Kara. The producers of the 1984 Supergirl film also tried to get then-Superman Christopher Reeve to appear in the film, but his presence was limited to a poster on a dorm room wall. In February 2021, The Young and the Restless’s Sasha Calle was cast as Kara for an appearance in The Flash feature. Presumably, she will lead Supergirl as well, but it currently unclear.How It Fits in the DC Multiverse: If Calle continues as Kara, The Flash will determine if she’s the Supergirl of Barry’s Earth – our de facto DCEU – or one of the Mutliversal realities he visits in the film.Cyborg(Photo by © Warner Bros. Pictures)Release Date: TBDWhat We Know: Ray Fisher has been set to star as Vic Stone in a 2020 Cyborg film since 2014, but no director or screenwriter were announced. Many doubted the film will ever materialize despite still being on the calendar. In September of 2018, Fisher suggested fans of the character may need to become more vocal to make the film a reality. In the summer of 2020, Fisher launched a campaign to expose Joss Whedon’s allegedly abusive behavior on the set of the Justice League reshoots. As the situation expanded to former DC Films chiefs Geoff Johns and Jon Berg, Fisher vowed never to work with current DC Films boss Walter Hamada – whom he alleged was pressuring him to take back his accusations about Johns. Subsequently, Cyborg’s planned role in The Flash was written out and, presumably, any chance of a solo film outing went with it.How It Fits in the DC Multiverse: Frankly, we’ll be surprised if Cyborg ever resurfaces in the current DC Films structure, Multiverse or no.BlackhawkRelease Date: TBDWhat We Know: While it is unclear if Blackhawk will be part of the DC film universe, it is a favorite comic book of director Steven Spielberg. He even tried to get a Blackhawk movie off the ground in the 1980s. The current version of the project will see him direct a film based on the golden-age Quality Comics concept later bought by DC in 1957 with The Lost World: Jurassic Park screenwriter David Koepp adapting the concept. The main character is the leader of the Blackhawks squadron, a famed air outfit of seven ace pilots during World War II. When DC incorporated them into a post-war context, they became mercenaries, battled James Bond-style supervillains, and even flirted with becoming superheroes themselves! Considering the director’s fascination with the Second World War and aviation of the period, the original Golden Age version seems like the best fit, provided the film ever gets off the ground.How It Fits In The DC Multiverse: While current narrative conceits allow the film to take place in the past of Barry’s Earth, the Multiverse means the project could be as closely or loosely tied to other films as Spielberg wants. That is presuming, of course, he’s still interested in making it.Untitled Jared Leto Joker Project(Photo by © Warner Bros.)Release Date: TBDWhat We Know: According to reports, Jared Leto will star and serve as executive producer in his own solo Joker film – a deal which happens to be quite similar to Robbie’s involvement in Birds of Prey. Details are scarce, other than it will be a separate project from both the “Joker and Harley” concept and the standalone Joker. It will also spearhead a batch of films based on the characters featured in Suicide Squad, which means rumors of that Deadshot movie might be more than idle talk. Then again, it has been a long time since the actor has made any mention of returning to the role. Also, the announcement of a Peacemaker HBO Max series – centered on The Suicide Squad character played John Cena – may indicate the original spin-off plan has gone by the wayside. It would seem Leto’s time in the DC Multiverse is already over.How It Fits in the DC Multiverse: The Leto Joker was not only featured in Suicide Squad, but is also the murderer of Batman’s second Robin, as implied in Batman v Superman: Dawn of Justice. As of Birds of Prey, his relationship with Harley is kaput, setting the two characters off in separate films series. If the “Joker and Harley” project is still happening, then it may serve as a capstone to the characters storylines across The Suicide Squad, Birds of Prey, and Leto’s Joker. But it may also serve as a replacement for that film as Robbie’s Harley projects may preclude “Joker and Harley.” Of course, Joker’s success – and Leto’s comments about being “alienated and upset” when it was announced – may mean the end of this version of the character. His appearance in Zack Snyder’s Justice League and the very nature of the Multiverse offer some glimmers of hope, however.Joker 2(Photo by Niko Tavernise/© 2019 Warner Bros. Entertainment Inc.)Release Date: TBDWhat We Know: Thanks to the success of the first Joker, a follow-up was inevitable, but details remained scarce through 2020. In May of 2021, word broke indicating the project is still in development with a surprising new tie to the larger DC Multiverse. Star Joaquin Phoenix and direct Todd Philipps will presumably return. Although the early reports were refuted, the more recent claim suggests Phillips is already writing the script.How It Fits Into the DC Multiverse: According to the May 2021 report, the film will tie into The Batman and its spinoff HBO Max series, Gotham PD. If this proves to be true, it is a change from the original film’s entirely standalone nature. Additionally, the two Joker films, The Batman, and Gotham PD would constitute the first true separate universe from the one established in Man of Steel.NightwingRelease Date: TBDWhat We Know: As of February 2018, The LEGO Batman Movie’s Chris McKay was still developing a project centered on the first Robin, Dick Grayson. A final draft from screenwriter Bill Dubuque was due at the time, but there has been no movement since. Reportedly, the film has been postponed in anticipation of The Batman, which may ultimately introduce its own version of Dick Grayson. In June of 2021, McKay told CinemaBlend, I hope it’s still a reality. I hope that we still get to make that movie. As far as I’m concerned, it’s not lost yet. How It Fits in the DC Multiverse: As established in Justice League, the Robin costume in the Batcave is not Dick Grayson’s uniform, suggesting plans for Nightwing go all the way back to the 2014 masterplan. A solo film would presumably see the character living in Bludhaven (Grayson’s adopted city in the comics) and coming to grips with becoming his own hero. McKay also plans to direct a new Dungeons Dragons film and a feature film version of Johnny Quest, so it is hard to tell if Nightwing will happen anytime soon. Last time McKay was asked about it, he said fans will have

亚博app链接 This Week s Ketchup brings you seven headlines from the world of film development news, covering such titles as Black Widow, Space Jam 2, and the sequel to Hobbs Shaw. This WEEK S TOP STORYDWAYNE JOHNSON CONFIRMS PLANS FOR HOBBS SHAW SEQUEL(Photo by Frank Masi/©Universal)Universal Pictures recently pushed the Fast Furious sequel F9 back a full year to April 2, 2021 (the date when FF10 previously would have been released). Despite that delay, Dwayne Johnson took to his Instagram feed in a Live Q A this week to confirm that Universal is indeed developing a sequel to last year s spinoff Fast Furious Presents: Hobbs SHaw (Fresh at 67%). Johnson said of the sequel (we like to think of it as 2 Hobbs 2 Shaw), Just gotta figure out the creative right now, and the direction we’re going to go. Fast Furious Presents: Hobbs Shaw earned over 9 million worldwide, which suggests there was an audience not only for the action movie chemistry between Johnson and co-star Jason Statham, but also for the superhero movie direction the film took. Having said that, Universal could easily switch things up with each new film, possibly taking on other action movie genres. The studio has not yet scheduled the second Hobbs Shaw movie for release yet, but with all of the other delays going on these days, it likely won t be before 2022.`Other Top Headlines1. BLACK WIDOW, ETERNALS, AND OTHER MARVEL MOVIES PUSHED BACK SEVERAL MONTHS EACH (Photo by Marvel Studios)As it appears more and more likely that most movie theaters will remain closed until probably May or June (or later), studios have been pushing back their films repeatedly over the last couple of weeks. Disney, which has some of the biggest upcoming titles, has been slower to act, but late this afternoon, the studio did finally make some big announcements. Let s start with Marvel Studios, which always would have been the most impacted because of the way the Marvel Cinematic Universe works. A delay to one or two films basically could mean a delay for the whole slate, or else the narrative could end up a jumbled mess. Black Widow has been pushed back six months from 5/1/2020 to 11/6/2020 (and is also getting a new composer), which was the former home to Eternals, which now takes 2/12/2021, the former date for Shang-Chi and the Legend of the Rings. This continues right down the line to include Doctor Strange in the Multiverse of Madness, Thor: Love and Thunder, and Captain Marvel 2 (7/8/2022). (Black Panther II, meanwhile, did not get moved from its 5/6/2022 release date.) Other movies that Disney has bumped back include Mulan (7/24/2020), Jungle Cruise (7/20/2021, which is a push of a whole year), and Indiana Jones 5 (7/29/2022) (likewise). Finally, the movie that is arguably experiencing the biggest change is the long-in-development Artemis Fowl (formerly scheduled for 5/29/2020), which will now skip theaters entirely to debut on the Disney+ app instead.2. EDGAR WRIGHT TO DIRECT AMBITIOUS ANDROID EPIC, SET MY HEART TO FIVE (Photo by Wilson Webb/©TriStar)As with Disney s treatment of its Marvel slate, we can fully expect that release date shifts will have a wave-like effect for the rest of 2020 and 2021. We mention this because director Edgar Wright s next film, Last Night in Soho, had been scheduled for release on September 25, 2020, but it s now very possible that the film might be shifted to late 2020 or sometime in 2021. Wright himself, however, appears to be getting ready for his next film, as he is now attached to direct an adaptation of an upcoming novel called Set My Heart to Five about an android learning to love in an all-too-human future of 2054 when the lead android works as a dentist, as he undergoes an emotional awakening that is sparked by an introduction to 80s and 90s movies. That logline brings to mind two films that were both directed by Steven Spielberg: A.I. Artificial Intelligence (Certified Fresh at 74%) and Ready Player One (Certified Fresh at 72%). Edgar Wright is also still developing his Baby Driver sequel and an adaptation of the YA novel Grasshopper Jungle.3. SPIKE LEE REVEALS WHAT MIGHT HAVE BEEN FOR HIS ABANDONED JACKIE ROBINSON BIOPIC (Photo by Kristin Callahan/Everett Collection)It was only seven years ago that future Black Panther star Chadwick Boseman starred in 42, the long-in-development Jackie Robinson biopic (Certified Fresh at 80%). If we go back twice as far to 2013, that lands us in the decade of the 1990s, when Spike Lee had once hoped to give the world his own Jackie Robinson project. In the spirit of giving people something to read while they re holed up during the current COVID-19 crisis, Lee has revealed a Dropbox containing his 1996 screenplay for his adaptation of Jackie Robinson s autobiography, I Never Had it Made. Spike Lee seems to be putting this out there in the spirit of what-might-have-been, but it certainly begs the question, could it still be made? Might he still be able to make his Jackie Robinson?4. WATCHMEN DIRECTOR TAKES ON UNIVERSAL MONSTER MOVIE DON T GO IN THE WATER Universal Pictures scrapped their plans for their Dark Universe after the disappointment of The Mummy in 2017, but the studio has hopes of reviving those various franchises. That quick turnaround started just over a month ago with The Invisible Man. With that in mind, let s look at this week s news that Universal Pictures has hired TV director Stephen Williams (LOST, Watchmen) to helm a suspenseful monster movie called Don t Go in the Water. That title could refer to any number of underwater threats, but writers online are already speculating that this could be a back door remake of Creature from the Black Lagoon. Having said that, Don t Go in the Water could be a warning about something else, like piranha, barracuda, crocodiles, etc. Heck, this could as easily be a secret Sea Monkeys monster movie.5. ANNE HATHAWAY WILL DISCOVER WHY FRENCH CHILDREN DON T THROW FOOD (Photo by Giles Keyte/Focus Features)The COVID-19 crisis is not progressing at the same pace in different nations, so some international film productions will be able to proceed sooner than here in the United States. That potentially sets up scenarios where Hollywood movie stars may pick up work in those countries while they wait for other work to resume or start here. We don t know if that s the case in this story, but Anne Hathaway has signed on to star in the StudioCanal production French Children Don t Throw Food. The film will be an adaptation of the autobiography of the same title by Pamela Druckerman. Hathaway will star as an American journalist who moves to Paris for her husband s job [who] observes her French neighbors and friends to uncover the secrets behind parenting astonishingly well-behaved French children. 6. DON CHEADLE WILL BE THE VILLAIN IN SPACE JAM 2 (Photo by DreamWorks courtesy Everett Collection)Amidst all of the big delays, it can seem almost jarring when one hears about something that s proceeding unabated. For example, the animation process for Space Jam 2 is still moving forward as scheduled, according to the sequel s star and producer, LeBron James. Just like everything  in the world, everything is slowed down a little bit, but we’re still on target, James said of the film s release date on July 16th, 2021. In related news, comedian-actor Paul Scheer also confirmed this week that Don Cheadle (whose casting in Space Jam 2 was actually announced last July) is playing the film s villain. Live-action filming of Space Jam 2 wrapped in September of 2019.7. SCREENWRITER CONFIRMS NO SEQUEL FOR SOLO: A STAR WARS STORY(Photo by Walt Disney Studios)Until just two years ago, Disney and Lucasfilm were still committed to the Star Wars Story movies being an ongoing franchise to support the main franchise of films (The Force Awakens, The Last Jedi, The Rise of Skywalker). In addition to planned projects for Boba Fett and Obi-Wan (which will instead be a Disney+ series), the ending of Solo: A Star Wars Story (Fresh at 70%) also seemed to suggest there was narrative room for sequels (unlike, say, Rogue One, which ended exactly where Star Wars: A New Hope starts). The huge wrench in all of those plans, however, was that Solo only earned 2 million worldwide. We ve known for a while that the Star Wars Story movies were done, but there had been some speculation online that perhaps Alden Ehrenreich s version of young Han Solo could continue his adventures on something for Disney+. Well, screenwriter Jon Kasdan answered that question directly this week, and he pretty much shot down such talk, specifically saying, the D+ Star Wars slate is really pretty packed. Alden Ehrenreich has no feature films in the works, but he did land the lead role in the Brave New World series that will premiere on NBC s Peacock app.8. ZACK SNYDER S NEW BATMAN V SUPERMAN: DAWN OF JUSTICE REVELATIONS (Photo by Warner Bros.)Like many filmmakers during the ongoing health crisis, Zack Snyder staged an online event recently for fans as Batman v Superman: Dawn of Justice (Rotten at 28%) celebrated its fourth anniversary. Especially of note were Snyder s comments about longtime Justice League member J onn J onnz, the Martian Manhunter (played by Harry Lennix) and Gal Gadot s Wonder Woman. Talking about the image of Gal Gadot (teasing her debut in Batman v Superman), Snyder said that the exact setting of Wonder Woman during World War I wasn t known while they were filming, with other possibilities (at the time) being either the Crimean War (1853 to 1856) or the American Civil War (1861 to 1865).9. MICHAEL BAY SIGNS NEW SONY DEAL STARTING WITH BLACK FIVE (Photo by Michael Germana/Everett Collection)This year marks 24 years now since Michael Bay s first and only Fresh film as director, which was also his second film, The Rock (Fresh at 66%). After directing his last Transformers film (The Last Knight, Rotten at 15%), Michael Bay moved over to Netflix with last year s 6 Underground (Rotten at 36%), starring Ryan Reynolds. Netflix has obviously been very much in the business of establishing new relationships and deals across the board, but Bay has chosen to go another direction, as he has signed a new deal that brings him back to Sony Pictures, the studio behind his very first ever film as director, Bad Boys. Bay s first new project under this new deal at Sony will be an ensemble drama called Black Five. Sony is reportedly still hoping for an early 2020 production start date with a big male lead. The premise is being kept secret, but it s reportedly got a gritty sci-fi element to it that s that’s very much in the vein other Bay films.

2022-01-18
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